4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
In remembrance of the great Raquel Welch.
4 Shots From 4 Films
One Million B.C. (1967, directed by Don Chaffey)
Fathom (1967, directed by Leslie H. Martinson)
100 Rifles (1969, directed by Tom Gries)
Kansas City Bomber (1972, directed by Jerrold Freedman)
Though the Academy of Motion Picture Arts and Sciences claim that the Oscars honor the best of the year, we all know that there are always worthy films and performances that end up getting overlooked. Sometimes, it’s because the competition too fierce. Sometimes, it’s because the film itself was too controversial. Often, it’s just a case of a film’s quality not being fully recognized until years after its initial released. This series of reviews takes a look at the films and performances that should have been nominated but were, for whatever reason, overlooked. These are the Unnominated.
In 1972’s Kansas City Bomber, Raquel Welch stars as KC Carr.
KC. is a star on the roller derby circuit, a tough fighter who is loved by the audience and who shows no fear when it comes to skating around the track and getting into brawls with the other team. The audience especially loves it when she fights Jackie Burdette (Helena Kallianiotes), madly cheering over every punch landed and every elbow thrown and every strand of hair pulled. It’s not glamorous work but KC loves the adulation of the crowds and the comradery of her team. She’s a single mother and putting on roller skates and getting bruised in fights allows her to support her daughter, Rita (a pre-Taxi Driver Jodie Foster).
But then KC is traded to another team, the Portland Loggers. It takes KC a while to fit in with her new team. She’s viewed with suspicion, especially when she starts to date the owner of the team, Burt Henry (Kevin McCarthy). Burt may seem charming but KC soon discovers that he has a jealous side. When KC spends too much time with her best friend and roommate, Burt trades her to another team. When a male skater named “Horrible” Hank (Norman Alden) reveals that he has a rather obvious crush on KC, Burt goes out of his way to humiliate Hank. Burt wants to start a new team in Chicago and he’s promised to make KC a star. Will KC give up her own freedom to be Burt’s well-compensated star or will she stand up for herself and show that she doesn’t belong to anyone?
You already know the answer. The wonderful thing about Raquel Welch is that she was tough. She didn’t let people push her around and, if that resulted in people in Hollywood whispering that she was difficult, so be it. Like KC Carr, Raquel Welch didn’t make any apologies. Kansas City Bomber is one of the few of Welch’s early 70s films to celebrate and show how just how tough she was. For once, Welch is given an actual character to play and she proves herself to be a strong and fierce actress. It’s fun and more than a little empowering to watch her performance here. Everyone underestimates KC Carr, just as everyone underestimated Raquel Welch. In both cases, the doubters are proven wrong.
Kansas City Bomber is not a great film. (The pacing is totally off and the supporting characters are not quite as memorable as either Welch or Kevin McCarthy.) But Raquel Welch gave a great performance. That Welch was never Oscar-nominated isn’t really a surprise. She didn’t appear in the type of movies that received Oscar attention and she was often cast in roles that didn’t give her much of an opportunity to show off what she could do. She definitely deserved a nomination for Kansas City Bomber.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we wish a happy birthday to the one and only Raquel Welch!
4 Shots From 4 Films
One Million B.C. (1967, directed by Don Chaffey)
Fathom (1967, directed by Leslie H. Martinson)
100 Rifles (1969, directed by Tom Gries)
Kansas City Bomber (1972, directed by Jerrold Freedman)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
It’s the weekend and that can only mean that it’s time for another installment of my favorite grindhouse and exploitation trailers. This installment is devoted to films about women kicking ass.
From infamous director Russ Meyer comes this classic drive-in feature. I just love that title, don’t you? This was the original cinematic celebration of women kicking ass. As the lead killer, Tura Satana has to be seen to be believed. Whenever I find myself struggling with insecurity or fear, I just call on my inner Tura Satana. (All women have an inner Tura Satana. Remember that before you do anything you might regret later…)
This is another one of Russ Meyer’s films. Released in 1968, Vixen is best remembered for Erica Gavin’s ferocious lead performance. For me, the crazed narration makes the entire trailer.
I love this movie! Pam Grier battles the drug trade and kills a lot of people. When we talk about how a film can be both exploitive and empowering at the same time, Coffy is the type of movie that we’re talking about.
Before there was Ellen Page, there was Racquel Welch. Playing her boyfriend/manager in this film is Kevin McCarthy who was the lead in the original Invasion of the Body Snatchers. My mom used to love this movie.
This was the last film that Mario Bava ever directed and it’s one of my personal favorites. In the lead role, Daria Nicolodi gives one of the best performances in the history of Italian horror.
This is one of the greatest horror movies ever made and it reamins sadly neglected. You must see this film before you die (which, hopefully, will not be for a very long while).