The Rainmaker (1997, directed by Francis Ford Coppola)


Rudy Baylor (Matt Damon) is an idealistic young law school graduate who discovers that having a degree and passing the bar doesn’t automatically make you a success.  He gets a job working a bar that just happens to be owned by an ambulance chasing attorney named Bruiser Stone (Mickey Rourke).  Bruiser takes Rudy on as an associate and assigns his associate, Deck Shifflet (Danny DeVito), to teach Rudy how to find cases.  When Bruiser flees the country to escape an FBI investigation, Rudy and Deck start their own law firm.  Rudy soon finds himself with the case of his young career, representing a family in a law suit against Great Benefit Insurance.  Rudy also falls for Kelly (Claire Danes), a young woman who is being abused by her husband (Andrew Shue).

It can be hard to believe today but, in the 90s, every John Grisham novel was adapted for the screen.  Most of the adaptations weren’t very good but audiences ate them up.  In many ways, The Rainmaker is the ultimate John Grisham adaptation because it contains every single trope that John Grisham made popular with his legal thrillers.  This time, Matt Damon is the charismatic attorney.  Roy Scheider is the soulless corporate CEO who needs to be brought down.  Jon Voight is the intimidating opposing counsel.  Danny DeVito is the eccentric comic relief and Mickey Rourke is the dues ex machina who returns to the movie to give Rudy a piece of information at the exact right moment.   The appeal of Grisham is that he made readers (and eventually moviegoers) feel like insiders while presenting them with stories that were essentially very simple good vs evil morality tales.  The insurance company is so cartoonishly evil that there’s no doubt Rudy is going to defeat them.  There’s also no doubt that Rudy is going to find a better calling than ambulance chasing because the only thing that people hate more than insurance companies is lawyers.

The Rainmaker is never as complex as it pretends to be but it’s an entertaining legal movie.  It was also director Francis Ford Coppola’s last big hit.  It’s really more of a Grisham film than a Coppola film but Coppola’s influence is still felt in the almost uniformly excellent cast.  (Ignore Andrew Shue if you can.  Melrose Place was very popular in the 90s.)  Damon, Danes, Rourke, Voight, Dean Stockwell, Danny Glover, Teresa Wright, Virginia Madsen, and Mary Kay Place all give memorable performances.  Roy Scheider is loathsome as the sweater-wearing CEO.  Best of all is Danny DeVito, who gets all of the best lines.

The Rainmaker was the best of the 1990s Grisham adaptations.  While it’s not quite a masterpiece, it’s still emotionally very satisfying.

Brad reviews THE FIRM (1993), starring Tom Cruise!


In honor of Tom Cruise’s 63rd birthday, I decided to watch THE FIRM, which is based on the 1991 novel from author John Grisham. Cruise stars as the brilliant Harvard law graduate Mitch McBride, who convinces his wife Abby (Jeanne Tripplehorn) to move to Memphis, TN, so he can join the prestigious Memphis law firm of Bendini, Lambert & Locke. With the help of his veteran mentor Avery Tolar (Gene Hackman), Mitch seems to be excelling at his job, and everything is just so perfect. Unfortunately, the good times don’t last as Mitch starts to notice some suspicious stuff going on with the firm, beginning with the mysterious deaths of two of his fellow attorneys. He’s soon approached by FBI agents, led by Wayne Tarrance (Ed Harris), who tell him that there are nefarious deeds taking place at the firm, including the laundering of money for the Chicago mob. When Mitch starts questioning the activities of the firm, he finds himself the subject of blackmail and intimidation from the firm’s security officer William Devasher (Wilford Brimley) because the firm will do anything to protect its secrets. Mitch is soon caught between betraying his corrupt employers, who are threatening to kill him, and the FBI, who is pressuring him to expose the firm’s criminal activities. Not wanting to lose his life, go to jail, or get disbarred, Mitch devises an extremely risky plan to outsmart the firm and the FBI, but is even he brilliant enough to pull this one off?!

Back in the early 90’s, it seemed that every other movie being released was adapted from a John Grisham novel, and the very first of those adaptations was THE FIRM in 1993. Extremely successful at the box office, THE FIRM grossed over $270 million worldwide, setting the stage for five new movies based on Grisham novels over the next five years. THE FIRM was not only financially successful, it’s also an extremely effective movie that showcases a 30-year-old Tom Cruise at his very best. Director Sydney Pollack crafted a creepy and paranoid thriller, using a slow-burn buildup that relies on Cruise’s ability to believably go from naïve and starstruck at the beginning, to scared and desperate during the middle portion of the film, and ultimately to resourceful and intelligent at the end, as he navigates the dangerous situations he finds himself in. It’s a dynamic, intense performance, and even with a huge supporting cast of excellent actors around him, Cruise dominates every frame of this film. Other performances that stand out to me are Jeanne Tripplehorn as Mitch’s wife Abby, Wilford Brimley as the firm’s enforcer, Gary Busey and Holly Hunter as a private investigator and his administrative assistant from Little Rock, and David Strathairn as Mitch’s jailbird brother in Arkansas. Gene Hackman is good in his role as Mitch’s corrupted mentor Avery Tolar, but his character is not one of my favorites from the legendary actor. His character has accepted his corruption and learned to cope with it over the years through alcohol and womanizing, just so he can keep making the money. He knows better and that’s the part that ultimately makes him the most pathetic. Ed Harris is also good in the film as the FBI Agent, but his character is kind of an asshole, and it’s fun to see Mitch outsmart him.

I also like the Memphis, Tennessee locations showcased in THE FIRM, locations that I’ve been to many times, such as Beale Street, Mud Island, and The Peabody Hotel. Early in the movie, Cruise’s character flips right along with the “Beale Street flippers,” popular Beale Street entertainers who perform nightly for tips. I’ve given them some of my cash over the years! And the chase sequence that starts at Mud Island and spills over into downtown Memphis is one of the most exciting parts of the movie. My home state of Arkansas even gets in on the action when Mitch meets FBI agent Wayne Tarrance at the Southland Greyhound Park located in West Memphis, Arkansas. The greyhound race track no longer exists at that location, as the final dog race was held on December 31, 2022. The site has now become the Southland Casino, one of three operating casinos in Arkansas, with the other two being the Oaklawn Casino in Hot Springs and The Saracen Casino in Pine Bluff. I also like the fact that the sleazy private investigator, played by Gary Busey, is from Little Rock, Arkansas. I commute to Little Rock daily to work at my accounting and tax firm, and it’s fun imagining that there could be an “Eddie Lomax” somewhere around here.

THE FIRM may not be a perfect film… some fat could have been trimmed out as it runs for over two and a half hours, a lot of time for a “thriller;” and while effective on paper, I also can’t help but wonder if the resolution would have worked quite as well in real life as it’s portrayed in the film. I still love the movie and consider it to be one of Tom Cruise’s best. I revisit it quite often, and I’m glad his birthday gave me another excuse to watch it again today!

So, I Watched Mickey (2004, Dir. by Hugh Wilson)


Tripp Spence (Harry Connick, Jr.) is a lawyer who cheated on his taxes.  He goes on the run with his 13 year-old son, Derrick (Shawn Salinas).  They settle in Las Vegas with new identities.  Tripp now goes by Glenn Ryan and Derrick’s new name is Mickey.  Because Derrick was given the identity of someone who was a year young than him, he is still eligible to play one more season of Little League baseball.  Mickey leads his team to victory after victory and that’s no surprise.  He’s a year older and a head taller than all the other players.  Eventually, Mickey takes his team to the Little League World Series, where he plays a team from Cuba.  Glenn knows that, with all of the publicity, the IRS is going to catch him but all that matters is that his son get to play in the big game.

I love baseball and I can get pretty sentimental when it comes to watching a Little League game.  I tear up at both version of The Bad News Bears.  I also like Harry Connick, Jr.  What I don’t like is cheating and it bothered me that this whole movie was built around a father encouraging his son to cheat.  There wasn’t any reason why Mikey had to be thirteen.  It wouldn’t have changed the plot that much if he had actually been twelve and still eligible to play.  It’s one thing when major leaguers cheat by corking their bat or wiping something on their pitches.  They’re adults and everyone knows that it’s a part of the game.  But to encourage your son to cheat at Little League?  That’s low.

Mickey was written by John Grisham, who loves baseball but who still should have known better.