Made For TV Horror: Death Car On The Freeway (dir by Hal Needham)


I, for one, am tired of the stereotype that women cannot drive.

I’m a woman and I can tell you right now that I am an above average driver.  I’ve only had one major accident.  Admittedly, I did smash into a parked car but it was raining and I really couldn’t see that well because I was driving convertible and the window was fogged up.  Plus, whoever parked that car must have done a bad job and left it sitting out in the middle of the street.  For the record, my convertible flipped over on impact so the parked car did far more damage than I did.

Other than that, I usually manage to stop in time for red lights.  I’ve only driven through a few stop signs and that was just because I didn’t notice them. I’ve very rarely been given a speeding ticket.  Instead, the police have always been very polite about just giving me a warning.  And yes, it is true that I have trouble with curbs and turns and going in reverse and all that but I’ve seen plenty of men do the same thing.

The statistics show that, while women are involved in more accidents, the accidents are more likely to be fatal if a man is driving.  Men are also more prone to get upset and pull a gun during a road rage incident whereas women just give other drivers the finger.  Women are not inherently bad or dangerous drivers.  The one exception, at least down here in Texas, are middle-aged women who drive SUVs with faded Beto stickers.  You really don’t want to get stuck behind one of them in traffic.

I found myself thinking about the misogyny behind the “women-are-bad-drivers” stereotype as I watched 1979’s Death Car On The FreewayDeath Car On The Freeway features a madman who is so sick of women driving in Los Angeles that he starts using his Dodge van to cause them to have accidents.  We don’t actually see his face or really learn much about him.  What we do see are his black-gloved hands on his steering wheel, which is a nifty homage to the giallo genre.  (Giallo killers have a thing for black gloves.)  Whenever the driver does try to force a woman into a fatal accident, he pops in an 8-track of hyperactive fiddle music.  The fiddle has never sounded more menacing than it does in Death Car On The Freeway.  It’s almost like prog rock fiddling.  Imagine a country western fiddler who has just done a mountain of cocaine and you’ll get a feeling for this guy’s taste in music.

News reporter Shelley Hack thinks that the public has the right to know that there’s a man causing women to crash their cars.  Her ex-husband, played to smarmy perfection by George Hamilton, thinks that Shelley should quit her current job and come work with him.  Meanwhile, police inspector Peter Graves is concerned that the media going to start a panic and make it more difficult for him to track down the “Freeway Fiddler.”  (One gets the feeling that Graves feels this entire mess could have been avoided if women had never been allowed to drive in the first place.)  At one point, Hack meets with a defensive driver instructor and he’s played by the film’s director, Hal Needham.

Oh, how I love this film!  Seriously, it’s got car chases, car crashes, 70s outfits, George Hamilton, Peter Graves, and a genuinely frightening villain.  This is one of those films where you might be tempted to be dismissive.  Folks like Dinah Shore, Sid Haig, and Abe Vigoda show up in small roles, reminding you that this really is a 70s made-for-TV movie.  But then, that fiddling explodes on the soundtrack, that van starts tailgating someone, and Death Car On The Freeway suddenly becomes a cinematic nightmare.  It’s not a surprise that Hal Needham was able to stage some impressive driving stunts in Death Car On The Freeway.  That was Hal Needham’s thing.  But Needham also manages to craft a compelling and, at times, genuinely frightening film.  Anyone who has ever glanced into their rearview mirror and suddenly realized that another vehicle is following them will be able to relate to the fear of the Fiddler’s victims.

This is a great movie and a reminder that women are not the most dangerous drivers on the streets.  Unless, of course, they’re driving an SUV with a faded Beto sticker….

Retro Television Reviews: Fantasy Island 1.10 “The Over-The-Hill-Gang/Poof, You’re A Movie Star!”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone!  Smiles!

Episode 1.10 “The Over-The-Hill-Gang/Poof, You’re A Movie Star!”

(Dir by Earl Bellamy, originally aired on April 15th, 1978)

Uh-oh, Tattoo has a new money-making scheme!  It involves a parrot.  While the exact details of Tattoo’s schemes are a bit vague, it all involves teaching the parrot how to speak.  Again, I’m not sure how exactly that’s going to make Tattoo a lot of money but whatever.  I like parrots.

Still, it’s hard not to notice that Tattoo seems to spend a lot of time trying to figure out ways to make extra money.  Tattoo is the second-in-command at the world’s most prestigious resort so you have to wonder why he always seems to be so desperate to bring in some extra cash.  It’s not like Tattoo is paying rent or even buying his own food.  That’s all provided by Mr. Roarke and the island.  Add to that, it has been implied that Tattoo is in charge of the island’s finances and that’s not a job that you give to someone who can’t handle his own money.  Maybe Tattoo isn’t looking to make money for himself.  Maybe Fantasy Island is on the verge of bankruptcy due to Roarke’s habit of giving people free fantasies.  Maybe the talking parrot is Tattoo’s latest scheme to save the Island.  If that’s the case, then Tattoo really is the secret hero of this series.

I actually wish this episode has spent more time with the parrot because that little throw-away story was still more interesting than the two main stories.  Don’t get me wrong.  This isn’t a bad episode.  It’s just a bit bland.

Shirley Russell (Barbi Benton) comes to the Island with dreams of becoming a movie star.  Mr. Roarke simply snaps his fingers and suddenly, Shirley has not only an agent but also hundreds of fans following her everywhere that she goes.  She also has a role in a big movie that will be filming on the Island!  When the film’s producer (played by a veteran sleazy guy Herb Edelman) tells Shirley that she’ll have to film a nude scene for the movie, Shirley abandons her fantasy and happily reunites with her earnest fiancé.  Barbi Benton was likable as Shirley but the fantasy itself was predictable and on the blah side.  Shirley’s shock over the proposed nude scene made me wonder if she had actually watched any movies other than The Sound of Music.

The other fantasy dealt with Spencer Randolph (Ray Bolger), an aging bank robber who wanted to pull off one last job with his old gang before marrying a wealthy businesswoman.  Bolger’s old gang was made up of familiar Hollywood character actors like Tom Ewell, Foster Brooks, and Phil Foster.  Along with getting the old gang back together again, Spencer was also able to foil a blackmail scheme.  Again, the storyline was a bit bland but the chemistry between all of the Hollywood veterans was enjoyable.  Ray Bolger was just as spry and likable here as he was when he played the Scarecrow in The Wizard of Oz.  Interestingly enough, 39 years passed between The Wizard of Oz and this episode of Fantasy Island and Bolger was still younger than Joe Biden is today when he played Spencer Randolph, the leader of the over-the-hill gang.

Retro Television Reviews: The Love Boat 1.7 “Julie’s Old Flame / The Jinx / The Identical Problem”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, exciting and new!

Let it go, it floats back to you!

We all float down here!

Episode 1.7 “Julie’s Old Flame / The Jinx / The Identical Problem”

(Directed by Don Weis, originally aired on November 12th, 1977)

The Love Boat is jinxed!

Or, at least, that’s what the crew assumes when they meet Horace and Henrietta McDonald (played by Ray Bolger and Harriet Nelson).  Horace and Henrietta first met when they were children and they’ve been in love ever since.  In fact, they met each other on a cruise.  Unfortunately, that cruise was the Titanic!

(Remember, when this episode aired, it had been 65 years since the Titanic sank.  So, there were still a few elderly survivors around.)

Anyway, the crew worries that Horace and Henrietta might bring bad luck with them and, before you know it, everyone’s getting injured.  Doc Bricker gets hit by a door and ends up having to wear a bandage on his head.  Gopher trips in the lounge.  Isaac gets whiplash after falling in the pool.  Julie ends up wearing an eye patch.  To be honest, I think the crew is just clumsy.

While the crew is trying not to die, identical twins Ellen and Helen (Diana Canova) are trying to keep the crew from realizing that they’re both on the boat.  (They only bought one ticket.)  One of the twins falls in love with Doc Bricker.  The other can’t stand him.  Bricker being Bricker, he really doesn’t care how the twins feel about him.  He just wants to get laid.  Still, Bricker spend most of the episode very confused and very afraid of the Titanic jinx.

Meanwhile, Julie is shocked when she discovers that Buddy Stanfield (David Hedison) is on the cruise!  Buddy is a wealthy and handsome attorney and he’s also Julie’s former lover.  They had a whirlwind romance in Paris but then Julie discovered that Buddy was married and her heart was broken.  Now, Buddy claims that he’s divorced and Julie starts to fall for him again.  It’s pretty obvious that Buddy is lying but who can blame Julie when he’s played by the classy and suave David Hedison.  Hedison played Felix Leiter in Live and Let Die and License to Kill.  In between dealing with the jinx, the crew tries to proect Julie from Buddy.  Of course, Buddy’s wife eventually shows up but at least Julie has her friends to support her!

Anyway, this was a pretty predictable episode and the plot with the twins was way too silly to believed.  It didn’t help that the twins appeared to be in their early 20s while Doc Bricker is in his 40s at least.  But David Hedison was a perfect cad and Ray Bolger (who, of course, is best-remembered for playing the Scarecrow in The Wizard of Oz) and Harriet Nelson were an adorable couple.  This episode was nothing special but it was still enjoyable while it lasted.

Smash-Up On Interstate 5 (1976, directed by John Llewellyn Moxey)


Smash-Up On Interstate 5 begins with ominous shots of a crowded California interstate.  It’s the 4th of July weekend and old people are returning home, young people are looking for a party, and Sergeant Sam Marcum (Robert Conrad) of the California Highway Patrol is looking for a killer.  When one car swerves into the next lane and hits another, it leads to a chain reaction as hundreds of cars, trucks, and one motorcycle crash into each other.  While the vehicles crash, we see the people inside of them.  There’s Buddy Ebsen!  There’s Vera Miles!  There’s Sue Lyon (of Lolita fame) on the back of a motorcycle!  In a voice-over, Sam tells us that the accident will be classified as being due to “mechanical failure” and that 14 people are going to die as a result.  He might be one of them.

Smash-Up On Interstate 5 is a 70s disaster film so, after the pile-up, the movie flashed back 48 hours and we get to know everyone whose lives are going to eventually collide on Interstate 5.  Erica (Vera Miles) is recently divorced and trying to get back into the dating scene.  Albert (Buddy Ebsen) is trying to bring some joy to his terminally ill wife’s final days.  Lee (Scott Jacoby) and Penny (Bonnie Ebsen) are the hippies who are trying to get to Big Sur without getting arrested.  Burnsey (Sue Lyon) loves her biker boyfriend.  Some of them will survive the pile-up.  Some of them will not.

Smash-Up On Interstate 5 is an above average made-for-TV movie.  It’s got a notable cast and the movie does a good job of mixing together’s everyone’s subplots.  For instance, Burnsey and a group of bikers show up in the background of several scenes and harass Erica at one point long before the crash on the interstate.  It’s only a 100-minute film so the film doesn’t go into too much detail about everyone’s past but we learn just enough to make everyone stand out.  The crash itself is intense, even when seen today.  Made before the days of CGI, this is a film where the stunt crew definitely earned their paycheck.

Tommy Lee Jones plays a patrolman who is also Sam’s brother-in-law.  I was surprised when I first saw him but as soon as I saw the strained smile and heard the accent, I knew it was him.  Jones’s role is small and probably could have been played by anyone but the mere presence of Tommy Lee Jones definitely makes this film cooler than it would have been otherwise.

One final note: This film was directed by the made-for-TV horror specialist, John Llewellyn Moxey.  Be sure to read Gary Loggins’s tribute to this often underrated director.