Late Night Retro Television Review: CHiPs 2.20 “Quarantine”

Posted on November 11, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, things get a little dull.

Episode 2.20 “Quarantine”

(Dir by Harvey S. Laidman, originally aired on February 24th, 1979)

When a Korean teenager tries to stow away in the backseat of a car being driven by two women who freak out when they discover that he’s back there, it’s Ponch and Baker to the rescue. They take the teenager back to the station. Unfortunately, the teen, who does not appear to speak English, turns out to be extremely ill. He’s rushed to a hospital and the station is put under quarantine.

That means that Baker, Sindy, Grossman, and Getraer are all stuck with each other. (Ponch was lucky enough to get out of the station before the quarantine was declared.) There are also two prisoners at the station, a man (Tom Poston) with multiple personalities and a young but witty criminal (Jody St. Michael) who wears a leather jacket and who is always looking for an excuse to crawl around in the air ducts. Eventually, Harlan enters the station and ends up getting quarantined as well. Oddly enough, the doctor who tells them that they’re quarantined is allow to enter and leave the station, despite not wearing any sort of protective gear. For that matter, the two women who were in the car with the teenager are also allowed to leave. This really isn’t much of a quarantine!

It’s also not much of an episode of CHiPs. I know that I’ve spent a lot of time complaining about how, during its second season, CHiPs essentially became the Ponch show but I may have to stop doing that. Ponch is barely in this episode and the end result is definitely the most boring episode of this show so far. This is an episode that could have actually used Erik Estrada’s tendency to overact every single minute that he’s onscreen. Larry Wilcox was definitely a better actor than Estrada but he’s so low-key that Baker’s just not that interesting when he’s left to his own devices. One gets the feeling that Estrada would have totally gone totally overboard in portraying Ponch’s desire to leave the station but that would still have been more interesting than what we ended up with.

CHiPs is ultimately a show that’s about the joy of the California scenery and the excitement of driving a motorcycle down the highway. It’s a show that works best when everyone is outside and on or in some sort of of vehicle. With the exception of the opening scenes, this episode takes place almost entirely inside the station. (And the station, it must be said, it not a particularly intriguing location.) This episode fails because it goes against everything that makes CHiPs an entertaining show. Fortunately, in the end, it turns out that the kid only had the flu and quarantine comes to an end. Baker and everyone else is set free so that they can ride again.

Late Night Retro Television Review: CHiPs 2.19 “Bio-Rhythms”

Posted on November 4, 2024 by Lisa Marie Bowman

This week, it’s all about bio-rhythms!

Episode 2.19 “Bio-Rhythms”

(Dir by Don Weis, originally aired on February 17th, 1979)

The Davis family is back!

Now, if you don’t remember the Davises. they were the family of independent truckers who appeared in an episode called The Volunteers. Patriarch Charley Davis (Tige Andrews) is taciturn and protective. Their friend, Sam (Steve Franken), is taciturn and protective …. actually, to be honest, he and Charley are kind of interchangeable. Daughter Robbie (Katherine Cannon) is in charge of the business and is being pressured by another trucker (Michael Conrad), who is willing to resort to sabotage to keep Robbie from making her deliveries. It’s a good thing that Robbie has got Ponch on her side!

Technically, Robbie also has Baker on her side but this is definitely a Ponch episode. Baker is present but he does very little. Instead, it’s Ponch who flirts with Robbie. It’s Ponch who stops by Robbie’s apartment and uses her shower. It’s Ponch who spends an extended period of time wearing just a towel. Somewhat inevitably, Charley shows up around the same time that Ponch steps out of the shower. Ponch is kicked out of the apartment and his clothes are tossed out the window. Ponch loses his towel while retrieving his clothing. Cue the close-ups of an old woman staring at him with a impressed look in her eyes and Erik Estrada flashing his Estrada smile. It’s not that Erik Estrada wasn’t nice to look at. It’s just that he was so obviously aware that he was nice to look at that the whole scene ends up feeling rather smarmy. One gets the feeling that there was a clause in Estrada’s contract specifying that he, and only he, would be allowed to show off on the show.

While Ponch helps Robbie deal with her rivals, he also learns about biorhythms, the pseudo-science that says that, by calculating how long someone’s been alive, it can be determined which days are going to be good for them and which days are going to be bad. Sindy Cahill is doing a study on biorhythms for her master’s degree. Getraer tells his squad that the department is also very interested in whether or not biorhythms effect an officer’s productivity. Baker is skeptical about biorhythms but Ponch believes in them and even buys a biorhythm calculator.

Believing the Baker’s biorhythms have him at peak physical perfection, Ponch arranges for Baker to play handball against Getraer. Ponch even takes bets. Unfortunately, Ponch spent so much time figuring out Baker’s biorhythms that he never stopped to consider Getraer’s. The episode ends with Getraer on his way to victory and Baker looking embarrassed.

Handball? Biorhythms? Corrupt labor unions? Could this episode be more Californian?

This episode was fairly dull. A huge problem was that the Davis family and their drama are never as interesting as the show seems to think that they are. Much as with The Volunteers, I felt like I was watching a backdoor pilot for a show about the Davises when I really just wanted to watch a show about the Highway Patrol. This episode didn’t do much for me. Maybe everyone’s biorhythms were off when they filmed it.

Late Night Retro Television Review: CHiPs 2.18 “Rally ‘Round The Bank”

Posted on October 28, 2024 by Lisa Marie Bowman

This week, Ponch’s mom comes to visit! Will she get on a motorcycle? Uhmm …. no. She doesn’t. It probably would have been cool if she had. She could have helped chase down this week’s set of bad guys. This seems like a missed opportunity. It’s still a good episode, though.

Episode 2.18 “Rally ‘Round The Bank”

(Dir by Barry Crane, originally aired February 3rd, 1979)

Ponch is nervous because his mom, who is deathly afraid of flying, has boarded an airplane and flown from Chicago to Los Angeles to visit him. (In this episode, we discover that Ponch’s family apparently got rich and moved to Chicago sometime between the end of the first and the start of the second season.) Why is Ponch’s mother visiting? Ponch isn’t sure. He spends a lot of time worrying but, in the end, it turns out that his mother (well-played by Anna Navarro, no relation to that annoying woman on The View) came to town because Baker and Getraer called to tell her that Ponch would be receiving a special safety citation from Getraer.

Awwwww!

Apparently, Ponch has gone a whole year without crashing his motorcycle. I’m pretty sure I saw Ponch crash his motorcycle just a few episodes ago but whatever. The important thing is that this is actually a good Ponch episode. For once, Erik Estrada’s tendency to overact is not a distraction and his relationship with his mom is actually really sweet. When I watched this episode, my first thought was that Navarro looked way too young to be Estrada’s mother. If anything, she actually looked like she might be a few years younger than him. Then I checked with imdb and discovered that Navarro actually was sixteen years older than Estrada.

(I will admit that Anna Navarro — again, the actress and not that annoying woman who hosted a day of the Democratic National Convention — reminded me a lot of my own mom, which is maybe one reason why I liked this episode more than I thought I would.)

Ponch and Baker also find time to chase after two bank robbers, played by Frank Ashmore and Ron Hajak. Because the robbers are a part of a nation-wide rally race that is passing through Los Angeles, Ponch and Baker get to know some of the other racers. Two women invite Ponch and Baker to a square dance. Baker has to decline so Ponch brings Getraer instead. Getraer turns out to be a surprisingly good dancer. Ponch’s mom comes to the square dance as well and, for a few minutes, I thought maybe she and Getraer were going to announce to the world that they were in love. That would have been a great CHiPs moment but it didn’t happen. That’s another missed opportunity.

Missed opportunities aside, this was a good episode. It was fun and it was sweet and it made me smile.

Late Night Retro Television Review: CHiPs 2.17 “The Matchmakers”

Posted on October 21, 2024 by Lisa Marie Bowman

This week, Jon and Ponch play matchmaker!

Episode 2.17 “The Matchmakers”

(Dir by Harvey S. Landman, originally aired on January 27th, 1979)

Cora (Jenny O’Hara) is an eccentric woman who lives in an old farmhouse with a bunch of animals. Her landlord is evicting her and the county is planning to not only bulldoze her home but also take and possibly destroy all of her animals unless she can find a new place for them. Twice, she tries to commit suicide by driving her truck recklessly. Both times, she is saved by Ponch and Baker.

Dirk Hutchins (Gregory Walcott) is a crotchety old man who has served with the Highway Patrol for 30 years and is now on the verge of forced retirement. He doesn’t know what he’s going to do with himself once he’s no longer on the job. Hutchins spends his last work week taking outrageous risks, leading Ponch and Baker to worry that he’s trying to go out in a blaze of suicidal glory.

What solution do Ponch and Baker come up with for Cora and Dirk? They decide to play matchmaker! Cora ends up moving onto Dirk’s property (and brings along all of her animals) and maybe Dirk will end up falling in love with Cora. And then, they’ll both have a reason to live!

Listen, this episode’s heart is in the right place. I’m certainly not going to fault the intentions of any episode that features Ponch and Baker trying to help two suicidal people. But, seriously, Cora was such an annoying character! The show portrayed her as being so unhinged and so emotionally unstable that you couldn’t help but wonder if having her move in with grumpy old Dirk was really the best way to go about things. Cora really did seem like she needed professional help, the type that went way beyond having a place to keep her animals.

As for Dirk, I was happy to see that he was played by Gregory Walcott. As many of you already know, Walcott’s greatest claim to fame was starring in Ed Wood’s Plan Nine From Outer Space. Walcott survived Plan Nine and went on to become a durable character actor, appearing in westerns and war films. Walcott gives a believably ruggedly performance as Dirk, even if the character himself is not exactly someone you would want to get stuck on an elevator with.

There is a subplot involving a private investigator (Danny Wells) who had been hired to kidnap a kid and bring him back to his no-good father. And there’s a fairly well-done scene where Dirk and Getraer work to keep a truck from turning over on top of a car. There is a little action but still, this episode didn’t quite work.

Late Night Retro Television Review: CHiPs 2.16 “Pressure Point”

Posted on October 14, 2024 by Lisa Marie Bowman

This week’s episode is a change-of-pace as Ponch and Baker get off their motorcycles and go undercover!

Episode 2.16 “Pressure Point”

(Dir by Phil Bondelli, originally aired on January 20th, 1979)

The limousine of wealthy industrialist Arthur Forbinger (Rudy Vallee) is ambushed by three cars and a motorcycle. The motorcyclist shatters both the back and the front driver’s side window and tosses an envelope into the backseat. Forbinger orders his driver to chase the motorcycle.

Ponch and Baker, enjoying a leisurely patrol through Beverly Hills, spot the limo speeding down the street and they decide to pursue it. When Forbinger finally tells his driver to pull over, Ponch and Baker demands to know why Forbinger was putting lives at risk. Forbinger lies and says that he was late to a meeting. In reality, Forbinger has just opened the envelope and discovered pictures of his granddaughter, Chris (Mary Crosby). The implication is that whoever broke his window can also get to Chris.

Despite Forbinger’s attempts at deflection, Ponch, Baker, and Cahill soon figure out what actually happened. Thinking that Forbinger is perhaps being targeted by a private security firm that scares rich people into hiring its guards, Getraer tells Ponch and Baker to get off their motorcycles because they’re going undercover. Ponch will pretend to be a diplomat from Argentina and Baker will be his driver.

Ponch is overjoyed to at the chance to pretend to be rich. He’s even happier when he meets Chris. Oh, that Ponch!

This episode was weird. It just doesn’t feel right for Ponch and Baker to not be on their motorcycles and the episode spent so much time with Forbinger and Chris that I found myself wondering if it was meant to be some sort of backdoor pilot for a primetime soap opera about the Forbinger family. Despite featuring quite a few chase scenes and a few dramatic crashes, this didn’t feel like an episode of CHiPs at all. Is there really a point to the show without the motorcycles?

The other problem with this episode was that the performance of Rudy Vallee …. well, it wasn’t good. I know that Rudy was a show business veteran when he did this episode and that he had been around for a while but he still gives a rather flat and lifeless performance. He delivers his lines as if reading them off of a cue card. (For all I know, he was reading them off of a cue card.) As for the rest of the guest cast, Mary Crosby is stuck with a nothing role while Guy Stockwell and Tom Troupe are a bit too obviously sinister as the duplicitous security men.

This episode went for a change of pace but it just didn’t work. Sorry, Highway Patrol.

Late Night Retro Television Review: CHiPs 2.15 “MAIT Team”

Posted on October 7, 2024 by Lisa Marie Bowman

This episode was a tough one.

Episode 2.5 “MAIT Team”

(Dir by John Florea, originally aired on January 13th, 1979)

On a desolate stretch of highway, several cars sit totaled. At least two are in flames. A truck sits stalled in the middle of the road, the bloody body of the driver still behind the steering wheels. A woman screams that her father is having a heart attack. Sitting off the road, in a ditch, is an overturned police car. Officer Sindy Cahill is unconscious in the wreckage.

This hardly a typical episode of CHiPs. This show has featured many spectacular crashes but this episode is the first to feature fatalities. And its not just one person who dies in the crash. Eleven people die, including the driver of the truck and the man having a heart attack. The sight of Ponch looking at the dead bodies is jarring because it’s not what we expect from a show like CHiPs.

And, I have to admit, it was jarring for me on a personal level. In May, my Dad was in a serious car accident, one that ultimately involved four vehicles. He broke his shoulder and, afterwards, had to learn how to walk again. He spent a week in a hospital. (That was the week that we didn’t have any power due to the storms so I couldn’t even call to get an update on his condition.) He spent a month in a rehab facility, staying there until his insurance company kicked him out. Severely weakened by the stress and Parkinson’s, he came home and died a month later. I still find myself thinking about how, if he just hadn’t gone to the store that Sunday, he never would have been in that accident and he would still be alive today. Did I say that I merely think about it? It’s actually something that I’ve been obsessing on, even since the hospital first called me to tell me what had happened. I had a hard time watching this episode of CHiPs and I’m having a hard time writing about it right now.

It’s a good episode, even if it is very different from the episodes that came before it. Ponch, Jon, and a group of experts (known as the MAIT Team) attempt to determine what caused the accident. With a lefty state senator (played by Victor Newman himself, Eric Braeden) and an insurance investigator (Michael Bell) both eager to put the blame on Cahill, it falls to the MAIT Team to figure out what caused the accident and to assign blame. In the end, just as with my Dad’s accident, they discover that no one was truly at fault. The setting sun reflected off a distant mirror and temporarily blinded the driver. Cahill ended up in a ditch after she swerved to avoid him. The other drivers were just in the wrong place at the wrong time. Life is like that sometimes.

The emphasis here was on everyone working together to get to the truth. Even the state senator and the insurance investigator played an important role in discovering what happened. By being skeptical, they forced the MAIT Team to question everything and truly uncover the facts of the accident. As this episode made clear, the MAIT Team wasn’t formed just to exonerate Cahill. Instead, the MAIT Team was all about getting to truth, no matter what that truth might be.

Though this episode was not an easy one for me to watch, it was a good one.

Late Night Retro Television Review: CHiPs 2.14 “Repo Man”

Posted on September 30, 2024 by Lisa Marie Bowman

This week, Jon Baker takes on …. THE REPO MAN!

Episode 2.14 “Repo Man”

(DIr by Alex Grasshoff, aired on January 6th, 1979)

This week features a truly memorable villain.

Doyle Ware (Mills Watson) is a repo man. When people fall behind on their car payments, Doyle is the guy who shows up to repossess the vehicle. That he’s a sleaze shouldn’t come as a surprise. I mean, who likes a repo man, right? But, as Baker and Ponch discover, Doyle is more than just a repo man.

He’s a criminal mastermind!

He steals cars and then informs the owner that the car has been destroyed in an accident. Doyle offers to buy what little is left of the vehicle. However, the truth is that the car hasn’t been destroyed. And once Doyle gets the title, he proceeds to sell the car under the original owner’s name. Then, once the buyer falls behind on their payments, he repossesses the car and sells it again. What a sleazy guy!

When Baker and Ponch prevent Doyle from repossessing an old couple’s trailer, Doyle reacts by trying to destroy their credit. He plants false reports that Baker and Ponch owe money. Baker tries to buy an expensive saddle, just to be humiliated when the clerk (played by future playwright Terrence McNally) informs him that his credit score is awful. Ponch starts to get notices at the police station, telling him that he owes money. Getraer offers to help Baker but not Ponch. Getraer can’t stand Ponch.

While dealing with his bad credit, Baker also becomes a local celebrity when he jumps, from a bridge, onto an out-of-control school bus. Baker’s face appears on the local news and soon, people are demanding his autograph. Baker is mortified. Ponch is thrilled because, for some reason, people want his autograph too. “Oh my God, you’re his partner!” someone says as they rush up to Ponch’s motorcycle. Seriously, Ponch didn’t do anything!

Meanwhile, Grossman (who, as played by Paul Linke, is the most consistently likable member of the show’s supporting cast) gets an article published in a magazine. Everyone at the station pretends like they haven’t read and enjoyed the article. Poor Grossie! Don’t worry, though. A news crew films Grossie putting out a fire and he soon replaces Baker as everyone’s favorite local hero. Baker’s happy to have both his good credit and his anonymity restored.

(This is actually a pretty big episode for Baker. He also gets a subplot in which a watchmaker, played by Ned Glass, destroys Baker’s watch after he bring it in to get the wrist band fixed.)

This was a good episode. The school bus rescue was genuinely exciting and Doyle Ware was a villain who was so sleazy that it was a lot of fun watching him get taken down. CHiPs did a good job with Repo Man.

Late Night Retro Television Review: CHiPs 2.13 “Down Time”

Posted on September 23, 2024 by Lisa Marie Bowman

This week, Ponch loses his car and Baker loses his wallet.

Episode 2.13 “Down Time”

(Dir by John Florea, aired on December 16th, 1978)

While chasing two female car thieves, Ponch crashes his motorcycle and sprains his finger. Getraer is overjoyed because he can now require Ponch to take a few days off work. Ponch is happy because he’s just moved into a new apartment and he wants to get to know his neighbor, Kim Balford (Randi Oakes).

Kim says she’s an aspiring actress but actually she’s the head of a ring of car thieves. In fact, by an amazing coincidence, they’re the same car thieves that Ponch was chasing when he injured himself! Kim sees that Ponch has a new car, a brown Firebird. Ponch really loves that car. Well, too bad! Kim and her associates steal his car.

To Getraer’s disappointment, Ponch is soon spending his entire vacation at headquarters, pressuring people like Detective Bill Ross (Burr DeBenning) to find his car. Detective Ross informs Ponch that he’ll probably never see his car again but Ponch is determined to get it back.

Baker, meanwhile, just want to find his wallet. His misplaced it and he has no idea where it is. Ponch is upset that Baker is more upset over losing all of his money and his ID than over Ponch losing his car. Baker, realizing that this is CHiPs and Ponch therefore always comes first, apologizes to Ponch and agrees to set aside his own problems to help Ponch out.

Fortunately, Ponch and Baker do figure out that Kim is the one behind the car thefts. It all leads to a chase through the streets of Los Angeles. Kim and her two partners-in-crime are in one of those big trucks that are used to transports cars from one place to another. (I can’t imagine driving one of those things.) Since they’re off duty, Baker and Ponch have to make due with Baker’s pickup truck. (Fortunately, Grossman shows up on a motorcycle so this episode doesn’t turn out like that weird season one episode where Baker and Ponch spent the entire episode in a patrol car.) Kim is caught but, of course, Ponch’s beloved firebird is destroyed in the chase.

Good news, though! Baker finds his wallet in his jacket. Yay! YOU GO, BAKER!

This episode was actually a lot of fun. Watching it, you could just hear people in 1978 saying, “They steal cars? …. But, they’re women!” Randi Oakes, who would later be a regular on the show as a member of the Highway Patrol, gives a wonderfully over-the-top performance as Kim. As well, anyone watching should be able to relate to Getraer’s annoyance as he discovers that there’s no way get Ponch to stay home. Best of all, with so much of the action taking place in Ponch’s swinging bachelor pad, this episode was pretty much a museum-quality exhibit of the late 70s. Watching this episode was like stepping into a time machine.

It was fun!

Late Night Retro Television Review: CHiPs 2.12 “High Explosive”

Posted on September 16, 2024 by Lisa Marie Bowman

This week’s episode is all about mistakes.

Episode 2.12 “High Explosive”

(Dir by Barry Crane, aired on December 9th, 1978)

This week’s episode features Jon Baker competing in a rodeo. That’s not really a surprise. Since the show began, it’s been established that Baker is a cowboy at heart and this episode is certainly not the first time that he’s mentioned growing up on a ranch in Wyoming. (Larry Wilcox, himself, grew up in Wyoming and had some real-life rodeo experience.) What is interesting is to listen to how the various actors pronounce the word rodeo.

Most of them, to their credit, pronounce it correctly. A rodeo — that is, an event involving cowboys, steers, clowns, and all the rest — is pronounced “road-ee-oh.” That’s how Larry Wilcox, Robert Pine, and the majority of the cast pronounce it. Erik Estrada and Paul Linke, however, both pronounce it “Roe-Day-Oh,” as in the famous street in Beverly Hills. Just a tip to any of our readers up north: Down here in the southwest, we pronounce it with a “dee” and not a “day.”

As for the rest of the episode, it’s all about mistakes. For instance, ambulance driver Brad Holmes (Steve Oliver) loses his job after he gets arrested for reckless driving. Desperate for money and not wanting to tell his wife that he lost his job, he agrees to transport a huge amount of old and unstable dynamite and he steals an ambulance with which to transport it! Not smart. Brad is an even worse driver with the explosives in the ambulance. Ponch and Baker chase him down and Brad crashes on a playground. While Ponch and Baker arrest Brad, a bunch of kids pick up the dynamite. UH-OH! Fortunately, Brad helps Ponch and Baker get the dynamite back. He asks Ponch and Baker to put in a good word with the judge.

(Yeah …. I don’t know how many good words you can really put in for someone who used a stolen ambulance to transport highly unstable explosives through a heavily populated area of Los Angeles.)

Meanwhile, 14 year-old Barry (Ike Eisenmann) accidentally shoots a car with his pellet gun. The car crashes. The driver, Mary Barnes (Roseanne Katon), survives with minor injuries but her sister nearly dies. Mary says that she wants to press charges against Barry. She doesn’t care that he’s only 14. Baker and Ponch arrange for Mary to spend the day at the rodeo with Barry, so that she can see that he’s just a scared kid who didn’t mean to hurt anyone. Barry is from Utah and lonely and Baker and Ponch feel sorry for him.

But you know what? The fact of the matter is that Barry is 14. He’s not some 10 year-old kid. He’s a teenager. He’s old enough to know better than to shoot a pellet gun around a busy highway. Barry is a lonely kid and that sucks. But again, he nearly killed someone and he caused a huge wreck. I’m on Mary’s side. Throw the book at Barry. Letting Barry get away with doing something that stupid isn’t going to be good for him or anyone else. Mary, however, disagrees with me. Barry’s off the hook and he even gets to go to the rodeo.

What a frustrating episode! Ponch and Baker let me down but at least one of them knows how to pronounce rodeo.

Late Night Retro Television Review: CHiPs 2.11 “Supercycle”

Posted on September 9, 2024 by Lisa Marie Bowman

A daredevil motorcyclist known as the Phantom is making the street dangerous in Los Angeles! Can Ponch and Baker catch him before it’s too late?

Episode 2.11 “Supercycle”

(Dir by Phil Bondelli, originally aired on December 2nd, 1978)

From what I’ve read, Larry Wilcox was apparently often unhappy on the set of CHiPs and, watching this week’s episode, I can see why.

This week’s episode follows only one storyline. A motorcycle-riding daredevil known as the Phantom (George O’Hanlon, Jr.) is driving around Los Angeles and doing stunts. It’s all a part of a promotion that’s being run by the unscrupulous Fred Gesslin (Jason Evers). When Ponch and Baker chase the Phantom and end up losing him, footage ends up on the news and totally humiliates the Highway Patrol. Getraer is even less amused than usual.

Luckily, Harlan has a supercycle in the garage. Ponch and Baker decide to take the Supercycle out so that they can use it to capture the Phantom. Ponch and Baker both get a chance to test the Supercycle on the test track. Ponch is a natural. Baker crashes. So, of course, Ponch is the one who gets to ride the Supercycle….

AND THAT’S THE WAY IT ALWAYS IS ON THIS SHOW!

Seriously, if there’s anything cool to do, Ponch is going to be the one to do it. If there’s an exciting story, it’s going to center around Ponch. Despite the fact that Larry Wilcox looks a hundred times more comfortable on a motorcycle than Erik Estrada, Baker is always going to take a back seat to Ponch. Seriously, that would bother anyone! In this case, it means that Ponch is the one who gets to use the Supercycle. Baker can just stand in the background and force himself to smile. Poor Baker!

Now, Baker does get a small measure of revenge. He’s the one who gets a date with Sheila Martin (Karen Carlson). Sheila owns the advertising company that Fred is working with to promote the Phantom. Since Sheila knew about the Phantom and didn’t immediately share that information with Ponch and Baker, it really seems like she should have gotten in as much trouble as Fred. But Baker needs a date so Sheila’s off the hook. Oddly enough, the Phantom is let off the hook too. It turns out that he’s just an innocent guy from the country who was led astray by Fred. Never mind the Phantom could have killed multiple people with his reckless driving.

No matter, though! The stunts are spectacular in this episode and who doesn’t like the idea of owning a supercycle? That’s really the only thing that matters as far as this episode is concerned. Ponch may have gotten to ride it but, ultimately, the Supercycle has a place in everyone’s heart.