October Positivity: A Matter of Faith (dir by Rich Christiano)


“Does your mother look like a gorilla?” Evan (Chandler Macocha) demands of one of his fellow college students.  “Do your grandmother look like an ape?  WHO IN YOUR FAMILY IS THE MONKEY!?”

Normally, you might think that Evan sounds like a jerk but, since he is a character in the 2014 film A Matter of Faith, he’s presented as being a hero.  No one can come up with anything to say when he demands to know why no one in their family looks like a gorilla.  Because Evan is apparently the first person to ever use the “Why don’t humans look more like apes?” argument, he wins every theological debate that he gets involved with.

A Matter of Faith is all about a theological debate.  Professor Kamen (Harry Anderson) is a popular college biology professor who teaches that evolution is the only possible way that life could have been created.  He even brings a rubber chicken to class to illustrate that the egg came before the children.  However, one of his students, Rachel Whitaker (Jordan Trovillion), has always been taught that the chicken came first because God created the chicken.  When Rachel’s father, Stephen (Jay Pickett), discovers what Kamen has been teaching and that Rachel hasn’t even opened her Bible since going off to college, he heads down to the campus.  When Stephen objects to what Kamen teaches, Kamen challenges Stephen to a debate.  Stephen agrees, though you have to wonder why a college would sponsor a debate between a professor and some random guy that no one has ever heard of before.  It would be one thing if Stephen were an activist with a huge following.  But really, Stephen is just a guy who no scientist background and stepped into a professor’s office and was challenged to campus date.  Is it even ethical for Kamen to debate the father of one of his students like this?

Soon, the Evolution vs. Creationism debate is the hottest ticket on campus, because apparently it’s a very boring campus.  Everyone is planning on attending!  Rachel wishes her father would just drop out while Evan, who works for the school newspaper, tries to help Stephen prepare.  Evan discovers that the college’s former biology professor, Joseph Portland (Clarence Gildyard, Jr.), lost his job when he refused to each the theory of evolution as established fact.  In fact, Kamen was the one who got Portland fired.  Can Stephen convince Portland to set aside his bitterness and help him win the debate?  And can Evan help Rachel see that her jock boyfriend, Tyler (Barrett Carnahan), is a no-good frat boy who doesn’t even go to church?  And will Rachel ever develop a personality beyond sitting in her dorm room and studying?

Yes, this is a Christiano Brothers production, with all of the awkward dialogue and heavy-handed sermonizing that one would normally expect.  Rich and Dave Christiano wrote the script while Rich directed.  The debate aspect of the film will undoubtedly remind many viewers of God’s Not Dead, though the film deserves some credit for not resorting to the old trope of having Professor Kamen be a former believer who became an atheist due to family tragedy.  That said, the debate itself is a bit of let down as neither side makes much of a case for itself.  When Kamen uses Freud to dismiss the existence of God, Portland shouts out, “Freud was wrong!” and the stunned gasp from the audience made me laugh out loud.

The actors playing the college students are all fairly boring.  Watching the film, one wonders when the last time was that the Christianos ever talked to anyone under the age of 40.  Not surprisingly, the best performances in the film come from Harry Anderson and Clarence Gilyard, Jr.  Anderson, in particular, deserves a lot of credit for bringing some nuance to the role that was probably not present in the script.  (Sadly, this was his final acting role.  He died four years later.)  Gilyard, as well, has a good moment towards the end of the film when Portland apologizes for his previous refusal to only teach creationism, saying that the job of the college is not to push either creationism or evolution but to allow both sides to be heard.  That’s not a sentiment that you would necessarily expect to hear in a Christiano film.

That said, once you get past Anderson and Gilyard, you’ve still got Evan demanding to know if anyone has a monkey in their immediate family and one gets the feeling that, despite all of the talk of letting both sides be heard, the film has more sympathy for Evan’s abrasiveness than Portland’s fair-mindedness.  As well, it’s hard not to feel that, as a character, Rachel is never really allowed to make up her own mind about anything.  At first, she looks up to Kamen.  Eventually, she looks up to her Dad.  At first, she wants to spend all of her non-studying time with Tyler.  By the end of the film, she’s falling in love with Evan.  In the end, Rachel’s decision is never about what she believes but instead about which man she’s going to follow.  For Rachel, it’s less a matter of faith and a more a matter of, “Hey, he’s cute!”

In the end, when I think about this film, I’ll probably think less about the debate and mostly just remember Harry Anderson and the rubber chicken.

Horror Scenes that I Love: Pennywise Visits The Library In It


Admittedly, this scene from the 1990 version of It is a bit more goofy than scary but still, I love Tim Curry’s performance as Pennywise the Clown.  When the first part of the latest version of It came out, it was kind of fashionable to dismiss the 1990 version.  But then the second movie came out and everyone was like, “We waited a year for this!?  Give us back our Tim Curry!”

Anyway, in this scene, Pennywise shows at the Derry Public Library and offers Richie (Harry Anderson) some balloons.

Horror Film Review: It (dir by Tommy Lee Wallace)


Last month, before I saw the latest film version of Stephen King’s It, I watched the 1990 miniseries version.

This was my first time to watch the It miniseries, though I had certainly heard about it.  Most of the reviews that I had read seemed to be mixed.  Everyone seemed to agree that Tim Curry was the perfect choice for the role of Pennywise the Dancing Clown.  However, many other reviewers complained that the program’s television origins kept It from being as effective as it could be.  “Not as scary as the book,” everyone seemed to agree.  The actors who played the members of the Loser Clubs as children all seemed to receive general acclaim but not everyone seemed to be as enamored with the adult cast.  And everyone, even those who liked the miniseries as a whole, complained about the show’s finale, in which Pennywise took the form of a giant spider.

Well, I have to agree about the giant spider.  That spider looked painfully fake, even by the standards of 1990s television.  Not only does the spider look too fake to truly be scary but, once that spider showed up, that meant that Tim Curry disappeared from the film.  Curry deserved every bit of acclaim that he received for playing the role of Pennywise.

All that said, the miniseries was still a lot better than I had been led to believe.

Certainly, it’s not as frightening as the book or the movie.  Considering that the It miniseries was produced for network television, that’s not surprising.  As opposed to the movie, the miniseries attempts to cover King’s entire novel.  That’s a lot of material, even when you have a five hour running time.  Obviously, a good deal of the story had to be cut and there are a few scenes in the miniseries that feel a bit rushed.  Characters like Audrey Denbrough and Stanley Uris, who were compelling in the novel, are reduced to being mere bystanders.  Some of the novel’s most horrific scenes — like Henry Bowers cutting Ben — are either excised or heavily toned down.  If the novel was as much about the hypocrisy of the adults of Derry as the paranormal horror of Pennywise, that theme is largely left out of the miniseries.

That said, It still had its share of memorable moments.  The image of a clown standing on the side of the road, holding balloons, and waving is going to be creepy, regardless of whether it’s found in a R-rated film or on ABC.  The death of little George Denbrough is horrific, regardless of whether you actually the bone sticking out of his wound or not.  Even the library scene, in which a grown-up Richie Tozier deals with a balloon filled with blood, was effectively surreal.

As for the actors who played the members of the Losers Club, the results were occasionally uneven.  The actors who played them as children were all believable and had a credible group chemistry.  You could imagine all of them actually being friends.  As for the adults, some of them I liked more than others.  Harry Anderson, Dennis Christopher, and Tim Reid gave the best performances out of the group.  John Ritter and Annette O’Toole were somewhere in the middle.  Richard Thomas was absolutely awful and I found myself snickering whenever he was filmed from behind and I saw his pony tail.  Richard Masur, unfortunately, wasn’t around long enough to make much of an impression one way or the other.

Ultimately, though, the miniseries (much like the book) suffers because the adults are never as interesting as Pennywise.  Tim Curry dominates the entire movie and, when he’s not onscreen, his absence is definitely felt.  Watching the miniseries made me appreciate why the film version kept Pennywise’s screen time to a minimum.  Pennywise is such a flamboyant and dominant character that, if not used sparingly, he can throw the entire production out of balance.

Despite its flaws, I liked the miniseries.  Yes, it’s uneven.  Yes, it’s toned down.  Yes, it works better in pieces than as a whole.  But, taken on its own terms, It was effective.  Director Tommy Lee Wallace creates a suitably ominous atmosphere and the child actors are all properly compelling.  And, finally, that damn clown is always going to freak me out.

Just for fun, here’s a trailer for It, recut as a family film:

Horror On TV: Tales From The Crypt 2.13 “Korman’s Kalamity”


Believe it or not, I was planning on sharing more than just episodes from Tales From The Crypt this October but seriously, these old shows are just so much fun!

For instance, consider tonight’s episode!  In Korman’s Kalamity, Jim Korman (Harry Anderson) is an artist who works on the popular and famous comic book … Tales From The Crypt!  (Needless to say, his name should also make you think of Roger Corman, as well.)  After his wife (Colleen Camp) orders him to take an experimental fertility pill, his drawings suddenly start to come to life!

Since Korman specializes in drawing monsters, you see how this could be a problem…

Korman’s Kalamity is a self-referential delight.  Needless to say, it’s all played for laughs and sentiment so be sure to sit back and enjoy!

This episode was directed by Rowdy Herrington (who also directed that cable mainstay, Road House) and originally aired on June 26th, 1990.