Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
(Dir by Don McCutcheon, originally aired on January 30th, 1990)
Who is Wendell?
Wendell (played by Wayne Robson) is beloved figured in this show’s fictional Canadian city. Wendell lives on the streets, sleeping in a tent in an alley and spendinh his days eating whatever food he happens to come across. Wendell is good-natured and he doesn’t take it personally when the local teenagers toss a half-eaten apple at him. Wendell is such a nice guy that, when he comes across a duffel bag full of money, he doesn’t keep the money for himself but he instead starts handing it out to random people. It’s his way of thanking everyone for helping him and everyone is very polite about waiting their turn to be handed some money.
Way to go, Wendell!
Unfortunately, the duffel bag belonged to two incompetent crooks named Errol (Gareth Bennett) and Fritz (Dominic Cuzzocrea). Now, when I say incompetent …. listen, T and T has featured it’s share of dumb criminals but there have never been any dumb as these two. Not only do they lose the duffel bag but they also continually lose track of Wendell. They’re the type of crooks whose ammo clips regularly fall out of the guns. These guys may be incompetent but they do fire a gun at T.S. at one point. T.S. escapes injury but, as he explains to Amy, shooting at him makes things “personal.”
T.S.’s plan to protect Wendell and catch the bad guys is to have his friend Decker wear a fake beard and pretend to be Wendell. It’s a good plan, except the bad guys come up with a similar plan and, as a result, there are two fake Wendells wandering around and T.S. has to figure out which one to beat up. T.S. gets so confused that it gives the bad guys time to to get the drop on him. Fortunately, the bad guys once again fail to load their guns correctly, which gives T.S. and Decker time to knock them both out with one punch.
This was not a particularly complicated episode. Nor was it a very suspenseful one, as the bad guys were such idiots that they never came across as being any sort of threat. More time was spent with Wendell teaching Joe how to live on the streets than on the villains trying to get their money back. (Why is Wendell teaching Joe how to live on the streets? It was T.S.’s idea, which leads me to wonder if T.S. is planning on kicking Joe out of the gym at some point in the near future.) As for Amy, she spent most of this episode setting up her new office and getting annoyed with the perfectly nice guy who had an office across the hall. The show may be called T and T but it’s usually one T who gets to do anything.
This was a bit of a forgettable episode but Mr. T did yell, “Hey, fool!” after the bad guys attempted to shoot him so that was kind of fun.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, Amy, T.S. and Joe get involved in a — ugh — hostage situation!
Episode 2.9 “Hostage”
(Dir by Don McCutcheon, originally aired on November 28th, 1988)
Fleeing from the police after a botched robbery, two sweaty crooks, Rook (Lawrence King) and Larry (Angelo Rizacos), duck into Don’s Sporting Goods and end up holding 8 people hostage, including Amy and Joe! What a scary situation! These eight Canadians probably just wanted to buy new hockey jerseys and now, they’re being held hostage!
The police, of course, are ineffectual. T.S. tracks down the ex-wife of one of the men but she can’t convince him to come out of the store. The two crooks don’t want to go back to prison so they’ve demanded a lot of money and a plane and they’ve given the Toronto police only two hours to meet their demands. Inside the store, Amy tries to reason with them. Rook knows that things have gone too far and that they need to surrender to the police. But Larry is sweaty and violent and determined to escape with the money.
I groaned a bit when I saw what this episode was going to be about. I absolutely dread sitting through anything that involves hostage negotiation. There’s really not much that can happen in a story like this, other than the hostage takers doing a lot of yelling and the negotiators saying, “You’re going to have to give us more time!” It’s really not much fun to watch people getting guns pointed at their heads while some loser rants and raves about how he’s going to pull the trigger unless he gets what he wants. With the exception of Dog Day Afternoon, hostage taking is usually pretty boring to watch.
Probably the biggest mistake that this episode makes is that it sidelines T.S. Turner for much of the action. The main appeal of T and T is the chance to watch and hear Mr. T take down the bad guys. T.S. spends the majority of this episode just standing around and only he gets to call one person “brother.” Finally, during the final few minutes, T.S. ends up crawling around in the building’s loft so that he can break through the ceiling and take out the hostage takers but, by the time he does, the two criminals have already turned on each other. For once, it falls not to T.S. to capture the main bad guy but for the bad guy’s accomplice to shoot him in the back.
All in all, this was a disappointing episode. Amy failed to talk the criminals into giving themselves up and T.S. failed to capture the criminals by himself. What is Canada even paying these two for?
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, T.S. and Amy battle the Canadian Mafia!
Episode 2.8 “Every Picture….”
(Dir by Don McCutcheon, originally aired on November 21st, 1988)
This episode of T and T continues to insist that the show is taking place in a place called Metro County. It even features a newspaper called the Metro County Eagle and suburb of Metro County that is called Ridley. As well, it appears that all of the cars in Metro County have American-style license plates.
Listen, T and T, you’re not fooling anyone.
We can all see the snow on the ground.
We can all see the frozen breath whenever a scene takes place outside.
We have all noticed how polite all the extras are.
We can all see the hockey hair and the denim jackets.
Even more importantly, we can all hear the accent whenever anyone apologizes or asks, “What’s this all aboot?”
Everyone knows that T and T totally takes place in Toronto! Obviously, a lot of a Canadian shows deliberately tried to leave their setting ambiguous so that they could appeal to viewers in the United States. Interestingly enough, the most successful syndicated Canadian show in the United States was Degrassi, which was always proudly and forthrightly Canadian.
As for today’s episode, it opens with a waitress named Kathy (Jacqueline Samuda) fleeing from a diner after she happens to see her picture in the newspaper. It turns out that a lot of people have noticed that picture. One of them is a burly mob hitman (Paul Coeur) who calls the paper and demands to know who took the picture. When the editor refuses to name names, the hitman breaks into the office to search for the name himself.
Because Amy is friendly (and maybe more!) with the editor, she volunteers T.S. to investigate the photograph. T.S. and Amy track down the photographer, a nerdy teenage prodigy named Lenny (Robert Haiat). After talking to Lenny, they track down the diner where Kathy worked and eventually, they break into Kathy’s apartment. Kathy isn’t there.
“She either left in a hurry or she’s a bad housekeeper,” T.S. growls.
Meanwhile, the hitman kidnaps Lenny and demands that he take him to the diner where the picture was taken. When Lenny’s father tells T.S. that the abduction is all his fault, T.S. says, “I’m going to make this right!”
Kathy, it turns out, is actually named Maria. Because she testified against her mob boss brother, she’s in the Canadian witness protection program. Lenny kind of ruined all that by taking her picture. Now, she’s hiding out in a church but, after the hitman catches a priest entering Kathy’s apartment, he’s able to track her down. This hitman is so evil that he’s prepared to shoot Kathy in the head in the middle of a church! Luckily, T.S. shows up just in time.
“HEY, FOOL!” T.S. shouts before beating the crap out of the hitman.
There’s a simplicity to T and T that you really have to admire. For all the talk of T.S. being a detective and an advocate of peace and understanding, he solves most of his problems by either punching someone out or throwing them through a window. This show reminds us that the simple solution is sometimes the best.
Anyway, you know what? This was a really good episode. The mystery was intriguing. The show generated actual suspense over who would find Kathy first. The scene in the church was nicely atmospheric. Even the sentimental ending, with Kathy giving T.S. a crucifix to thank him for saving her life, felt totally earned. Way to go, Toronto!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, things get muddy!
Episode 2.6 “A Secret No More”
(Dir by Don McCutcheon, originally aired on November 7th, 1988)
“On this episode….”
No, sorry, Mr. T does not utter those words at the start of this week’s episode of T and T. Starting with the second season, the show did away with the practice of Mr. T introducing each episode. It’s a shame because that was always one of the best parts of every episode. I especially would have liked to have heard how Mr. T would have introduced this episode, which features a lot of mud wrestling. “On this episode, Amy and I explore the world of mud wrestling and everyone gets dirty.”
This week’s episode find Amy and T.S. hired by an insurance company after a Canadian Senator named Sam Smale (Leon Pownall) is apparently killed by a car bomb. If the insurance company can prove that the car bomb was planted by gangsters instead of terrorists, the company can get out of paying any money to the senator’s wife. Wait? What? How does that work? Is that really something that would be put into an insurance policy? I guess the idea is that terrorists would be targeting Sen. Smale because of his job while gangsters would be targeting Sen. Smale because he was corrupt. I don’t know. It’s weird.
Sen. Smale was frequently seen hanging out at Toronto’s busiest mud wrestling club. The club is owned by the Granger Brothers, Charlie (Michael Copeman) and Red (Ric Sarabia). (“Those are two bad brothers,” T.S. says.) A review of the senator’s assets reveals that he was nearly broke. (“Senator business must be bad,” T.S. says.) Could Sam Smale have gotten into debt with the loan-sharking Granger brothers?
T.S. heads over to the club, where he meets the newest mud wrestler, K.C. Morgan (special guest star Vanity). K.C., however, is no ordinary mud wrestler. Instead, she’s a reporter working undercover and she’s uncovered evidence that the Senator was doing business with the Grangers! Needless to say, this leads to Amy, K.C., and T.S. all getting into a fight with the Grangers in the mud pit. It also leads to Senator Smale suddenly showing up and revealing that he faked his death and was planning on running off with the insurance money. T.S. promptly punches the senator and the corrupt politician ends up in the mud pit. Later, at the gym, T.S. talks about how silly Amy looked covered in mud and K.C. goes out on a date with T.S.’s best friend, Decker. (We learn, from K.C., that Decker’s first name is actually Danforth.) And that’s the end of that!
This episode packed quite a bit into 22 minutes. In fact, it was all a bit too rushed. This is one of those episodes that would have benefitted from an hour’s running time. I have to admit that I laughed out loud when the supposedly dead senator suddenly showed up with a gun on his hand, just because it was such an out-of-nowhere yet kind of lovable plot development. This was a totally ridiculous episode but that’s what made it fun. T and T is at its best when it embraces its own absurdity.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, season one of T and T comes to a close!
Episode 1.23 “Working It Out”
(Dir by Don McCutcheon, originally aired on June 23rd, 1988)
“In this episode,” Mr. T tells us, “push turns to shove and shove turns to ugly as a battle of sexes rages at Decker’s gym.”
Of all of the supporting characters who have been featured during the first season of T and T, Decker (played by David Nerman) has been the most prominent. That makes sense when you consider that each first season episode features at least a few minutes of T.S. Turner throwing jabs in a boxing ring or hitting the punching bag in Decker’s Gym. Decker is T.S.’s best friend. He may not be smart but he is loyal.
This episode finds Decker in a bit of quandary because Jessie (Allison Mang) wants to join the gym but, when she brings in the membership fee, Decker is shocked to discover that Jessie can also be a girl’s name! Decker’s gym is full of men who like to walk around in towels and say stuff like, “Where do you think you’re going, little girl?” Decker says the gym is men only.
(Myself, I don’t know why anyone would want to join Decker’s shabby little gym, which looks like it reeks of sweat.)
Amy decides to sue for her right to use the gym and she hires Amy Taler. Amy sends T.S. Turner down to Decker’s gym to talk to him about letting Jessie join. Decker explains he has no problem with Jessie joining but gym bully Madigan (Kevin Lund) doesn’t want to any girls to join. How much of a bully is Madigan? His nickname is Mad Dog and he even accuses T.S. of “getting soft!”
Meanwhile, Amy informs Jessie that the gym is a public business and therefore anyone can join. She also points out that there are other gyms in Canada, some of which are co-ed and women only. Jessie says that Decker’s sweaty, shabby gym — which, I would add, has been the scene of several major crimes since this season began — is the closest to her house. Personally, I would happily add a few minutes to my trip so that I could join a gym that doesn’t look like the set of a bad 70s porno but what do I know?
“She’s effeminate, isn’t she?” Sophie asks Amy about Jessie.
“You mean a feminist?” Amy replies.
“Yeah,” Sophie nods.
Amy rolls her eyes without answering Sophie’s question. Personally, I’m wondering how Sophie went from being a computer expert in one episode to not knowing what a feminist is in this episode.
Back at the gym, Decker tries to talk Madigan into accepting Jessie as a member of the gym. Decker tells Madigan that the men of the gym will just have to stop walking around without any clothes on. “We’re working out and sweating!” Madigan replies, “It makes sense to walk around without any clothes on!” And maybe Madigan would have a point if he was living in ancient Sparta but this is Toronto!
Decker goes to the law office, to talk to Amy. Decker is worried that Madigan will kill Jessie. Amy suggests turning his gym into a private club so that he can bar women from joining and offers to draw up the papers for him. Whose side are you on, Amy!?
The next day, when Jessie shows up at the gym, Madigan and every guy in the gym walks out. Only T.S. Turner stays to support Decker and Jessie. When the guys fail to return the next day, Turner says, “Who cares? I’m here. Jessie’s here. Amy’s here.”
Decker points out that everyone who left is going to want a refund on their membership fees and he’s not going to have the money to keep the gym open. Decker will soon lose his business but at least Jessie didn’t have to spend an extra 5 or 10 minutes driving to a gym that doesn’t have a history of people being murdered in the locker rooms.
Later, when Jessie is out jogging, she’s approached by Madigan who explains that Turner has set up a “fitness test” at the gym to prove that Jessie has what it takes to be a member. Jessie hasn’t heard anything about this and — oh no! Is Madigan trying to trick Jessie into returning to the gym so that he and his evil friends can attack her!? No, actually, it turns out that Turner actually did set up the fitness test but no one bothered to tell Jessie, which would seem to defeat the purpose of the whole thing.
(Amy says that Jessie left the gym before giving Turner a chance to explain his plan to her but why couldn’t he just call her and tell her? I mean, I know this show is set in Canada but surely Jessie has a phone. It’s not like they’re in Manitoba.)
Later, Amy takes Jessie to the gym, where Turner is waiting. “Oh, Amy!” Turner says, “That’s a nice dress you have on. You got plans?”
“Dinner date,” Amy says.
“Don’t stay out too late,” Turner growls.
Anyway, the fitness test ends in a tie, which means that Jessie didn’t beat Madigan. This is a problem because, as Madigan points out, Turner specifically said that Jessie would have to win to join the gym. Jessie admits that “Mad Dog” Madigan is right. Decker suggests letting the membership vote. (Why didn’t you just do that to begin with, Decker!?) Madigan says he wants to fight Turner without gloves.
“Now I see why they call you Mad Dog,” Turner replies before removing his jacket in slow motion and then flattening Madigan with one punch.
So, Jessie gets to join the gym, all because one man knocked out another.
“You know, Jessie,” Amy says, “I think you may have started a revolution.”
Anyway, this was a silly episode. Jessie absolutely should have been allowed to join the gym, if she really wanted to spend her time at that ugly, foul-smelling hub of crime. But the episode’s main message appeared to be that you can accomplish anything as long as Mr. T is around to beat up anyone standing in your way.
Episode 1.24 “Now You See It”
(Dir by Patrick Loubert, originally aired on June 20th, 1988)
Amy — and not T.S. — provides the introduction for the finale episode of season one. “In this episode,” she tells us, “a psychic sees through a violent drug rip-off but no one is willing to listen.”
Despite not doing the intro for this episode, T.S. is still present. At the courthouse, after Amy wins an acquittal for a shoplifter named Billy (Simon Reynolds, the stockboy from one of the other Canadian shows that I’m reviewing for Retro Television Reviews, Check It Out.). T.S. tells Billy, “Look here, little brother, if you want to change your life, meet me at Decker’s Gym.” Is he going to try to set Billy up with Jessie? T.S. leaves to buy the Billy a sandwich, which means that Amy is alone when she meets Emma (Gwynneth Walsh), a psychic who wants to sue the the police for firing her because they didn’t like her vision of what happened when a heroin dealer was murdered in a warehouse.
Amy agrees to sue the police — specifically Detective Thompson (A.C. Peterson) — for being rude to the psychic. As she later tells T.S., it may seem like a small thing but it’s important to her. “Sometimes,” T.S. replies, “it’s the small things that matter.”
Thompson agrees to apologize to Emma. After he does so, Amy snaps, “You can stop playing the nice guy! You’re off the hook!” And, of course, Thompson isn’t a nice guy. He’s the one killing the drug dealers! T.S. figures this out when Billy tells him that he doesn’t want to deal drugs anymore because “the streets are dry” and T.S. has a series of black-and-white flashbacks to Thompson talking about the dead drug dealers.
Anyway, Thompson is captured and season one ends with an episode that attempted to cram 60 minutes worth of plot into just 30 minutes. Overstuffed episodes were a frequent issue when it came to T and T‘s first season.
The first season can best be described as being uneven. The show was at its best when it took advantage of Mr. T’s unique screen presence. Though he definitely didn’t have the greatest range as an actor, Mr. T did show some comedic timing. The show struggled whenever it didn’t focus on T.S. Turner and oddly, that happened in more than a few episodes, as if Mr. T wasn’t the main reason why anyone would be watching this show to begin with. As a character, there was nothing particularly consistent about Amy, who was sometimes brilliant and sometimes woefully naïve. The supporting cast was frequently underused, though Catherine Disher had a few funny moments as Sophie. Seen today, the show is a time capsule of Canada in the late 80s and that is perhaps the main reason to watch it.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, T.S. and Amy continue to keep Canada safe.
Episode 1.19 “Special Delivery”
(Dir by Vic Sarin, originally aired on May 15th, 1988)
“In this episode,” Mr. T tells us during the pre-credits preview, “a young boy’s on the run with only his fears and a mysterious package for company.”
Bruce Johnson (Robert McClure) is an old friend of T.S. Turner’s who is now working as an executive for the Canadian space program. He records a tape in which he tells T.S. that he suspects that someone is trying to sabotage Canada’s latest space rocket and that his life in danger. “If anything happens to me,” Bruce asks, “take care of David and Brenda.” Bruce leaves his office with a package of evidence. He finds his 12 year-old son, David (Jamie Dick) skateboarding in front of a school. He gives the package to David and tells him to deliver it to Decker’s gym. David wears his baseball cap backwards so we all know he’s a rebel. Bruce is nabbed by the police as soon as he gives David the package but, fortunately, David is able to roll away on his skateboard.
With her husband and son both missing, Brenda Johnson (Karen Woolridge) calls T.S. Turner at Amy’s law office. Turner is out but the spacey administrative assistant, Sophie (Catherine Disher), takes the message and then runs down to the courthouse to give it to Amy. As someone who has worked as an administrative assistant, Sophie’s unprofessionalism made me cringe. How can Amy run her law office if the office is so disorganized? I’m surprised T.S. puts up with it.
Amy heads down to the police station, where she discovers that Brenda is being held as a witness in a federal investigation that’s being headed up by Detective Williams (William Finlay), who is a part of the Canadian Bureau of Investigation. Williams asks Amy where Bruce and David are and Amy tells him that Brenda has “civil rights.”
“Civil rights are superseded in matters of treason,” William replies.
Amy threatens to call a press conference so Williams agrees to let Brenda go free. Wow, that was easy!
10 minutes into this episode, T.S. finally shows up. He and Amy get a hot dog on a city street. “Thanks, brother,” T.S. tells the hot dog vendor. Amy fills T.S. in on what’s happening. T.S. suggests that Amy head to the gym while T.S. searches the city. Meanwhile, mysterious men in gray suits watch their every move.
Meanwhile, David continue to ride his skateboard through the city. He gets chased by the cops at one point and has to run through an office building to escape. Seriously, how big is this city? The kid just had to go to the gym!
Finally, 15 minutes into this 23-minute episode, David reaches the gym. However, he can’t go into the gym because the feds are staking it out! So, he just stands around outside with his hands in his pockets. T.S. shows up at the gym and announces, “The Kid’s not going to show up here with federal agents outside!”
After putting on camouflage gear, T.S. grabs Decker and heads back to the office. (Amy stays at the gym.) While Sophie flirts with Decker, T.S. calls the gym and tells Amy that David is at the office. T.S. knows the lines are bugged so this is his clever plan to throw off the feds. And it works! As Amy and Agent Williams head to the law office, Decker and T.S. head back to the gym.
And yes! David is now in the gym. He gives T.S. the package.
“Hey, little brother,” T.S. says, “everything’s going to be alright.”
Suddenly, a random bad guy shows up in the gym, holding a gun. He demands the package and promises no one will get hurt.
“Someone sticks a gun in my face, that don’t exactly inspire confidence!” T.S. explains.
T.S. then punches the guy out. One scene later, a news reporter informs us that Bruce Johnson has been found alive so I guess that’s the end of that.
This was a weird episode. For all the talk of international intrigue and Canada’s space program, the majority of it was just filler footage of the kid rolling around on his skateboard. T.S. was barely in it, leading me to suspect that maybe Mr. T had some vacation time and wanted to leave early. Either way, at least Canada’s space program was saved.
Episode 1.20 “Pros and Cons”
(Dir by Don McCutcheon, originally aired on May 23rd, 1988)
“In this episode,” Mr. T says, “some high-rolling crooks make a very big mistake when they pick on my Aunt Martha.”
Two con artists — Harry (Booth Savage) and Louise (Janet-Laine Green) — pretend to be members of law enforcement and trick T.S.’s Aunt Martha into withdrawing a good deal of money from the bank. Martha thinks that she’s helping them catch a criminal but actually, she’s just given up her hard-earned money. T.S. isn’t going to stand for that! However, Martha doesn’t want to tell T.S., even though T.S.’s nice, Renee (Rachael Crawford) thinks that she should.
So, Renee decides to investigate on her own. After rather easily stealing a book of mugshots from the police station, Renee shows it to Aunt Martha, who immediately identifies Harry and Louise. By running a fake credit check on Louise, Renee and Aunt Martha are able to track them down to a ritzy hotel. Renee dresses up like a maid and Aunt Martha dresses up like a rich guest and they infiltrate the hotel.
Meanwhile, T.S. is shocked to discover that a check that he wrote to fix his car has bounced.
“Why would it do that!?” T.S. demands.
T.S. and Amy go to Aunt Martha’s and find all of Renee and Martha’s notes. Realizing that the two of them are confronting the con artists at the hotel, T.S. and Amy arrive just in time to see Harry and Louise trying to run from the hotel. T.S. blocks Harry’s escape. Harry grabs a mop and points it at T.S.
“Ain’t no way, brother,” T.S. replies.
T.S. subdues Harry by tossing him over a railing (don’t worry, Harry lands on a table) and Aunt Jackie punches out Louise.
The problem here is pretty obvious. The name of the show is T and T, not Renee and Jackie. The fun thing about this show is listening to T.S. growl at the criminals. This episode pushed both Amy and T.S. to the side and, as such, it just wasn’t that much fun. Sorry, Aunt Jackie!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, Mr. T plays the game!
Episode 1.17 “The Game”
(Dir by Robert Malenfant, originally aired on May 2nd, 1988)
“In this episode,” Mr. T explains, “Amy and I disagree on tactics as I try to bring an end to a very dangerous game.”
Pam Richards (Cynthia Preston) and her boyfriend Nash Weaver (David Orth) are two spoiled rich kids, playing a dangerous game. Nash steals some expensive dishes and silverwear from the home of his father (who is judge, no less) and, with Pam’s help, puts it in the locker of one of their shy classmates, Greg Walker (Victor Erdos). Nash then calls the police, gives them an anonymous tip, and Greg is arrested. Greg is only 14 but it appears that he’s going to be tried as an adult! Canada is going to make an example out of him!
Fortunately, Greg’s attorney is Amy Taler and that means that T.S. Turner is on the case! It doesn’t take T.S. long to figure out what happened.
“The way I see it,” he tells Amy, “the girl played decoy so they could plant stuff in Greg’s locker! These are the type of games these kids are into. I’m going to see if I can play too.”
T.S. stakes out Pam’s house. Nash orders a pizza for him. “I don’t eat while on duty,” T.S. growls.
That night, Nash and Pamela leave Nash’s house and break into a neighbor’s house. T.S. follows them, just to discover that they’ve already left the house. In the kitchen, T.S. finds a balloon that looks like an eyeball. The balloon pops, revealing a note that reads, “We’re watching you too.” Suddenly, the cops show up and arrest T.S!
Waiting outside the house, Nash tells T.S. to “give my regards to the boys in blue.”
“Give it to them yourself,” T.S. replies.
Nash and Pam claim that they were just going in the house to water the plants and T.S. is not charged with breaking and entering. Detective Jones assures T.S. that he doesn’t like Nash much either, saying that the kid has been in trouble before but he’s never been charged.
“Why?” T.S. snarls, “Because his father’s a judge?”
T.S. returns to staking out Nash’s house. (He’s eventually joined by Greg, who simply cannot believe that Pam would frame him.) “These kids are not playing kid games!” T.S. says. Eventually, Nash and Pam drive off to small warehouse. When T.S. follows them, Nash pulls a gun on them.
“You want to go to prison?” T.S. demands, “You know what prison’s like? Being locked up in the small cell, 24 hours! After you shoot me, who is next? Is it Pam? How about your father …. BECAUSE HE’S A JUDGE!”
(T.S. is really hung up on that.)
Nash points the gun at his own head.
“It’s not worth it, brother!” T.S. shouts.
A sobbing Nash surrenders himself.
Later, T.S. tells Amy, “Nash was just a little frightened kid, reaching out for love and attention.”
Here’s the thing — this all happened over the course of 30 minutes running time. As a result, Nash’s surrender seemed to come out of nowhere. This is an episode that would have benefitted from a full hour. As it is, this episode ends on a jarringly abrupt note and therefore, Nash’s surrender is neither as effective nor satisfying as it should have been.
Episode 1.18 “A Victim of Fashion”
(Dir by Don McCutcheon, originally aired on May 9th, 1988)
“In this episode,” Mr. T tells us, “the world of fashion loses its glamour as threats and murder come into play.”
“I’m not going to hire no tux and go to no bourgeois fashion show and that’s that!” T.S. Turner tells Amy when she informs him that he has no choice but to accompany her to an uptown fashion show. This leads to a genuinely amusing scene in which Amy leads T.S. onto an elevator, where T.S. is suddenly grabbed by two men who proceed to …. get his measurements so they can rent him a tuxedo.
Fashion designer John Merrick (Richard Monette) has hired Amy and T.S. because he was mailed a slashed up picture of his top model, Anita (Tonya Williams). Anita doesn’t know that she’s being stalked and Merrick wants T.S. to be her bodyguard without explaining why. Tonya, for her part, is just happy to be famous enough to require a bodyguard.
“Please,” T.S. tells her, “call me T.S.”
“Okay,” Anita replies, “if you’ll tell me what it stands for.”
“Tree Surgeon.”
Who could the stalker be? Could it be the long-haired man wandering around with a camera? Of course it is! This is only a 30 minute show so it’s not like there’s time to develop a lot of suspects. However, it turns out that Lonzo (Patrick Brymer) was not really stalking Anita as much as he was demanding that Merrick admit to stealing Lonzo’s designs. When Merrick tries to murder Lonzo, T.S. is there to save the day! Yay!
Again, just as with the other episode I looked at this week, this is an episode that would have been considerably more effective with a 60-minute running time. With only 30 minutes to tell the story, it felt rushed. There was a lot of comedic potential to the idea letting Mr. T loose in the fashion world but sadly, there was enough time to get to any of it.
Next week — T.S. quips his way through another case! Evildoers beware!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, Amy’s psycho nephew shows up!
Episode 1.15 “Sophie a La Modem”
(Dir by Stan Olsen, originally aired on April 18th, 1988)
“In this episode,” Mr. T tells us, “Sophie goes AWOL with Amy’s nephew and no one is safe from him …. NO ONE!”
This episode focuses on Sophie (Catherine Disher), who is Amy and T.S.’s administrative assistant. Since my first job out of college was working as an administrative assistant to an attorney, I appreciated that Sophie finally got to be the focus of an episode. Seriously, you can’t have an office without an office manager.
Amy’s nephew (Sunny Besen Thrasher) — who T.S. refers to as being “that little bad kid, Donald!” — is at the courthouse, firing a water gun at the security guard. Amy and T.S. take him to the office, where Sophie is extremely happy because she’s purchased — 80s alert! — a new modem! Donald, who is way too obsessed with guns, fires a rubber dart at Sophie’s computer screen. How big of a brat is Donald? He ever wears a bow-tie, just like the problem child kid. (Remember him?)
T.S. and Amy have to go to court so they’re not at the office when Mrs. Williams (Ruth Springfield) shows up and says that the people to whom she’s rented a house appear to be building something in the basement. Donald tells the woman that Sophie is Amy and somehow, this leads to Sophie and that little bad kid Donald going to investigate on their own.
Back at the office, T.S. and Amy return and discover that Sophie and Donald are gone but they don’t seem to be too worried about it. Instead of wondering where their administrative assistant and the little kid have gone, they talk about the time that Donald put a mouse in T.S.’s cookie jar. “He’s a bad kid,” T.S. growls.
At the house, Amy and Donald meet the two tenants, Gord (Ron Gabriel) and his slow-witted associate, Benny (Richard Donat). They also sneak into the basement and discover, as Sophie puts it, “a computer and a modem!” It turns out that Gord and Benny are using the magic powers of the modem to hack into bank databases. Unfortunately, Gord and Benny catch Sophie and that bad kid in the basement. Uh-oh!
Back at the office, T.S. speculates that Donald probably abandoned Sophie somewhere in Toronto and then stole her car. Instead of heading out to try to find the missing child and the administrative assistant, T.S. heads to the gym. I guess T.S. really does not like Donald!
Gord and Benny attempt to lock Sophie, Donald, and their landlady up in a crude cell they’ve constructed in the basement. Fortunately, Donald still has his toy dart gun and, by attaching a string to the dart, Sophie is able to snag the key to the cell. After unlocking and opening the cell door, Sophie turns on the computer and uses the magic powers of the modem to send a message to Amy, letting her know that they are being held prisoner in the basement.
T.S. shows up at the house and bangs on the door. “LET ME IN!” he shouts. When Gord and Benny fail to do so, T.S. kicks the door open. “I SAID LET ME IN!” While Gord begs T.S. not to kill him, Sophie uses the dart gun to shoot a rubber dart at Benny. Gord passes out and T.S. throws Benny through a wall.
Yay! This was an incredibly silly episode but I enjoyed it because Sophie got to live every administrative assistant’s dream. She did a good job and so did this episode. It was fun.
Episode 1.16 “Black and White”
(Dir by Don McCutcheon, originally aired on April 25th, 1988)
“In this episode,” Mr. T. tells us, “Amy and I are caught in the middle when Detective Jones takes the law into his own hands.”
If the previous episode gave Sophie her chance in the spotlight, this episode spotlights Detective Jones (played by Ken James). Since the second episode, Detective Jones has been the detective with whom Amy and Turner always seem to end up interacting. He’s also the detective who arrested for T.S. for the crime that T.S. didn’t commit. Needless to say, their relationship is occasionally awkward but, all things considered, surprisingly friendly.
This episode opens with Detective Jones’s wife (Meredith McRae) coming across two teenage boys breaking into her house and getting knocked unconscious as result. Jones, who is out for revenge, thinks that one of the boys was Tom (Nicholas Shields), who is later arrested for another burglary and whose attorney is — you guessed it! — Amy Taler. It turns out that Tom was one of the two teens that broke into Jones’s house but he was not the one who hit Mrs. Jones. This is all something that Jones finds out after he follows Tom to the surprisingly large warehouse that is owned by Tom’s accomplice, the psychotic Len. Fortunately, T.S. also follows Jones to the warehouse and helps him to subdue Len. Tom is given a suspended sentence and Jones and his wife leave for a Miami vacation.
This is a good example of an episode that suffered due to T. and T. having to cram an hour’s worth of story into a 30-minute time slot. This episode certainly had the potential to be interesting, with Detective Jones turning into a vigilante and T.S. Turner sympathizing with Tom because of their shared background as foster children but, with the shortened running time, the whole thing was juts a bit too rushed to be effective.
Next week: T.S. Turner faces off against two rich kids who think that ruining someone else’s life is just a game!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, the adventures of T.S. Turner continue!
Episode 1.13 “Sweet Tooth”
(Dir by Don McCutcheon, originally aired on March 28th, 1988)
“In this episode,” Mr. T tells us, “a former con man claims to be starting a new chapter in his life, but I keep hearing the same old story.”
At the Toronto courthouse, T.S. and Amy are approached by a prosecutor named Billings (David Ferry). He’s wearing a plaid suit, which is the show’s way of indicating that he’s not as good an attorney as Amy. Billings says that he needs to discuss a private matter with T.S.
“Maybe he wants fashion tips,” T.S. growls.
Billings explains to T.S. that a man with whom T.S. served time, a conman named Lee Boone, has been released from prison. The police think that Boone is trying to set up a new con in T.S.’s neighborhood but Billings thinks that Boone is trying to go straight. Billings asks T.S. to investigate. He also asks T.S. to keep their arrangement strictly confidential.
“And I’d appreciate it if you changed that jacket,” T.S. replies, “It gives me an earache.”
That said, T.S. agrees to check out Lee Boone, especially after he hears that Boone is the father of a seven year-old son.
Meanwhile, Lee Boone (Anthony Sherwood) is giving a speech in front of an old church. He’s asking for donations to turn the church into a community center. Among those donating money is T.S.’s aunt, Martha (Jackie Richardson). T.S is stunned to discover that Lee is the man who he knew in prison as “Sweet Tooth.” After Boone finishes his speech, T.S. confronts him and accuses him of trying to con people out of their money. Boone argues that he’s changed and he’s just trying to give back to the community. T.S. doesn’t buy it, later telling Billing that he judges a man not by his words but by his eyes and, “I looked in Sweet Tooth’s eyes and nothing had changed.”
On T.S.’s recommendation, Boone is arrested. Guess who is assigned to be Boone’s lawyer? Amy Taler! Now, considering that Amy is partners with someone who would undoubtedly be called as a witness if the case ever went to trial, this seems like a clear conflict of interest but maybe they do things different up in Canada. Amy is not only convinced that Boone is innocent but she’s also angry at T.S. for working with prosecutor’s office.
You know who else is angry with T.S.? Aunt Martha! Aunt Martha brings Boone’s 7 year-old son down to the gym and orders the kid to ask Turner, “Why did you put my Daddy in jail?”
“I wasn’t trying to hurt him, son,” T.S. says, “I was trying to help him.”
Aunt Martha announces that Lee Boone is back on the street and the entire community is rallying around him and donating their money for the community center.
Stunned, T.S. returns to his office and contemplates the mysteries of life. When Amy tells him that she believes that everyone deserves a second chance, T.S. says, “And what if you’re wrong? What if all those people get kicked in the teeth again?”
The next morning, Amy goes down to the church and waits, with Aunt Martha, for Boone to show up and announce his plans for the money that’s he’s raised. However, Boone never shows up because it turns out that T.S. Turner was right and it really was all an elaborate con! Instead, having packed all of his money in suitcase, Boone and his son prepare to leave their apartment building and head to another town.
However, T.S. is waiting for them in the stairwell. When Boone claims that he was just about to head for the church, Turner declares, “With a suitcase full of money? Come on, brother! Give me some rap! Give it up, Sweet Tooth! Your son deserves better! If you want a better life for your kid, you need to go to that church and stand by your word. You just gotta believe your own rap! EVERYONE ELSE DOES!”
At the church, Aunt Martha tries to keep the crowd calm by singing a gospel song. Given how I feel about gospel music, you can imagine how relieved I was when a reformed Sweet Tooth finally showed up at the church and everyone stopped singing. Sweet Tooth goes straight and uses the money to open up the community center. All it took was T.S. Turner showing up at his apartment building!
As I watched this episode, it occurred to me that Mr. T’s main strength as an actor was his innate earnestness. As limited as his range may have been, the viewer never doubted for a minute that he believed everything that he said. This episode worked because it allowed Mr. T. to be himself.
Episode 1.14 “Playing With Fire”
(Dir by Harvey Frost, originally aired on April 11th, 1988)
“In this episode,” Mr. T says, “the heat is on a teenage girl who’s charged with arson.”
Across Canada, someone is setting fires. After teenager Felicity (Susannah Hoffman) is found playing a flute in front of a fire that’s raging in a park, she’s arrested. Because Amy is the only defense attorney in Toronto, she’s assigned to the case. And when Amy is assigned to your case, that means that T.S. Turner is assigned to it as well!
Unfortunately, Felicity isn’t very helpful and gets defensive whenever Amy asks her why she always goes to the park to play her flute, even in the middle of the harsh Canadian winter. Turner goes down to the park to investigate on his own and he meets Kramer (Alan Fawcett), a real estate developer who wants to build a luxury condo in the middle of the park. Since this is T. and T., “luxury condo” is all we need to hear to know that Kramer is a bad guy.
Another building in the park burns down and again, for some reason, Felicity is nearby playing her flute. Felicity is again accused of being the arsonist, which leads to a police interrogation scene where we discover that, as an attorney, Amy’s main legal strategy is to dramatically roll her eyes whenever anyone asks her client a question. Meanwhile, T.S. heads down to the park and discovers that the building was insured for a million Canadian dollars.
“The only way we’re going to avoid paying,” the claims agent explains, “is if that lady lawyer gets that flutist off.”
“Lady lawyer!?” Turner replies, “You mean Ms. Amy Taler!”
“I hope she pleads as good as she looks,” the agent says.
T.S. nods. “I’ll pass it on.”
Felicity is dragged down to a mental hospital, where she is committed for a week-long evaluation. She sits in her room and plays her flute and I have to say that it didn’t take me long to get really sick of Felicity and her stupid flute. Seriously, every time we see her, she’s playing the flute and getting angry about Amy trying to clear her name. What an annoying character!
Anyway, Felicity overhears Turner telling Amy that he thinks that Kramer is behind the arsons so Felicity breaks out of the mental hospital, goes down to one of Kramer’s buildings, and starts playing her flute. When Kramer confronts Felicity, she threatens to burn down the building for real. This leads to Kramer confessing, just in time for Turner to show up and subdue him.
That’s the end of that. Felicity’s name is cleared but Felicity is still such an annoying character that it’s difficult to really care.
Next week: Amy’s frequently frazzled administrative assistant gets an episode of her very own!
Through the Shattered Lens 