Movie A Day #333: Beyond Valkyrie: Dawn of the Fourth Reich (2016, directed by Claudio Fah)


The year is 1944 and a group of Germany officials and military officers, all of whom are secretly opposed to the Nazi regime, are plotting to assassinate Adolf Hitler.  A group of American and British operatives, led by Captain Evan Blackburn (Sean Patrick Flannery), have been dropped behind enemy lines.  Their mission is to protect the man who has been chosen to lead Germany after Hitler’s death but, after the assassination fails, Blackburn and his men find themselves with a new mission.  Working with a group of Russian soldiers, Blackburn tries to prevent a group of Nazis from fleeing to Argentina with a cache of stolen good.

The plot of Beyond Valkyrie is rooted in fact.  In June of 1944, Hitler was nearly assassinated by a group of high-ranking Germans who hoped to replace him with a more moderate leader.  (Historically, it’s questionable whether the majority of the conspirators were truly anti-Nazi or if they just felt that Hitler was mismanaging the war.)  At the same time, as it became evident that Germany was going to lose the war, many Nazi war criminals did escape to Argentina, where the government of Juan Peron provided them with sanctuary from prosecution.  Some of the most notorious Nazis reinvented themselves as businessmen in both South America and the Middle East.  (Others, like Klaus Barbie and Reinhard Gehlen, offered their services to any government that would accept them.)

The true story is so interesting that it’s unfortunate that Beyond Valkyrie is such a bad movie.  Basically, consider it to be Inglourious Basterds with none of Tarantino’s style or Christoph Waltz’s smiling menace.  Beyond Valkyrie is a war epic on a budget, a very low budget.  Neither the weak script nor the cheap-looking CGI does much to add authenticity to the movie.  There are a few familiar faces in the cast, though none of them are onscreen for long.  Rutger Hauer provides what little dignity Beyond Valkyrie has.  Tom Sizemore looks like he’s still recovering from the weekend.  Stephen Lang picks up his paycheck.  Sean Patrick Flanery does the best he can but he’s stuck with all the worst lines.

One final note: One of the Russian soldiers, played by Andrew Byron, is actually named Tolstoy.  I waited for Chekhov, Solzhenitsyn, and Dostoevsky to show up but they never came.

Trailer: American Sniper (2nd Official)


American Sniper

Talking to empty chairs aside, Clint Eastwood still goes down as one of the greatest living American filmmakers. This doesn’t dismiss the current slump he has been in the past couple years (Jersey Boys, Hereafter, J. Edgar just to name a few). This 2014 holiday season he’s set to release his latest film: American Sniper.

The film is an adaptation of the best-selling autobiography of the same name by former Navy SEAL sniper Chris Kyle. Steven Spielberg was initially attached to direct the film, but bowed soon after. In comes Clint Eastwood to take up the director’s chair with Bradley Cooper starring as Chris Kyle (also producer on the film).

The film has already made it’s premiere at the AFI Fest with a limited release on Christmas Day 2014.

American Sniper will  have a general release date of January 16, 2015.

Horror Film Review: Annabelle (dir by John R. Leonetti)


Annabelle

Remember Annabelle, the tres creepy doll from The Conjuring?

Well, she’s back and she’s starring in a film of her very own!  Annabelle is the first horror film to be given a wide release this October and, judging from the commercials, New Line Cinema and Warner Bros. are really hoping that you’ll remember just how scary and effective The Conjuring was when it comes time to decide whether you want to see Annabelle or Gone Girl this weekend.

Of course, Annabelle actually have very little do with The Conjuring.  Though Father Perez, the token concerned priest played by Tony Amendola, mentions Ed and Lorraine Warren, neither one of them actually appears in the film.  Neither do any of the other characters or ghosts from The Conjuring.  The only link between the two films is that doll.

Taking place in 1969, Annabelle is an origin story of sorts.  Doctor John Gordon (Ward Horton) buys a doll for his pregnant wife, Mia (Annabelle Wallis).  The doll looks evil from the minute that Mia unwraps it but, according to the film, it was actually harmless until a psychotic hippie girl (Tree O’Toole) bled on it.  That blood seeped into the doll’s eye and the next thing you know…

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No,  I’m not going to spoil it for you.  In fact, it’s really not necessary for me to spoil it for you because I imagine you can probably guess everything that’s going to happen.  If you’ve ever seen a haunted house film, you know exactly what’s going to happen when John goes to work and Mia gets left in the house alone.  If you’ve ever seen a demonic possession film, you can guess what’s going to happen when Mia happens to stumble across the occult book store next door.  And, if you’ve ever seen any film, you can guess that the book store is managed by a sassy mystic played by Alfre Woodard.

That’s right!  There’s nothing surprising about Annabelle!

But that’s not necessarily a bad thing. Horror films are unique in that they often times actually benefit from being so predictable.  You watch in dread because you know that something terrible is going to happen even though the characters in the film do not.  You know enough to yell, “Don’t open that door!” but the characters in the film don’t.  That’s exactly what makes a film like Annabelle scary.

The Conjuring, I thought, was not only a great horror film but it was also one of the best films of 2013.  That’s because, along with being a scary movie, The Conjuring also dealt quite intelligently with very real issues of faith and family.  The Conjuring was fun to watch because it was scary but it stayed with you because it was full of subtext.  Annabelle, on the other hand, is a film without subtext.  Everything important about Annabelle can be found right on the surface.

Annabelle is a film that exists solely to scare you and how much you enjoy it will probably depend on how much you enjoy  horror films to begin with.  The shock scenes are handled well, with an emphasis on sudden noise on the soundtrack and intimidating shadows appearing in the background.  Everything that distinguished The Conjuring — the attention to detail, the lively performances, and the imaginative plotting — has been pushed to the side to make room for the next scare.

As a result, Annabelle is one of those films that makes you jump while you’re watching it but doesn’t stick around in your head afterwards.  If you’re a fan of the horror genre and like a good scare, you’ll probably find something to enjoy in Annabelle.  (It’s no Devil’s Due but it’s still better than the latest Paranormal Activity film.)  If you’re not a horror fan — well, then you probably weren’t planning on seeing Annabelle in the first place.

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Trailer: American Sniper (Official)


AmericanSniper

Warner Bros. Pictures makes it a triple-bill with the latest in a series of trailers for some of their upcoming films.

The latest to arrive is Clint Eastwood’s latest film. Eastwood adapts the Chris Kyle autobiography, American Sniper, of which Steven Spielberg was originally attached to direct until dropping out in the summer of 2013. Eastwood was announced a week later as taking on directing duties on one of the more sought after properties of the last couple years.

Bradley Cooper will star in as Chris Kyle with Sienna Miller in the role of Chris’ wife, Taya Renae Kyle.

American Sniper is set for a limited release on December 25, 2014 and going wide on January 20, 2015.