10 Films For The Weekend (6/13/25)

Posted on June 13, 2025 by Lisa Marie Bowman

Here are just a few recommendations from a girl who is currently packing for her vacation!

Happy Friday the 13th

Friday the 13th kind of snuck up on me this year, which is a shame because this is the only Friday the 13th that we’re going to get in 2025. I have a feeling that I’m not alone in being taken by surprise, though. Usually the streaming services make a bigger deal about Friday the 13th. This year, only Pluto TV has the complete series available to stream.

That said, you can watch the first Friday the 13th (1980) on Tubi. Though the films were never critical favorites and I doubt they’ll ever have a Halloween-style resurgence (and really, that’s the way I like it because the last thing that horror fans need or deserve is for David Gordon Green to screw up Jason like he did Michael), the first Friday the 13th is still entertaining to watch. It’s interesting to see how much the first few films drew from the Italian giallo movies. The first Friday the 13th is even a whodunit, featuring a killer wearing gloves! It also features a young Kevin Bacon in a speedo so what’s your excuse for not watching? Personally, I always relate to Marcie in this film. I imagine I’d share the same fate if I ever found myself working at a summer camp, wandering around in my underwear and saying, “C’mon, guys….” until someone got annoyed and hit me with an axe. You can watch the film on Tubi.

Friday the 13th: Part 2 (1981) is actually a really good horror movie, featuring interesting victims and, for the first time, Jason Voorhees as the killer. Jason dresses like a hillbilly in this one. Amy Steel is a badass heroine. Russell Todd’s an incredibly handsome man. The film itself actually has some wonderfully creepy shots, from the POV tracking shot that creeps up on Lauren-Marie Taylor to the shadowy shot of the cars driving into town. It can be viewed on Pluto.

Friday the 13th: The Final Chapter (1984) was quite obviously not the final chapter but it was, in my opinion, the best of the films. Everyone remembers this one for Corey Feldman as Tommy Jarvis and Crispin Glover as one of the victims but really, the entire cast does a great job of bringing their characters to life and actually making them interesting for once. My heart always breaks a little for Peter Barton and Barbara Howard. They were such a cute couple. It can be viewed on Pluto.

Friday the 13th Part VII: The New Blood (1987) is hardly the best of the Friday films but I have to admit that I’ve always kind of liked it. Not only does it feature the first appearance of Zombie Jason but it also features enough strange plot twists to keep things watchable. The recently passed Lar Park Lincoln plays Tina, the girl with psychic powers and she gives a far better performance than the material probably deserved. Terry Kiser plays “Bad News” Crews. It can be viewed on Pluto.

Mario Bava’s Bay of Blood (1971) is a classic giallo and it features a rare (and successful) stab at social satire on the part of Mario Bava. It’s also interesting to see the scenes that were lifted, almost shot-for-short, for Friday the 13th Part 2. It can be viewed on Tubi.

Happy Father’s Day

This s going to be a bittersweet Father’s Day for me and my sisters. Our Dad passed away last August. Indeed, one of the reasons why I’m going on vacation next week is so I can get away from the sad memories for a bit. If I had to think of any film that captured my Dad’s independent spirit, I’d probably go with Convoy (1978). When I was growing up, my Dad sometimes worked as an independent trucker. He liked this movie and he liked Rubber Duck and you know what? Rubber Duck would have liked him as well. Convy was notorious for the cost overruns and the amount of drugs done on set but I’ll tell you right now — if you don’t cheer when Kris Kristofferson, Burt Young, and other truckers defy the law, you have no heart. Convoy can be viewed on Tubi.

My Dad was also a Godzilla fan, which is one reason why I’m a Godzilla fan! I can still remember being little and watching Godzilla films with him. They used to air every Saturday afternoon. One of our favorites was Godzilla vs Megalon (1973), in which Godzilla teams up with the giant robot, Jet Jaguar. I know that Godzilla purists tend to be dismissive of this film but I don’t care. I loved it! It can be viewed on Max.

I guess it says something about my job here that I can get sentimental about a violent and bloody film like 10 to Midnight (1983) but I have to admit that I’m always touched by the father-daughter relationship of Leo (Charles Bronson) and Laurie Kessler (Lisa Eilbacher). It reminds me a lot of my relationship with my Dad. Of course, those of you just looking for a good Cannon-era Bronson flick won’t be disappointed either. Gene Davis turns Warren Stacy into a truly loathsome villain and Bronson’s final line is a classic. Plus, this film has got Andrew Stevens in the role of the liberal rookie detective who no one can believe is a cop. The film can be viewed on Tubi.

Happy Odds and Ends

If you want to watch a Bava film that’s a little less gory than Bay of Blood, Planet of the Vampires (1965) is an atmospheric delight. Just as Bay of Blood inspired Friday the 13th, Planet of the Vampires inspired Alien. Keep an eye out for Ivan Rassimov, who had the best head of hair in Italian horror. The film is on Pluto.

Jim Belushi celebrated a birthday this week and you can celebrate as well by watching one of my favorite guilty pleasures, The Principal (1987). This film is heartfelt, violent, occasionally funny, thoroughly ludicrous, and actually kind of touching in its determination to actually say something. Jim Belushi vs Michael Wright is one of the ages. Lou Gossett, Jr. appears to be amused by the whole thing. “He’s the Principal, man!” The film is on Tubi.

Have a great week!

(Check out last week’s films here!)

4 Shots From 4 Films: Special Friday The 13th Edition

Posted on June 13, 2025 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Admittedly, the Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made. That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry. That said, today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VI: Jason Lives (1986, dir by Tom McLoughlin)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise! It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

Late Night Retro Television Review: Friday the 13th: The Series 3.14 “Repitition”

Posted on May 23, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week …. hey, where is everyone?

Episode 3.14 “Repetition”

(Dir by William Fruet, originally aired on February 5th, 1990)

After newspaper columnist Walter Cromwell (David Ferry) accidentally hits and kills a girl with his car, he finds himself consumed with guilt. He also start to hear the girl’s voice in his head, demanding that he bring her back to life. Walter just happens to have a cursed amulet, one that allows the owner to bring someone else back to life as long as he kills someone who is wearing the amulet. Walter’s first victim is his dying mother. But after he kills her, he starts to hear her voice demanding to be brought back to life. So, Walter commits another murder, one after the other, trying to bring back to life every one who he kills.

This was an interesting episode because neither Johnny nor Jack were anywhere to be seen. Instead, it was just Micki and she only appeared at the start and the end of the episode. The entire episode focused on Walter and his descent into madness and, it must be said, that worked just fine. This show’s strength has always been its collection of cursed antiques and this episode allowed us to see how one of them actually works. We saw how the amulet manipulated Walter and how Walter himself became more and more hooked on using the amulet’s power. I’ve always viewed the antiques as being a bit like drugs and their users being addicts and this episode certainly played into that theory.

This was an intense episode, featuring moody visuals and a strong script from David Lynch’s daughter, the future director Jennifer Lynch. After last week’s odd episode, it was nice to see an episode this week that actually got to the heart of what this series was always supposed to be about.

Late Night Retro Television Review: Friday the 13th: The Series 3.13 “Midnight Riders”

Posted on May 16, 2025 by Lisa Marie Bowman

This week, the show attempts a change of pace!

Episode 3.13 “Midnight Riders”

(Dir by Allan Eastman, originally aired on January 29th, 1990)

An odd episode, this one.

Jack, Micki, and Johnny head out to a small town so that Jack can look up into the night sky and see a once-in-a-lifetime convergence of the stars. However, possibly as a result of the convergence (it’s never really made clear), a bunch of dead motorcycle riders are resurrected and they rumble into town, seeking vengeance on everyone who took part in the death of their leader. If the bikers can kill every one of them, their leader will be resurrected. Finally, the ghost of Jack’s father (Dennis Thatcher) shows up and works with Jack to stop the bikers. It turns out that Jack and his father had a difficult relationship. Ryan had a difficult relationship with his father. Johnny was falsely accused of murdering his father. We’ve never met Micki’s father but he’s probably a jerk too.

The weird thing about this episode is that it didn’t feature a cursed antique. Instead, Jack and the crew went to a small town and supernatural stuff started happening shortly after they arrived. That’s okay, I guess. In theory, there’s nothing wrong with trying something new. But, at the same time, the cursed antiques were what set this show apart from all of the other supernaturally-themed television series out there. Personally, even when the antique’s curse makes no sense, I still enjoy seeing what the show comes up with.

This episode had a lot of atmosphere and a typically good performance from Chris Wiggins. The ghost bikers were never quite as intimidating as they should have been, despite all of the murders. If anything, they reminded me a bit too much of Sometime They Come Back. This episode was a change of pace and, as if often the case with things like this, it didn’t quite work. Here’s hoping next week will have a cursed antique!

Late Night Retro Television Review: Friday the 13th: The Series 3.12 “Epitaph For A Lonely Heart”

Posted on May 9, 2025 by Lisa Marie Bowman

This week, it’s just Jack and Micki!

Episode 3.12 “Epitaph For A Lonely Heart”

(Dir by Allan Kroeker, originally aired on January 22nd, 1990)

Eli Leonard (Neil Munro) is a mortician who uses a cursed embalming needle to bring the dead back to life. Of course, he has to kill someone for the needle to work. Eli has fallen in love with the corpse of a young woman and …. EEK!

The dead woman’s fiancé is Steve Wells (Barclay Hope), a friend of Micki’s who let’s her know that he thinks something strange is happening at the funeral home before he himself is killed by Eli. Micki and Jack investigate! It all ends with a big and convenient fire, which not only kills Eli but also the two women who he has recently brought back to life.

Johnny Ventura was not in this episode and, as much as I’ve complained about the character, he actually is missed. Having Micki just working solely with Jack threw off the show’s balance a little. Jack is so much older than Micki that, in this episode, it felt as if Micki was Jack’s apprentice as opposed to being an equal partner in the search for the cursed items. As a character, Micki works best when she has an impulsive guy like Ryan or Johnny to play off of. Both she and Jack tend be cautious so this episode just felt a bit off.

(That said, there was an enjoyable scene of Jack and Micki having to host a gathering of all the other local antique dealers, none of whom knew that Jack and Micki spend all of their time fighting the Devil.)

The mortician was one of the least sympathetic villains that this show has ever featured. He was lonely but he also an obsessive creeper with no people skills. Friday the 13th has often featured villains who were tragically misguided or seduced by the cursed antique. The mortician was just a creep. Neil Munro did a good job playing him, making him into a villain who you couldn’t wait to see meet his fate.

In the end, though, this episode just felt off. I guess this show really does need Johnny screwing up and accidentally giving away the cursed antiques. Who would have guessed?

Late Night Retro Television Review: Friday the 13th: The Series 3.10 “Mightier Than The Sword”

Posted on April 25, 2025 by Lisa Marie Bowman

Another Friday, another cursed antique….

Episode 3.10 “Mightier Than The Sword”

(Dir by Armand Mastroianni, originally aired on January 8th, 1990)

Micki’s been possessed again!

This time, it’s the result of a writer named Alex Dent (Colm Feore, who appeared in quite a few episodes of this show, always as a different villain) using his cursed pen to write about Micki becoming a serial killer. That’s how Alex makes his money. He writes about people becoming serial killers and then, when they do exactly what he has written, Alex publishes a true crime book about them.

Johnny is a huge fan of Alex’s books. Micki says that she’s seen enough death in real life without having to read about it. Johnny doesn’t seem to take her seriously, which is odd. Sometimes, Johnny seems to forget that he and Micki spend all of their time dealing with cursed antiques and battling the Devil. I mean, has Johnny forgotten about the time that he spent in prison after he was wrongly convicted of murdering his father? Johnny seems to go from being streetwise to naive rather abruptly, all depending on what the episode’s story requires of him. It’s also a bit of an odd coincidence that Johnny would just happen to be a fan of someone who has one of the cursed antiques but, then again, this wasn’t the first time this happened on Friday the 13th and I imagine it will happen a few more times as well.

This episode had an interesting premise, though I do have to wonder how Alex found out about the curse in the first place. It doesn’t seem like the most practical of curses. Alex must write, sell, and publish his books in record time. Micki always seems to be getting possessed, which usually leads to her posing in a doorway and delivering her lines like a 40s noir heroine. (In this episode, she also takes up smoking.) Fortunately, Robey always did a good job pulling off the whole suddenly possessed thing. I imagine it must have been pretty traumatic for Micki but at least Johnny learned a lesson about reading trashy true crime paperbacks.

As for this episode, Colm Feore was a good villain, there was plenty of noirish atmosphere, and the episode didn’t take itself particularly seriously. It kept me entertained! Really, what more can you ask from a show?

Late Night Retro Television Review: Friday the 13th: The Series 3.9 “Femme Fatale”

Posted on April 11, 2025 by Lisa Marie Bowman

This week, Micki finds herself trapped in a movie!

Episode 3.9 “Femme Fatale”

(Dir by Francis Delia, originally aired on November 20th, 1989)

In an isolated mansion, former film director Desmond Williams (Gordon Pinsent) lives with retired actress Lili Lita (Kate Reid). Lili is sick and bed-ridden now but, when she was younger, she starred in all of Desmond’s noir melodramas. Desmond still enjoys watching their old films, particularly one in which Lili played a doomed femme fatale named Glenda.

Unfortunately, Desmond’s copy of the film is cursed. Whenever he watches it, he has to watch with a young woman who will suddenly find herself switching places with Glenda. Glenda is allowed to live in the real world until her unfortunate replacement is killed in the film. Desmond is overjoyed to have Glenda come into his world. Glenda, however, is more than little frustrated by the fact that she always has to return to the movie.

When Micki shows up to try to retrieve the cursed film, she ends up trapped in the movie. Micki, however, is a bit more creative than Desmond’s other victims and continually tries to change the script, just to discover that the black-and-white characters around her are always going to do the same thing no matter what.

Meanwhile, Jack and Johnny show up and try to rescue Micki. While Glena explores the real world and even drops in on a showing of one of her old movies, Lili ends up shooting Desmond and then willfully taking Micki’s place in the movie. Micki returns to the real world. Lili dies in the film. Gloria burns up into nothingness. With Desmond dead, Gloria is now forever trapped in the film.

This was a good episode. When it started, I thought Desmond was going to turn out to be one of the quasi-sympathetic villains who was using a cursed object in an effort to help someone else. But, as the episode progressed, it becomes obvious that Desmond didn’t really love Lili. Instead, he loved the character that he created for her to be. He loved the imaginary femme fatale but not the real-life woman who played her. As well, the scenes inside the film were handled with a lot of wit and style. I enjoyed watching Micki trying to disrupt the film’s story. As much as I miss John D. LeMay’s Ryan, his absence really allowed Robey to come into her own during the third season.

Friday the 13th could be an uneven show but this episode was definitely a triumph.

Late Night Retro Television Review: Friday the 13th: The Series 3.7 “Hate On Your Dial”

Posted on March 21, 2025 by Lisa Marie Bowman

This week, Johnny screws up, making the type of mistake that Ryan never would have!

Episode 3.7 “Hate On Your Dial”

(Dir by Allan Eastman, originally aired on November 6th, 1989)

This week’s cursed antique is an old car radio from 1954. Smear it with the blood of someone who has just died and the car will transport you back to …. 1954. That seems like an oddly specific curse and a kind of pointless one. What if the car radio ends up in the possession of someone who doesn’t care about 1954?

(And, to make clear, Jack does specifically state that the curse involves going back to 1954.)

The car radio does end up in the possession of Ray Pierce (Michael Rhoades), a racist auto mechanic who uses the car to go back to 1954 so that he can hang out with his father in Mississippi. His father (Martin Doyle) is a member of the Klan, along with his friend, Joe (played, in an early performance, by Henry Czerny). The 1954 scenes are filmed in black-and-white. When the show travels back 1954, the first thing we see is an “I Like Ike” billboard, featuring Dwight Eisenhower and a Confederate flag. Obviously, someone in the show’s Canadian writer’s room didn’t know who supported segregation in 50s and who didn’t. There was a political party wrapping itself in the Confederate flag in 1950s Mississippi but it wasn’t the Republicans and their candidate wasn’t Dwight Eisenhower.

This episode features Johnny making another one of his trademark mistakes, this time selling the cursed radio to Ray’s “slow” brother, Archie (played by Cronenberg regular Robert A. Silverman). Only after Johnny sells it does he realize it was probably cursed. Micki yells at him for not checking the manifest before selling it. Then Jack yells at him too. Jack remains angry with him for nearly the entire episode. It’s understandable that Jack would be upset but then again, maybe they shouldn’t have left inexperienced Johnny alone in the shop in the first place. Maybe they shouldn’t even be selling antiques at all. That would definitely solve the problem.

Anyway, this episode featured some of the worst Southern accents that I’ve ever heard and it also featured a cursed objects that didn’t make much sense. Johnny learned an important lesson about being careful about selling things and I guess that’s a good thing. That said, Ryan never would have made that mistake!

Late Night Retro Television Review: Friday the 13th: The Series 3.5 “Stick It In Your Ear”

Posted on March 7, 2025 by Lisa Marie Bowman

This week, a hearing aide turns into a snake and heads explode all over wherever this show is supposed to be taking place. I always assumed this show took place in Canada but some people insist it was set in Chicago. I just know it’s taking place somewhere cold.

Episode 3.5 “Stick In Your Ear”

(Dir by Douglas Jackson, originally aired on October 16th, 1989)

Hack stage mentalist Adam Cole (Wayne Best) has come into possession of a cursed hearing aid that allows him to hear the thoughts of other people. This is great for act! However, the hearing aid also sometimes becomes so full of other people’s thoughts that Adam has to commit murder to keep his head from exploding. Yikes!

This is yet another episode where more time is spent with the person using the cursed object than with Jack, Micki, and ~~Ryan~~ Johnny. There’s not necessarily anything wrong with that and Wayne Best does fine in the role of the not-particularly sympathetic Adam Cole. But, watching this episode, I still found myself missing the old days — let’s call them the Ryan days — when the chemistry between the three leads was often just as important as the gore and the horror. As a character, Johnny still often feels a bit half-baked, as if the show’s writers still weren’t quite sure who he was. When he was first introduced, he was cocky and streetwise. Then he went to prison for a murder he didn’t commit! Then, he was revealed to be a baseball fan who liked to build ships in bottles. And now, in this episode, he’s suddenly an aspiring writer who enjoys reading the tabloids. Steven Monarque does what he can but the character is so inconsistent that Johnny still feels a bit out-of-place in the show’s world. At the very least, Ryan had a reason for sticking with the often grisly hunt for the antiques. He wanted to do it with his cousin. (I know, I know …. ewwww! But it was also Ryan’s most defining motivation.) Johnny’s motivations are a bit more opaque.

This episode did feature some Cronenbergian body horror, a nice reminder of Friday the 13th‘s Canadian origins. Not clearing out the hearing aid leads to some exploding head action which is quite graphic even for this show. That said, it bothers me that one person’s head more or less implodes in front of an entire studio audience and you really do have to wonder how exactly that’s going to be explained to the press. I would think an exploding head and a snake-like hearing aid would lead to a lot of people saying, “Hey, maybe there is something out there.”

This was a gory episode, nicely acted and featuring an intriguing antique. That said, I still miss Ryan.

Late Night Retro Television Review: Friday the 13th: The Series 3.4 “Crippled Inside”

Posted on February 22, 2025 by Lisa Marie Bowman

This week, it’s all up to Johnny Ventura!

By the way, it is true that these reviews usually run on Friday. This week, however, all the cold weather caught up to me and I spent most of yesterday in bed. As a result, this week’s review got preempted to tonight. Now, let’s find out what’s been going on in the world of cursed antiques!

Episode 3.4 “Crippled Inside”

(Dir by Timothy Bond, originally aired on October 21st, 1989)

This week’s episode opens with teenager Rachel Horn (Stephanie Morgenstern) nearly getting gang-raped by a group of jocks. Rachel manages to escape from them but, as she runs away, she’s hit by a car and left a quadriplegic. Feeling that her life is over, things start to look up for Rachel when an old man (John Gilbert) gives her his antique wheelchair, which he suggests will help her regain the ability to move. When Rachel sits in the antique wheelchair, she can send out her astral form. Each time she uses the wheelchair, her body heals just a little bit more. The only catch is that the wheelchair only works if Rachel kills people while in her astral form. Hey, I can think of at least four guys that Rachel might want to kill….

With Jack and Micki in London, it falls to Johnny Ventura to try to get the wheelchair back. I have to admit that I was a bit skeptical when I saw this episode was going to be a solo effort on Johnny’s part. I was like, “Johnny’s only been a regular for two episodes and he’s already working alone?” (I have to admit that my feelings towards the Johnny Ventura character are very much influenced by how much I liked Ryan.) But I have to say that this was a good episode and a lot of that was because Johnny was working alone. Not understanding the true danger of the cursed antiques, Johnny was torn about whether or not to take the wheelchair away from Rachel. Rachel was a very sympathetic character and the people she was targeting truly were terrible. Johnny, not understanding that Rachel was losing her soul to the devil, actually gave the wheelchair back at one point. By the end of the episode, he realized he had made a mistake. Steve Monarque did a wonderful job portraying Johnny’s growing realization that there are no good curses.

This was a good episode. I still miss Ryan but Johnny held his own. The story was emotionally effective and the ending left me feeling genuinely unsettled. Johnny learned the truth about curses and I learned that, even during its final season, Friday the 13th: The Series was capable of producing intelligent and memorable horror.