Del Russel | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

Sorry, last night’s review of CHiPs was pre-empted by my own need to get some rest after spending the previous few days dealing with the worst sinus pain ever. (Well, maybe not ever but it was still pretty bad….) Here’s last night’s episode of CHiPs, just a few hours late! Regularly scheduled programming will resume soon.

Episode 3.17 “Return of the Supercycle”

(Dir by Bruce Kessler, originally aired on October 27th, 1979)

The Supercycle is back! A thief on a supercharged motorcycle is robbing jewelry storefronts. Baker takes the old Highway Patrol Supercycle out of storage so that he can go after the new Supercycle. Baker suspects that the Roy Yarnell (George O’Hanlon, Jr) might be up to his old Supercycle tricks again but it turns out that Roy is innocent. Instead, it’s his mechanic.

In other words: SUPERCYCLE SUPERCYCLE SUPERCYCLE!

Ponch spends the majority of this episode in a hospital bed. Early on in the episode, Ponch crashes his motorcycle while chasing the new Supercycle and seriously injures himself. Apparently, the crash was real and Estrada actually did injure himself. Watching the episode, it’s easy to see that the show dealt with Estrada’s injuries by just giving all of Ponch’s lines to Baker. For once, Baker is the one who bends the rules and gets to do all the cool stuff. He even gets to romance a visiting member of the Highway Patrol, Kathy Mulligan (Anne Lockhart). In any other episode, Ponch would have been the one doing all of that so it’s interesting to get to see Baker actually get to have a life for once. And yes, before anyone asks, Estrada finds an excuse to remove his shirt even when he’s relaxing in a hospital bed. No hospital gowns for Estrada!

The sad thing is that Larry Wilcox was definitely a better actor than Erik Estrada and he also looked a lot more believable on a motorcycle. But, this episode shows that Estrada just had more screen presence. As easy as it is to make fun of Ponch, Estrada’s over-the-top displays of vanity were often just what CHiPs needed. Estrada may not have been a great actor but he amusing to watch. Wilcox has a much more laid back presence. He’s a believable cop but he’s just not as much fun to watch as Estrada.

Probably the most amusing thing about this episode is that, when Estrada (or his stuntman pretending to be Estrada) is lying on the pavement, Wilcox cannot bring himself to really act convincingly concerned or worried. CHiPs is a bit infamous for the fact that Larry Wilcox and Erik Estrada did not have a great working relationship. That’s all I could think about as I watched Baker casually step over Ponch’s prone form on the street.

Anyway, this episode has some spectacular motorcycle jumps and some good chase footage. There was an occasionally amusing subplot where the men of the Highway Patrol worried that Kathy was reporting their behavior to Sacramento. (Grossman, played by the invaluable Paul Linke, made me laugh with his sudden emphasis on doing everything by the book.) The Supercycle was cool. Everyone should have one.

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1974’s Indict & Convict! It can be viewed on YouTube.

There’s been a murder!

The wife of Assistant District Attorney Sam Belden (William Shatner) has been found, shot to death. Making things especially awkward is that the body of her lover is found next to her. Though Belden is the obvious suspect, he has an alibi for the time of the murders. He claims that he was in Las Vegas, attending a convention. Two gas station attendants remember seeing him filling up his car with gas at around the same time that his wife and her lover was being shot.

Attorney General Timothy Fitzgerald (Ed Flanders) is not so sure that Belden is innocent. He instructs two of his top prosecutors to check out Belden’s story and to see if there’s enough evidence to not only indict but also to convict. Bob Matthews (George Grizzard) is a veteran prosecutor and he’s the one who narrates the story for us. Assisting him is Mike Belano, who is played by the always likable Reni Santoni. Just three years before this movie aired, Santoni played Harry Callahan’s partner in Dirty Harry. There was just something about Santoni’s friendly but determined demeanor that made him perfect the role of the supportive partner or assistant.

The film is very much a legal procedural, with the emphasis on not only the investigation but also on the strategies and the techniques that are used in the courtroom by Matthews and defense attorney DeWitt Foster (Eli Wallach). In many ways, it feels like a forerunner to Law & Order. Usually, I love court procedurals but Indict & Convict was a bit too slow and high-minded for its own good. Maybe it’s because I’ve been spoiled by all of the legal shows that I’ve seen but I have to admit that I spent a good deal of Indict & Convict wanting the prosecutors to get on with it. Flanders, Grizzard, Santoni, and Wallach were all ideally cast but the film itself sometimes got bogged down with all the debate about the best way to win a conviction. It’s a shame because the story itself is an intriguing one and I actually enjoyed the movie’s use of spinning newspaper headlines to let us know what had happened in between scenes. Also, as a classic film fan, I enjoyed seeing Myrna Loy as the judge. She didn’t get to do much other than say, “Sustained” and “Overruled,” but still …. Myrna Loy!

Most people who watch this film will probably do so out of the hope of seeing some trademark Shatner overacting. William Shatner doesn’t actually get to say much in this film. He spends most of the running time sitting silently at the defense table. Towards the end, he does finally get a chance to deliver a brief speech and it’s everything you could hope for. Shatner takes dramatic pauses. Shatner emphasizes random words. Every line is delivered with the subtext of, “Pay attention, Emmy voters!” Eventually, Shatner would learn the value of laughing at oneself but apparently, that lesson had not yet been learned when he did Indict & Convict.