Late Night Retro Television Review: 1st & Ten 2.8 “Easy Come Easy Go”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

Time to get back to 1st & Ten.  To be honest, with all the excitement of the holiday season, I totally forgot that I was reviewing this show.

Episode 2.8 “Easy Come, Easy Go”

(Dir by Burt Brinckerhoff, originally aired on January 6th, 1987)

This is yet another episode of 1st & Ten that felt as if it was put together almost at random.

Mad Dog (Tony Longo) has a one night stand with a lawyer named Molly (June Chadwick) and he ends up becoming obsessed with her.  He shows up at a fancy cocktail party being hosted by Molly’s law firm.  “This man is stalking me!” Molly yells.  All of the men at the party are like, “Mad Dog!  You’re my favorite player!”  Now, I will say that this is a realistic portrayal of how most men act whenever they see a professional athlete but it still felt a bit icky to watch.

Jethro takes a blood test and discovers that little Tommy is not his son.  But he still wants to be a part of the kid’s life.

Yinessa sees a tabloid newspaper headline about his “nude pictures” and starts yelling at a supermarket manager for selling the paper.

Waldren is in financial trouble because he’s been tossing money around.  A group of gamblers approach him and offer to pay to shave points.  OJ Simpson (in the role of offensive coordinator T.D. Parker) tells Waldren, “I’m keeping my eye on you.”  Oh no!  LOOK OUT, WALDREN!

However, Waldren does not shave points.  Instead, he catches the ball that seals the Bulls victory in their first playoff game.  Woo hoo!  Go, Waldren!

A lot happened but, in typical 1st & Ten fashion, none of it added up to much.  It could be because the streaming episodes were edited for syndication but this is just a weird show.  Every episode feels as if their huge chunks of plot missing.

Late Night Retro Television Review: 1st & Ten 2.7 “Yinessa’s Interview”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

The Bulls are in the playoffs!

Episode 2.7 “Yinessa’s Interview”

(Dir by Burt Brinckerhoff, originally aired on December 30th, 1986)

Last week, training camp finally ended.

This week, the Bulls are in the playoffs!

Wow, we skipped the entire regular season.  Well, that’s okay.  It was obvious from the start that the Bulls were going to make it to the playoffs so why hold off on the inevitable?  Tom Yinessa has led the Bulls to a spot in the Wildcard and woo hoo!

The only problem is that Yinessa hasn’t had time to get laid.  When he does try to make time for Christy (Betsy Russell) — who I guess is his new girlfriend because she wasn’t his girlfriend an episode ago — they are interrupted by reporter Donna Starkey (Brianne Leary), who needs to finish up her interview with Yinessa.  Christy leaves angry but then she returns to make up for Yinessa, just to discover him on the verge of fooling around with Donna.

While all of this is going, the other team tries to fool the Bulls by sending them a fake playbook.  Coach Denardo thinks that it’s genuine but T.D. Parker is like, “I’ll kill you if you use that playbook!  I’ve done it before!”  Also a woman tells Jethro that he’s the father of her son.  Jethro is skeptical but he agrees to get a paternity test.

Donna writes an article about how Yinessa is an unimpressive quarterback.  But the Bulls still win their playoff game by relying on defense.  Mad Dog Smears angrily notes that reporters never want to interview anyone defense …. wait a minute, where’s Dr. Death?  Seeing as how the defense wins the game, this seems like a weird episode not to feature Dr. Death.

The Bulls win their game but Yinessa no longer has a girlfriend.  Womp womp.

This episode was weirdly unsubstantial.  It may be because of how the episodes have been edited for syndication to remove all of the nudity and cursing but 1st & Ten never seems to be able to develop any sort of narrative momentum.  Instead of each episode building towards something, it’s usually just 20 minutes of random events that never seem to really be tied together.  One could say the same thing of life in general, I suppose.

This is my final 1st & Ten review of 2025.  Retro Television Reviews is taken a break for the holidays but this feature will return in January.  My next 1st & Ten review will be on January 7th, 2026.

Going Berserk (1983, directed by David Steinberg)


John Bourgignon (John Candy) is a man of many talents.  He’s a limo driver.  He’s a drummer.  He is an occasional actor, having starred in Kung Fu U. for his friend, director Sal DiPasquale (Eugene Levy).  John is also improbably engaged to Nancy Reece (Alley Mills), the daughter of Congressman and presidential candidate Ed Reese (Pat Hingle).  As the wedding approaches, John deals with a number of things.  He chauffeurs around a group of Spanish Beatles impersonators.  He finds himself handcuffed to a fugitive (Ernie Hudson) who dies at an inopportune time.  A cult leader (Richard Libertini) attempts to brainwash John into assassinating Ed, though the process might just turn John into a “schmuck.”

Going Berserk was John Candy’s first lead feature role and it was obviously designed to play to Candy’s popularity as one of the stars of SCTVGoing Berserk doesn’t gave a plot as much as it’s a collection of skits, some of which work better than others but all of which are held together by Candy’s comedic timing and amiable presence.  Going Berserk is disjointed and wildly uneven but it’s also frequently funny and that is a testament to Candy’s talent.  Even an overlong parody of The Blue Lagoon raises a smile because John Candy is just so committed to playing out the joke.

Going Berserk also features several familiar faces, like Richard Libertini, Pat Hingle, Ernie Hudson, Dixie Carter, Kurtwood Smith, Paul Dooley, and two of Candy’s SCTV co-stars, Eugene Levy and Joe Flaherty.  I especially liked Levy’s performance as the sleazy director who blackmails his way into filming the wedding.  Going Berserk was frequently stupid but, more often than not, it made me laugh.