Late Night Retro Television Reviews: Highway to Heaven 3.17 “A Night To Remember”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark go back to high school, just in time for prom!  I went to four proms over the course of my high school years and I loved every one of them.  There is no greater American tradition!

Episode 3.17 “A Night To Remember”

(Dir by Michael Landon, originally aired on January 28th, 1987)

It’s time for the prom!

Danny (Mitchell Anderson) wants to ask out Melanie (Kimberly MacArthur) but can’t bring himself to do it because he’s feeling insecure about the fact that his father lost his engineering job and is now working at a gas station.  Danny makes extra money working at the local pizza joint but he loses his job when he throws a punch at bully Richard Davies (J. Eddie Peck, future star of Lambada).

Sammy (Joel Hoffman) wants to ask his lifelong friend, Kate (Susan Savage).  But Sammy feels insecure because he’s short.  When he tries to buy lifts to make himself taller, Richard calls him out right when he’s about to ask out Kate.  Sammy is an aspiring stand-up comedian and he’s on the verge of dropping out of school all together.  “I can be a comedian or a teenager but I can’t be both!”

Don’t worry, though.  Jonathan is their new social studies teacher.  And Mark is the coach of the girl’s volleyball team because every assignment is designed, in some way, to humiliate Mark.  In this case, Mark takes a volleyball to the nose and spends the entire episode worrying that it’s broken.  Mark really can’t catch a break (heh) on this show.  He has to drive everywhere.  He’s usually the one who has to do all of the hard physical work while Jonathan just appears wherever he wants.  Unfortunately, there doesn’t appear to be a union for human angel helpers but then again, it’s not like Mark ever seems to get paid for all of his hard work.

Anyway, the stakes aren’t particularly high in this episode.  Both Danny and Sammy eventually find the courage to ask their dates to the prom, though Danny doesn’t do it until he’s actually at the prom.  And both of them take some time to tell off Richard.  “Still wearing your mother’s underwear?” Sammy asks and Richard turns a dark shade of red as if Sammy has accidentally guessed his greatest secret.

I actually always like these episodes where Jonathan and Mark become teachers.  They’re not as depressing as the ones where they end up working at a shelter or a retirement home.  This episode was just about giving the students the best prom ever and that’s okay.  Not everything needs to be a huge drama!  Sometimes, you just need a night to remember.

Snakes On A Vacation: Curse II: The Bite (1989, directed by Frederico Prosperi)


Clark (J. Eddie Peck) and his girlfriend, Lisa (Jill Schoelen), are vacationing in New Mexico.  It’s a romantic getaway, except for all of the snakes.  Clark manages to save Lisa from one snake through the use of his trusty rifle but then he himself gets bitten once they go to a motel.  Luckily, traveling salesman Harry Morton (Jamie Farr!) has a suitcase that’s full of anti-snake venom antidotes.  Unfortunately, the one that Harry gave to Clark doesn’t do much good because not only does the bite on Clark’s arm get worse but it starts to turn into a snake!  In fact, his entire body is full of snakes, just trying to slither out!  It’s a vacation from Hell as Lisa tries to find a cure for Clark, Clark tries to control his serpent-like instincts, and Harry tries to find the young couple so that they don’t sue him.

This is an unrelated sequel to a film called The Curse.  In fact, it’s probable that this film was just called The Bite until the first Curse did slightly better at the box office than anyone expected.  The two films share not a single character or plot point in common.  There’s not really even a curse in this so-called sequel!  Clark’s problems are all due to the snake being radioactive.  (Once again, science is to blame.)  It’s a typically cheesy, low-budget 80s horror film but it does have a few things to recommend it.  The special effects range between being enjoyably cheap and effectively gross.  Jamie Farr is entertaining as Harry Morton and seems to be happy to not be playing Klinger again.  The truckers that Harry enlists to help him search for Lisa and Clark are all colorful characters and they are a little more interesting than the usual horror movie canon fodder.  Bo Svenson also has a good cameo as the sheriff.

Best of all, the film features one the greatest scream queens of the late 80s and early 90s, Jill Schoelen.  Schoelen is best remembered for her role in The Stepfather but she actually appeared in several horror movies between 1987 and 1993.  As she was in almost all of her roles, Jill Schoelen is both sexy and believable in The Bite.  She had a talent for making even the worse dialogue sound natural and that was a talent that The Bite gave her many chances to display.

The Bite is hardly a great film but, by the standards of late 80s cable fare, it’s undeniably entertaining.

 

A Movie A Day #320: Dangerously Close (1986, directed by Albert Pyun)


Vista Verde, an exclusive suburban high school in California, has a problem.  Some of the students have a bad attitude.  Some of them are experimenting with drugs.  Graffiti is showing up all over the school.  What better way to return peace to Vista Verde than for a bunch of WASPy rich kids and other jocks to organize into a secret vigilante force?  The headmaster thinks that it’s a great idea and soon “The Sentinels” are holding mock trials and shooting the other students with paintball guns.  One bad kid even turns up dead.  Graffiti is no joke.

The leader of the Sentinels is a rich kid named Randy (John Stockwell, who also co-wrote the script).  Randy knows the importance of good PR so he befriend the editor of the school newspaper, Donny (J. Eddie Peck).  Donny may not be rich but, because of his amazing journalism skills, he has been allowed to attend Vista Verde as a magnet student.  At first, Donny is skeptical of The Sentinels but he soon finds himself seduced by not only Randy’s wealthy lifestyle but also by Randy’s beautiful girlfriend (Carey Lowell).  Meanwhile, Donny’s friend Krooger (Bradford Bancroft) not only listens to punk music but also has a mohawk so he naturally becomes the latest target of the Sentinels.

A teen film with a conscience, Dangerously Close was one of the better films to come out of the Cannon Group in the mid-80s.  The script is smarter than the average 80s teen film and Albert Pyun’s slick direction captures the appeal of being young and rich in the suburbs.  Stockwell, Peck, and Lowell all give better than average performances  and there is actually some unexpected depth to Stockwell and Peck’s friendship.  Stockwell does not play Randy as just being a typical rich villain.  Instead, he is someone who thinks he’s doing the right thing even when he’s not.

The cast is full of faces that will be familiar to anyone who has ever been a fan of 80s high school films.  Keep an eye out for Thom Matthews, Don Michael Paul, Gerard Christopher, Miguel Nunez, Jr., and DeeDee Pfeiffer, all doing their part to keep the halls of Vista Verde safe.

 

Guilty Pleasure No. 13: Lambada (dir by Joel Silberg)


Last year, I was doing a search for dance scenes on YouTube and I came across a handful of scenes from a film called Lambada.  The scenes all had an undeniably cheap look to them and featured a rather stiff dancer who was wearing one dangling earring.  The scenes were so memorably bad that I promised myself that, if I ever got the chance, I would watch this Lambada.

Well, I got that chance last night when Lambada turned up on NUVOtv.  I forced my BFF Evelyn to watch the movie with me because I thought I might want to use the movie for one of my What Evelyn and Lisa Watched Last Night reviews.  However, as we watched Lambada, I realized that the only way to review this movie was to consider it as a guilty pleasure.

First released way back in 1990, Lambada tells the story of Mr. Laird (J. Eddie Peck), an idealistic math teacher in Beverly Hills by day and a sexy dancer at night.  Did I mention that when Mr. Laird dances, he calls himself Blade?  Because he so does!

However, Blade isn’t just dancing for fun or to deal with what appears to be a split personality.  Instead, he uses dance skills to impress the poor kids at the clubs so that he can then lure them into a backroom where he helps them prepare to take the GED.

He’s a dancer with a conscience and who doesn’t love that, right?

However, eventually Mr. Laird is spotted dancing by Sandy (Melora Hardin, a decade and a half before playing Jan on The Office), one of his students from Beverly Hills.  When he doesn’t respond to her crush, she reveals his secret and — for reasons that are never quite clear — this puts his job in jeopardy.

Why did Lambada turn out to be such a guilty pleasure?

Just consider the following:

1) Cast in the key role of “Blade” Laird, J. Eddie Peck looks good but gives a performance that almost epitomizes the concept of anti-charisma.  When he’s teaching in Beverly Hills, he wears sexy glasses.  When he’s dancing in the barrio, he loses the glasses and instead wears one dangling earring.  When a female student in Beverly Hills hits on him, he awkwardly smiles.  When he dances, he moves so stiffly that he resembles a mannequin on a treadmill.  That’s about the extent of Peck’s performance.

2) Melora Hardin, on the other hand, is completely natural and likable in the role of Sandy but, even though this film was made 16 years before the premiere of the Office, Hardin has already picked up a lot of the techniques that she would use to make Jan Levinson-Gould such a memorable character.  Every time that Sandy smiles nervously or looks annoyed by another character, it’s impossible not to be reminded of Jan struggling to manage Michael Scott.    As Nathan Rabin pointed out in his review of this film over at the A.V. Club, Lambada really does feel like Jan Levinson: The Early Years.

3) If Lambada was made today, it would be  called Twerking and, while watching, it was hard not to imagine Melora Hardin chasing J. Eddie Peck with a big foam finger.

4) An aggressively forgettable song called Set The Night On Fire is played about a hundred times over the course of the film.  The song is so generic and forced, and everyone in the film has to pretend to be so in love with it, that it becomes  oddly fascinating.

5) The club that Blade dances at has an upside down police car hanging from the ceiling.  The club, itself, gives off a definite human trafficking vibe but that police car is pretty neat.

6) One of Mr. Laird’s Beverly Hills students is named Egghead.  Naturally, he’s the smartest student and he’s obsessed with computers.  Evelyn and I both found ourselves wondering if Egghead was just a nickname or if his parents actually named him that in order to force him to grow up to be intelligent.  (Even Mr. Laird calls him Egghead, which — if that’s not the student’s name — seems a bit unprofessional for a teacher.)  It may not sound like much but it provided us with hours of amusement.

7) There’s a scene where Egghead uses his computer to inspire an entire classroom to spontaneously start dancing.  What makes this scene especially memorable is that the computer dances along with them.

8) Whenever Blade is teaching his GED class, the students respond to almost everything he says by cheering.  If nothing else, I’m sure many teachers have fantasized about being as irrationally loved by their students as Blade.

9) Eventually, Blade’s GED students compete with the Beverly Hills students.  No, it’s not a dance-off.  It’s a math-off!  That’s right — they’re competing to see who can correctly answer the most math questions.  And, believe it or not, the future of Blade’s career depends on whether or not his GED students can win.  Apparently, this is how the California educational system worked back in 1990.

10) Finally, the ultimate reason that Lambada is a guilty pleasure is because — regardless of how silly and ludicrous the film may seem to us today — it was actually produced and released into theaters.  That means that, somewhere out there, there are people who actually paid money to see this movie.  They may not admit it but they’re out there.

They’re out there.

Blade