The Spectacular Covers of Startling Stories


by Earle Bergey

Startling Stories was a sci-fi pulp magazine that ran from 1939 through 1955.  It went through many different editors and formats during that time but one thing that was always consistent was the quality of the magazine’s covers.  Though most of the covers were done by Earle Bergey, a few other notable pulp artists also made contributions to the magazine.  Below is a small sampling of the spectacular covers of Starting Stories!

by Alex Schomburg

by Earle Bergey

by Earle Bergey

by Earle Bergey

by Earle Bergey

by Earle Bergey

by Earle Bergey

by Earle Bergey

by Earle Bergey

by Edmund Emshwiller

by Edmund Emshwiller

by Howard V. Brown

by Howard V. Brown

by Howard V. Brown

by Rudolph Belarski

by Rudolph Belarski

by Rudolph Belarski

by Walter Popp

The Covers of La Paree


1935, by Earle Bergey

La Paree was published from 1930 to 1938.  Each issue featured stories about living and loving in the City of Lights, Paris!  Today, it’s mostly just remembered for its covers.

Here’s a sampling of the covers of La Paree:

1930, by Worth Carnahan

1932, by Raymond Albert Burley

1933, by Earle Bergey

1934, by Earle Bergey

1935, by Earle Bergey

1936, by Earle Bergey

1936, by Peter Driben

1937, by Peter Driben

1937, by Peter Driben

1937, by Peter Driben

Cast A Spell With The Witches Of The Pulp Era


Artist Unknown

Witches were a popular subject during the pulp era, starring in stories and appearing on covers.  Sometimes, they were riding broomsticks and other times, they were just casting spells.  Whatever they were doing, they were always ready to work their magic on readers.

Today, it’s time to pay tribute to some of the witches of the pulp era!

Artist Unknown

by Earle Bergey

by Hannes Bok

by Jack Thurston

by Margaret Brundage

by Rudolph Belarski

by Tommy Shoemaker

Unknown Artist

Beware The Tentacles Of October!


by John Newton Howitt

Are you scared of tentacles?

Whether they’re reaching down from the sky or coming out of the water, the idea of being grabbed and, even worse, squeezed by several slimy tentacles is a scary one!  Perhaps that’s why it was such a popular image during the pulp age.  Below is just a sampling of some of the era’s tentacle horror, courtesy of some of the best artists to work in the pulps!

by Earle Bergey

by Alexander Leydenfrost

by Edmund Emshwiller

by Hugh Joseph Ward

by L.B. Cole

by Lou Fine

by Rafael DeSoto

by Robert Bonfils

by Ron Embleton

by Rudolph Belarski