Mac Attack: The Good Son (1993, directed by Joseph Ruben)


“Hey, Mark, don’t fuck with me,” 12 year-old Henry (Macaulay Culkin) says to his cousin Mark (Elijah Wood) in The Good Son‘s signature scene.  But fuck with him Mark does because Mark knows that evil exists and that Henry’s evil.  Henry killed his brother and he tries to kill his sister, Connie (Quinn Culkin), by throwing her onto thin ice.  When Mark, whose mother has recently died, decides that Henry’s mother, Susan (Wendy Crewson), is going to be his new mom, Henry gets jealous and tells Mark that he would rather kill Susan than allow her to have another son.  Eventually, Mark and Henry both end up dangling from a cliff with Susan holding onto them.  Susan has to decide who to save, her evil son or the distant relation that she barely knows.  She makes her choice and the camera lingers on the corpse of the less fortunate child on the rocks below.  For most mothers, it probably wouldn’t even be a difficult decision.  Of course you would save your own child!  But Susan has to think about it.  Maybe she can see the future and knows that Elijah Wood has the Lord of the Rings to look forward to while Macaulay is destined for something much different.

The Good Son caused a lot of controversy when it came out in 1993, not because it was about a murderous child but because that murderous child was played by the then-biggest star in America.  How would people who loved watching Macaulay seriously injure two burglars react to watching Macaulay kill people?  The movie actually did well at the box office but it also revealed that the Macaulay Culkin was a limited actor.  Elijah Wood was a good actor but Mark still comes across like a little creep.  Trying to steal his cousin’s mother?  What did he think was going to happen?

Finally, The Good Son was written by Ian McEwan, of all people.  In McEwan’s defense, he only wrote the first draft and that was long before Macaulay Culkin was miscast as Henry.  Apparnetly, Macaulay’s father and manager, Kit Culkin, demanded that his son be cast as a psycho murderer before he would allow Maccaulay to appear in Home Alone 2.  I guess Kit thought making his son look evil would be a good career movie.  If only someone had been willing to say, “Hey, Kit Culkin, don’t fuck with the movie.”

Horror Film Review: Cujo (dir by Lewis Teague)


Cujo is a such a depressing movie that I can barely stand to watch it.

Cujo, of course, is the 1983 film adaptation of the book by Stephen King.  The book is about a dog that not only gets bit by a rabid bat but also gets possessed by the spirit of Frank Dodd, the serial killer who played a major role in The Dead Zone.  The film abandons the subplot about Frank Dodd and, instead, it just deals with a rabid dog that kills a lot of people and who eventually traps Donna Trentonn (Dee Wallace) and her young son, Tad (Danny Pintauro), is a car for several days.

I have to admit that I’m really not the sort of person who should be watching a film like Cujo in the first place.  When I was growing up, I was terrified of dogs.  According to my family, I was bitten by one when I was just three years old, not that I have any memory of that actually happening.  So, up until I was 18, I couldn’t handle being around them.  Whenever I would walk home from school, I would run across the street if I heard a dog barking at me from behind a fence.  If I was out with my family and I saw a dog approaching, I would hide behind the nearest big person.

I did have one good experience with a big dog when I was about ten years old.  My family was up at the lake and this big, black dog started following us around and it was so friendly that I couldn’t help but relax around it.  My mom was like, “See, Lisa Marie, not all dogs are bad.”  We went to get lunch, leaving the dog behind.  When we returned, the dog was there.  He was excited to see my mom.  He was excited to my aunt.  He was excited to see my sisters.  Then, he took one look at me and started to growl.  I was frozen in fear, just standing there as the dog slowly stood up.  My mom immediately stood in front of me, trying to block the dog’s view while I ran back to car.  Of course, that didn’t work.  The dog started barking and then took off running after me.  His owners then showed up and grabbed the dog just as it was about to lunge at me and then they didn’t even bother to apologize!  Instead, they told some story about how some other girl had thrown a rock at the dog and, as a result, the dog always growled at “little girls.”  They acted like it was no big deal.  (My aunt later told me that she had to grab my mom’s hand to keep her from slapping the dog’s owner when they tried to blame me for what happened.)  For months afterwards, I had nightmares about that dog.

Fortunately, enough time has passed that I’m no longer petrified in fear of dogs though they still make pretty damn nervous.  That said, Cujo, with its growling and killer dog, is exactly the type of film that’s designed to prey on my deepest fears.  And yes, the movie does scare me but I have to admit that I don’t really care much about the people who get killed by Cujo.  Instead …. I feel bad for Cujo.  Yes, even though Cujo scares me to death and I’m not a dog person in general, this movie depresses me specifically because of what happens to the dog.

When we first see him, Cujo is happily chasing a rabbit.  When he gets bitten by a rabid bat, he whimpers a little and I have to say that it breaks my heart to hear it.  I mean, Cujo is just such a cute dog!  And, to be honest, he seems like the type of big dog who maybe could have convinced me that not all dogs are bad.  (There’s a part of me that really wishes that I could relax and love dogs as much as everyone else does.)  But then he gets bitten by that bat and poor Cujo!  Rabies is a terrible disease.

Cujo is a good, straight-forward horror film, one that gets the job done without all of the padding and blather that you sometimes have to deal with when it comes to Stephen King film adaptations.   (Thankfully, nobody casually talks about Shawshank Prison or taking a trip to Derry or any of that other nonsense that seems to come up in most King films.)  Dee Wallace gives a good performance as Donna Trenton, who is trapped in the car and desperate to save her child.  King has said that he felt Wallace deserved an Oscar nomination for her performance and he’s probably right

But my God, I just cannot watch this movie without crying afterwards.  I just feel so bad for that dog.

Cleaning Out The DVR, Again #35: A Father’s Secret (dir by R. D. Braunstein)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by the end of July 11th!  Will she make it!?  Keep visiting the site to find out!)

Father's Secret

(MINOR & MAJOR SPOILERS BELOW!)

The 35th film on my DVR (only 5 more films to go!) was A Father’s Secret.  A Father’s Secret originally aired on the Lifetime Movie Network on June 19th.  It’s about a father who has a secret!

Actually, it’s about more than just that.  It’s also about an attorney named Carrie Evans (Willa Ford).  Carrie would appear to have everything.  She has great hair, a great job, a great apartment, and a great boyfriend.  What she does not have is any knowledge of who her mother was.  She’s close to her father, however.  Or, at the very least, she’s close to the man who she thinks is his father.  He’s not actually her father but that’s all a part of the secret.

Carrie is also close to Cagswell Foxx (Daniel Hugh Kelly), the senior partner at the law firm.  Cagswell is rich, old, white, and politically ambitious so we already know that he’s going to turn out to be a bad guy.  Cagswell has assigned Carrie to defend an oil company in a wrongful death lawsuit.  (Boooo!  Oil company!  Hissssssss!)

One night, Carrie is shocked when she receives an envelope that is full of pictures of her undressing.  At first, Carrie assumes that it must have been sent by environmental activist, Greg (Aidan Bristow).  However, Greg tells her that the picture were sent by Cagswell.  Why?  Because Cagswell wants to have something on her, just in case he needs to use it in the future…

Wow, that Cagswell is really evil!

Carrie decides to take a closer look at the details of that wrongful death case.  As she illegally goes though the files in Cagswell’s office, she comes across a picture of a youngish Cagswell with a woman who seems oddly familiar to her.  Carrie decides to discover the woman’s identity and soon learns that the woman has been missing for decades.  And the last person she was seen with?  Cagswell Foxx!

Of course, Cagswell isn’t just interested in covering up crimes and helping out the oil companies.  Cagswell is also running for the U.S. Senate!  Do you think all of this could possibly lead to Carrie challenging Cagswell right in the middle of a political rally?

Of course, it could!

A Father’s Secret is predictable but well-done.  Daniel Hugh Kelly is properly sleazy as Cagswell, while Willa Ford is surprisingly credible as a lawyer.  Director R. D. Braunstein brings a surprising amount of visual flair to this Lifetime film, with the film’s opening montage being especially well-done.  A Father’s Secret is full of melodrama and silly plot twists and, in the end, it’s a lot of fun!

What more can you ask for, really?