October True Crime: The Stalking of Laurie Show (dir by Norma Bailey)


2000’s The Stalking of Laurie Show takes place in Pennsylvania, a wonderful state as long as you don’t count Philadelphia.  Even more specifically, the film takes place in Pennsylvania Dutch country.  An Amish man occasionally appears, sitting in his buggy when it moves down the road.  One character, a lunkhead named Butch (Rel Hunt), goes to an Amish coffeeshop while his girlfriend is committing a horrific murder.

The Amish don’t play a huge role in The Stalking of Laurie Show, which is ultimately a story of a murder amongst high school students.  Still, seeing them in the background is a reminder of a simpler life and also a reminder that not everyone is consumed by hate.  That’s a welcome reminder because this film, much like our present world, is full of irrational hate.

Michelle Lambert (Marnette Patterson) is, at least when the film starts, the queen of her high school.  Everyone wants to be her friend and everyone fears getting on her bad side.  She’s a master manipulator, someone who obviously feels that she has the right to take whatever she wants.  And yet, when we first meet her, it’s hard not to feel at least a little sympathy for her.  Her homelife isn’t the best.  She doesn’t get along with her father.  She’s very protective of her younger siblings.  Despite appearances, she’s not rich.  The only reasons she has expensive clothes and makeup is because she’s very good at shoplifting.  When I was a teenager, I was very good at shoplifting too so I could …. well, I don’t want to say that I related to her because there is a difference between pocketing purple eyeshadow and stealing an entire wardrobe.  As well, it soon becomes clear that Michelle has a mean streak that no amount of a bad family life could justify.

Michelle takes a new student, innocent Laurie Show (Jennifer Finnigan) under her wing and, for a while, she and Laurie are best friends.  But then, when Michelle’s lunkhead boyfriend Butch takes an interest in Laurie, things change.  Michelle is fiercely jealous of Butch and soon, Michelle and her friends are conspiring on ways to humiliate Laurie.  When Michelle gets pregnant, she drops out of school, moves into a trailer with Butch, and eventually alienates almost all of her friends after she attacks Laurie in a bowling alley parking lot.  Only Tabitha (Joanne Vannicola) remains loyal to Michelle.  Soon Tabitha and Michelle are plotting Laurie’s death….

Agck!  It’s a disturbing story, especially since it’s true.  Michelle and Tabitha murdered Laurie Snow in December of 1991, just five days before Christmas.  (There’s some debate as to whether or not Butch took part in the actual murder or not.)  Michelle is currently in prison while Tabitha, a juvenile at the time of the murder, was paroled in 2019.  Today, of course, Michelle and her friends would have hounded Laurie online, sending her anonymous messages, filming every fight between the two of them, and telling her to “kill yourself.”  Every time I read about a teenager who committed suicide due to cyberbullying, my immediate response is that they didn’t kill themselves.  They were murdered.  Anyone who would taunt a fragile person to the point of suicide is as guilty as if they pulled the trigger or tightened the noose themselves.  And don’t give me any of that, “They didn’t know it would happen” crap either.  In every case, they knew what they were doing.

As for the film itself, it’s definitely sensationalized.  Marnette Patterson fully embraces the melodrama as Michelle, at first playing her as just being a standard mean girl before then going totally over-the-top as Michelle’s grip on reality becomes more and more loose.  Jennifer Finnigan is sympathetic as Laurie and Jessica Greco gives a good performance as a friend of Laurie’s who is also drawn into Michelle’s crowd.  If the film wasn’t based on a true story, it would probably be a camp classic.  But since it is based on a true story, it works best as a plea for people to stop turning a blind eye to bullying.  That’s not a bad message.

4 Shots From 4 Horror Films: The 1980s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we begin the 80s!

4 Shots From 4 Horror Films

Friday the  13th (1980, dir by Sean S. Cunningham)

Friday the 13th (1980, dir by Sean S. Cunningham)

The Shining (1980, dir by Stanley Kubrick)

The Shining (1980, dir by Stanley Kubrick)

The Beyond (1981, dir by Lucio Fulci)

The Beyond (1981, dir by Lucio Fulci)

The Howling (1981, dir by Joe Dante)

The Howling (1981, dir by Joe Dante)

Horror On The Lens: The Creeping Terror (dir by Vic Savage)


Today, we have got a true classic.  First released in 1964, The Creeping Terror is the best film ever made about a carpet eating people.

This film is famous for its use of narration.  Apparently, the original soundtrack was lost and, after attempting to dub a few scenes, director Vic Savage instead just hired radio news reader Larry Burrell to tell people what was happening in each scene.  As well, Savage himself later vanished when the film’s investors came looking for their money.  No one is really sure what happened to Vic Savage, though there is some evidence that he subsequently died of liver failure in 1975.  I like to think that Vic Savage faked his dead and that he is still alive somewhere, probably in his 90s and drinking pina coladas on a beach.

Some consider this film to be one of the worst ever made.  I love it.

 

Music Video of the Day: The Valley by Bill Wyman and Terry Taylor (1985, dir by Michele Soavi)


Today’s music video of the day is for an instrumental piece that was composed by Bill Wyman and Terry Taylor for Dario Argento’s 1985 film, Phenomena.

Put together by Michele Soavi, this music video features not only scenes from the film but also clips of Dario Argento directing both Jennifer Connelly and Fiore Argento.  Soavi, of course, went on to have a directorial career of his own, directing four classic horror films before stepping away from feature films to take care of his ailing son.  Soavi has since returned to directing, though most of his subsequent work has been for Italian television.

Enjoy!

October Positivity: Meant To Be (dir by Bradley Dorsey)


2012’s Meant To Be tells the story of …. well, it tells a few stories.

Tori (Erin Sossamon) is a teenage girl who has a bright future but only if she can survive her less-than-wonderful present.  She has an abusive boyfriend.  Her parents seem to be absent.  She’s a photographer and her high school counselor (Michael Gross) has helped her to find a scholarship but Tori has recently discovered that she’s pregnant!

Linda Dickson (Erika Eleniak) is a social worker, who lives in a nice house and who has a wonderful husband (Dean Cain) but who also seems to be struggling with an overwhelming depression.  Maybe it’s because her 18 year-old daughter has recently left home for college.  She obsesses on finding newspaper stories about 20 year-olds doing wonderful things.  She cuts them out of the paper and puts them in a shoebox.  (I do the same thing with well-written obituaries.)  When a call comes in about a loud argument at Tori’s house, Linda is the one who investigates.  When she realizes that Tori is pregnant, Linda becomes a part of Tori’s life, giving her advice.  Linda is determined to convince Tori to not get an abortion, even if it means that Tori will lose her scholarship.

And finally, there’s Nathan (Bradley Dorsey), a twenty year-old aspiring writer who doesn’t know what he should write about.  In a voice-over, he says that he’s learned that writing about only what you know can be a trap so he’s decided to write about what he doesn’t know.  (By that logic, my next short story should be about trigonometry.)  Nathan grew up in the foster system.  He doesn’t know who his mother was.  He’s not even fully sure where he was born.  But he’s still going to search for her so he can discover not only where he came from but also why he was abandoned.

Nathan finds himself staying at a mysterious hotel, one where all of the other guests also appear to be people who never knew their mother.  Even though Nathan puts a do-not disturb sign on his door, the motel maid (Della Reese) still regularly enters his room and encourages him to get out of bed and continue his search.  With the help of two other guests, Shelly (Kristen Renton) and Becky (Colleen Foy), Nathan is able to track down his mother and her address….

Can you guess who she is?

Of course, you can!  Now, in all fairness to the movie, it doesn’t present the fact that Linda is Nathan’s mother as some sort of surprise twist.  From the moment that Nathan figures out that his mother was named Linda and then Becky comes across an old glamour shot of Erika Eleniak in a high school yearbook, it’s pretty clear that Linda Dickson gave up Nathan and she’s never stopped thinking about him and that’s why she’s so obsessed with Tori.  That’s not the twist.

But there is a twist and here it is….

Are you ready?

Nathan and all the residents at the hotel and most of the passengers on the flights that Nathan takes in  and out of town are …. ABORTION GHOSTS!  That’s right.  Linda had an abortion.  Nathan was the son she was meant to have but didn’t.

Is it heavy-handed?  Yes.  Is it effective?  Well, the answer to that question probably depends on how you feel about abortion.  That’s one thing about all of these abortion movies.  It’s hard for me to imagine that any of these films — whether it’s the church-produced Pro-Life films or the studio-produced Pro-Choice films — have ever changed anyone’s mind about abortion.  As such, movies about abortion largely exist to preach to the choir.  Abortion movies, regardless of which side they come down on, are largely movie that people watch so that they can nod and think to themselves, “My side really is the only correct one.”

As for the film itself, it’s rather slow and the voice-over tends to get rather portentous.  Dean Cain was probably on the set for one day.  Colleen Foy gave the best performance while Erika Eleniak was a bit bland in the lead role.  On the plus side, it looked like a real movie, which is more than one can say for a lot of faith-based films.  Again, how you react to the film will largely depend on whether or not you agree with its message.

Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

On this day, 143 years ago Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.

A Blast From The Past: The Man With Wax Faces (dir by Maurice Tourneur)


For today’s horrific blast from the past, we have a French horror film called The Man With Wax Faces.  Filmed in 1914 by Maurice Tourneur, this 11-minute film was the first horror movie to be set in a wax museum.  Based on a play that had earlier been performed at the infamous Grand Guignol,  The Man With Wax Faces was technically very advanced for 1914.  This film is not just a horror story.  It was also a chance for Tourneur to experiment with and explore what could be done on film.

The story is a simple one and one that viewers should be able to follow, even if they can’t read the French title cards.  An arrogant man who claims that nothing has ever frightened him accepts a bet to spend the night in a wax museum.  Secretly, his friend also stays in the museum to make sure that all of the conditions of the bet are honored.  Madness and tragedy follow.

Director Maurice Tourneur also made some films in Hollywood during the silent era, before eventually returning to France.  His son, Jacques Tourneur, follows in his footsteps and directed several memorable horror films, including Cat People, I Walked With A Zombie. and Night of the Demon.

October True Crime: Swearing Allegiance (dir by Richard Colla)


“Greenish brown female sheep,” the two lovers at the center of 1997’s Swearing Allegiance often tell each other.

It’s their code and only they understand what it means.  It’s not that hard to figure out.

Greenish Brown = Olive

Female Sheep = Ewe

Olive Ewe.

Say it out loud.

I love you.

That seems cute until you really think about it.  David Graham (David Lipper) and Diane Zamora (Holly Marie Combs) are high school sweethearts in Texas.  They go to different high schools but they’re totally in love (or they say).  David is planning on attending the Air Force Academy in Colorado.  Diane is entering the Naval Academy and she hopes to someday be an astronaut.  Diane is so convinced that she and David are going to be together forever that she loses her virginity to him.  David, for his part, seems to be a bit of a lunkhead but he leads the ROTC with an intense determination.  They’ll tell anyone who asks that they’re going to get married and be together forever.

And yet, neither one ever really tells the other, “I love you.”  Instead, they speak through code.  It’s cute.  It’s the sort of thing that I used to do when I was like 12.  But when you’re nearly an adult and you’re still saying, “Greenish Brown Female Sheep,” it suggests that you might not be as ready for life outside of high school as you think you are.

One night, after a teary David confesses to Diane that he cheated on her with one of his teammates on the school’s track team, Adrianne “A.J.” Jones (Cassidy Rae), Diane snaps.  Instead of dumping David, she tells him that the only way they can make things right is by murdering Adrianne, which is what they proceed to do.  They almost get away with it.  With the police focusing their attention on the wrong guy, David and Diane leave town for their respective colleges.  David and Diane swear to themselves that, from now on, they are going to live with honor and loyalty….

This made-for-TV movie was based on an actual crime that happened outside of Mansfield, Texas in 1995.  For years, the crime itself lived on as a cautionary tale that was told to teenage girls (including myself) in order to keep us from sneaking out and sneaking around.  Interestingly enough, in 2005, Zamora’s attorney said that the prosecution deliberately withheld evidence that David Graham had been lying about having sex with Adrianne Jones as a part of twisted scheme to keep Diane from breaking up with him.  I don’t know if that’s true or not but I do know that, whatever may have happened between Adrianne and David Graham, she deserved better than to be murdered and then turned into a cautionary tale.

One thing I do like about the film is that it is clearly on Adrianne’s side.  Cassidy Rae gives a sympathetic performance as Adrianne, playing her as a genuinely nice person who fell victim to David and Diane’s toxic relationship.  David Lipper is a bit blank-faced as David but Holly Marie Combs is appropriately intense as the obsessive Diane Zamora.  The film actually aired before the case went to trial, which shows that, even in the 90s, there was always a thin line between tragedy and entertainment.

Zamora and Graham are currently both in prison.  Zamora took a polygraph in 2007 but the results were tossed out when it was determined that she was trying to alter her breathing to fool the machine.  As Zamora now claims that Graham alone was responsible for killing Adrianne, I imagine they’re no longer speaking about greenish brown female sheep.

4 Shots From 4 Horror Films: The 1970s Part 3


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we close out the 70s!

4 Shots From 4 Films

Suspiria (1977, dir by Dario Argento)

Suspiria (1977, dir by Dario Argento)

Halloween (1978, dir by John Carpenter)

Halloween (1978, dir by John Carpenter)

Zombi 2 (1979, dir by Lucio Fulci)

Zombi 2 (1979, dir by Lucio Fulci)