20 Horror Films For The Weekend (10/3/25)


Welcome to Horrorthon!  Here’s 20 films to help get you into that October mood!

The Dreams of Jean Rollin

I have been a fan of the French director Jean Rollin ever since I first watched Night of the Hunted on one rainy night.  His dream-like film were often both frightening and, in their way, rather touching.  At heart, Rollin was a poet and a romantic, along with being a cinematic rebel.  This October is the perfect time to get caught up on Rollin.

The Nude Vampire (1970) opens at night, with a woman wearing an orange nightgown being chased down a street by three men wearing bird-like masks.  The woman runs into a man named Pierre.  Pierre watches as the woman is shot in the back and then carried into what appears to be a secret club.  Pierre follows and soon finds himself in the middle of a surreal world featuring cults, vampires, and one of Rollin’s trademark trips to the beach.  This was Rollin’s second film.  It’s surreal trip into an undergouns world and it owes more than a little to the serials that Rollin enjoyed as a young man.  The Nude Vampire can be viewed on Shudder.

The Shiver of the Vampires (1971) is Rollin’s tribute to the old Universal haunted house films.  A newlywed couple visits a castle that was owned by the wife’s cousins.  Upon arriving, they are told that the cousins are dead and the house is now occupied by two mysterious young women.  Over the course of the night, the couple discovers that the castle is also home to vampire named Isolde.  This atmospheric film is best-remembered the scene with Isolde emerges from a grandfather clock.  It was an image that Rollin liked so much that he reused it in several later films.  Shiver of the Vampires can be viewed on Tubi.

Requiem for a Vampire (1971) tells the story of two young girls who, having committed some sort of crime while wearing clown makeup, wander through the French countryside until they come across a castle that is occupied by a sickly vampire and his servants.  Atmospheric, dream-like, and sexually-charged, Requiem for a Vampire is a mix of horror, crime, and melodrama.  “Let’s go to the cemetery!”  Requiem for a Vampire is available on Shudder.

Lips of Blood (1975) mixes two of Rollin’s favorite themes: vampires and memory.  A man sees a picture of a ruined seaside castle and becomes convinced that he’s visited it in the past.  His search for castle leads not just to vampires but also a meditation on the act of remembering and how people are always trying to recapture an idealized moment of time.  A truly beautiful film, Lips of Blood can be found on Shudder.

The Living Dead Girl (1981) is one of Rollin’s best films.  A toxic spill brings a young woman back to life.  She has only vague memories of her past life but she also has an insatiable need for blood.  When her childhood friend discovers that the woman has come back to life, she tries to keep her fed.  It soon becomes clear that, even though the title character would rather be allowed to return to the peace of death, her friend is determined to keep her alive.  This film is a bloody, gory, and ultimately very moving examination of love and friendship.  How far would you go?  The Living Dead Girl can be found on Tubi.

Hacking Away At October

Graduation Day (1981) is one of my favorite of the early 80s slasher, an entertainingly lowbrow film about a killer who is seeking revenge on the high school track and field team.  Christopher George is the hard-pushing coach.  Michael Pataki is the ineffective principal.  Linnea Quigley, who was reportedly cast as the last minute after one of the actresses walked off the set, is the closest thing the film has to a likable character.  Vanna White is a high school student.  The music is incredible!  Felony performs a 10-minute version of Gangsters of Rock.  Graduation Day can be viewed on Tubi.

If you enjoyed Christopher George in Graduation Day, you’ll definitely want to follow up with Mortuary (1983), in which he plays the creepy owner of a funeral home.  When he’s not embalming, he’s yelling at his socially awkward son (Bill Paxton).  Someone is committing murder in the suburbs.  Could it have something to do with the weird cult that occasionally meets in the mortuary’s back room?  Christopher’s wife, Lynda Day George, plays the widow with a secret.  Be sure to yell, “We can see you breathing!” during the later embalming scenes.  Mortuary can be viewed on Tubi.

Christopher George and Lynda Day George also appear in Pieces (1982), one of the goriest slasher films ever made.  The film’s tag line was “You don’t have to go to Texas for a chainsaw massacre” and this film proves it by setting the action in Boston.  This film divides it’s time between genuinely disturbing gore and scenes that are so bizarre and misconceived that you can’t help but wonder if the director was trying to satirize the slasher genre.  The random kung fu fight is an obvious example, as is the scene where the killer casually steps into an elevator while carrying his chainsaw.  The film’s goriest scene is disturbing up until the moment that Lynda Day George starts screaming, “BASTARD!” at the sky.  Pieces can be viewed on Tubi.

Hell Night (1981) may not feature Christopher and Lynda Day George but it does feature Linda Blair, Vincent Van Patten, and the absolutely dreamy Peter Barton as part of a group of fraternity and sorority pledges who spend the night in a supposedly haunted house.  Uh-oh — it turns out the house really is haunted!  Though the plot features the usual slasher hijinks, Hell Night is a well-acted movie that makes good use of its location and which features a few moments of wit to go along with all the death and horror.  It can be viewed on Prime.

Even by the standards of director Jim Wynorski, Sorority House Massacre 2 (1990) is a trashy film.  Four sorority girls try to clean up their new house, which basically translates to taking showers, wearing lingerie, and playing with a Ouija board.  Their creepy neighbor, Orville, tries to warn them that they’ve moved into the old Hockstader Place but he just keeps getting stabbed for his trouble.  The film is pure exploitation but it’s also cheerfully self-aware.  It’s so shameless and the story plays out with so much energy that it becomes entertaining in its own very stupid way.  Gail Harris and Melissa Moore give surprisingly committed performances.  Peter Spellos is the neighbor who wants to help but keeps freaking everyone out.  The film’s ending is oddly effective.  It can be viewed on YouTube.  

Supernatural Creeps

Ulli Lommel’s The Boogeyman (1980) has an intriguing premise.  What if a mirror stored the evil that it once reflected?  It also has a lot of ominous country atmosphere and a good performance from Lommel’s then partner, Suzanna Love.  There’s a disturbing dream sequence that still freaks me out whenever I see it.  It’s also an often ludicrous film that doesn’t always make a lot of sense but it’s still the best of Lommel’s American films.  John Carradine shows up as a psychiatrist.  It can be viewed on Tubi.

Burial Ground: Nights of Terror (1981) is an Italian film about what happens when a bunch of decadent, sex-crazed rich people find themselves trapped in a villa by a bunch of zombie.  The zombie effects are surprisingly effective.  There’s a lot of gore and also a political subtext of sorts.  (The dead peasants rise from the dead and use the tools of their life — like scythes — to attack the rich.)  That said, most people remember this film for Peter Bark’s bizarre performance of Michael, who is supposed to be a young teenager and who has a taboo scene with his mother (played by Mariangela Giordano) that seems to come out of nowhere.  There’s some debate over whether or not Bark was an actual teenager or an elderly little person.  I still have to cover my eyes during the finale.  It can be viewed on Tubi.

Zombie 5: Killing Birds (1988) is another Italian zombie film.  Ignore the “Five” in the title, this film isn’t an actual sequel to anything.  A group of college students head to down to steamy bayous and find themselves besieged by the living dread.  Birds may or may not be involved.  Robert Vaughn hams it up as a blind man.  There’s a genuinely frightening nightmare sequence.  It can be viewed on Tubi.

Shock Waves (1977) also features zombies.  In this case, they’re living underwater, off the coast of Florida for some reason.  Shock Waves is a truly scary film.  The zombies are relentless and brutal and the scene where they emerge from the water is a 100 times more frightening than it has any right to be.  Brooke Adams plays the tourist who screams a lot.  Peter Cushing is a mad scientist.  John Carradine is a crusty old boat captain.  Shock Waves can be viewed on Tubi.

Count Dracula (1970) stars Christopher Lee in a version of the Dracula story that sticks closer to the original Bram Stoker novel than any of the Hammer films.  This version was directed by Jess Franco and features none other than Klaus Kinski as Renfield.  Lee’s refined, aristocratic Dracula is quite a contrast to the feral version of the character that he often played for Hammer.  Lee always cited this as the only Dracula film that he took pride in.  It can be viewed on Tubi.

They’re Coming To Get You

Chopping Mall (1986) features the latest in mall security.  Instead of security guards, the mall will now be patrolled by security robots.  It’s all good and well until the robots malfunction and start chasing down the hot young employees who foolishly decided to spend the night in their store.  Directed by Jim Wynorski and featuring Kelli Maroney, Russell Todd, Gerrit Graham, Barbara Crampton, and Dick Miller, Chopping Mall is a lot of fun.  I don’t know if Wynorski has ever topped the exploding head scene.  The film can be viewed on Tubi.

Hellmaster (1992) features John Saxon as a crazed and apparently immortal professor-turned-cult-leader who injects his followers with drugs that turn them into mindless zombies.  David Emge, who was in Dawn of the Dead, plays the reporter who is haunted by Saxon’s crimes.  Saxon is certainly intent on turning people into zombies but the film never really explains why.  Still, the film has an intensity to it that I appreciate.  John Saxon makes for a strong villain.  The film can be viewed on Tubi.

Something Weird (1967) tells the story of Mitch.  He gets electrocuted, which leaves him both psychic and disfigured.  While his best friend wants to Mitch’s psychic abilities to defeat the communists, Mitch instead accepts a deal with a witch.  She takes away his disfigurement and soon, Mitch is a celebrity.  However, the witch doesn’t do anything for free.  Eventually, Mitch takes LSD to try to strengthen his powers.  Director Herschell Gordon Lewis was better-known for his gore films but Something Weird lives up to its title.  With its mix of witches, ESP, and LSD, it’s a true horror time capsule.  The film can be viewed on Tubi.

Terror At London Bridge (1985) features Jack The Ripper time traveling to Arizona.  Can David Hasselhoff stop him!?  Watch the film on Tubi to find out.  The film will probably be best appreciated by David Hasselhoff fans but hey, who isn’t a fan of the Hoff?

Track of the Moon Beast (1976) is a film that is so much a product of the 70s that it deserves to be put in a museum.  Come for the story of an innocent man transformed into a monster by a moon rock and stay for the lengthy performance of California Lady.  Watch the film on YouTube!

Check out my previous week’s movies by clicking here!

6 Shots From 6 Christopher Lee Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor the legacy of a man who was not just a great horror star but also a great actor. period  Christopher Lee worked with everyone from Laurence Olivier to Steven Spielberg to Peter Jackson to Martin Scorsese.  Though he turned own the chance to play Dr. No, Lee later did go play a Bond villain in The Man with The Golden Gun.  He was one of those actors who was always great, even if the film wasn’t.

That said, it’s for his horror films that Lee is best known.  He was the scariest Dracula and the most imposing Frankenstein’s Monster.  He played mad scientists, decadent aristocrats, and even the occasional hero.  Christopher Lee was an actor who could do it all and today, on what would have been his birthday, we honor him with….

6 Shots From 6 Christopher Lee Films

The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

Count Dracula (1970, dir by Jess Franco, DP: Manuel Merino and Luciano Trasatti)

Horror Express (1972, dir by Eugenio Martin, DP: Alejandro Ulloa)

The Wicker Man (1973, dir by Robert Hardy. DP: Harry Waxman)

The Man With The Golden Gun (1974, dir by Guy Hamilton, DP: Ted Moore and Oswald Morris)

Lord of the Rings: The Fellowship of the Ring (2001, dir by Peter Jackson, DP: Andrew Lesnie)

6 Shots From 6 Films: Jess Franco Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!  (And yes, sometimes we do more than just 4 shots!)

Today, we honor the one and only Jesus “Jess” Franco!

6 Shots From 6 Jess Franco Films

The Awful Dr. Orloff (1962, dir by Jess Franco, DP: Godofredo Pacheco)

Count Dracula (1970, dir by Jess Franco, DPs: Manuel Merino and Luciano Trasatti)

Vampyros Lesbos (1970, dir by Jess Franco, DP: Manuel Merino)

A Virgin Among The Living Dead (1970, dir by Jess Franco, DP: anyone’s guess)

Female Vampire (1973, dir by Jess Franco, DP: Jess Franco)

Oasis of the Zombies (1981, dir by Jess Franco, DP: Max Monteillet)

4 Shots From 4 Films: Special Jess Franco Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 94th anniversary of the birth of Jesus Franco!  One of the most prolific filmmakers of all time, Franco made movies that …. well, they’re not easy to describe.  Jess Franco was responsible for some of the most visually striking and narratively incoherent films ever made.  He made films that you either loved or you hated but there was no mistaking his work for being the work of someone else.

Today, in honor of his birthday, here are….

4 Shots From 4 Films

The Awful Dr. Orloff (1962, dir by Jess Franco, DP: Godofredo Pacheco)

Count Dracula (1970, dir by Jess Franco, DPs: Manuel Merino and Luciano Trasatti)

Vampyros Lesbos (1970, dir by Jess Franco, DP: Manuel Merino)

Female Vampire (1973, dir by Jess Franco, DP: Jess Franco)

Horror Scenes That I Love: Christopher Lee in Count Dracula


Christopher Lee was a man of many talents.  Over the course of his long life, he wrote books, he recorded albums, he performed Shakespeare on stage, and he appeared in so many films that he himself reportedly had trouble remembering them all.  During World War II, Lee served in the British Secret Service with his cousin, Ian Fleming, and was reportedly one of the inspirations for the character of James Bond.  (Of course, Lee would eventually play Scaramanga in The Man With The Golden Gun.)

Up until he played Saruman in The Lord of the Rings and Count Dooku in the Stars Wars prequels, Lee was best-known for his performances as Dracula in several Hammer films.  By his own account, though, Lee never really cared for Hammer’s interpretation of Dracula.  He felt that Hammer did the character a disservice by portraying Dracula as just being a snarling villain.  In 1970, Lee finally got his chance to star in a faithful adaptation of Bram Stoker’s original novel when he starred in Jess Franco’s Count Dracula.

In the scene, an aged Dracula greets Jonathan Harker.

6 Shots From 6 Christopher Lee Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we honor the legacy of a man who was not just a great horror star but also a great actor. period  Christopher Lee worked with everyone from Laurence Olivier to Steven Spielberg to Peter Jackson to Martin Scorsese.  Though he turned own the chance to play Dr. No, Lee later did go play a Bond villain in The Man with The Golden Gun.  He was one of those actors who was always great, even if the film wasn’t.

That said, it’s for his horror films that Lee is best known.  He was the scariest Dracula and the most imposing Frankenstein’s Monster.  He played mad scientists, decadent aristocrats, and even the occasional hero.  Christopher Lee was an actor who could do it all and today, we honor him with….

6 Shots From 6 Christopher Lee Films

The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)

The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

Rasputin The Mad Monk (1966, dir by Don Sharp, DP: Michael Reed)

Count Dracula (1970, dir by Jess Franco, DP: Manuel Merino and Luciano Trasatti)

Horror Express (1972, dir by Eugenio Martin, DP: Alejandro Ulloa)

The Wicker Man (1973, dir by Robert Hardy. DP: Harry Waxman)

International Horror Review: Count Dracula (dir by Jess Franco)


Christopher Lee played Dracula in seven horror films and he often said that he hated almost every single one of them.

Christopher Lee, you have to understand, was a fan of Bram Stoker’s original novel and he always wanted to play Dracula the way that Stoker wrote him, as a member of the old nobility who got younger each time he drank blood.  As Lee often explained it, he spent years vainly trying to convince Hammer to do a Dracula film that was faithful to Stoker’s novel but Hammer instead preferred to use Dracula as an almost generic villain, one who was frequently plugged into equally generic films.

At some point, in the late 60s, producer Harry Alan Towers approached Christopher Lee and asked him to play Dracula in a non-Hammer film about the world’s most famous vampire.  At first, Lee refused.  If he was bored with playing Dracula for Hammer, why would he want to play him for someone else?  However, Towers then explained that his version of Dracula would be the first Dracula film to actually be faithful to Stoker’s book.  In fact, along with the presence of Christopher Lee, that would be the film’s major selling point!  Hearing this, Lee agreed.

The resulting film was 1970’s Count Dracula, a German-Spanish-British co-production that was directed by none other than Jess Franco.  Jess Franco, of course, is a beloved figure among many fans of Eurohorror and a bit of a controversial filmmaker.  Some people admired him for his ability to direct atmospheric films while spending very little money.  Others complained that Franco’s films were frequently amateurish and narratively incoherent.  When it comes to Franco, both camps can make a compelling argument.  Personally, I tend to come down on the pro-Franco side of things, particularly when it comes to the films that he made with Towers in the 70s.  For his part, Christopher Lee said he enjoyed working with Franco and they would go on to collaborate on several more films together.

So, what type of film is Jess Franco’s Count Dracula?  Well, Towers did not lie to Lee.  For the most part, Count Dracula remains faithful to plot of Bram Stoker’s Dracula.  There’s a few minor differences, of course.  A few characters are combined, which is understandable given that you sometimes need a scorecard to keep up with everyone in the novel.  The ending is a bit more abrupt in the film than it is in the book.  This probably has something to do with the fact that Franco ran out of money before he finished the film.  That was a fairly frequent occurrence on Franco’s films.

That said, film sticks close to the novel.  Jonathan Harker (Frederick Williams) goes to Transylvania and meets Dracula (Christopher Lee, with a mustache), an aging nobleman.  Harker soon finds himself being held prisoner in the castle, a victim of Dracula and his brides.  Though Harker does manage to escape (though not before finding Dracula asleep in his coffin), he ends up at a psychiatric hospital in London.  He meets Dr. Seward (Paul Muller) and Prof. Van Helsing (Herbert Lom).  Eventually, his fiancee Mina (Maria Rohm) and her best friend, Lucy (Soledad Miranda, who was Franco’s muse until he tragic death in a car accident) come to visit him.  Accompanying Lucy is Quincy Morris (Franco regular Jack Taylor), who, in the film, is a combination of two of the novel’s characters, Quincy and Arthur Holmwood.  Meanwhile, a madman named Renfield (Klaus Kinski) babbles about his master and eats bugs.

That said, while the story may stick close to Stoker, this is definitely a Franco film.  The action plays out at its own deliberate pace.  Depending on how much tolerance you have for Franco’s aesthetic, you’ll find this film to be either dream-like or slow.  Personally, I liked the amospheric images and the somewhat ragged editing style.  Whether it was Franco’s intention or not, they gave the film a hallucinatory feel, as if one was watching a nightmare being dreamt by Stoker himself.  At the same time, I can imagine others getting frustrated by the film and I can understand where they’re coming from.  Franco, with his habit of mixing the sensual with a deep sense of ennui, is not for everyone.

Still, it was interesting to see Lee giving a much a different performance as Dracula than he did in the Hammer films.  The Hammer films portrayed Dracula as being animalistic, driven by only his craving for blood.  In Count Dracula, Lee plays with the idea of Dracula being a relic of the old world, someone who has no choice but to watch as civilization changes around him.  While Dracula is undoubtedly evil, Lee plays him with hints of dignity.  Gone is the snarling and growling monster of the Hammer films and instead, this movie features a Dracula who takes an almost Calvinistic approach to his affliction.  He’s accepted his fate.  As he tells Harker, Harker can either choose to enter the castle or not.  In the end, it makes no difference because eventually, someone will enter.  The film also retains the idea of Dracula growing younger in appearance as he drinks blood, which adds a whole other dimension to Dracula’s cravings.  Blood is life and youth, two things that Dracula no longer possesses.

As for the rest of the cast, Klaus Kinski, not surprisingly, throws himself into the role of Renfield.  Reportedly, he ate real bugs for the role.  Herbert Lom seems a bit bored with the role of Van Helsing.  He doesn’t have any of the eccentric energy that we typically associate with the role.  Of course, some of that is due to the fact that, because of scheduling conflicts, Lom and Lee were never on set at the same time.  The scenes where Dracula and Van Helsing confront each other were created through some editing sleight-of-hand.  As is typical with Franco films, sometimes it works and sometimes, it’s extremely obvious that Lom wasn’t actually looking at Lee (or anyone other than the cameraman) when he delivered his lines.

Count Dracula is an interesting take on the story.  It’s a bit uneven, though that’s perhaps not a surprise considering that the production was apparently beset by budgetary problems from the start.  This film is Franco at his least lurid and it’s hard not to miss some Franco’s more sordid impulses.  Watching the film, you get the feeling that Franco was holding back.  But, the visuals are wonderfully dreamy, Kinski is compelling in his insane way, and Lee finally appears to be enjoying the role of Dracula.  It’s actually kind of nice to see.

4 Shots From 4 Klaus Kinski Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

95 years ago today, Klaus Kinski was born in Poland.  Kinski was a brilliant actor who, by all accounts, was an absolute monster in his private life.  Werner Herzog worked with him on several films and reportedly considered murdering him on more than a few occasions.  Herzog, himself, wrote about the time that he had spent in a mental asylum and the time that was diagnosed as being a psychopath.  Because of his talent, he appeared in many great films.  Because of his reputation for being a literal madman, he also missed out on a lot of great roles and spent much of his career appearing in low-budget exploitation flicks.  Many of those films were in the horror genre.

Today, on the anniversary of Kinski’s birth, TSL presents….

4 Shots From 4 Klaus Kinski Films

Count Dracula (1970, dir by Jess Franco, DPs: Manuel Merino and Luciano Trasatti)

Jack the RIpper (1976, dir by Jess Franco, DPs: Peter Baumgartner and Peter Spoerri)

Nosferatu The Vampyre (1979, dir by Werner Herzog, DP: Jörg Schmidt-Reitwein)

Venom (1981, dir by Piers Haggard, DPs: Denys Coop and Gilbert Taylor)

 

Horror Scenes That I Love: Dracula vs. Van Helsing in Count Dracula


The 1970 film, Count Dracula, is unique in that it’s a film that stars Christopher Lee but it wasn’t produced by Hammer.  Instead, it was directed by Lee’s friend, the Spanish director Jess Franco.  It was sold as being a far more faithful adaptation of the Dracula story than anything that had been filmed up to that point.  Lee, who frequently bemoaned the quality of the Hammer films, later described Count Dracula as being a personal favorite of the many films in which he appeared.

In the scene, Dracula confronts Herbert Lom’s Prof. Van Helsing.  Lee gets more dialogue in this scene than he did throughout the entirety of Hammer’s Dracula, Prince of Darkness.

Enjoy!

4 Shots From 4 Jess Franco Films: The Awful Dr. Orloff, Count Dracula, A Virgin Among The Living Dead, Female Vampire


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Yesterday, we paid tribute to Jean Rollin.  Today, we pay tribute to another master of Eurohorror with….

4 Shots From 4 Jess Franco Films

The Awful Dr. Orloff (1961, dir by Jess Franco)

Count Dracula (1970, dir by Jess Franco)

A Virgin Among The Living Dead (1971, dir by Jess Franco)

Female Vampire (1973, dir by Jess Franco)