Monday Live Tweet Alert: Join us for Immortal Combat and Lair of the White Worm!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1994’s Immortal Combat, selected and hosted by Sweet Emmy Cat!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching The Lair of the White Worm!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Immortal Combat on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start The Lair of the White Worm, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy. 

Retro Television Review: Getting Away From It All (dir by Lee Philips)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s Getting Away From It All!  It  can be viewed on YouTube.

For Fred Clark (Larry Hagman) and Mark Selby (Gary Collins), life is New York City just isn’t that much fun anymore.  The weather is terrible.  The traffic cannot be navigated.  The only people ruder than the cabbies are the doormen.  Fred and Mark have come up with the perfect plan.  They’ve decided to move to a small country town and purchase a house on a small island.  In fact, they’re going to buy the entire island!  It’s surprisingly cheap.  Fred and Mark don’t ever really stop to wonder why the island is available for so little money.  Seriously, if you’re buying an island, you should probably ask yourself those questions.

Mark’s wife, Alice (E.J. Peaker), is enthusiastic about the idea.  Less excited is Fred’s wife, Helen (Barbara Feldon).  Helen enjoys living in the city and having a nice job in an office building.  She gets along with her boss (played by Jim Backus, one of many veteran actors to show up in a small role in this film).  Perhaps hoping that Fred will change his mind once he’s confronted with the reality of actually living in the country, Helen finally gives in.

It does turn out that the island is not quite the paradise that Fred and Mark were expecting.  The only way to get out to the island is in a leaky rowboat.  The house is falling apart and, as Helen is disgusted to learn, it also doesn’t have indoor plumbing.  There’s no electricity either but fortunately, the local handyman is working on it.  His name is Herbie and he’s played by a very young and thin Randy Quaid.  If you’ve ever wanted to hear Randy Quaid speak with an exaggerated New England accent, this is the film for you.  There’s nothing convincing about Quaid’s accent but it still seems only fair, considering all of the Yankee actors who have butchered the Southern accent over the years.

Just when it looks like Fred and Mark have managed to make the Island livable, they get a disturbing letter.  As the new owners of the Island, they owe 20 years worth of back taxes.  As Fred puts it, the tax bill is more than either of them can afford.  If they can’t raise the money, the town will take back the Island.   Fred and Mark consider trying to get jobs but it turns out that neither one of them knows much about being fisherman.  They then decide to charm the town into nullifying the tax bill.  That turns out to be more difficult than either man imagines.

Getting Away From It All is a comedy that deals with a universal theme, the desire to escape from the harshness of everyday life and find a perfect place to which to escape.  That said, the film’s main reason for existing is a parade of comedic cameos.  Jim Backus, Vivian Vance, Joe E. Ross, Burgess Meredith, Paul Hartman, and J. Pat O’Malley all appear in small roles, appearing just long enough for 1972 viewers to say, “Hey, I recognize that person!”  The end result is a rather shallow film that has a few chuckle-worthy moments.  (Again, Randy Quaid pretending to be from Maine has to be worth something.)

In the end, for all of the film’s celebration of getting away from it all, it’s hard not to feel that Gary, Mark, Alice, and Helen will all end up back in Manhattan sooner than later.  Some people are just city folks.

Monday Live Tweet Alert: Join Us For The New Barbarians and Hacksaw Ridge!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be The New Barbarians (1983), from director Enzo Castellari!

Then, on twitter, #MondayMuggers will be showing 2016’s Hacksaw Ridge!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The New Barbarians on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then switch over to twitter, pull Hacksaw Ridge up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Retro Television Review: Indict & Convict (dir by Boris Sagal)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Indict & Convict!  It  can be viewed on YouTube.

There’s been a murder!

The wife of Assistant District Attorney Sam Belden (William Shatner) has been found, shot to death.  Making things especially awkward is that the body of her lover is found next to her.  Though Belden is the obvious suspect, he has an alibi for the time of the murders.  He claims that he was in Las Vegas, attending a convention.  Two gas station attendants remember seeing him filling up his car with gas at around the same time that his wife and her lover was being shot.

Attorney General Timothy Fitzgerald (Ed Flanders) is not so sure that Belden is innocent.  He instructs two of his top prosecutors to check out Belden’s story and to see if there’s enough evidence to not only indict but also to convict.  Bob Matthews (George Grizzard) is a veteran prosecutor and he’s the one who narrates the story for us.  Assisting him is Mike Belano, who is played by the always likable Reni Santoni.  Just three years before this movie aired, Santoni played Harry Callahan’s partner in Dirty Harry.  There was just something about Santoni’s friendly but determined demeanor that made him perfect the role of the supportive partner or assistant.

The film is very much a legal procedural, with the emphasis on not only the investigation but also on the strategies and the techniques that are used in the courtroom by Matthews and defense attorney DeWitt Foster (Eli Wallach).  In many ways, it feels like a forerunner to Law & Order.  Usually, I love court procedurals but Indict & Convict was a bit too slow and high-minded for its own good.  Maybe it’s because I’ve been spoiled by all of the legal shows that I’ve seen but I have to admit that I spent a good deal of Indict & Convict wanting the prosecutors to get on with it.  Flanders, Grizzard, Santoni, and Wallach were all ideally cast but the film itself sometimes got bogged down with all the debate about the best way to win a conviction.  It’s a shame because the story itself is an intriguing one and I actually enjoyed the movie’s use of spinning newspaper headlines to let us know what had happened in between scenes.  Also, as a classic film fan, I enjoyed seeing Myrna Loy as the judge.  She didn’t get to do much other than say, “Sustained” and “Overruled,” but still …. Myrna Loy!

Most people who watch this film will probably do so out of the hope of seeing some trademark Shatner overacting.  William Shatner doesn’t actually get to say much in this film.  He spends most of the running time sitting silently at the defense table.  Towards the end, he does finally get a chance to deliver a brief speech and it’s everything you could hope for.  Shatner takes dramatic pauses.  Shatner emphasizes random words.  Every line is delivered with the subtext of, “Pay attention, Emmy voters!”  Eventually, Shatner would learn the value of laughing at oneself but apparently, that lesson had not yet been learned when he did Indict & Convict.

Here Are The Winners Of The 2024 Cannes Film Festival


Palme d’Or: Anora, Sean Baker

Grand Prix: “All We Imagine as Light”

Director: Miguel Gomes, “Grand Tour”

Actor: Jesse Plemons, “Kinds of Kindness.”

Best Actresses: Selena Gomez, Karla Sofia Gascon, Zoe Saldana “Emilia Pérez”

Jury Prize: “Emilia Pérez”

Special Award (Prix Spécial): Mohammad Rasoulof, “The Seed of the Sacred Fig”

Screenplay: Coralie Fargeat, “The Substance”

OTHER PRIZES

Camera d’Or: “Armand,” Halfdan Ullman Tondel

Camera d’Or Special Mention: “Mongrel,” Chiang Wei Liang, You Qiao Yin

Short Film Palme d’Or: “The Man Who Could Not Remain Silent,” Nebojša Slijepčević

Short Film Special Mention: “Bad for a Moment,” Daniel Soares

Golden Eye Documentary Prize: “Ernest Cole: Lost and Found” and “The Brink of Dreams”

Queer Palm: “Three Kilometers to the End of the World”

Palme Dog: Kodi, “Palm Dog”

FIPRESCI Award (Competition): “The Seed of the Sacred Fig,” Mohammad Rasoulof

FIPRESCI Award (Un Certain Regard): “The Story of Souleymane,” Boris Lojkine

FIPRESCI Award (Parallel Sections): “Desert of Namibia,” Yoko Yamanaka

UN CERTAIN REGARD

Un Certain Regard Award: “Black Dog,” Guan Hu

Jury Prize: “The Story of Souleymane,” Boris Lojkine

Best Director Prize: (ex aequo) “The Damned,” Roberto Minervini; “On Becoming a Guinea Fowl,” Rungano Nyoni

Performance Awards: “The Shameless,” Anasuya Sengupta; “The Story of Souleymane,” Abou Sangare

Youth Prize: “Holy Cow! (Vingt Dieux),” Louise Courvoisier

Special Mention: “Norah,” Tawfik Alzaidi

DIRECTORS’ FORTNIGHT

Europa Cinemas Label: “The Other Way Around,” Jonás Trueba

Society of Dramatic Authors and Composers Prize: “This Life of Mine,” Sophie Fillières

Audience Choice Award: “Universal Language,” Matthew Rankin

CRITICS’ WEEK

Grand Prize: “Simon of the Mountain,” Federico Luis

French Touch Prize: “Blue Sun Palace,” Constance Tsang

GAN Foundation Award for Distribution: Jour2Fête, “Julie Keeps Quiet”

Louis Roederer Foundation Rising Star Award: Ricardo Teodoro, “Baby”

Leitz Cine Discovery Prize (short film): “Guil Sela,” Montsouris Park

Live Tweet Alert: Watch There’s Something Wrong With The Children with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 2023’s There’s Something Wrong With The Children!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  It’s a friendly group and welcoming of newcomers so don’t be shy.

4 Shots From 4 Films: Special Bob Gale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screenwriter Bob Gale!  It’s time for….

4 Shots From 4 Films Written By Bob Gale

I Wanna Hold Your Hand (1978, dir by Robert Zemeckis, DP: Donald M. Morgan)

1941 (directed by Steven Spielberg, DP: William A. Fraker)

Used Cars (1980, dir by Robert Zemeckis, DP: Donald M. Morgan)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)