Horror on the Lens: The Undying Monster (dir by John Brahm)


For today’s horror on the lens, we have 1942’s The Undying Monster!

It tells the story of the Hammonds, a noble British family who, for centuries, have been haunted by suicide, murder, and rumors of a curse.  When a mysterious creature attack Oliver Hammond, Scotland Yard dispatches a scientist to figure out what’s going on.  Perhaps not surprisingly, the local villagers insist that it’s the curse.  The scientist, however, is convinced that it has to be something else…

Clocking in at 63 minutes and made on an obviously low budget, The Undying Monster is actually pretty good.  Director John Brahm emphasizes shadows and darkness, taking an almost film noir approach to this tale of gothic horror.  The Undying Monster is a hidden gem of 40s horror and here it is!

Enjoy!

The Fabulous Forties #5: Guest In The House (dir by John Brahm)


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The fifth film in Mill Creek’s Fabulous Forties box set was 1944’s Guest In The House.  Before I get around to actually reviewing the film, there two important things that I need to share.

First off, according to the imdb, when Guest In The House was released into theaters, it ran a total of 121 minutes.  The version that was released on video — the version that I watched for this review — only runs 100 minutes.  Having watched the film, it’s hard for me to guess what could have been included in those 21 minutes.  There’s no major plot holes in the 100 minute version or any unanswered questions.  It’s hard for me to imagine that there could be anything in those 21 minutes that would have made Guest In The House a better film than the version that I watched last night.  If anything, even at just 100 minutes, the version that I saw still felt too long!

Secondly, Guest In The House was re-released several times.  At one point, the title was changed to Satan In Skirts!  That has got to be one of the greatest titles ever!  Seriously, Guest In The House is such a boring and mundane title.  But Satan in Skirts — I mean, that sounds like something that you just have to watch, doesn’t it?

Anyway, Guest In The House is about a guest in the house.  Shocking, right?  Evelyn (Anne Baxter, playing a character similar to her classic role in All About Eve) is a mentally unstable woman with a heart ailment and a morbid fear of birds.  She has recently become engaged to Dr. Dan Proctor (Scott Proctor) but she spends most her time writing nasty things about him in her diary.

Dan takes her to visit his wealthy Aunt Martha (Aline MacMahon).  Also staying at Martha’s is Dan’s older brother, an artist named Douglas (Ralph Bellamy).  Douglas is married to Ann (Ruth Warrick, who also played Kane’s first wife in Citizen Kane).  Also living at the house is Douglas’s model, Miriam (Marie McDonald).

(“I used to have to hire one model for above the neck and one model for below the neck,” Douglas explains as Miriam poses for him, “But you’re the whole package!”)

When Evelyn has a panic attack upon seeing a bird, Douglas calms her down by drawing a woman on a lampshade.  (Yes, that’s exactly what he does.)  This leads to Evelyn becoming obsessed with Douglas.  Soon, she is manipulating the entire household, trying to drive away Dan and Miriam while, at the same time, try to break up Douglas and Ann’s marriage….

So, does this sound like a Lifetime film to anyone?  Well, it should because Guest In The House is basically a 1940s version of almost every film that aired on Lifetime last year.  Normally that would be a good thing but, unlike the best Lifetime films, Guest In The House isn’t any fun.  It should be fun, considering how melodramatic the storyline is.  However, Guest In The House takes a prestige approach to its story, marking this as one of those films that was made to win Oscars as opposed to actually entertaining audiences.  Other than a few time when Evelyn imagines that she’s being attacked by invisible birds, the film never allows itself to truly go over-the-top.

Lovers of The Wizard of Oz might want to note that the Wicked Witch of the West herself, Margaret Hamilton, plays a maid in this film but, in the end, Guest In The House is mostly just interesting as a precursor to Anne Baxter’s performance in All About Eve.

Horror on TV: The Twilight Zone 1.28 “A Nice Place To Visit”


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In this episode of The Twilight Zone, a thief is shot by the police and finds himself in the afterlife. After a life of struggle and crime, the thief finally finds himself with the opportunity to have everything that he’s ever wanted. Even if you’ve never seen this episode before, you’ll probably be able to guess the twist after a minute or two. But it’s still a pretty good episode, featuring good performances from Larry Blyden and Sebastian Cabot and an typically fun script from Charles Beaumont.


A Nice Place To Visit originally aired on April 15th, 1960.


Horror on TV: Twilight Zone 5.14 “You Drive”


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In this episode of The Twilight Zone, Ollie Pope (Edward Andrews) kills a boy in a hit-and-run accident. Ollie tries to cover up the crime and frame an innocent man. His car, however, has a different idea.

This episode originally aired on January 3rd, 1964.

Horror on TV: The Twilight Zone 1.13 — “The Four of Us Are Dying”


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In this episode of the Twilight Zone, a con man (Harry Townes) has the ability to change his face to make himself appear like anyone he wants to be. Needless to say, this ability doesn’t quite work out as well for him as he might have hoped.

This episode originally aired on January 1st, 1960.

(If the video is not showing up below — some browsers apparently have problems showing embedded videos from Hulu — you can watch the episode at http://www.hulu.com/watch/440771.)

Horror on TV: Twilight Zone 2.26 “Shadow Play”


 

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This is one of my favorite episodes of The Twilight Zone! In Shadow Play, a man (Dennis Weaver) is curiously unconcerned about being on death row. According to him, it’s all just a recurring dream and everyone around him — the other prisoners, the District Attorney, the judge, the jury, and everyone else — is just a part of his dream. As the other characters start to realize that Weaver could be telling the truth, they’re forced to consider what will happen when he either wakes up or starts the dream over…

I love this one. It’s just a lot of fun and not quite as heavy-handed as some of The Twilight Zone‘s other attempts at social commentary.

This was originally broadcast on May 5th, 1961. It was directed by John Brahm and written by Charles Beaumont.

Horror on TV: Twilight Zone 1.8 “Time Enough At Last”


 

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In this early episode of The Twilight Zone, poor and meek Henry Bemis (Burgess Meredith) is literally the last man on Earth and that suits him just fine. He finally has time to read everything that he’s always wanted to read. This episode is best remembered for Burgess Meredith’s eccentric lead performance and the somewhat mean-spirited twist ending.

Horror On TV: Twilight Zone 1.6 “Judgment Night”


In 1942, a German man named Carl Lanser (Nehmiah Persoff) finds himself on board the S.S. Glasgow, a British ocean liner that is heading for New York.  Carl has no memory of how he got on the Glasgow but he knows that he’s been here before and he’s met all of the passengers in the past.  Even worse, he knows that something terrible is going to happen and that he’s powerless to stop it….

The “Judgment Night” episode of The Twilight Zone was written by Rod Serling and directed by John Brahm.  It was originally broadcast on December 4th, 1959 and it serves to remind us that, regardless of what some would claim, there’s nothing more horrific than the senseless destruction of war.

The doll always breaks my heart.