TV Review: Dexter: New Blood 1.9 “The Family Business” (dir by Sanford Bookstaver)


We all knew that, at some point, Dexter would have to welcome Harrison into the family business.  It finally happened on this week’s episode of Dexter: New Blood.

Set on Christmas day (but, oddly enough, airing during the first week of January), the ninth episode of Dexter: New Blood found Dexter and Harrison finally bonding.  Dexter told Harrison the story of Wiggles the Clown though, at the insistence of Ghost Deb, Dexter said that he just told Wiggles to stop doing what he was doing.  Even when Dexter was telling the story, it was obvious that Harrison knew there was more to it than just Dexter giving a stern lecture.

Harrison also told Dexter that he had stabbed his friend and that he wasn’t the hero that everyone made him out to be.  Yeah, we all figured that out a while ago, Harrison!  Still, it was interesting to watch Harrison discover what the rest of us take for granted.  We’re so used to the idea of Dexter tracking down serial killers and murdering them that it’s easy to forget just how weird and traumatic it would be for someone to learn about it or witness it for the first time.  One of the big problems that I had with the final season of Dexter’s original run is that Deb never seemed to be truly shocked at the discovery that her brother was a serial killer.  Fortunately, the reboot did a better job with Harrison than the original did with Deb.

And yes, Harrison did learn the truth.  He and Dexter tracked down Kurt’s secret lair and saw Kurt’s “trophies.”  And when Harrison announced that Kurt needed to die, just the slightest smile came to Dexter’s lips.  Dexter managed to bring Harrison over to his side without actually having to confess to all of the people that he had killed.  Only after Harrison had announced that he was on board with the idea that some people deserved to die, did Dexter admit to killing Wiggles the Clown and Arthur Mitchell.

Kurt met his end in this episode.  Harrison watched as Dexter killed him and then, somewhat ominously, had a flashback to Rita’s murder.  Is Harrison going to realize that, for all of Dexter’s rationalizations, his father is a serial killer as well?  If Harrison truly buys into the code, then Dexter could be in some trouble.

Actually, Dexter might be in trouble regardless.  Angela appears to have figured out that Dexter killed the drug dealer.  And, at the end of this episode, she received a letter telling her that “Jim Lindsay Killed Matt Caldwell” and one of the titanium screws that was left behind after Dexter burned Matt’s body.  If Angela learns the truth, will she arrest Dexter or will she let him and Harrison go free?  Angela has sworn to uphold the law but Kurt also murdered Angela’s best friend.  And, as we learned on Sunday, Kurt also murdered Molly.  Angela might be tempted to let Dexter escape.  I guess we’ll find out next week.

It was an excellent episode, though I have to admit that I was really disappointed when Molly showed up as one of Kurt’s trophies.  When Molly first appeared, her character annoyed me but, as the season progressed, I came to appreciate both the character and Jamie Chung’s performance.  In many ways, she was the stand-in for the viewers.  It was hard not to feel that she deserved better than to be killed off-screen.  Indeed, considering that she knew that Kurt was probably a killer, you have to wonder how he managed to ever get to her in the first place.

Still, that aside, The Family Business was Dexter at its best.  The deliberate pace and the atmospheric direction all reminded of the classic early seasons of Dexter.  Michael C. Hall perfectly captured Dexter’s love of his work while Jack Alcott played Harrison with the right mix of fascination and fear.  Still, I have to wonder what the show’s end game is going to be.  Ghost Deb was pretty adamant about Dexter not bringing Harrison into the family business and Ghost Deb usually know what she’s talking about.

We’ll find out next week!

TV Review: Dexter: New Blood 1.6 “Too Many Tuna Sandwiches” (dir by Marcos Siega)


AGCK!  HARRISON BROKE THAT KID’S ARM!

Listen, a lot of interesting and important things happened on the latest episode of Dexter: New Blood.  Angela broke up with Dexter after revealing that she knew that Dexter was lying about his identity.  Dexter now has all the evidence that he needs to know that Kurt is a serial killer.  Kurt is continuing to bond with Harrison, to the extent that he’s now becoming as much of a father figure to Harrison as Dexter is.  The scene where Dexter and Harrison went to therapy together was classic, cringey Dexter.  Harrison and Audrey’s relationship is getting serious.  Hell, even Molly had something important to do this week.  There were a lot of good and memorable moments to be found in the sixth episode of Dexter: New Blood.

But what we’re always going to remember is Harrison coolly and efficiently snapping that kid’s arm.  Maybe it was the “crack” sound effect or that the show cut away just as the bone snapped but that totally freaked me out.  I’m just hoping the bone didn’t piece the skin.  God, I’m cringing just thinking about it.

Yes, Harrison definitely has some issues.  That’s been clear since the first episode.  With each subsequent episode, Harrison has gotten a little bit more openly violent, a little more openly insolent, and a little angrier.  Harrison is a time bomb and you have to wonder just what exactly Dexter is going to do about this.  Because his son seems like he’s going to snap eventually — ugh, snap.  Snap just like that kid’s arm….

The obvious solution would be for Dexter and son to go into business together, working as a team to take down murderers.  But is it too late for Dexter to do for Harrison what Harry did for him?  Dexter was raised for an early age to hunt down evildoers.  Harrison has developed his “dark passenger” without the benefit of guidance.  The entire town should be worried.

As for the rest of the episode, it was a good one.  It didn’t get bogged down in improbable coincidences like the previous episode and the story is definitely moving forward.  Dexter now knows that Kurt is a serial killer and, as a result of following Molly, he now knows where Kurt takes his victims.  But how long until Kurt figures out just who exactly Dexter is?  It’s going to happen.  Either Harrison is going to tell him or Kurt will figure it out on his own by listening to Molly’s podcast.  It’s obvious already that Kurt is going to do what he can to break up Harrison and Dexter …. in fact, he’s going to break up their uneasy relationship just as surely as Harrison broke that kid’s arm!  OH MY GOD!

Michael C. Hall and Jennifer Carpenter get and deserve a lot of praise for their work on Dexter.  Clancy Brown is doing good work as Kurt but that shouldn’t be a surprise, seeing as how he’s Clancy Brown.  But I have to say that the actor who is really taking me by surprise is Jack Alcott.  In previous episodes, Alcott has done a great job maintaining a balance between making Harrison sympathetic and making him petulant.  I mean, Harrison has been through a lot so it makes sense that he would not be the most emotionally stable character on the show and Alcott has done a good job of capturing Harrison’s unpredictable nature.  But last night, Alcott was briefly terrifying.  The look of pure hatred that went across Harrison’s face before he broke his opponent’s arm was genuinely scary.  And, of course, only Dexter and the audience noticed.  I’ll be interested to hear what Ghost Deb thinks about all this.

This was a good episode and I look forward to seeing what happens next week.  Will Harrison face any consequences or will he get away with yet another act of violence?  And how long until Kurt and Dexter have their final confrontation?

We’ll know soon enough!

TV Review: Dexter: New Blood 1.5 “Runaway” (dir by Marcos Siega)


There was a lot of coincidences in the latest episode of Dexter.  In fact, I would argue that there were perhaps more coincidences than were necessary.

For instance, I can accept that — having killed his latest victim — Kurt would just happen to drive up on Harrison while the latter was trying to run away from home.  And I can accept that Kurt would possibly see Harrison as being a kindred spirit.  It’s not just that Harrison and Kurt both have homicidal tendencies.  It’s also that they’re both people who feel like they’re on the outside of normalcy looking in.  Harrison probably reminds Kurt of himself as a teenager and, by mentoring Harrison, it’s possible that Kurt can try to fix the mistakes that he made while raising Matt.  Either that or he just wants to make Harrison his new partner in his side hustle, murdering hitchhikers.

I can accept all of that.  I mean, this is Dexter that we’re talking about.  Dexter requires a certain suspension of disbelief in order for the show to work.  If you spend too much time focusing on the chances of two serial killers actually ending up in the same small town in upstate New York, you’re never going to have time to appreciate Dexter’s sense of the macabre.

However, the show also asked me to believe that Angela and Molly would just happen to be in New York at the same time as Angel (David Zayas) and that Angel would just happen to be talking about the murders previously committed by the man that Angela now knows as Jim Lindsay.  I mean, it was good to see Angel again and I’m glad he’s still wearing the hat but his sudden appearance was a bit too convenient.  It was also very convenient that, earlier in the episode, a drugged Harrison told Audrey that his father was using a fake name and that Audrey later told Angela, at the exact moment that Angela was having her first doubts about Jim/Dexter.  The episode ended with Angela printing out an old obituary for Dexter Morgan, one that featured Dexter’s picture.

From the start of Dexter: New Blood, it has been obvious that Angela was going to learn that Jim was actually Dexter.  We all knew it was going to happen but I was hoping that Angela would learn the secret as the result of her own investigations, as opposed to just happening to attend the same random conference as someone from Dexter’s past.  Audrey very easily could have just told Angela what Harrison told her and Angela could have then done some investigating on her own.  Having her randomly stumble across the truth felt like a bit of a disservice to the character.  It felt like the type of groan-worthy plot twist that far too often popped up during the final seasons of the show’s original run.

So, yes, I was a bit disappointed.  A lot of this episode felt like filler.  Dexter returned to his serial killer ways to take out a drug dealer but, in another coincidence, Logan showed up to arrest the dealer before Dexter could actually do his full ceremony.  (Interestingly enough, the same thing happened with Kurt when his latest victim refused to run when he ordered her to.)  So, Dexter had to force the man to overdose on drugs before making a hasty retreat.  That was probably for the best, considering that Dexter still hasn’t found a good place to dump the bodies.

Still, there were a few intriguing moments in this episode.  I’m liking the idea of Harrison having to potentially choose between two serial killing mentors and Clancy Brown continues to give a strong performance as Kurt.  And, regardless of how she discovered the information, I’m looking forward to seeing Angela confront Dexter.

One final note: I still don’t think Kurt is working alone.  I think Olsen is somehow involved.  It wouldn’t surprise me if Molly was somehow involved too.  Seriously, if Molly isn’t secretly a killer then she’s just an extremely annoying character.  On a show like this, it’s always better to be a killer as opposed to just annoying.  Either way, we’ll see what happens!

TV Review: Dexter: New Blood 1.4 “H is for Hero” (dir by Sanford Bookstaver)


Boom!  I predicted Harrison would be a budding serial killer so give it up for me!

Well, to be honest, I’m probably not the only person who predicted that.  I haven’t been reading any other reviews of Dexter: New Blood beyond my own but Harrison turning out to have a dark passenger shouldn’t be a shocking development to anyone who watched the original Dexter series.  The way that the Trinity Killer killed Rita was obviously designed to turn Harrison into a killer.  There was even an episode during season 5 in which Dexter investigated whether or not Trinity’s son had taken up his father’s bad habits.  (And let’s not forget that, in the books, Dexter quickly realized that Rita’s children were sociopaths.)  Harrison following in his father’s footsteps was something that was set in motion long ago.  It’s an inevitable development.  The only question really is whether or not Harrison has killed before or if his attempt to kill his high school friend was his first dry run.  And will Dexter forgive his son, partner with his son, destroy his son, or be destroyed by his son?

While I’m patting myself on the back for being correct about Harrison, I should also admit that it appears that I was wrong about the identity of the killer sniper.  I was sure that it was going to be Olsen but the end of this episode seems to suggest that it’s Kurt.  Of course, Kurt could be working with Olsen.  Considering what’s happened in past seasons of Dexter, it wouldn’t be a shock to discover that the Sniper is actually more than one man.  Perhaps Matt was a part of the organization as well.  I mean, he certainly was trigger happy.

It was a good episode.  I’m cringing a little bit at the character of Molly Park, if just because she sometimes seems like a boomer’s version of what a podcaster is like.  (“Those crazy kids, with their cursing and their drunk sex….”)  But, I do think there is some potential to her “alliance” with Angela.  I also felt the fallout of the school stabbing was handled well, particularly Harrison’s new status as the town hero.  In many ways, Harrison is living Dexter’s fantasy.  He’s killing (or nearly killing) and he’s being celebrated for it.  He’s a hero, just like Dexter always wanted to be.

(That said, even I could tell that Harrison obviously stabbed himself.  Have the people in this town never watched an old episode of CSI?)

For me, the best part of the revival remains Ghost Deb.  She really deservers her own show, though plotlines would probably be limited by the fact that she’s just a figment of Dexter’s imagination.  Still, Jennifer Carpenter was one of the key parts of what made the original Dexter such an entertaining series and the way that show’s final season rather cavalierly killed her off is one of the many reasons why so many people hated the original finale.  Though Ghost Deb may not be solving crimes, she’s still calling everyone on their bullshit.  It’s good to have her back, in all of her profane glory.

TV Review: Dexter: New Blood 1.3 “Smoke Signals” (dir by Sanford Bookstaver)


It’s been a busy week, with my sister’s birthday and Thanksgiving, so it was only this morning that I finally got a chance to watch the latest episode of Dexter: New Blood.  

A lot happened in Smoke Signals.  In fact, it was probably the busiest episode of the series so far.  That’s not a complaint, of course.  If anything, this episode felt like a classic episode of the first Dexter series.  In Miami, there was always a lot going on around Dexter while Dexter tried to figure out a way to dispose of his latest victim.  The latest episode would seem to suggest that, chilly weather aside, upstate New York is not that much different from Dexter’s former home.

Here’s a quick rundown of what did happen:

First off, Lily the hitchhiker was killed by the serial killer who we all know is going to turn out to be Olsen.

Harrison is now a student at the local high school.  He stood up to group of bullies, which was cool.  But, by grabbing the bully by throat and basically strangling him while demanding that the bully leave his friends alone, Harrison confirmed my suspicion that he’s got his own Dark Passenger.

Audrey, who is kind of annoying, told Olsen to stop “fucking up the planet.”  Olsen pointed out that Audrey drives an “old gas guzzler.”  It seems kind of obvious to me that, along with being a Count Zaroff-style serial killer, Olsen is also Audrey father.

Angela continued to investigate Matt’s death and Dexter again found himself in the weird position of being the closest confidant to the people investigating a murder that he committed.

Dexter spent most of the episode trying to figure out how to get rid of Matt’s body.  It turned out to be not as easy as he thought it would be.  Eventually, after watching the Seneca people burn the body of the deer that Matt shot, it occurred to Dexter to do the same thing with Matt.

No sooner had Dexter finished stuffing Matt in the incinerator than he ran into Matt’s father, Kurt.  Kurt was totally drunk and swore that he had just had a conversation with Matt and that Matt was still alive!  I’m interested to see what the show does with the character of Kurt.  At first, I thought he’d just be another person who would eventually come too close to revealing the truth about Dexter, like Doakes from the first two seasons.  But the end of the latest episode, with Dexter driving the drunk Kurt home, suggested that their relationship could become a bit more complex.

For myself, the highlight of this episode was Ghost Deb, who spent the entire show popping up at the least opportune times and profanely taunting Dexter over his inability to get rid of Matt’s body.  Ghost Deb had a point.  Dexter is out of practice and his idea that he could somehow turn his urges on-and-off was a foolish one.  Dexter should know better.  Ghost Deb and the wood chipper was a great Dexter moment.

All in all, it was a good episode.  I do wish that Olsen was a bit less obvious in his villainy but Dexter was never exactly known for its nuanced villains.  The Trinity Killer was more the exception than the rule. That said, I’m interested to see where all of this stuff with Harrison leads.  Is Harrison a killer-in-training and, if so, how is Dexter going to deal with that?

Maybe we’ll find out tomorrow!

TV Review: Dexter: New Blood 1.2 “Storm of Fuck” (dir by Marcos Siega)


The second episode of Dexter: New Blood had a title that I’m sure Deb would have appreciated.

Indeed, any Deb-centric episode of the first series of Dexter was always guaranteed to feature a storm of profanity and one of the the things that I always liked about Dexter is that everyone on the show was always as shocked by Deb’s language as the viewer was.  Ghost Deb tends to curse a lot as well.  Of course, Ghost Deb has her reasons.  Not only is she dead but she can’t get her stupid stepbrother to listen to her advice.  Ghost Deb told Dexter not to let Harrison stay in the cabin.  She told Dexter that everyone he gets close to dies.  And yet, over the course of Storm of Fuck, Dexter not only invited Harrison to live with him but he also took Harrison along with him while he covered up the previous episode’s murder of Matt Caldwell.  (Of course, he didn’t tell Harrison what he was actually doing.  Dexter is very good at keeping his secrets.)

A few thoughts on Storm of Fuck:

First off, it’s pretty obvious that the girl in the motel is going to be used as the target in some version of The Most Dangerous Game, right?  And it’s also pretty obvious that Edward Olsen is the one behind it.  It’s in no way a big surprise because Dexter has always been full of evil, rich serial killers.  It also seems fairly obvious that Audrey is eventually going to end up getting hunted by Olsen.

Secondly, I don’t think Matt’s father (played by Clancy Brown) is a serial killer but I do think that he’s going to eventually figure out what Dexter did to his son.  He’ll be the New Blood‘s equivalent of James Doakes, the man who knows the truth but can’t get anyone to listen to him.

Third, Harrison has totally murdered someone, right?  I mean, he may not be a serial killer.  And the events of Storm of Fuck would seem to indicate that he doesn’t have anything to do with any of the recent missing persons cases.  But, obviously, he’s got some secrets.  What did he do back when he was on drugs?  Was he even on drugs or was that just something he said?  Are those drawings of people who he knows or people he killed?  When he read Dexter’s letter about “dark tendencies,” was he upset because he discovered Dexter was alive or was it because he knew that he did have those dark tendencies?  My point is that Harrison is destined to follow in his father’s bloody footsteps eventually.

As for the rest of Storm of Fuck, it was an okay episode.  It didn’t exactly move the story forward by much but it did allow us a chance to get to know all of the new characters.  To me, this episode worked best as an example of the show’s often underrated use of dark humor.  As macabre as the subject matter often is, it’s hard not to laugh at the contrast between Michael C. Hall’s deadpan voice-over and the events happening on screen.  And, in grand Dexter tradition, the entire episode featured Dexter getting one lucky break after another until, during the final few minutes, everything fell apart.  Dexter had nearly gotten everyone away from his cabin when Kurt Caldwell showed up and gave a rousing speech.  On any other show, we would have cheered a community coming together and Kurt’s speech would have been a big hero moment.

On Dexter, though, it’s just a storm of fuck.

TV Review: Dexter New Blood 1.1 “Cold Snap” (dir by Marcos Siega)


When last we saw erstwhile serial killer Dexter Morgan, he had faked his death, fled Miami, and was apparently working as a lumberjack in Oregon.

That was how Showtime’s Dexter originally ended, back in 2013.  It was not a popular ending and yet, I don’t think anyone was expecting to be satisfied by Dexter’s finale.  In retrospect, the highpoint of Dexter came during season 4, during the arc involving John Lithgow at the Trinity Killer.  The four seasons that came after the conclusion of that storyline could never quite escape the shadow of the battle of wills between Lithgow and Michael C. Hall.  Seasons 5, 6, and 7 all felt somewhat superfluous while season 8 seemed to go off the rails entirely.  As a result, I think everyone was mentally prepared to be let down by however the show ended but still, people were hoping for a little more than Dexter in Oregon.

Fortunately, Dexter Morgan is back!  Dexter: New Blood, which premiered last Sunday on Sunday, picks up ten years after the conclusion of Dexter.  Dexter (played by Michael C. Hall, of course) is no longer living in Oregon.  In fact, in the first episode, Oregon was never even mentioned. Instead, Dexter is now living in upstate New York.  He’s using the name Jim Lindsay.  He works at a sporting goods store.  He’s dating the local chief of police, Angela Bishop (Julia Jones).  He’s a popular citizen.  Everyone like Jim.  Everyone thinks that they know Jim.  Of course, what they don’t know is that Jim is actually Dexter, a serial killer who once specialized in killing other murderers.  They also don’t know that Dexter spends a good deal of his spare time talking to the ghost of his dead stepsister, Deb (Jennifer Carpenter, taking on the mentor role that James Remar played in the original series).  Deb continually tells Dexter that he can’t get close to anyone.  Anyone to whom Dexter gets close dies.  Of course, even in death, Deb doesn’t seem to understand that Dexter isn’t capable of being genuinely close with anyone.

When Cold Snap, the first episode, begins, it’s been ten years since Dexter killed anyone, though it’s obvious that he still has the urge.  Dexter’s ten-year break comes to an end when he meets Matt Caldwell (Steve M. Robertson), a spoiled rich kid who, several years earlier, was involved in a boating accident that killed five people.  When Dexter learns that Matt intentionally smashed into the other boat and then when Matt later shoots a rare albino stag that Dexter had spent days tracking, Dexter’s Dark Passenger returns.  Interestingly enough, it turns out that, despite being inactive for ten years, Dexter still has a perfect murderer’s lair inside his cabin’s shed.  Before Dexter ritualistically kills Matt, Matt says that his father is going to kill Dexter.  Who is Matt’s father?  I’m sure we’ll find out soon.  A part of me suspects that it might be Edward Olsen (Fredric Lehne), a billionaire who is planning on doing business in the town.  I also suspect that Olsen is probably connected to the disappearances of several young women in the area.  Wealthy businessmen often turned out to be serial killers on Dexter.

Speaking of fathers, Dexter is also a father.  He abandoned his son, Harrison, in Miami ten years ago.  Now, the teenage Harrison (Jack Alcott) has tracked Dexter down.  At first, Dexter pretended not to know who Harrison was and he gave Harrison money to buy a ticket on the next bus out of town.  However, at the end of the episode, Dexter, fresh from murdering Matt, showed up at the bus station, sat down next to Harrison, and said, “I am Dexter Morgan.”

It was an interesting ending and a bit frightening considering everything that we know about Dexter.  Ghost Deb is right.  People who get close to Dexter do end up dying.  That said, we really don’t know much about Harrison.  In the books, Dexter was often concerned that Rita’s stepchildren, Cody and Astor, had their own dark passengers.  To the best of my memory, that wasn’t really explored on the television show with Harrison but what if Harrison does turn out to be a serial killer?  Even worse, what if Harrison turns out to be a serial killer who, like his father, only targets other serial killers?  Would Dexter have to kill Harrison or would Harrison have to kill Dexter?  But perhaps I’m getting ahead of myself.  As of the first episode, the only thing we know for sure is that Harrison managed to track his father down.

I was intrigued by the first episode of Dexter: New Blood, though I have to admit that most of that was due to the hints of what could happen in the future as opposed to what actually did happen in the episode.  As I said at the start of this review, the first four seasons of Dexter were brilliant.  The final four seasons were increasingly uneven.  Just as it’s hard for Dexter to run the risk of getting close to anyone, it’s also hard for us viewers to run the risk of fully embracing this revival because we’ve all seen first hand that there are limits to how far Dexter‘s concept can be taken without things falling apart.  It’s probably not surprising that the reviews for this episode were mixed.  Variety liked it.  The AV Club and Rolling Stone complained that it was too violent.  The generic online reviewer of today often seems more concerned with hitting the right talking points and satisfying the online mob than with actually giving thought to such quaint considerations at to whether or not a show is entertaining or if it actually holds your interest.  Dexter: New Blood held my interest and it was entertaining enough for me to set the DVR to record next week’s episode.  To me, that qualifies as a successful episode.

So far, Dexter: New Blood feels like it could be a return to the Dexter of those first four seasons.  Michael C. Hall remains a compelling presence.  I’m interested to see how things develop with Harrison.  I’m glad Dexter got the Hell out of Oregon.  I’ll be watching.

Faster (2010, directed by George Tilllman, Jr.)


A man known as the Driver (played by Dwayne Johnson) is released from prison, having served time for taking part in a bank robbery.  As soon as he gets his freedom, the Driver is jumping in a fast car, driving across Nevada and California, and killing everyone who he believes set him up and murdered his half-brother.  The Driver has even made out list of the people on whom he needs to get revenge.  Among those on the Driver’s list are a nightclub bouncer, a snuff film producer, an traveling evangelist, and one name that the Driver has not bothered to write down.

As the Driver conducts his killing spree, he is pursued by two other men who each have their own reason for wanting to find him.  The Cop (Billy Bob Thornton) is close to retirement and has a heroin addiction.  The Killer (Oliver Jackson-Cohen) is a hit man who views murder as a personal challenge and who plans to marry his girlfriend (Maggie Grace) as soon as he takes care of the Driver.

Today, we take Dwayne Johnson’s superstardom for granted so it’s interesting to go back and watch a movie like Faster, which was made when Johnson was still best known as a wrestler and there were still doubts about whether or not he had the screen presence to carry an entire film on his own.  Though Johnson’s character is the main character and it’s his single-minded quest for revenge that propels the plot, the film spends as much time with the Cop and the Killer as it does with the Driver.  The Driver doesn’t get much dialogue.  Instead, the majority of the Driver’s scenes emphasize Johnson’s physical presence, casting him as the unstoppable hand of fate.  Johnson doesn’t really get to show what he can do as an actor until nearly halfway through the film, when the Driver has an emotional meeting with his mother.  Johnson acquits himself well in the scene but it’s still obvious that the film was made before people realized that Dwayne Johnson really could act.

Seen today, Faster is a relentless and exciting B-movie.  It’s fast-paced and, even if it doesn’t give Johnson a chance to say much, it’s smart enough to surround him with memorable character actors like Billy Bob Thornton, Tom Berenger, Adewale Akinnuoye-Agbaje, and Carla Gugino.  Even without a lot of dialogue, Dwayne Johnson is such an imposing figure and has so much screen presence that he dominates the film in a way that it’s hard to believe that there were ever any doubts about whether or not he could be a film star.  Faster holds up well, as both an action movie and star-making vehicle for Dwayne Johnson.

10 Things To Be Thankful For In 2010


It’s the Thanksgiving season, that time when bloggers everywhere come up with lists of things that they are thankful for.  Here’s just 10 of the many things that I’ve been thankful for in 2010.

1) The fifth season of Dexter

I have to be honest.  I’ve been a fan of Dexter since the show’s 1st season but I wasn’t sure if the show would be able to survive after the fourth season ended with Rita (Julie Benz) dead in a bloody bathtub.  However, season 5 has been a triumph.  Yes, a little too much time has been devoted to the domestic troubles of LaGuerta and Batista (Lauren Velez and the always intriguing David Zayas) but Michael C. Hall (as Dexter) and Jennifer Carpenter (as Deb) have done some of their best work this season.  Even better, this season has featured two brilliant performances from guest stars Peter Weller and, especially, Julia Stiles (who really deserves her own spin-off).  Still, you have to wonder if any murder has ever actually been solved in Miami…

2) Noomi Rapace as Lisbeth Salander. 

In three films — The Girl With The Dragon Tattoo, The Girl Who Played With Fire, and The Girl Who Kicked The Hornet’s Nest, Rapace created one of the first truly iconic film characters of the 21st century and that’s an accomplishment that will stand regardless of any attempts by the Hollywood mainstream to steal her accomplishment through any unnecessary remakes. 

3) Lost

As more time has passed, the more I’ve come to admit just how dissatisfied I was with how the creators of Lost decided to end their show.  Still, that doesn’t change the fact that, for several years, I scheduled my life around when the next episode of Lost was going to air.  I may not be thankful for a series finale that left way too many questions unanswered (why couldn’t children be born on the island?  What was the sickness?) but even the final season featured some of the show’s best moments.

4) The Walking Dead

I’m not a huge fan of Frank Darabont (sorry, but The Shawshank Redemption sucks) but I’m happy to say that he didn’t fuck up The Walking Dead.

5) Kathryn Bigelow broke the glass ceiling.

I’m still not a huge fan of The Hurt Locker but I am definitely a fan of Kathryn Bigelow.  As bad as this year’s Oscar ceremony was, it was worth watching just to see Bigelow become the first woman to ever win an Oscar for best director.  In many ways, it almost felt like a fantasy come to life — not only did Bigelow win a historic victory but she did it by beating her ex, James Cameron (who, to judge from his films, has never met a woman to whom he wouldn’t condescend).  The fact that she then gave one of the only genuine acceptance speeches of the entire ceremony was a wonderful bonus.

6) Blue Valentine was rated NC-17.

The upcoming film Blue Valentine (which I have yet to see) was reportedly given an NC-17 rating on account of scenes featuring Ryan Gosling and Michelle Williams having sex.  That the film would feature characters played Gosling and Williams having sex makes sense when you consider that the movie is specifically about their marriage.  However, despite this, Blue Valentine was rated NC-17 while films like The Expendables, A Nightmare on Elm Street, the Saw films — in which thousands of people are graphically killed and tortured on-screen — are given an R rating as a matter of routine.  If Blue Valentine had been about Ryan Gosling murdering Michelle Williams (as opposed to fucking her), the film probably would have an R rating and would be considered appropriate viewing in malls across America.  I’m thankful for this rating because it serves as a reminder that it’s okay to show a woman being humiliated, tortured, or killed just as long as you don’t show her actually enjoying an orgasm.

7) Exit Through The Gift Shop

The rest of you mainstreamers can talk about how much you love the Social Network for the rest of eternity, if you want.  Exit Through The Gift Shop is still the best movie of 2010.

8 ) Lisa Marie finally figured out how to work her DVR.

Yes, yes, I know.  DVR has been around like forever and it’s all old news and I’m sure there’s something even better than DVR that everyone but me is raving about and using right now but — look, shut up, okay?  Yes, I’ve had DVR forever but I just figured out how to actually make it work a few months ago.  And I love it!  Now, if I want to sit down in the living room at 3 in the morning and watch old episodes of Project Runway, there’s no way anyone can stop me.

9) Joseph Gordon-Levitt floating through a dream hallway in Inception

Inception was a film full of excellent set pieces and memorable images but whenever I think about the movie, I will always see Joseph Gordon-Levitt floating through that hallway in a suit and looking rather adorable as he does it.

10) Cthulhu on South Park

Well, of course.

That’s just ten things I’m thankful for and I didn’t even start to talk about Scott Caan on Hawaii 5-0, James Franco in 127 Hours, or movies like Fish Tank, Winter’s Bone, and Never Let Me Go.  What are you thankful for?  Leave a comment, let the world know.  The best comment wins a renewed sense of peace and a happy new year.  (Please note that this is not a legally binding document.)