Horror On The Lens: Incubus (dir by Leslie Stevens)


Remember Esperanto?

Esperanto was an international language that was briefly promoted by one-world government weirdos but which never really caught on.  Four movie have been made in Esperanto but only one is still remembered.  1966’s Incubus features William Shatner, giving a very Shatnerish performance, as a solider who is tempted by a mysterious woman.  The cinematography of the legendary Conrad Hall gives this one a very dream-like feel, even before everyone starts to talk.

Yes, this movie has subtitles.  But, so what?  Who hasn’t wanted to see William Shatner speak Esperanto?

Children of the Corn, Book Review by Case Wright


Horrorthon is in full swing; so, it’s time to review a classic: Children of the Corn from Night Shift. Night Shift is an anthology devoted to failure. It’s all about Men not measuring up and people getting hurt by their failings. Poor Stephen, he needs a hug. Children of the Corn was published in 1977 in Penthouse…the 60s and 70s were weird. I’m not anti-p0rn because I really don’t care, but why mix it with literature? Was it that the WWII and Boomer generations wanted a one-stop shop? If so, why not merge the p0rn, literature, fishing gear, and fire extinguishers?

If you’re reading an early King novel, be prepared to be depressed because it is always a gruesome and unhappy ending because a guy failed. Children of the Corn is no exception. I wonder if Night Shift wasn’t this clever anthology I always thought it was, but was actually Stephen King’s clumsy pitch meeting short story compilation? Many of the stories that were adapted to film were way better written. To be honest, the film versions of Stephen King’s short stories are usually significantly better than his books.

The plot is that Burt and his wife Vicky are trying to do a cross country trip to save their marriage. Once they arrive in Nebraska, they get trapped and sacrificed to a pagan corn god who likes to use children as his henchmen- a typical Nebraska custom. The Cornhuskers draw a big crowd, but in the off season, it’s always about the pagan corn god murders. During the Cornhusker season, the residents still do sacrifices, but the victims are deep fried with the other Fair Foods, which means that the victims are all A salted and Battered. *BOOM*

There are a few more details that I am leaving here like the He Who Walks Behind the Rows etc., but once you’ve seen one pagan corn god, you’ve seen them all.

Horror On TV: Hammer House Of Horror Episode #3: Rude Awakening (dir by Peter Sasdy)


In the third episode of Hammer House of Horror, Denholm Elliott plays an estate agent who finds himself having a series of nightmares about his wife (Pat Heywood) and his secretary (Lucy Gutteridge) and a murder that may or may not have happened on Friday the 13th.  This episode is an enjoyably surreal trip into the subconscious.

In the UK, Rude Awakening originally aired on September 27th, 1980.

October Hacks: Grim Reaper (dir by James Ian Mair)


In 2021’s Grim Reaper, escaped mental patient Victor Cunningham (Deron Cunningham) is wandering around a small country town and killing people.

That’s pretty much the entire plot.  Grim Reaper is only a 70-minute film and the majority of those minutes are made up of either Cunningham wandering around in his grim reaper mask, Cunningham’s victims being stalked, and the police being ineffective.  (The main detective wears a baseball cap that read: POLICE.  It’s a good thing that the guy was wearing that baseball cap because, otherwise, I would have just mistaken him for a local bartender.)  Our final girl has a big bruise on her face and is trying to escape an abusive relationship, which adds a level of poignance to her story.

There’s a tendency amongst many to be automatically dismissive of DIY slasher films like Grim Reaper.  It’s true that Grim Reaper has its amateurish moments and that the soundtrack leans a bit too heavy on the metal and it’s also obvious that most of the actors were not professionals but I have to admit that I kind of enjoyed the movie and not just in an ironic sense.  It helps that the film was obviously made by people who appreciate the genre and, watching the film, one gets the feeling that it was a fun set.  It may seem like a backhanded compliment to say that the film is comfortable with being what it is but you need only compare it to some of the current big budget horror films to see the difference between a horror film made be fans of the genre and people who think that they’re somehow better than the horror label.  Even shot on video, the film still had somewhat effective shots.  Director James Ian Mair appears to have a good eye and he even manages to make good use of natural light.  That’s the same thing that got Chloe Zhao an Oscar and a Marvel movie.

Sometimes, you just have to be willing to appreciate a film for what it is.

Charles Bronson interviews the slasher in 10 TO MIDNIGHT (1983)!


Charles Bronson played a cop a bunch of times in the 1980’s, but my personal favorite is Leo Kessler from 10 TO MIDNIGHT. Kessler wants to be a better dad to his daughter Lori (Lisa Eilbacher), but first he needs to catch a psychotic killer who’s murdering beautiful young women. One of the most interesting things about 10 TO MIDNIGHT is the way it tries to fuse a badass cop film with the popular slasher films of the 1980’s. It’s arguably Bronson’s best Cannon film, and Gene Davis is a certifiable creep as the slasher, Warren Stacy. Enjoy this infamous scene where Kessler confronts Stacy about his, ummm… private sexual activities!

The TSL Horror Grindhouse: The Toolbox Murders (dir by Dennis Donnelly)


In 1979’s The Toolbox Murders, someone is murdering the female tenants of a building in Los Angeles.  The killer, who wears a mask and a leather jacket, uses tools.  One woman is killed by a hammer to the head.  Another is skewered by a power drill.  One is stabbed with a screwdriver.  Another is shot with a nail gun.  The identity of the killer would be a total mystery if not for the fact that we’ve already seen Cameron Mitchell’s name in the cast list.

Indeed, it’s a bit pointless to cast Cameron Mitchell in any sort of whodunit-type of film.  Nine times out of ten, Mitchell being in a movie means that that Mitchell (who, in the early days of his career, originated the role of Death of a Salesman‘s Happy Loman on Broadway) is going to be revealed as the murderer.  In this case, Mitchell plays Vance Kingsley, the owner of the building.  Vance has never recovered from the death of his daughter so he’s punishing women who he considered to be sinful.

The actual toolbox murders are pretty much finished after the first twenty minutes of the film.  The rest of the movie deals with Laurie (Pamelyn Ferdin), a 15 year-old girl who is kidnapped by Vance and his nephew, Kent (Wesley Eure).  Joey (Nicholas Beauvy), who is Laurie’s brother, attempts to find and then rescue his sister and turns out to very much not up to the task.  The film itself ends on a rather sick note, one that is followed by a title card that informs us that the film is based on a true story.  Yeah, sure, it was.

The Toolbox Murders has somehow earned a reputation for being a gory and shocking grindhouse film.  It was among the films that was banned in the UK for several years.  It’s actually not that gory and the use of tools to commit the murders is not quite as clever as the film seems to think it is.  Even the nail gun murder (which is the film’s best known moment) feels rather awkward as the victim (Kelly Nichols) never really makes a run for it despite the fact that Vance has to stop to reload after every nail that he fires.

The scenes with Laurie being held hostage are far more disturbing and weird, largely due to Mitchell’s characteristically over-the-top portrayal of Vance’s psychosis.  When you watch a movie called The Toolbox Murders, you’re probably not expecting a lengthy scene where Laurie — pretending to be Vance’s dead daughter — tells a long story about what it’s like in the afterlife.  In the role of Vance’s nephew, Wesley Eure is even more disturbing than Mitchell.  As opposed to the sinister-looking Mitchell, Eure actually has the look of a nice, young community college student and that makes his actions at the end of the film all the more icky to watch.

The Toolbox Murders doesn’t quite live up to its bloody reputation but it’s still a disturbing film nonetheless.  Did you know that Heaven smells like lollipops?  After this film, you’ll never forget.

Yor, The Hunter From The Future (1983, directed by Antonio Margheriti)


Yor (Reb Brown, wearing a loin-cloth and blonde wig) is a hunter who makes his way through the desert, fighting dinosaurs and cavemen and drinking the blood of his enemeis.  Yor finds a village and, after saving Kalaa (Corrine Clery) and Pag (Luciano Pigozzi) from a dinosaur, he becomes a valued member of the community.  Yor does not know much about his past and he is searching for the meaning behind an amulet that he wears.  With Kalaa and Pag, he goes on a quest for answers and instead finds himself being attacked by flying saucers, robots, and laser beams.  Despite the dinosaurs and the cavemen, it turns out that this film is taking place in the future, after a nuclear apocalypse.

That’s a great twist and it’s too bad that the film’s title gives it away.  When I first saw this movie as a kid, I loved it.  What kid wouldn’t love a movie the mixed dinosaurs with flying saucers?  Rewatching it as an adult, I still love this film even though I now know better than to take it seriously.  It’s a cheap production and the special effects are so ineptly done that, when the killer robots shoots their laser guns, the beams don’t even appear to be coming out of the barrel.  But I still appreciate the way the film combined two genres, caveman fantasy and post-apocalyptic science fiction and the cast’s commitment to bringing this mix of styles to life.  Director Antonio Margheriti knew that the best way to deal with an incoherent plot was just to toss in a lot of action.  No matter what else you might say about Yor, it’s not boring.

Reb Brown plays Yor and, despite the fight wig, gives one of his better performances.  It helps that, for once, he doesn’t scream like a girl during the action scenes.  John Steiner plays the evil Overlord gives another one of his trademark evil performances.  Yor even gets a Flash Gordon-style theme song!

The movie ends with a cliffhanger and the narrator asking, “Will he succeed?”  Tragically, there was never a Yor 2.

Horror Scenes That I Love: Charlton Heston In The Omega Man


Today would have been the 102nd birthday of actor Charlton Heston.

This scene that I love comes from one of the few horror films in which Heston appeared.  An adaptation of Richard Matheson’s I Am Legend, 1971’s The Omega Man featured Charlton Heston as Robert Neville.  By night, Neville protects his house against the mutant horde.  By day, he tracks those sleeping mutants down and watches Woodstock over and over again.

“They don’t make them like that anymore.”

October True Crime: Drew Peterson: Untouchable (dir by Mikael Salomon)


From the years 2007 to 2013, it’s hard to think of anyone who was as universally despised as Drew Peterson.

Drew Peterson was the Illinois cop who first came to national attention when his fourth wife, Stacy, went missing.  Stacy had been on the verge of completing her nursing degree at the time of her disappearance.  Though Drew was a cop, he wasn’t the one who reported her missing.  Instead, it was her sister who called the police after she failed to hear from Stacy.  When Drew was asked about Stacy, he seemed unconcerned and even cocky as he claimed Stacy had run off with another man.  Few people believed him.  It had only been three years since another Peterson had been convicted of murdering his wife and, like Drew, Scott Peterson also claimed that his wife left their home and vanished.

The investigation into Stacy’s disappearance led to authorities taking another look at the death of Drew Peterson’s third wife, Kathy Savio.  Kathy death had originally been found to be an accidental drowning, though how one can drown in an empty bathtub was never really explained.  A second autopsy revealed evidence of a struggle and, in 2013, Drew Peterson was convicted of her murder.  Drew Peterson is currently in prison and Stacy is still listed as missing.

The thing that sticks out about Drew Peterson is how smug he always seemed.  Like Dennis Rader (who was a serial killer by night and a neighborhood compliance officer by day), Drew Peterson was the ultimate nightmare authority figure.  He had a uniform and he had a badge and he had an attitude that said, “I can do whatever I want and if you complain, nobody will believe you.”  When we looked at Drew Peterson, we saw every cop who had ever pulled someone over for a busted taillight or he had ever tried to hit on someone after stopping them for speeding.  Even when he had people accusing him of killing Kathy, Drew would appear on television and smirk and basically dare you to do anything about it.  If you want to know what we mean when we use terms like “mansplaining,” go watch an interview with Drew Peterson.

Drew Peterson’s legal troubles were so drawn out that the 2012 Lifetime film, Drew Peterson: Untouchable, actually went into production before Peterson had even been convicted of anything.  (Peterson actually filed a cease and desist letter demanding that production be halted.)  The film ends not with Drew Peterson being convicted of killing Kathy but instead with Rob Lowe (playing the paunchy, middle-aged Peterson) doing a slow motion strip tease after being arrested.  The film does a very good job of not outright accusing Peterson while, at the same time, reminding viewers of why so many of them instantly disliked him.

Of course, when the film was first aired, it received a lot of attention for casting the amiable and handsome Rob Lowe as Drew Peterson, a man who was neither of those things.  Lowe gives an excellent performance as Peterson, capturing the somewhat desperate swagger of a man who doesn’t want to admit that he’s aging.  Lowe captures Peterson’s cockiness and his manipulative nature and, even more importantly, he captures the arrogance of a man who believes that, because he wears a uniform, he can get away with anything.  As his victimized wives, both Kaley Cuoco and Care Buono gave poignant performances.

I don’t know where Drew Peterson is but, wherever he’s serving his time, I hope he’s being forced to watch this movie at least once a day.