Bill Dancer (James Belushi), a homeless drifter and small-time con artist, and his 9 year old companion Curly Sue (Alisan Porter), survive by running somewhat harmless scams against rich people. While traveling through Chicago they target Grey Ellison (Kelly Lynch), a rich, career-focused divorce attorney, tricking her into thinking that she ran over Bill with her Mercedes. Normally the pair are just after a free meal and maybe a little cash, but Bill doesn’t have the heart to take too much from Grey since she’s so darn pretty. Through a variety of circumstances, she actually does run over Bill the next day. This time she brings him and Curly Sue up to her fancy apartment so he can recover, despite the objections from her snobby boyfriend Walker (John Getz). As the three get to know each other, Grey forms an especially close connection with Curly Sue, and learns that Bill isn’t her actual dad, even though he’s raised her since she was a baby. Knowing that Grey can give Curly Sue a better life than he can, Bill thinks about leaving. But can he ever leave the girl he sees as a daughter? And can Grey discover a compassion for others and the maternal instinct that she’s been missing?
As is often the case with movies I choose to write about, I had a sense of nostalgic warmth while watching CURLY SUE this morning for the first time in three decades. I saw CURLY SUE at the movie theater with my high school girlfriend in the fall of 1991. I remember enjoying the film and even buying it on VHS as a gift for my mom because I knew she would like it. In the years before she could record her Hallmark movies on her DVR, Mom watched that VHS tape many times.
Quite different from his classic teen comedies, CURLY SUE, which is the final film directed by John Hughes, can only be described as unapologetically sentimental. Sure the movie is formulaic and pure syrup, but I still enjoy it anyway. This heartwarming fairy tale will make you believe that an unconventional, loving family can emerge from the most unexpected of circumstances. It will suggest that there are some things more important than any amount of money can buy. It will make you laugh out loud at times, and yes, it will even bring a tear to your eye as some of the more emotional scenes play out. CURLY SUE wants to manipulate its audience’s emotions, and it will happen if you just go with it. On the down side, if you catch this film in the wrong kind of mood, or if you’re feeling especially cynical, that magic will disappear and you probably won’t enjoy the movie at all.
As for the performances, as a fan of James Belushi, I like him as the gruff but likable Bill. I also enjoy Kelly Lynch as the she evolves from a person married to her work to someone who starts to care deeply about the people around her. Probably the most important performance in the film comes from Alisan Porter as Curly Sue. If you don’t find her cute and adorable, then you’ll probably have a hard time watching the movie. I personally found her to be quite precious so that was not a problem for me. Once again, the movie version of early 90’s Chicago as our setting is something I enjoy as well.
Overall, CURLY SUE is not in the same league as Hughes’ best work like PLANES, TRAINS AND AUTOMOBILES, and there will be many who downright dislike the schmaltzy nature of the film. However, if you’re in a nostalgic mood for an earnest, early ‘90s heart-tugger, this movie might just hit the spot.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
This week, the Vice Squad investigates the “other Hollywood” and some notable guest stars pop up.
Episode 4.3 “Death and the Lady”
(Dir by Colin Bucksey, originally aired on October 16th, 1987)
Painter-turned-filmmaker Milton Glantz (Paul Guilfoyle) is very proud to have received an Erotic Film Award for his latest movie, DeathandtheLady. However, when Glantz receives his award, a man named Tulane Knox (Michael David Morrison) shouts that the violent murder that ends the film was real and that Glantz is a killer.
Knox is taken into custody by Gina and Trudy. Crockett doesn’t believe a word that Knox is saying. He’s convinced that it’s all just a publicity stunt to get people interested in the film. Crockett doesn’t have much use for all that art film mumbo jumbo. He lives on a boat with a crocodile named Elvis, after all. Actually, it’s been a while since we’ve seen Elvis. I hope he’s okay.
Still, Crockett investigates. He and Tubbs discover that the actress from the film — Lori Swann (Kelly Lynch) — is still alive and working in the movies. However, he also discovers that Lori and Glantz made another film, called Twins. That film featured Lori and a woman named Amy Ryder, who looked just like her. A conversation with Amy’s sister (Penelope Ann Miller) reveals that Amy hasn’t been seen for a while. Plus, Amy has terminal cancer….
Especially when compared to the previous two episodes, this episode felt more like classic MiamiVice, dark, moody, and fatalistic. It doesn’t take long for both the audience and Crockett to realize that Glantz murdered Amy for his film. (Amy’s dead eyes appear in Glantz’s film.) But the problem is that there’s no way for Crockett to prove it. The District Attorney (Miguel Ferrer, making an early appearance) refuses to bring charges without hard evidence. When Glantz taunts Crockett with the fact that he committed the perfect murder, Crockett snaps. He beats up Glantz but he doesn’t kill him. Crockett hasn’t crossed that line but, watching this episode, you get the feeling that it’s only a matter of time. But it doesn’t matter how many times Crockett throws a punch, Milton Glantz gets away with murder.
This was the MiamiVice of old, depressing, distressing, and very, very stylish.
(Plus, there’s a kitty in this episode! He is discovered in a cocaine dealer’s home and he’s given to Gina as a present. Even Castillo smiles when looks at the kitty. Awwww!)
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1989’s Road House!
The name is Dalton! Everyone thought that Dalton would be bigger but he’s the second best bouncer in the world and if anything happens to Wade Garrett, he’ll be the absolute best. He’s a legend but can he clean up the wildest bar in Missouri? Will Ben Gazzara convince him to switch sides? Will Doc convince him to give peace a chance? And will Tinker ever get over his fear of polar bears? Just remember, pain don’t hurt. Be nice until it’s time not to be nice. And always check the boots for blades.
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1989’s Road House!
The name is Dalton! Everyone thought that Dalton would be bigger but he’s the second best bouncer in the world and if anything happens to Wade Garrett, he’ll be the absolute best. He’s a legend but can he clean up the wildest bar in Missouri? Will Ben Gazzara convince him to switch sides? Will Doc convince him to give peace a chance? And will Tinker ever get over his fear of polar bears? Just remember, pain don’t hurt. Be nice until it’s time not to be nice. And always check the boots for blades.
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
This is NOT a drill! This Friday, we have got …. DALTON! Join us as we watch 1989's ROAD HOUSE! The film is available on Prime, Netflix, and Paramount Plus and we start at 10 pm et on Friday! pic.twitter.com/JheJ2l1O5e
I completely get why this is one Lifetime movie that Lisa hasn’t written about. This is a total mess of crap. I’m going to borrow Lisa’s format she often uses for reviewing Lifetime movies because otherwise this would probably just be reduced to a string of expletives.
Why Was I Watching It?
Because I was too stupid to listen to the slew of negative reviews on IMDb. Instead, I was intrigued and managed to find a copy of this thing.
What Was It About?
I can tell you what it was supposed to be about. It was supposed to be about a teenage boy who gets addicted to porn. In reality, I think it’s about how seeing big breasts means you will become addicted to energy drinks and you will go insane when you go through puberty and never masturbate.
The movie begins with a kid who has been beaten up jumping into a pool. Cut to three months prior and the kid is swimming in a meet. In no time, this kid is introduced to porn and since his girlfriend wants to remain a virgin, he gets hooked. He also just gets hooked on energy drinks at the same time. Because it’s nearly impossible to look at porn without massive amounts of caffeine in you. Honestly, I think they put that in the movie so they would have even more of a reason for why his swimming and school work suffers.
His Mom (Kelly Lynch) spots the porn because this kid is too stupid to close his door. He’s dumb enough to not shut his door, but later he suddenly becomes smart enough to hack through the library firewall to look at porn. HA!. Later he introduces his younger brother to porn.
Now, when I say he’s addicted to porn, it’s a little more complicated. Sometimes it’s just plain porn like this.
But a lot of the time it’s this girl named Monica who apparently goes to school with him. There is so little information about her that all I can say is that she is supposed to be a senior. Honestly, I’m quite sure they never even tell us why she puts herself out there like that. No money seems to come her way. At least the girls on Degrassi: TNG set up a business.
The film plays out like the kid has a drug problem. You’ve seen those films a million times so you know how it plays out. There’s really only two things left to talk about.
First, this bizarre scene where he is surrounded by women in the water.
Second, the ending of the movie. I hate to use the word slut, but I honestly don’t know of any other way to describe how they portray Monica. She actually meets with him at a restaurant, moves to the other side of the booth, grabs his hand and puts it on her breast. No explanation whatsoever except she seems to be super horny. It’s really weird. Now the ending. He appears to get beat up by the boyfriend of Monica because she’s a slut, then he jumps in the pool, and is suddenly cured of his porn addiction. This movie is more of a mess than Nukie.
What Worked?
Nothing. Okay, it did get the bit right about how porn sites would generate a seemingly endless amount of popups. I really think that’s it.
What Did Not Work?
Everything else.
“Oh my God! Just like me!” Moments
I have also looked at porn on the Internet. But I was never dumb enough to do it when my parents could easily see it. It’s no wonder his parents say that swimming is the only way he’s going to college. It’s not money. They know their son rivals Bill Pullman’s character in Ruthless People (1986).
Lessons Learned
If someone tells you there is a Lifetime movie worse than this, then avoid it because your life may depend on it. Honestly, I have not watched a movie this bad since Ricky 1 (1988). Up to now I have only referred to it as the movie that shall not be named, but this is on par with it so I have no choice. That means it’s horrifyingly bad.
The other night, I watched an old Patrick Swayze movie called Road House. The movie was on Channel 64, which is also known as the Ion Network. Anyway, the movie started at 8:00 and I was really, really tired for some reason so, as the movie started, I made the mistake of grabbing a pillow and curling up on the couch with the cat and, no offense to the memory of Patrick Swayze but, as soon as he showed up on my TV screen, my eye lid started to get so heavy. My sister Erin sat down beside me and said, “Are you falling asleep?” “No,” I said and then I was out like a light.
Luckily, Erin turned on the DVR as soon as she heard the sound of my asthmatic wheeze of a snore so when I woke up at 3 in the morning, I sat up and proceeded to watch the final 80 minutes of Road House.
Why Was I Watching It?
Because almost every guy I know seems to be in love with this movie. When Patrick Swayze died, I though about Dirty Dancing and Donnie Darko. But almost every guy I know — from my friend Jeff to my cousins in Arkansas to my boss at work to my online friends on twitter — was going, “Road House!” So, I watched it to see if I could maybe understand what makes the male mind tick. Plus, I was bored and really, really tired. And I couldn’t find the remote to change the channel. (Turns out it was actually underneath me, lost in the cushions of the couch.)
What’s It About
Patrick Swayze plays Dalton, who is apparently a legendary “cooler,” which apparently is what you call a bouncer who thinks he’s too good to be called a bouncer. He get hired to be a boun–oh, sorry, a cooler — at a bar called the Double Deuce that is located down in Jasper, Missouri. So, Swayze goes down there and starts cleaning the place up and then it turns out that the entire town is controlled by Brad Wesley (played with a true joie de vivre by Ben Gazzara) and Wesley wants…well, I’m not sure what he wants, to be honest. I mean, seriously, I was so tired when I started watching this movie. I’m sure I missed all sorts of nuance and such. But anyway, Gazzara wants something and Swayze won’t let him have it so there’s a lot of fights at the road house and a car dealer ship gets destroyed and a barn blows up and then eventually Patrick Swayze rips out some guy’s throat with his bare hands.
In between all of this, Swayze recruits his mentor (Sam Elliott) to come down and help out. This leads to Elliott getting murdered but nobody ever thinks to say, “Hey, Patrick — maybe if you had just let Gazzara do his thing, Sam Elliott would still be alive today.” Also, Swayze romances a local doctor played by Kelly Lynch. She used to be Gazzara’s girlfriend and she gets upset after seeing Swayze rip out someone’s throat with his bare hands. But then she ends up skinny dipping with him about fifteen minutes later so I guess she got over it.
Did I mention that Patrick Swayze rips out someone’s throat with his bare hands?
What Worked
Road House is one of those “so-bad-its-good” type films. This is a film that sets out to be manly and ends up being so manly that it becomes ludicrous. But guys are almost always fun to watch when they’re trying to be all guy-like. (Though not always, as will be discussed under the heading of What Didn’t Work.)
Ben Gazzara is a lot of fun in the role of Brad Wesley. Seriously, he looks like he had so much fun playing the part. Usually, it annoys me when a film’s main female character is revealed to be the ex of a total and complete psycho (and I’m looking at you, Love and Other Drugs) but it totally works here because seriously, Ben Gazzara is the man.
And Sam Elliott provides all sorts of grizzled, beer-soaked, chain-smoking, unwashed sexiness.
The film features a lot of countryside that doesn’t look much like Missouri but it’s still really pretty. (Missouri’s really pretty too. You rock, Missouri!)
Since this film was being shown on television, all of the bare asses and visible nipples were edited out as were all the four-letter words. However, it was that really weird, half-ass style of editing where you hear Patrick Swayze yelling, “FU—-CK YOU, WESLEY!” Also, whenever anyone said the F-word, a big blurry dot suddenly appeared over their mouth. That may not sound like much but at 3 in the morning, it really can cause you to giggle.
At one point, one of the bad guys grabs Patrick Swayze from behind and goes, “I used to FU—-CK Guys like you in prison!” That line made me laugh way too much. Plus, the guy saying it was really hot but then Patrick Swayze used his bare hands to rip out of the guy’s throat and that kind of ruined the whole mood.
What Didn’t Work
Well, technically, the entire film didn’t work but that’s kind of the whole point. Still, for a film that’s supposed to be so bad that it’s good, Road House is still not that good. It never quite reaches the level of Troll 2 or The Room. Quite frankly, there’s waaaaaaaaaay too much testosterone rampaging through this movie and the whole time I watched, I kept on thinking about the violence that seems to define day-to-day existence for far too many people.
Add to that, all of the men seemed to be beating each other up mainly because they were all actually in love with each other but refused to be honest with themselves about it. Seriously, this movie has some issues.
Plus, Ben Gazzara ends up dead at the end of the film which really upset me because he’s the most likable character in the entire film! At the very least, he’s got a really nice house.
Both Swayze and Elliott are apparently meant to be legendary bouncers. They’re so legendary that apparently everyone on the entire planet knows who they are. Now, I’m curious — are there really legendary bouncers? I mean, is there like an in-house magazine that all the coolers and bouncers and barmaids subscribe to? Maybe Patrick Swayze’s character was on the cover a few times. I mean, I can accept that maybe Swayze would be legendary in a few cities were he had worked but would the citizens of Jasper, Missouri really have the slightest idea who he is?
“Oh My God! Just like me!” Moments
Uhmmm…I’m thinking. There really weren’t any moments that made me go, “Oh my God! Just like me!” I mean, I don’t know Tae Kwon Do, I don’t really drink all that much, I’ve never ripped out anyone’s throat with my bare hands, I’ve never fired a shotgun at Ben Gazzara, and I don’t cover myself in body oil before going outside shirtless and practicing Tai Chi.
Oh, wait a minute! Much like Kelly Lynch in this movie, I would probably totally freak out if my boyfriend ripped out some guy’s throat. In fact, I would probably freak out even more than she did. I mean, even if — like Patrick Swayze in this movie — he made things right by dumping the corpse in a lake and then screaming, “FUCK YOU!” at Ben Gazzara, there’s no way you’d get me to go skinny dipping with him after all of that. Because the whole time, I would just be like, “That’s great you got everyone to kill Ben Gazzara, sweetie but seriously, I saw you rip someone’s larynx out of their freaking throat. So, just stand six feet away and keep your hands where I can see them.”
Agck! Now, I’m kinda freaking out about my own throat. I mean, is it that easy to do? *Shudder* I probably never should have given this that much thought…
Lessons Learned:
Protect your throat at all times. Seriously, I’m going to start wearing a stainless steel choker every time I leave the house.