Brad reviews DIGGSTOWN (1992), starring James Woods, Lou Gossett Jr. and Bruce Dern!


Gabriel Caine (James Woods) is a fast-talking con man fresh out of prison who’s already set up his next big scam. Along with his partner Fitz (Oliver Platt), Caine is targeting Diggstown, a small, boxing-obsessed community ruled over by the corrupt John Gillon (Bruce Dern). Gillon controls the town because he rigged a fight that left local boxing legend Charles Macum Diggs (Wilhelm von Homburg) completely brain-damaged. The scam involves getting Gillon to take a $100,000 bet that 48 year old “Honey” Roy Palmer (Louis Gossett Jr.) can defeat any ten Diggstown fighters in one 24-hour period. Once the fights start, you can bet that both sides will have lots of surprises up their sleeves, but the question is who will be standing when the final bell rings?!! 

Since today is Bruce Dern’s 89th birthday, I decided to watch DIGGSTOWN, one of my favorite movies featuring the birthday boy. A box office flop when it was released in 1992, making less than $5 million at the box office, the reputation for the film seems to have gotten stronger over the years. The film has an excellent cast! James Woods exudes cockiness and intelligence as conman, Gabriel Caine. He somehow pulls off the feat of being both sleazy and very likable, which is a testament to Woods’ skills as an actor. Louis Gossett Jr. is great as “Honey” Roy Palmer. I remember when I first saw the trailer for DIGGSTOWN, I thought he was too old for the role. After watching it though, he’s able to make the boxing scenes work, especially when you consider some of the help he’s given as part of the con. With the huge personalities of Woods and Bruce Dern surrounding him, Gossett’s more grounded performance anchors the film. Bruce Dern is perfectly cast as the villainous scuzzbucket, Gillon. He’s the type of guy you really want to see get his comeuppance at the end. Now that I think about it, Gillon is such an A-hole, Caine can’t help but seem likable in comparison! Finally, I did want to give a shout out to Oliver Platt, who’s extremely funny in his role as Caine’s partner in con. It’s one of the first movies I remember seeing Platt in, and he’s great!

For DIGGSTOWN to really work though, the boxing scenes need to work and the con needs to be smart. Director Michael Ritchie (THE BAD NEWS BEARS) does a good job setting up both. The boxing sequences are well choreographed by Benny “The Jet” Urquidez, and you can’t help but root for the old guy as his opponents keep on coming. Of the 10 fights, some are funny, some are quick, and some are very intense depending on the situation. Ritchie is able to keep the stakes high enough during the boxing scenes to make sure we remain invested in the story. It’s a nice balancing act as the con plays out in the background of each fight. And what a con it is! I won’t spoil it for you, but it’s a stroke of genius that resulted in a massive amount of satisfaction for this audience member! 

Overall, DIGGSTOWN is one of those movies I’m sure to watch every few years. With its great cast, punchy sense of humor, and genius triple-twist of an ending, I can’t imagine anyone leaving disappointed. I highly recommend it! 

The trailer is included below:

Lisa Marie Reviews An Oscar Nominee: Nebraska (dir by Alexander Payne)


As Brad mentioned earlier, today is Bruce Dern’s birthday!

Bruce Dern is a favorite actor of mine.  He’s one of those performers who, over the course of his very long career, has appeared in all sorts of different and occasionally odd films, sometimes as a lead but most often as a character actor.  He appeared in biker films, westerns, literary adaptations, and Oscar-winners.  He killed John Wayne in The Cowboys.  He introduced Peter Fonda to acid in The Trip (Dern, for his part, has said that he the only person on the set of that film who has never done acid.)  He captured the trauma of Vietnam in Coming Home.  He played one of the great hyperactive cops in The Driver.  He came close to playing Tom Hagen in The Godfather and was the original choice for the attorney who was eventually played by Jack Nicholson in Easy Rider.

In 2013’s Nebraska, he broke my heart.

In Nebraska, Dern plays Woody Grant, an elderly man who is convinced that he’s won a million-dollar sweepstakes.  Everyone around him, including his wife (June Squibb) and his oldest son (Bob Odenkirk), realizes that the sweepstakes is a scam and that Woody has actually won nothing.  But Woody is convinced that a million dollars is waiting for him.  All he has to do is somehow make it from Montana to Nebraska.  At first, Woody attempts to walk along the interstate.  When that doesn’t work and the police end up arresting him and sending him home, his youngest son, David (Will Forte), agrees to drive Woody down to Lincoln, Nebraska.  David knows that there’s not any money waiting for Woody but, unlike his mother and his older brother, David hasn’t given up on the idea of connecting with his father.

Nebraska is a road movie, with the majority of the film following David and Woody as the drive through rural and smalltown America.  They stop off in Woody’s former hometown, where they meet Woody’s brother (Rance Howard) and also Woody’s former business partner, a bully named Ed (Stacy Keach).  Ed is convinced that Woody stole money from him.  Woody blames Ed for the loss of his air compressor.  Their anger has simmered for years and, at first, it’s tempting to assume that it’s simply one of those grudge matches that old men seem to have a weakness for.  But Ed turns out to truly be a rotten human being and Woody …. well, Woody his own problems but at least he’s not as bad as Ed.

Before I say anything else, I want to praise the entire cast.  June Squibb, Bob Odernkirk, Stacy Keach, Rance Howard, Melinda Simonsen (who has a small role as a receptionist in Lincoln), they all bring their characters to memorable life.  Will Forte is the heart of the film, trying to keep his family together and standing up for his father when it matters.  If you only know Will Forte as MacGruber, you need to see Nebraska.  That said, this film is dominated by Bruce Dern’s poignant, sad, and often very funny performance as Woody Grant.  Woody is a flawed character and Dern wisely doesn’t try to sentimentalize or downplay any of those flaws.  He drinks too much, he neglected his family when he was younger, he holds a grudge, and he’s incredibly stubborn.  But, as played by Dern, you just can’t help but like Woody and hope that he finds some sort of happiness.  Even though the viewer, like everyone else in Woody’s life, knows that the sweepstakes is a scam, it’s still hard not to spend the film hoping that Woody will prove everyone wrong when he makes it to Nebraska.

Nebraska was nominated for Best Picture while both Bruce Dern and June Squibb picked up acting nominations.  That year, the Best Picture race was dominated by 12 Years A Slave.  Matthew McConaughey won Best Actor for Dallas Buyers Club while Lupita Nyong’o won Best Supporting Actress for 12 Years A Slave.  Alexander Payne lost Best Director to Gravity’s Alfonso Cuaron.  Gravity also won the Oscar for Best Cinematography, defeating Nebraska’s gorgeous black-and-white imagery.

Oscars or not, Nebraska is a wonderful, late career showcase for the great Bruce Dern.

Happy 89th Birthday, Bruce Dern! 


Is there anyone who plays a scuzzbucket better than Bruce Dern? He doesn’t always play a scuzzbucket, but that seems to be where his true talent lies. On his 89th birthday, I’m sharing this clip from a favorite movie of mine, DIGGSTOWN (1992), where he plays a scuzzbucket! Did I mention he’s great at it?!! 

Happy Birthday, Bruce!! 

4 Shots From 4 Films: Special Charles Bronson “Badass Cop” Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Charles Bronson played hitmen, melon farmers, boxers and vigilantes throughout the course of his iconic film career. He also played badass cops! Today I celebrate Bronson as a beacon of law and order.

Charlie Congers in LOVE AND BULLETS (1979)

Leo Kessler in 10 TO MIDNIGHT (1983)

Jack Murphy in MURPHY’S LAW (1986)

Lieutenant Crowe in KINJITE: FORBIDDEN SUBJECTS (1989)

Brad’s “Scene of the Day” – Happy 100th Birthday, Tony Curtis! 


Tony Curtis would have been 100 years old today! Back in 1970, Curtis worked with my all time favorite actor Charles Bronson on the film YOU CAN’T WIN ‘EM ALL. Interestingly, the screenplay for this film was written by actor Leo Gordon. The movie is pretty much forgotten these days, but Bronson and Curtis have a nice, easy going chemistry that I’ve always enjoyed. In honor of the Curtis centennial, I’m sharing this fun little scene from YOU CAN’T WIN ‘EM ALL! Enjoy, my friends! 

#MondayMuggers presents FAREWELL, MY LOVELY (1975) starring Robert Mitchum!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday June 2nd, we are showing FAREWELL, MY LOVELY (1975) starring Robert Mitchum, Charlotte Rampling, John Ireland, Sylvia Miles, Anthony Zerbe, Harry Dean Stanton, Jack O’Halloran, Joe Spinell, and Sylvester Stallone.

FAREWELL, MY LOVELY finds Los Angeles private eye Philip Marlowe being hired by paroled convict Moose Malloy to find his girlfriend Velma, a former seedy nightclub dancer. All kinds of intrigue ensues as Robert Mitchum puts his droopy-eyed, world-weary spin on the famous detective!

So join us tonight for #MondayMuggers and watch FAREWELL, MY LOVELY! It’s on Amazon Prime. The trailer is included below:

Scenes That I Love: Marilyn Monroe in Don’t Bother To Knock


For Marilyn Monroe’s birthday, I’m going to share a scene from one of her earlier films, 1952’s Don’t Bother To Knock.  In this film, Marilyn plays an unstable woman who is staying at a hotel.  Her cousin (played by Elisha Cook, Jr.) gets her job as a babysitter but is shocked to find out that Marilyn has been trying on her employer’s clothes.  After getting admonished by her cousin and pretending to be sorry, she proceeds to then summon another gust (played by Richard Widmark) over to her room.

It’s a simple scene but it’s wonderfully played by Monroe.  This was one of her first truly dramatic roles and she does a good job with it.

From Don’t Bother To Knock, here is a scene that I love:

4 Shots From 4 Films: Special Marilyn Monroe Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Marilyn Monroe would have been 99 years old today.  Sixty years after her mysterious death, Marilyn Monroe continues to intrigue film lovers and conspiracy theorists alike.  Her legacy is such that, ever since her death, directors have been trying to recreate her life with biopics and actresses have been trying to recapture Marilyn’s magic.

It’s not easy to for them to do because Marilyn Monroe was an original and not someone whose talent and charisma can be easily duplicated.  Needless to say, it’s time for….

4 Shots From 4 Marilyn Monroe Films

All About Eve (1950, dir by Joseph L. Mankiewicz, DP: Milton R. Krassner)

Niagara (1953, dir by Henry Hathaway, DP: Joseph MacDonald)

Some Like It Hot (1959, dir by Billy Wilder, DP: Charles Lang)

The Misfits (1961, dir by John Huston, DP: Russell Metty)

Film Review: City Heat (dir by Richard Benjamin)


In 1984’s City Heat, Clint Eastwood plays Lt. Speer, a tough and taciturn policeman who carries a big gun, throws a mean punch, and only speaks when he absolutely has to.

Burt Reynolds plays Mike Murphy, a private investigator who has a mustache, a wealthy girlfriend (Madeleine Kahn), and a habit of turning everything into a joke.

Together, they solve crimes!

I’m not being sarcastic here.  The two of them actually do team up to solve a crime, despite having a not quite friendly relationship.  (Speer has never forgiven Murphy for quitting the force and Murphy has never forgiven Speer for being better at everything than Murphy is.)  That said, I would be hard-pressed to give you the exact details of the crime.  City Heat has a plot that can be difficult to follow, not because it’s complicated but because the film itself is so poorly paced and edited that the viewer’s mind tends to wander.  The main impression that I came away with is that Speer and Murphy like to beat people up.  In theory, there’s nothing wrong with that.  Eastwood is legendary tough guy.  Most people who watch an Eastwood film do so because they’re looking forward to him putting the bad guys in their place, whether it’s with a gun, his fists, or a devastating one-liner.  Reynolds also played a lot of tough characters, though they tended to be more verbose than Eastwood’s.

That said, the violence in City Heat really does get repetitive.  There’s only so many times you can watch Clint punching Burt while various extras get gunned down in the background before it starts to feel a little bit boring.  The fact that the film tries to sell itself as a comedy while gleefully mowing down the majority of the supporting cast doesn’t help.  Eastwood snarls like a pro and Reynolds flashes his devil-may-care smile but, meanwhile, Richard Roundtree is getting tossed out a window, Irene Cara is getting hit by a car, and both Kahn and Jane Alexander are being taken hostage.  Tonally, the film is all over the place.  Director Richard Benjamin was a last-minute replacement for Blake Edwards and he directs without any sort of clear vision of just what exactly this film is supposed to be.

On the plus side, City Heat takes place in Kansas City in 1933 and the production design and the majority of the costumes are gorgeous.  (Unfortunately, the film itself is often so underlit that you may have to strain your eyes to really appreciate it.)  And the film also features two fine character actors, Rip Torn and Tony Lo Bianco, are the main villains.  For that matter, Robert Davi shows up as a low-level gangster and he brings an actual sense of menace to his character.  There are some good things about City Heat but overall, the film is just too messy and the script is a bit too glib for its own good.

Burt Reynolds and Clint Eastwood had apparently been friends since the early days of their careers.  This was the only film that they made together.  Interestingly enough, Reynolds gets the majority of the screentime.  Eastwood may be top-billed but his role really is a supporting one.  Unfortunately, Reynolds seems to be kind of bored with the whole thing.  As for Clint, he snarls with the best of them but the film really doesn’t give him much to do.

A disappointing film, City Heat.  Watching a film like this, it’s easy to see why Eastwood ended up directing himself in the majority of his films.

Brad’s “Scene of the Day” – Eastwood & Malkovich on the phone in IN THE LINE OF FIRE (1993)! 


Some of the best scenes in Eastwood’s 1993 film IN THE LINE OF FIRE include John Malkovich’s assassin and Clint Eastwood’s secret service agent engaging in intense conversations over the phone. I love the movie and these scenes. 

Check this one out, and take note, it’s definitely NSFW!