Confessions of a TV Addict #4 : How TURN-ON (1969) Got Turned-Off


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TURN-ON made its debut February 5, 1969 on the ABC network. It was promptly cancelled a day later. Quicker at the ABC affiliate in Cleveland: after the first eleven minutes! Why? Was it that bad? What was all the hubbub about?

The brisk half-hour was produced by Ed Friendly and George Schlatter, the duo behind NBC’s highly successful ROWAN AND MARTIN’S LAUGH-IN, a subversive comedy-variety series that spoofed just about anything in its path. It was hoped TURN-ON, even more outrageous than its predecessor,  would be a hit with the same hip audience. But the world wasn’t quite ready for this non-stop assault on the senses, which used quick blackout sketches, animation, stop-motion, early computer graphics, a synthesized score, and worse of all- NO LAUGH TRACK!!

The premise of TURN-ON was that it was made by a computer, a novelty back before the days when everyone had a PC or laptop. Yes…

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Confessions of a TV Addict #3: The Marvel Super Heroes Have Arrived!


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Captain America and his costumed cohorts made their television debuts way before the Marvel Cinematic Universe began dominating box offices around the world. THE MARVEL SUPER HEROES debuted in 1966, at the height of the BATMAN camp craze, with Cap, Iron Man, Thor, Hulk, and The Sub-Mariner the rotating stars of this limited animation series. And I do mean limited – Grantray-Lawrence Animation literally made copies of the comic book artwork of Jack ‘King’ Kirby, ‘Sturdy’ Steve Ditko, and other Bullpen artists, transferred them to film and basically just animated the character’s mouths and an occasional swinging fist!

The cartoons (and I use that term loosely) were syndicated to local stations, who filled holes in their time slots with the mighty Marvel heroes. Some stations ran them as stand-alone series, while others used the segments as part of local kid’s shows. Up here in New England, we watched on WNAC-TV (Channel 7 at…

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Confessions of a TV Addict #2: A Fan’s Appreciation of Adam West


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Adam West, who died June 9th at age 88, will never be ranked among the world’s greatest thespians. He was no Brando or Olivier, no DeNiro or Pacino. His early career wasn’t very distinguished: one of Robert Taylor’s young charges in the final season of THE DETECTIVES, Paul Mantee’s doomed fellow astronaut in 1964’s ROBINSON CRUSOE ON MARS, the bumbling romantic lead in The Three Stooges’ THE OUTLAWS IS COMING (1965). Were it not for one role, no one would be mourning his loss today. But that one role, as millionaire Bruce Wayne aka BATMAN, captured the imagination of an entire nation, and remains the hero of an entire generation.

It’s hard to describe to anyone who wasn’t a kid in 1966 just what BATMAN meant to us. The series was a comic book come to life, before comics became “dark and brooding” little psychodramas for fanboys. Comic Books were OUR medium…

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Confessions of a TV Addict #1: It’s a Bird… It’s a Plane… No, It’s CAPTAIN NICE (NBC-TV 1967)


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Yes, that’s distinguished actor William Daniels in those long-johns as CAPTAIN NICE, which aired Monday nights on NBC-TV for eight months and fifteen episodes during the height of the superhero camp craze in 1967. Similar in theme to MISTER TERRIFIC on rival CBS, I preferred this one as a kid because of it’s MAD Magazine-level of jokes and gags – which ain’t a bad thing, in my book! The silly superhero series was created by Buck Henry, who also (along with pal Mel Brooks ) was responsible for another campy sitcom, the 60’s spy spoof GET SMART!

Mild -mannered chemist Carter Nash works for the Big Town Police Department, and invents a super-secret super-formula that transforms him into Captain Nice. His domineering mother (Alice Ghostley) sews him up a super-suit and tells him to go out and fight crime like a good boy. Carter’s got all the powers of Superman, except he’s a bit…

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