Murder Me, Murder You (1983, directed by Gary Nelson)


When two employees of an all-female courier service are murdered, Private Investigator Mike Hammer (Stacy Keach) is on the case.  The service was owned by his ex-girlfriend, Chris (Michelle Phillips), and she wants him to protect her while she testifies in front of a grand jury.  It turns out that her courier service has gotten involved in some shady business, transporting deliveries between a helicopter company and a South American dictator.  Chris fears that she’ll be murdered to keep her from testifying.  Hammer agrees to protect her and she tells him that he has a 19 year-old daughter who he’s never met.

While Chris is testifying, she suddenly dies on the stand.  The doctors say that it was a heart attack but Hammer knows that it was murder.  Hammer sets out to not only get revenge for Chris but also to find his daughter, who has disappeared into the world of underground pornography.  It’s all connected though, as is traditional with Mike Hammer, it can sometimes be difficult to keep up with how.

Murder Me, Murder You was a pilot film for a brief-lived but fondly-remembered Mike Hammer TV series that aired in the 80s.  Murder Me, Murder You takes Mickey Spillane’s famous detective into what was then the modern age but it allows him to remain a man of the hard-boiled noir era.  Hammer’s narration is tougher than leather, he’s more interested in listening to swing music than new wave, and he still dresses like an old-fashioned private eye, complete with a fedora on his head.  As played by Stacy Keach, he’s also just as dangerous and quick to kill as Hammer was in Spillane’s original novels.  In the novels, Hammer was an unapologetic brute who often bragged about how much he enjoyed killing criminals and communist spies and whose closest associate was his gun, which he nicknamed Betsy.  When Spillane’s novels were filmed, the violence of Hammer’s character was often downplayed.  (A notable exception was Robert Aldrich’s Kiss Me Deadly, which suggested that Hammer was such a fascist that he would eventually be responsible for the end of the world.  The Mike Hammer of Spillane’s novels would probably dismiss Kiss Me Deadly as being red propaganda and set out to deliver American justice to the Hollywood communists who wrote it.)  In Murder Me, Murder You, Mike Hammer is just as brutal an avenger as Spillane originally imagined him to be.  With his hulking frame, grim eyes, and his surly manner, Stacy Keach is the perfect Mike Hammer.

Murder Me, Murder You is a convoluted and often difficult-to-follow murder mystery but with Keach’s bravura lead performance, a strong supporting cast (including notable tough guys Tom Atkins and Jonathan Banks) and good direction from TV movie vet Gary Nelson, this movie comes about as close as any to capturing the feel of Mickey Spillane’s original novels.  Murder Me, Murder You was released on DVD fourteen years ago.  Though it is now out-of-print, copies are still available on Amazon.

Embracing the Melodrama Part II #62: Time After Time (dir by Nicholas Meyer)


TimeAfterTime79So, I just gave the 1979 film Home Before Midnight a fairly negative review but I simply cannot end the 70s section of Embracing the Melodrama on such a negative note!  So, before we move on to the 80s, allow me to suggest another film from 1979 that you could watch while you’re not watching Home Before Midnight!

Time After Time opens in London.  The year is 1893.  Writer H.G. Wells (Malcolm McDowell) is having a dinner party so that he can show off his latest invention, a time machine.  Among his guests is a surgeon named John Stevenson (David Warner).  What nobody at the party suspects is that Stevenson also goes by the name Jack the Ripper and that he enjoys killing prostitutes.  When a detective from Scotland Yard shows up at Wells’s home, Stevenson jumps into the time machine and escapes into the future.  Since Stevenson does not have the “non-return key,” the machine returns back to 1893 but Stevenson has apparently escaped.

Wells uses the machine to pursue Stevenson and soon finds himself in 1979 San Francisco.  Wells had expected to find that the future would be a utopia but instead, he discovers the world of 1979 is loud, polluted, violent, angry, and dangerous.  (Kinda like the world of 2015…)  As Wells pursues Stevenson, he struggles to adjust to the world of the “future,” and he also meets a bank clerk, Amy Robbins (Mary Steenburgen).

Time After Time is probably the sweetest movie ever made about Jack the Ripper and that’s largely because of the romance between both Wells and Amy and the two actors who played them.  After watching Time After Time, I was not surprised to learn that McDowell and Steenburgen got married shortly after appearing in this film.  They were so incredibly sweet together!

Add to that, considering the he’s best known for playing villains and other menacing types, it’s interesting to see Malcolm McDowell plays such a gentle and nice character.  Wells’ befuddlement is charming to watch.  There’s a great scene where Amy calls Wells on a landline phone and Wells stares down at the receiver in frightened amazement.

Time After Time is a really good and likable movie.  It’s sweet and it proves that even hunting for Jack the Ripper can be a romantic experience if it’s done with the right person.  Watch it and enjoy!