January True Crime: Shoot First: A Cop’s Vengeance (dir by Mel Damski)


Made for television in 1991 and possessing a rather unwieldy title, Shoot First: A Cop’s Vengeance tells the story of two friends in San Antonio in the early 80s.

Farrell Tucker (Dale Midkiff) and Stephen Smith (Alex McArthur) are both cops.  They entered the police academy together, they graduated as a part of the same class, and they both hope to be partners while working to keep the streets of San Antonio safe.  Tucker is laid back and friendly and not one to worry too much about following all of the regulations.  Stephen Smith, on the other hand, is uptight and, at first, by-the-book.  He grew up in a poverty-stricken, crime-riddled neighborhood and it left a definite impression on him.  He hates crime and criminals but what he really can’t stand is a justice system that seems to be more concerned with the victimizers than with the victims.  Tucker and Smith enjoy spending their time together, drinking at the local cop bars and practicing their shooting on the weekends.  Tucker’s not much of a shot, whereas Smith is a sharpshooter who rarely misses.

At first, no one notices or even cares that some of San Antonio’s less upstanding citizens are getting gunned down in the streets.  But when Smith somehow manages to be first on the scene to a series of shootings, it gets the attention of Internal Affairs.  With Sergeant Nicholas (Terry O’Quinn) investigating the possibility of a cop-turned-vigilante and Chief Hogan (G.D. Spradlin) announcing that no one is above the law, Smith starts to get a bit paranoid and Tucker is forced to consider that his friend could very well be a murderer.

And, of course, Tucker’s right!  The first scene features Tucker confronting Smith and then the majority of the film is told in flashback.  Even if not for that narrative choice, one could guess at Smith’s guilt just from the title of the film.  When Shoot First: A Cop’s Vengeance was released on home video, the title was changed to Vigilante Cop, which made Smith’s guilt even more obvious.  Finally, some viewers will guess that Smith is guilty because the film is based on a true story.  Officer Stephen Smith actually did go on a killing spree, gunning down men who he felt had escaped the law and even sending threatening letters to his chief when the latter announced that vigilante activity would not be tolerated.  Officer Stephen Smith went from being a follower of the rules to someone who attempted to write his own rules.  It’s an interesting story for anyone who wants to google it.

As for the film, it’s adequate without being particularly memorable.  Alex McArthur and Dale Midkiff both give good performance as Tucker and Smith and the cast is full of talented people like Terry O’Quinn, G.D. Spradlin, Bruce McGill, and Lynn Lowry.  Observant viewers will even notice a long-haired Jeremy Davies, showing up for a split-second.  I liked the performance of Loryn Locklin, as the waitress who marries Smith and then discovers that her charming husband actually has some very serious issues.  The main problem with the film is that the story moves a bit too slowly for its own good and some of the Texas accents were more than a little dodgy.  If you’re looking for an action film, this won’t be for you, though the shootings are surprisingly graphic for something that was made for television.  Shoot First: A Cop’s Vengeance is a rather routine telling of an interesting story.

Retro Television Review: Miami Vice 2.13 “Definitely Miami”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

Things get weird this week.

Episode 2.13 “Definitely Miami”

(Dir by Rob Cohen, originally aired on January 10th, 1986)

This week’s episode of Miami Vice is all about heat.

Seriously, it literally starts with a shot of a solar flares erupting off the surface of the sun.  The camera then pulls away, letting us see what the sun looks like a cloudless blue sky.  Finally, we find ourselves in Miami, where the sky is clear and a heat wave is raging.  The camera focuses on the beads of sweat forming on skin.  Every pastel shirt is stained with sweat and everyone is wearing sunglasses.  When a drug dealer drives out to a quarry to meet connection, the heat seems to radiate out of the screen.  When he’s shot and killed by Charlie Basset (Ted Nugent — yes, the musician and gun enthusiast), the dust that rises up looks like smoke rising from a burning planet.

Sonny and Rico are working undercover as Burnett and Cooper, hanging out at a hotel pool and complaining about the heat.  Their target is Sergio Clemente (Roger Pretto) but Sonny is actually more interested in Callie (Arielle Dombasle), a beautiful blonde who he spots laying by the pool.  Callie sees Sonny watching her and brings him a drink.  Sonny introduces himself as Sonny Burnett.

Clemente is willing to turn himself in but only if he can see his sister, Maria (Kamala Lopez), and know that she’s still alive.  Maria testified against her brother at a trial and is currently in the witness protecting program.  Joe Dalva (Albert Hall), an arrogant Department of Justice official, is willing to bring Maria to Clemente, despite the fact that Maria indicates that Clemente used to sexually abuse her.  Castillo thinks that it’s a terrible idea and tries to use a decoy.  In the end, the government orders Castillo to do what Dalva wants.  Castillo stands in a corner and stares down at the ground, which viewers of the show know is something Castillo does whenever he knows just how badly things are going to turn out.  When the meeting finally happens, Tubbs, Castillo, and Davla can only watch as Maria pulls a knife and stabs her brother to death.

Sonny is not there to see Clemente die.  Callie has told him that her husband is physically abusive and she wants Sonny — as Burnett — to meet him in a quarry, make a drug deal with him, and then kill him.  Sonny suspects that he’s being set up and he’s right.  Callie’s husband is Charlie and he only hits her when she tells him to.  Callie seduces drug dealers and then Charlie kills them.  Sonny, however, is smart enough to bring Zito with him to the quarry.  During a shoot out, Charlie ends up dead.  While the police dig up the quarry and find body after body, Sonny goes to the beach so that he can arrest Callie.  When Sonny approaches Callie, she’s making a sand castle that looks exactly like the quarry.  At first, Callie thinks that Sonny is Charlie but then she forces herself to smile when she sees that Charlie is dead.  She assumes Sonny will be her new partner.  Instead, Sonny calls in a police helicopter and Callie is taken into custody by two cops.  Callie flirts with one of the cops while she’s being led to the helicopter.

And the sun continues to burn in the sky….

This was an odd episode, one that put far more emphasis on vivid and sometimes surreal imagery than it did on telling a coherent story.  That’s not a complaint, of course.  This episode had a dream-like intensity to it that I really appreciated.  It was weird but entertaining, with the grinning Ted Nugent popping up like a gleefully evil goblin.  Sonny is targeted because Callie thinks that he’s a drug dealer when he’s actually a cop.  The idea of Sonny being able to maintain his undercover identity despite having personally arrested or killed a countless number of Miami drug dealers has always been one of the stranger elements of Miami Vice.  This episode, though, it makes a strange sense that Sonny could be mistaken for a drug dealer despite always acting like a cop.  That’s definitely Miami.