Scenes I Love: Nancy’s School Dream From A Nightmare On Elm Street


Today’s scene that I love comes from 1984’s A Nightmare on Elm Street.  Directed by the great Wes Craven, A Nightmare on Elm Street remains a frightening and creepy masterpiece.  It’s ability to scare its audience has not been diminished by countless sequels and rip-offs.

In this scene, Nancy (Heather Langenkamp) discovers that she’s not even safe from Freddy (Robert Englund) at school.

Late Night Retro Television Review: Freddy’s Nightmares 1.2 “It’s A Miserable Life”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Let’s see what’s happening in Springwood!

Episode 1.2 “It’s A Miserable Life”

(Dir by Tom McLoughlin, originally aired on October 16th, 1988)

Bryan Ross (a young John Cameron Mitchell, giving a performance that really can’t be described as being anything less than lousy) is the son of the owner of the Beefy Boy hamburger joint in Springwood, Ohio.  Bryan wants to go to college.  His dad (Peter Iacangelo) and his mom (Annie O’Donnell) want him to take over the family business and join them in singing “Chew me, eat me, you can’t beat me.”

Bryan is working the overnight shift alone when a scruffy man (Michael Melvin) pulls up to the drive-through on his motorcycle and threatens to kill him.  Bryan passes out but, when he wakes up, he’s got a throbbing headache and he keeps seeing blood dripping on the floor.  Bryan’s girlfriend, Karyn (Lar Park Lincoln, giving a good performance), takes Bryan home.  At his house, Bryan discovers his mom and dad are acting weird.  Bryan tries to convince his parents to let him leave home.  Dad tries to stick his head in the oven.  Mom tries to seduce her son and then climbs into the refrigerator.  On the radio, there’s a news story about “another” drive-by shooting.  What could it all mean!?

Oh, you know what it all means.  Even if you haven’t watched the episode, you know that the motorcycle man obviously shot Bryan in the head and everything that happens after Bryan leaves Beefy Boy is just his dying vision.  It’s not a bad idea but it’s ineffectively executed.  We don’t really know enough about Bryan or his parents for Bryan’s hallucination to carry any impact and, from what we do see, they all appear to be broadly-drawn caricatures.   This episode also commits the sin of introducing a memorable character — the man on the motorcycle — and then not exploring just who or what he was meant to be.

Bryan’s story was wrapped up in 20 minutes.  The second half of the episode dealt with Karyn.  Shot in the same drive-by attack that killed Bryan, Karyn ended up at the hospital and …. well, I guess her story was another collection of hallucinations that really didn’t add up to much.  The story was effective because hospitals are scary and Lar Park Lincoln gave a better performance than John Cameron Mitchell did in his story.  That said, the entire story was basically Karyn getting upset because everyone kept saying that her parents were on their way.  Finally, Karyn finally revealed that — you guessed it! — her parents were dead and that they died at the same hospital where she was taken after getting shot.  As the episode ended, Karyn saw her parents standing in the doorway and screamed and thrashed around in bed while the doctor and nurse tried to calm her.  And …. that was it.  I mean, is Karyn dead?  Is that why her parents showed up?  Is Karyn hallucinating again?  Much like a drunk frat boy, this story didn’t reach a climax as much as it just stopped.

As for Freddy, he showed up to introduce each story.  There was a cool moment where he emerged from the restaurant’s fry cooker.  For the hospital scene, he put on scrubs.  He didn’t actually interact with either Bryan or Karyn but he still took credit for their suffering.  I think Freddy was just bragging on himself.

This episode was pretty uneven.  For the most part, I’m just glad I don’t live in Springwood.

Live Tweet Alert: Join #ScarySocial for You’re Next!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  2013’s You’re Next!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Late Night Retro Television Reviews: Freddy’s Nightmares 1.1 “No More Mr. Nice Guy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Having finished up Friday the 13th, I’m not going to take a look at another syndicated horror show that aired around the same time.  Freddy’s Nightmares was an anthology show hosted by Robert Englund, in character as Freddy Krueger.  Each story would take place in Freddy’s hometown of Springwood, Ohio.  Would the show be a dream or a nightmare?  Let’s find out!

Episode 1.1 “No More Mr. Nice Guy”

(Dir by Tobe Hooper, originally aired on October 9th, 1988)

Freddy Krueger has become such a familiar and popular figure that I think it’s sometimes forgotten that, when he first appeared, he was truly a horrifying character.  He was a child molester and a serial killer, one who escaped legal justice only because someone forgot to read him his rights when he was arrested.  He was killed by the citizens of Springwood, Ohio, set on fire in the same boiler room where he killed his victims.  Yes, he was brutally murdered and yes, the respectable people who murdered him covered up their crime.  At the same time, what would you do if a monster like Freddy was loose in your town and stalking your children?  “I’m burning in Hell,” Freddy says and that’s exactly what he deserved.

How did Freddy Krueger then become an oddly beloved pop cultural icon?  Some of that was undoubtedly due to his one-liners, which tended to be a slightly better than the typical slasher film banter.  If Freddy was pure evil in the first three Nightmare on Elm Street films, he became more a homicidal prankster as the series continued.  I think another reason why Freddy became popular is because the actor who first played him, Robert Englund, himself always comes across as being such a nice guy.  Unlike the personable but physically intimidating Kane Hodder, who looked like he could kill you even when he wasn’t playing Jason Voorhees, Englund always comes across as being slightly nerdy and very friendly.  He’s the neighbor who you would trust to get your mail while you’re on vacation.  If Englund hadn’t been cast as Freddy Krueger in 1984, he probably would have spent the 90s playing quirky programmers and hackers in tech thrillers.  The thing with Robert Englund is that seems to have a good sense of humor, he’s at peace with his place in pop culture, and he always seem to be having fun.  (In his autobiography, he even jokes about something that fans had been laughing about for years, the fact that the female lead in A Nightmare In Elm Street 2 looked almost exactly like Meryl Street.)  Those are qualities that bled over into Freddy.

As a result, Freddy became popular enough to host his own horror anthology.  The premiere episode of Freddy’s Nightmares open with Englund, in full Freddy makeup, telling us that we’re not about to see one of our nightmares.  Instead, we’re going to see his nightmare.  The episode gives us Freddy’s origin story, starting with Freddy getting off on a murder charge on a technicality and ending with Freddy getting bloody revenge of the police chief (played by Ian Patrick Williams) who set him on fire.

By almost any standard, it’s a disturbing story.  We open with Freddy on trial and we hear details about an 8 year-old boy that he left in a dumpster.  After the charges against Freddy are dismissed (damn those Carter judges!), Freddy happily gets into an ice cream truck and later, the police chief has a vision of the same truck coming straight at him.  After getting set on fire, Freddy doesn’t waste any time coming back and using his razor-blade gloves to slash his way to vengeance.  I think what’s particularly disturbing about this episode is that the police chief is not a bad guy.  He arrested Freddy as Freddy was trying to attack his twin daughters.  Throughout the episode, Freddy — in both life and death — makes it clear that he’s coming for the man’s daughters.  And in the end, Freddy will probably get them because their father fell asleep in a dentist’s chair and got his mouth drilled by Dr. Krueger.

Agck!  That’s disturbing stuff.  Of course, it would be even more disturbing if the show’s special effects and gore were anywhere close to being a realistic as what was present in the movies.  The show itself looks remarkably cheap.  I would say it almost looks like a community theater production of A Nightmare on Elm Street.  Director Tobe Hooper (of Texas Chainsaw Massacre fame) manages to wring a few jump scares out of the material and a scene where we see one of Freddy’s courtroom fantasies is genuinely horrifying but, for the most part, the budget is low enough that the viewer can safely say, “It’s only a TV show, it’s only a TV show….”  In the end, it’s very much an 80s TV show, right down to the oddly gratuitous scene where the police chief suddenly imagines the dental hygienist in her underwear.

Where will Freddy’s Nightmares lead us?  We’ll find out.  I’m sure it will be bloody, wherever it is!

Live Tweet Alert: Watch The Funhouse With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1981’s The Funhouse!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Late Night Retro Television Review: Friday the 13th: The Series 3.20 “The Charnel Pit”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, we say goodbye to Friday the 13th.

Episode 3.20 “The Charnel Pit”

(Dir by Armand Mastroianni, originally aired on May 14th, 1990)

All things come to an end and that includes the adventures of Micki, Jack, and Johnny.

Friday the 13th: The Series ends with an episode about a professor (Vlasta Vrana) who owns a two-sided painting that he can use to send people into the past.  He sends female victims back to the time of the Marquis de Sade (Neil Munro) and the Marquis sends the professor his unpublished works.  If you’ve ever seen an episode of this show, you will not be surprised to learn that eventually Micki is sent back to the Marquis and briefly finds herself fascinated by the man for whom sadism is named.  Micki  gets to dress up in a cleavage-baring costume and Neil Munro plays another villain.  All the bad guys end up dead and the painting is tossed in the Curious Goods vault.  It’s Friday the 13th!

It might not seem like much of a finale.  Unfortunately, the cast and crew were not informed that the series wouldn’t be returning for a fourth season until they were almost finished filming this episode.  As a result, Friday the 13th did not get a proper send-off.  The series ended with many of the cursed antiques still out there and Jack, Micki, and Johnny apparently destined to spend the rest of their lives searching for them.

On the one hand, I enjoyed this series and I regret that it didn’t get a proper ending.  Micki, Jack, and even Johnny suffered so much that it seemed like they deserved to end things with some sort of triumph.  At the same time, it does feel appropriate that — after a season that featured some ill-thought experimentation with the show’s format — Friday the 13th went out with a traditional episode.  This show was always at its best when it focused on antiques and creepy villains.  That’s certainly the way that I’ll remember the show.

I enjoyed watching and reviewing Friday the 13th.  Was it uneven?  Sure.  It was a low-budget, syndicated show.  A certain uneveness is a part of the package.  At its best, though, it was a genuinely creepy show that was blessed with some wonderful chemistry between Chris Wiggins, Robey, and John D. LeMay.  (The show never really recovered from LeMay’s exit.)  On the whole, the good definitely outweighed the bad, even during the final season.  And who knows?  Perhaps, if there had been a fourth season, the writers would have finally figured out a way to make Johnny into a compelling character.

I’ll miss reviewing this series.

Next week, something new will premiere in this time slot.  What will it be?  You’ll find out next week!

4 Shots From 4 Films: Is It October Yet?


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

We’re halfway through July, which means that it’s time for me to get ready for October!  (Seriously, who cares about August and September?)  Here to inspire are….

4 Shots From 4 Horror Movies

Night of the Living Dead (1968, dir by George Romero)

The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)

Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)

Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

 

 

Scenes That I Love: Jack Meets Lloyd in The Shining


The scene below is, of course, from Stanley Kubrick’s 1980 masterpiece, The Shining.

In this scene, Jack Torrance (Jack Nicholson) stumbles into the Overlook Hotel’s ballroom, still fuming over having been accused of abusing his son.  A recovering alcoholic, Jack sits at the bar and thinks about how he would give up his soul for just one one drink.  And, on cue, Lloyd (Joe Turkel) appears.

As I was watching this scene, it occurred to me that, way back in 1980, there probably was some guy named Lloyd who saw this movie in a theater and was probably totally shocked when Jack suddenly stared straight at him and said, “Hey, Lloyd.”

The brilliance of this scene is that we never actually see Lloyd materialize.  We see him only after Jack has seen him.  So, yes, Lloyd could be a ghost.  But he could also just be a figment of Jack’s imagination.  Jack very well could just be suffering from cabin fever.  Of course, by the end of the movie, we learn the truth.

Everyone always talks about Jack Nicholson’s performance as Jack.  Some people love it and some people hate it.  (I’m in the first camp.)  However, let’s take a minute to appreciate just how totally creepy Joe Turkel is in this scene.  Turkel was a veteran character actor and had appeared in two previous Kubrick films, The Killing and Paths of Glory.  Two years after appearing in The Shining, Turkel played what may be his best-known role, Dr. Eldon Tyrell in Blade Runner.  Today, incidentally, would have been Joe Turkel’s 98th birthday.

From Stanley Kubrick’s The Shining, here’s Jack Nicholson and Joe Turkel:

Live Tweet Alert: Join #ScarySocial for Piranha!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1995’s Piranha!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!