Late Night Retro Television Review: Freddy’s Nightmares 1.12 “Deadline”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week …. oh, who knows?

Episode 1.12 “Deadline”

(Dir by Michael Lange, originally aired on January 29th, 1989)

This week’s first story is about Peter (Aaron Harnick), whose father owns the local Springwood paper and who is given a job for the summer.  He’s assigned to write the obits so that he can hang out around the newspaper office and learn from the veteran writers.  Peter would rather be in Europe.  That’s especially true when he starts to visualize the obits that he’s writing and somehow comes to realize that he’ll die unless he meets his deadline.

This story was the epitome of a good premise that was sloppily executed.  Peter hates writing obits but if he doesn’t write the obits, he’ll die in the same way as the person that he’s writing about.  He has visions.  He has dreams.  Unfortunately, both his boss and his girlfriend tell him to stop working  on his current obit and to get some rest.  But if Peter stop writing, he’ll die!  Uhmm …. how long does it take to type up an obituary?  I mean, doesn’t he just have to type up whatever dead person’s loved ones sent to the paper?

There’s a clever moment where Peter deletes an old article about Freddy Krueger from the newspaper’s computer system.  The episode implies that maybe Peter’s visions are in some way Freddy’s revenge but, as was so often the case with this show, it doesn’t really do much to explore the idea.

The first story ends with Peter dead.  The episode’s second story deals with Emily (Page Hannah), a friend of Peter’s girlfriend.  Emily has been dating an older college student (Timothy Brantley) and she continually has dreams where her friends  — including Peter’s girlfriend — get mad at her for not spending more time with her.  In her dreams, her friends all die in a car accident.  At the end of the story, it turns out that Emily was just daydreaming.  Seriously, that’s the entire story.

What a terrible episode.  I usually try to be positive about even the lesser episodes but I have to admit that I’m kind of ticked off that I wasted 50 minutes watching this week’s episode of Freddy’s Nightmares.  It felt as the show’s writers didn’t even try this week.  Instead, they just came up with some weird scenes and then dismissed them by shrugging and saying, “Hey, it was all a dream.  Nothing means anything!”

This episode was just lazy.

Late Night Retro Television Review: Freddy’s Nightmares 1.12 “The End of the World”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

This week, dreaming saves the world.

Episode 1.12 “The End of the World”

(Dir by Jonathan R. Betuel, originally aired on January 15th, 1989)

Weird episode.

The first half of the episode featured Mary Kohnert as Amy Collins, a young woman who starts to have dreams about the past and discovers that she can change reality depending on what she does in her dream.  Most of the dreams center around the accidental death of her mother.  Amy sets about to save her mother’s life but she discovers that changing the past will always lead to unforeseen consequences.

Unfortunately, her psychiatrist (George Lazenby) rats her out to the CIA and Amy is soon being forced to work for the U.S. military.  When she senses that a soldier is planning on launching a nuclear attack and plunging the world into war, Amy is forced to do a mind-meld of sorts with him.  She watches as the army manages to break into his bunker and gun him down right before he launches the nukes.

I can’t complain about a show trying something different and I actually found it interesting how the two stories were totally different in style and tone.  The second story featured a dream about a nuclear war that was pretty disturbing.  On TV, Gumby and his horse melted from the atomic heat.  That said, this episode suffered from the same flaw as many of the episode of Freddy’s Nightmares, in that it really didn’t have the budget necessary to achieve what it was hoping to accomplish.

Still, who can forget the image of Freddy Krueger riding a nuclear missile in the style of Slim Pickens at the end of Dr. Strangelove?

Along with having an interesting premise, this one also had some interesting guest stars.  Along with George Lazenby and Gumby, Walter Gotell, Andrew Prine, and Albert Hall all made appearances.  I guess when Freddy Krueger invites you, you don’t say no.

Late Night Retro Television Review: Freddy’s Nightmares 1.11 “Do Dreams Bleed?”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

This week, there’s a new threat in town!

Episode 1.11 “Do Dreams Bleed?”

(Dir by Dwight H. Little, originally aired on January 8th, 1989)

There’s a new serial killer in Springwood!

We don’t really learn much about the Chopper, other than he attacks people with an axe.  When the episode begins, high school football star John Warring (Damon Martin) is dealing with dual trauma of having not only found the Chopper’s latest victim but also being the number one suspect.  His grades start to slip.  (As was so often the case on this show, his parents are conveniently out-of-town.)  He fears that he’s going to lose his girlfriend, Roni (Sarah Buxton).  Not even John’s coach, Coach Gacey (Jeff McCarthy), is much help.  That’s probably because Coach Gacey actually is the Chopper, not that anyone figures that out.  Driven mad by his dreams, John finds himself being taken away to an asylum.

(Really?  Coach Gacey?  He should have been the number one suspect based on his name alone.)

The second half of the episode follows Ronni as she now starts to have nightmares.  She wants to believe that John is innocent but her dreams indicate that she has her doubts.  Eventually, John escapes from prison and is able to save Ronni from Coach Gacey.  However, when the police arrive, they just assume that Coach Gacey was trying to save Ronni and that John is the Chopper.  Ronni is so shaken by the entire experience that she no longer knows what’s true and what’s not.

Wow, that’s dark!

This was actually a pretty good episode.  For once the two stories had coherent plots, with Ronni’s story logically building off of John’s.  The dream sequences were effectively creepy, director Dwight Little kept the action moving at a good pace, and even the dark ending felt earned as opposed to forced on the narrative.  I would have liked to have heard Freddy’s thoughts on Springwood having a new serial killer (instead, during the host segments, Freddy just did his usual bad jokes) but otherwise, this was a surprisingly good episode.

Late Night Retro Television Review: Freddy’s Nightmares 1.10 “The Bride Wore Red”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

This week, who the Hell knows?

Episode 1.10 “The Bride Wore Red”

(Dir by George Kaczender, originally aired on December 18th, 1988)

This was a dumbass episode.

The first half of the episode dealt with Gavin (Eddie Driscoll) and his anxiety about his upcoming wedding to Jessica (Diane Franklin).  His friends take him out to a bar (called the Ball and Chain) where a stripper (Michele Pawk) ties him up and then taunts him about how bad marriage is going to be.  At the wedding, Gavin keeps seeing a mysterious woman (Katherine Moffat) who is dressed in red.  Then, we flash forward and see how miserable Gavin and Jessica are as a married couple.  Jessica no longer wear dresses and instead spends all day in sweatpants.  Gavin only kiss her when he wants sex.  He spends all of his time at the office.  Suddenly, we’re back at the church and Gavin says, “I do,” and kisses Jessica while the woman in red watches from her pew.

Obviously, the flashforwards were all a part of Gavin’s fantasy while standing at the altar.  But if the flashforwards were the fantasy, what are we to make of the equally cartoonish scenes at the bar?  Was all of that supposed to be real?  Even more importantly, who cares one way or the other?  There really wasn’t much of a story here.

The second half of the episode opened with Jessica and Gavin returning from their honeymoon.  Jessica is upset when she learns her father wants them to come over for dinner.  Jessica then goes out on her own, picks up a married man, ties him to a hotel room bed, and takes his picture.  She has an entire album full of pictures so apparently, she’s been doing this for a long time.

A dream sequence reveals that, when Jessica was a child, she caught her father cheating on her mother and he told her that if she ever told anyone, it would lead to divorce and Jessica would be carved up like a Thanksgiving turkey.

Back in the “real” world, Jessica and Gavin arrive for dinner but Jessica freaks out when she sees that her father (Arthur Roberts) is holding a carving knife.  Jessica reveals that her father cheated on her mother (Margaret Shinn) but her mother reveals that she already knows.  Jessica runs from the house and is kidnapped by the guy she previously photographed.  Soon, she’s the one who is tied to a bed while the guy sharpens a knife….

But then, suddenly, Jessica is tied down to a bed in a mental hospital and her husband is telling a doctor that “this always happens” whenever she has dinner with her parents.  Hey, Gavin — maybe y’all should just stop having dinner with her parents.  Just a thought.

Despite the presence of the talented Diane Franklin, this episode felt pretty superfluous.  Gavin’s story felt pointless.  Jessica’s story at least had a point but it still fell flat.  I’m not sure why Freddy would waste his time with either one of these nightmares.

 

Late Night Retro Television Review: Freddy’s Nightmares 1.7 “Sister’s Keeper”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

This week, Freddy is out for revenge.

Episode 7.1 “Sister’s Keeper”

(Dir by Ken Wiederhorn, originally aired on November 20th, 1988)

Freddy’s Nightmares started with Freddy Krueger killing Deputy Blocker, the man who had led the vigilante mob that set him on fire.  This episode finds Freddy seeking revenge on Blocker’s twin teenager daughters, neurotic Merit (Hili Park) and the supercool, super awesome Lisa (Gry Park).  Merit is convinced hat Freddy is haunting her nightmares and, as a result, she’s a bit of an outcast at school.  Lisa, on the other hand, believes that Freddy is dead and buried.  Lisa is stable and popular at school and even has a jock boyfriend.

Needless to say, Merit is a bit jealous of Lisa.  For me, this was the most realistic part of this episode.  People are always jealous of girls named Lisa, especially when they’ve got it all together as this Lisa does.  (Trust me, I know!)  It’s a heavy burden to bear but it happens.  Lisa, being a saint, tries to help Merit out but Merit is pretty unappreciative.

Lisa even dresses up like Merit and pretends to be Merit so that she can experience what it’s like to be her sister.  Lisa discovers that her boyfriend is just as interesting in sleeping with Merit as in sleeping with her.  Booo!  What a creep!  Even worse, Lisa discovers that Freddy is real and that he’s after both her and Merit.

Like the pilot, this episode tells one story and most of the action centers around Freddy.  Freddy actually takes part in this week’s story and, even by his standards, he’s cruel.  “I’ll make it gentle,” he tells the terrified Merit, a reminder that Freddy was always a far more perverse killer than the seemingly asexual Jason Voorhees or Michael Myers.  This episode was a reminder of just how scary Freddy could be.  Robert Englund didn’t hold up.

Merit and Lisa learn how to dream “in sync” so that they can both face Freddy at the same time.  It’s a cool idea that does absolutely no good.  As Lisa puts it, “It doesn’t work, you can’t make him go away!”  Lisa ends up dead (boo!) while Merit is blamed for her murder.  And so the episode ends.

Wow, that’s not a happy ending.  Not only did Freddy triumph but supercool Lisa was killed, largely due to her sister’s incompetence.  Then again, there really aren’t that many happy endings to be found when it comes to Freddy Krueger.  The ending was depressing but effective and, even more importantly, it was really the only way the story could have ended.

This episode was pretty good.  It’s certainly the best that I’ve seen so far.  Merit and Lisa were real-played by the Park sisters and Robert Englund once again showed just how frightening he could be as Freddy Krueger.  Within the confines imposed by television syndication, this was a genuinely frightening episode.

 

Freddy’s Nightmares Late Night Retro Television Review: Freddy’s Nightmares 1.5 “Judy Miller, Come on Down”


GUEST REVIEWER ALERT!!! Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex! 

Judy (Siobhan McCafferty) is living a very terrible life. Tom (John DeMita), Judy’s husband, is a spoiled manchild hiding out in school to avoid working. Tom’s parents live with Judy and Tom and they treat Judy like an indentured servant. Judy’s only escape for a better life is to buy lottery tickets and apply to appear on gameshows. Like all Freddy’s I’ve seen, the initial story was not bad and should have remained 22 minutes. However, I will say that in NO WAY was this a horror script at all. It was meant to be a mediocre Twilight Zone script or that should’ve been where it was pitched. In fact, the only real blood was at the very end of the episode where Freddy squeezed a fake heart with blood in it. Really, that was it!

Back to the show, Judy gets called to be contestant on a gameshow, but it gets…weird. Not scary weird, but weird. The game show became a “Pit and the Pendulum” knock off where the host asked Judy personal questions and every answer led to her family members being NOT KILLED, but scratched. They could’ve had the deaths off screen. The show goes on and she wins the gameshow, but instead of the show allowing her to evolve and leave her abusive husband and in-laws, the story continues into ….. time travel. For real, the story took a turn into time travel, which is impossible. Look, I’m an applied physicist- let time travel go because It does not work. Let it go! You can’t save Kennedy! LET IT GO!

Once again, the story ached to end at the 22 minute mark, but had to keep going and where did it go? Time travel. Judy gets the money, stays married, and spends a lot. Then, her older -self time travels by “I went a long way”… so like Trader Joe’s and back because that is difficult with the small-ass parking spaces! Anyway, the older Judy warns her that her husband will cheat on her and she’ll stab him to death. Her older self advises her to give the money away and she’ll be happy. THIS IS STUPID! She was poor at the beginning of the story and miserable! Hey writers, weren’t you there?!!! Simple solution: just get a divorce – California is a no-fault state- Move on!

The problem with this show is that instead of doing re-writes, they took 22 minute stories and doubled them in the stupidest ways possible.

Late Night Retro Television Review: Freddy’s Nightmares 1.2 “It’s A Miserable Life”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Let’s see what’s happening in Springwood!

Episode 1.2 “It’s A Miserable Life”

(Dir by Tom McLoughlin, originally aired on October 16th, 1988)

Bryan Ross (a young John Cameron Mitchell, giving a performance that really can’t be described as being anything less than lousy) is the son of the owner of the Beefy Boy hamburger joint in Springwood, Ohio.  Bryan wants to go to college.  His dad (Peter Iacangelo) and his mom (Annie O’Donnell) want him to take over the family business and join them in singing “Chew me, eat me, you can’t beat me.”

Bryan is working the overnight shift alone when a scruffy man (Michael Melvin) pulls up to the drive-through on his motorcycle and threatens to kill him.  Bryan passes out but, when he wakes up, he’s got a throbbing headache and he keeps seeing blood dripping on the floor.  Bryan’s girlfriend, Karyn (Lar Park Lincoln, giving a good performance), takes Bryan home.  At his house, Bryan discovers his mom and dad are acting weird.  Bryan tries to convince his parents to let him leave home.  Dad tries to stick his head in the oven.  Mom tries to seduce her son and then climbs into the refrigerator.  On the radio, there’s a news story about “another” drive-by shooting.  What could it all mean!?

Oh, you know what it all means.  Even if you haven’t watched the episode, you know that the motorcycle man obviously shot Bryan in the head and everything that happens after Bryan leaves Beefy Boy is just his dying vision.  It’s not a bad idea but it’s ineffectively executed.  We don’t really know enough about Bryan or his parents for Bryan’s hallucination to carry any impact and, from what we do see, they all appear to be broadly-drawn caricatures.   This episode also commits the sin of introducing a memorable character — the man on the motorcycle — and then not exploring just who or what he was meant to be.

Bryan’s story was wrapped up in 20 minutes.  The second half of the episode dealt with Karyn.  Shot in the same drive-by attack that killed Bryan, Karyn ended up at the hospital and …. well, I guess her story was another collection of hallucinations that really didn’t add up to much.  The story was effective because hospitals are scary and Lar Park Lincoln gave a better performance than John Cameron Mitchell did in his story.  That said, the entire story was basically Karyn getting upset because everyone kept saying that her parents were on their way.  Finally, Karyn finally revealed that — you guessed it! — her parents were dead and that they died at the same hospital where she was taken after getting shot.  As the episode ended, Karyn saw her parents standing in the doorway and screamed and thrashed around in bed while the doctor and nurse tried to calm her.  And …. that was it.  I mean, is Karyn dead?  Is that why her parents showed up?  Is Karyn hallucinating again?  Much like a drunk frat boy, this story didn’t reach a climax as much as it just stopped.

As for Freddy, he showed up to introduce each story.  There was a cool moment where he emerged from the restaurant’s fry cooker.  For the hospital scene, he put on scrubs.  He didn’t actually interact with either Bryan or Karyn but he still took credit for their suffering.  I think Freddy was just bragging on himself.

This episode was pretty uneven.  For the most part, I’m just glad I don’t live in Springwood.

Lisa Marie’s Week In Television: 7/20/25 — 7/26/25


1st & Ten (Tubi)

I reviewed 1st & Ten here!

American Manhunt: O.J. Simpson (Netflix)

Another year, another OJ documentary.  I binged this 2025 docuseries on Monday.  On the one hand, the story has been told and re-told so many times that it’s debatable whether any documentary will ever have anything new to add.  (And now that O.J. Simpson is dead, no one’s pretending that he was framed or that he was ever looking for the “real killers” anymore.)  On the other hand, the story itself such an important moment in American cultural history that there’s nothing wrong with examining it for a second or tenth time.  I appreciated that the docuseries took the time to talk about who Nicole Brown and Ron Goldman were as people before they were murdered by OJ.  (And make no mistake, that’s exactly what happened.)

The American Short Story (YouTube)

I reviewed this week’s episode here!

Big Brother 27 (24/7, CBS, Paramount Plus, Pluto TV)

I wrote about Big Brother here!

Black Sabbath: Up Close and Personal (Night Flight Plus)

On Saturday morning, Jeff and I joined our friend Pat in watching this 2007 documentary about Black Sabbath.  Some of the members were interviewed for the documentary.  Ozzy Osbourne was not (instead the documentary used archival interviews to get his thoughts) but, for the most part, everyone was very complimentary to him.  Personally, I liked the steady and straight-forward beat of the band’s music.

CHiPs (Prime)

I reviewed CHiPs here!

Degrassi High (Tubi)

I reviewed Degrassi High here!

Diff’Rent Strokes (Tubi)

I watched two episodes on Thursday.  In one, Kimberly Drummond (Dana Plato) went to a ski lodge with her friends and was considering losing her virginity when suddenly — surprise! — her father (Conrad Bain) decided to join her.  The second episode featured Willis (Todd Bridges) starting high school and being told that he had smoke weed to be cool.  Willis actually did get high in this episode and it’s amazing just how stoned he managed to get in just a few seconds.  Anyway, Mr. Drummond told Willis to stay off the grass.  This episode was disturbing because one of the high school stoners was wearing jeans so tight that …. well, let’s just say that it showed off more of him than was perhaps typical for network television.

Fantasy Island (DVR)

I reviewed Fantasy Island here!  Laurence is really letting me down as Mr. Roarke’s new servant.

Fred and Rosemary West: A British Horror Story (Netflix)

I watched this three-episode true crime docuseries on Sunday and Monday.  Fred and Rosemary West were a seemingly ordinary couple who actually murdered an untold number of young women and buried them out back under their patio.  Watching the docuseries, I was reminded a bit of the Paul Bernardo/Karla Homalka case, except in this case Fred tried to keep the police from discovering Rosemary’s role in the murders.  Fred ended up committing suicide.  Rosemary is still in prison.  It was a disturbing case.  Watching the docuseries, my heart broke for all of their victims.

Freddy’s Nightmares (Plex)

I reviewed Freddy’s Nightmares here!

From Rock Star To Killer (Netflix)

I watched this French docuseries, about the murder of actress of Marie Trintignant on Tuesday.  It was a sobering film, one that explored how many people refusing to believe that Marie’s famous boyfriend could also be a viscous abuser.  I minored in French in college so I watched the first episode without subtitles and I discovered that my French has gotten really rusty.  The remaining episodes, I watched the dubbed versions and I have to say that the dubbing was so poorly executed that I have to wonder if it was done by AI.

Gone Girls: The Long Island Serial Killer (Netflix)

On Tuesday, I watched this 2025 docuseries, which dealt with the infamous (and still largely unsolved) Long Island serial killer case.  To be honest, I’ve seen so many documentaries and dramatizations of this story that I kind of doubt there’s really anything new to learn about it.  That said, I appreciated that the series devoted so much time to profiling the victims and showing us who they were before they became a part of a cold case.  The victims of these crimes are so often overlooked or outright dismissed.

Good Morning, Miss Bliss (Prime)

My review of the second episode of Indiana Saved By The Bell will drop in about 90 minutes.

Gordon Ramsay’s Secret Service (Hulu)

On Saturday, I watched a two-part episode in which Gordon helped out three sisters who had taken over their late father’s restaurant.  On the one hand, I’m the youngest of four sisters so I could relate to the family dynamics that I saw in this episode.  On the other hand — yech!  Mice and roaches in the food!  I’m never eating out again.

Her Last Broadcast: The Abduction of Jodi Huisentruit (Hulu)

This true crime docuseries explored the disappearance of Iowa news anchor Jodi Huisentruit.  Along with giving us the details of her life and disappearance, the series also presented us with four potential suspects.  I’ve read some criticism online that the four suspects were all cleared of involvement by the police investigation or, in at least one case, was actually just a person of interest rather than a suspect.  It’s a tragic story, nonetheless.

Highway to Heaven (Tubi)

This week’s episode …. agck!  I reviewed it here.

Homicide: Life On The Street (Peacock)

I reviewed Homicide here!

It’s Always Sunny in Philadelphia (FX & Hulu)

The Lawyer returned!  After being a little bit disappointed in the first two episodes of the new season, my faith was renewed by the third episode.  Not only did the Lawyer return but we also got Dennis and Mac pretending to be EMTs, Dee screwing up yet another job, and Charlie turning into a demanding chef.  That’s the Sunny that I love!

The second episode that I watched this week, in which the Gang dealt with the consequences of dumping baby oil in a local waterway, I also enjoyed.  I always like it when Dennis tries to do his whole slick, corporate spokesman routine.

I’m still getting used to the Rob Mac name change.

The Love Boat (Paramount Plus)

This week was a Thanksgiving cruise!  I can’t wait for the holidays!  I reviewed the episode here!

Malibu CA (YouTube)

Oh, how I hate this show.  Anyway, I wrote about the latest episode here.

Miami Vice (Prime)

This week’s episode was all about trying to retrieve stolen bull semen.  I swear, the stuff I watch for this site!  I reviewed it here.

New York Post Presents: Luigi Mangione: Martyr or Monster (Tubi)

I watched this documentary on Saturday because I was bored.  It presented the facts of the case without digging too deeply.  I remember that when Brian Thompson was shot, a lot of my friends were (and, in many cases still are) sympathetic to Luigi Mangione and they were always a little surprised that I wasn’t, especially after everything I went though when the insurance company evicted my Dad from his rebab facility.  Myself, I don’t believe in killing and I’m not going to praise a cold-blooded murder just because the shooter wrote some dumbass manifesto.  As for Luigi, if it wasn’t for his smile, most people wouldn’t care about him.

Night Flight (Night Flight Plus)

On Friday night, Jeff and I joined our friend Pat in watching an episode of this pop culture digest from the late 80s.  The episode opened with a look at “Satan Rock,” (Hi, Ozzy, hi, Iron Maiden) and then it went on to feature the hottest music videos of 1988.  As a history nerd and a student pop culture, I always enjoy watching artifacts like this.

Pacific Blue (Tubi)

Bleh.  Bicycles.  The bike cops were especially obnoxious this week.  I reviewed Pacific Blue here!

St. Elsewhere (Hulu)

Depressing episode, this week.  I reviewed St. Elsewhere here!

TMZ Investigates: What Happened to Justin Bieber (Tubi)

I was bored this afternoon so I watched this TMZ special.  Justin appears to be going through some problems.  The TMZ team considered that it could be drug-related.  Personally, I think fame does strange things to people, especially with today’s bizarrely obsessive celeb-driven culture.  Of course, having the TMZ folks following him around probably isn’t helping Justin’s mood.

TMZ Investigates: What Happened To Liam Payne (Tubi)

I watched this on Saturday.  TMZ investigates the tragic death of Liam Payne and it’s exactly what you would expect from TMZ.  There’s a lot of speculation, a lot of faux concern, and ultimately the whole thing leaves the viewer feeling a bit icky.

Trainwreck: The Astroworld Tragedy (Netflix)

I generally enjoy Netflix’s Trainwreck series.  I watched this entry on Friday.  It dealt with the death of nine people during a Travis Scott performance at Astroworld in 2021.  This documentary didn’t dig too deeply into how it happened, beyond suggesting that the majority of the blame should be assigned to the show’s promoters.  The desperate chant of “Stop the Show!” was haunting.

Trainwreck: The Cult of American Apparel (Netflix)

On Friday, I watched this documentary about the rise and fall of American Apparel.  It was weird essentially seeing my high school years turned into a “back in the day” documentary.  I guess this is what it feels like to realize you’re not getting younger.

Trainwreck: The Mayor of Mayhem (Netflix)

Rob Ford, a brash populist, is elected mayor of Toronto and makes a name for himself as a bigger-than-life reformer.  Then, he gets caught on camera smoking crack and everything falls apart.  This was my favorite of the Trainwreck documentaries that I watched, largely because Rob Ford was such a fascinating character.  I’ve read some comments online from some people who think that this documentary went a little bit too easy on Ford.  Maybe it did.  I’m not Canadian so I don’t know.  I just know it was an interesting story.

Trainwreck: P.I. Moms (Netflix)

The latest Trainwreck as is also perhaps the most pointless.  A reality show falls apart before the first episode even premieres.  The P.I. Moms, who would have been featured on the show, all argued that they deserved to be taken seriously and that they weren’t just acting for the camera but, at the same time, none of them came across as being particularly sincere so it was hard to have much sympathy for them.  It was a documentary about a bad reality show that felt like a bad reality show.

True Crime Arizona: Finding Robert Fisher (Tubi)

In 2001, it’s believed that Robert Fisher, a Navy veteran and former firefighter, murdered his wife and his two children, set his house on fire, and then disappeared into the Arizona wilderness.  Fisher has been a fugitive for 24 years and, while some speculate that he either committed suicide or died in the wilderness, people all over the country still regularly report spotting him.  This special took a look at Fisher’s crime and offered a few theories of how he managed to disappear.  The Fisher case has haunted me ever since I first learned about it and this special reminded me of why.  Fisher seemed like the type of guy you would want for a neighbor because he was good with tools and he had a clean-cut look.  Instead, he turned out to be a killer/  Personally, I think Fisher still out there.  Much like John List (the real-life inspiration for Jerry Blake in The Stepfather films), he’s probably got a new family and a new identity.  I have faith he’ll be captured eventually.

True Crime Arizona: The Missing (Tubi)

This episode looked at the cases of several indigenous women who had disappeared in Arizona and took a look at why their disappearances rarely seem to get the media attention that other true crime stories too.  This was well-produced and thought-provoking.

True Crime Arizona: Notorious Killers (YouTube)

I was so impressed by the True Crime Arizona episodes that I saw on Tubi that I then looked for more on YouTube.  This 23-minute episode took a look at some of Arizona’s most notorious killers.  I think I missed my calling.  I’d love to host True Crime Texas.

Late Night Retro Television Reviews: Freddy’s Nightmares 1.1 “No More Mr. Nice Guy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Having finished up Friday the 13th, I’m not going to take a look at another syndicated horror show that aired around the same time.  Freddy’s Nightmares was an anthology show hosted by Robert Englund, in character as Freddy Krueger.  Each story would take place in Freddy’s hometown of Springwood, Ohio.  Would the show be a dream or a nightmare?  Let’s find out!

Episode 1.1 “No More Mr. Nice Guy”

(Dir by Tobe Hooper, originally aired on October 9th, 1988)

Freddy Krueger has become such a familiar and popular figure that I think it’s sometimes forgotten that, when he first appeared, he was truly a horrifying character.  He was a child molester and a serial killer, one who escaped legal justice only because someone forgot to read him his rights when he was arrested.  He was killed by the citizens of Springwood, Ohio, set on fire in the same boiler room where he killed his victims.  Yes, he was brutally murdered and yes, the respectable people who murdered him covered up their crime.  At the same time, what would you do if a monster like Freddy was loose in your town and stalking your children?  “I’m burning in Hell,” Freddy says and that’s exactly what he deserved.

How did Freddy Krueger then become an oddly beloved pop cultural icon?  Some of that was undoubtedly due to his one-liners, which tended to be a slightly better than the typical slasher film banter.  If Freddy was pure evil in the first three Nightmare on Elm Street films, he became more a homicidal prankster as the series continued.  I think another reason why Freddy became popular is because the actor who first played him, Robert Englund, himself always comes across as being such a nice guy.  Unlike the personable but physically intimidating Kane Hodder, who looked like he could kill you even when he wasn’t playing Jason Voorhees, Englund always comes across as being slightly nerdy and very friendly.  He’s the neighbor who you would trust to get your mail while you’re on vacation.  If Englund hadn’t been cast as Freddy Krueger in 1984, he probably would have spent the 90s playing quirky programmers and hackers in tech thrillers.  The thing with Robert Englund is that seems to have a good sense of humor, he’s at peace with his place in pop culture, and he always seem to be having fun.  (In his autobiography, he even jokes about something that fans had been laughing about for years, the fact that the female lead in A Nightmare In Elm Street 2 looked almost exactly like Meryl Street.)  Those are qualities that bled over into Freddy.

As a result, Freddy became popular enough to host his own horror anthology.  The premiere episode of Freddy’s Nightmares open with Englund, in full Freddy makeup, telling us that we’re not about to see one of our nightmares.  Instead, we’re going to see his nightmare.  The episode gives us Freddy’s origin story, starting with Freddy getting off on a murder charge on a technicality and ending with Freddy getting bloody revenge of the police chief (played by Ian Patrick Williams) who set him on fire.

By almost any standard, it’s a disturbing story.  We open with Freddy on trial and we hear details about an 8 year-old boy that he left in a dumpster.  After the charges against Freddy are dismissed (damn those Carter judges!), Freddy happily gets into an ice cream truck and later, the police chief has a vision of the same truck coming straight at him.  After getting set on fire, Freddy doesn’t waste any time coming back and using his razor-blade gloves to slash his way to vengeance.  I think what’s particularly disturbing about this episode is that the police chief is not a bad guy.  He arrested Freddy as Freddy was trying to attack his twin daughters.  Throughout the episode, Freddy — in both life and death — makes it clear that he’s coming for the man’s daughters.  And in the end, Freddy will probably get them because their father fell asleep in a dentist’s chair and got his mouth drilled by Dr. Krueger.

Agck!  That’s disturbing stuff.  Of course, it would be even more disturbing if the show’s special effects and gore were anywhere close to being a realistic as what was present in the movies.  The show itself looks remarkably cheap.  I would say it almost looks like a community theater production of A Nightmare on Elm Street.  Director Tobe Hooper (of Texas Chainsaw Massacre fame) manages to wring a few jump scares out of the material and a scene where we see one of Freddy’s courtroom fantasies is genuinely horrifying but, for the most part, the budget is low enough that the viewer can safely say, “It’s only a TV show, it’s only a TV show….”  In the end, it’s very much an 80s TV show, right down to the oddly gratuitous scene where the police chief suddenly imagines the dental hygienist in her underwear.

Where will Freddy’s Nightmares lead us?  We’ll find out.  I’m sure it will be bloody, wherever it is!