The (Official) Deadpool Red Band Trailer


Deadpool

Fox has released the trailer for Marvel’s Deadpool, which comes out next year. This is the same trailer that was shown at the San Diego Comic Con earlier this year, and is in crystal clear HD. For those who aren’t aware, Deadpool is the tale of Wade Wilson (no relation to me, mind you), who is dying of cancer and elects to join a program similar to the Weapon X one that created Wolverine. When he’s given the same healing factor as Wolverine, Wilson takes his new-found abilities and becomes Deadpool, the Merc With a Mouth, weapon-wielding extraordinaire. The movie has the potential to be great or maybe not, considering how hard they’re trying to appease their target audience. It hits just about every mark, with it’s breaking of the fourth wall and comic elements. It’s also great to not only see Ryan Reynolds reprising the mishandled role from X-Men Origins: Wolverine, but finally having it done in a way that at least comes close to the comic origins.

Why is this a Fox production and not a Disney/Marvel one? Well, for one, Fox already had the character. Two, I don’t think Deadpool fits into the wholesome do-gooder world that most of the Marvel Heroes and Heroines inhabit. He’s more like Stitch in comparison to the other Disney Characters.

Deadpool also stars Morena Baccarin, Gina Carano and T.J. Miller. Enjoy.

Bloodshot Big-Screen Adaptation?


The gents at Latino Review have reported that Matthew Vaughn may have another superhero project in his future. This time it looks like Vaughn may bring to the big-screen a live-adaptation of Valiant Comics’ very own Bloodshot. This title was part of the Valiant Comics resurgence of the early 90’s during the Golden Age of Comic Book Speculation. Bloodshot was one of the more popular titles of that particular comic publishing line which also could be seen with its total sales number of 7 million. An unheard of number for a title not part of the Big Two (DC and Marvel).

Bloodshot the character was an assassin by the name of Angelo Mortalli who was killed then resurrected using advanced nanotechnology. It was these very nanites who brought him back to life who also imbue him with powers like enhanced reflexes and strengths, a healing factor, increased perception and cyberkinesis. During the process of Mortalli being revived with the nanites he loses his memory and the character now known as Bloodshot goes on a journey to find out who he was and how he got to where he is now.

To say that the comic book was violent would be an understatement. With Kick-Ass already being talked about as ultra-violent both in its print form and it’s upcoming film-adaptation it is only logical to conclude that Matthew Vaughn will keep the ultra-violence of the Bloodshot comics intact. If that is the case then I am definitely putting a watch on further developments on this potential project.

Source: Latino Review

10 Favorite Comic Books of the Past Decade


The first decade of the new millenium found me in a weird place when it came to one of my big hobbies after high school. From 1989 all the way through the 90’s I was a major comic book reader and collector. I would say that I wouldn’t deny the charge that I might have helped the so-called “comic book speculator era” rise to the forefront of the hobby. Artists like Jim Lee, Whilce Portacio, Todd McFarlane were like rock stars in that era and their titles would fly off the shelves the moment they came out. I and others would buy multiple copies, carefully board and bagged them (but also read them) and wait for their price to go up.

Some titles did go up in price and were sold for a profit thus feeding the notion that I could make a lot of money off of these comic books. I was one of the early adopters of the independent titles which really fed the speculator market. First there was buying up all the early Evil Ernie issues before most of the public got wind of just how awesome (and limited their printing were) then doing the same for William Tucci’s Shi title which I must say really defined a speculator’s dream title. It had buzz to it due to the bad girl art, the story was not bad and had an exotic taste to it and, best of all, the printing on the title character’s first appearance was practically non-existent.

By the time the speculator’s market finally burst it’s bubble and dragged the comic book industry down with it I was pretty much burnt-out on comic books. I still read them and bought the titles whcih caught my eye, but the days of buying every issue of most every title from Marvel/DC/Image were done with. I even stopped buying and reading them in the beginning of the 2000’s. The industry was in a creative rut in the early years of the new decade. While superhero titles were floundering and publishers (small and medium ones) were declaring bankruptcy and selling off properties to the highest bidder a curious thing happened. I got back into comic books and it wasn’t the hero titles which drew me back in but the mature, independent titles from Vertigo, Dark Horse, Image and small-indie publishers.

This was a very good thing since I missed having the books in my hands. I wasn’t buying them now to collect but to read. I still handled them with kid gloves but I wasn’t worried about whether they would turn me a profit anymore. So, for most of the decade I was an indie-fool who pretty much avoided most the titles from Marvel/DC. While I still read some titles from the two main comic book houses it wasn’t on the same level pre-2000’s.

Below is the list of the 10 titles that were my favorite of the decade. Some were considered the best of the decade and some just my favorite because they spoke to me as a reader. This time they will be in order of importance unlike my previous Best/Fave lists.

10. Hellboy by Mike Mignola (Dark Horse Comics)

9. Daredevil by Brian Michael Bendis/Ed Brubaker (Marvel Comics)

8. Y: The Last Man by Brian K. Vaughn (Vertigo)

7. All-Star Superman by Grant Morrison (DC Comics)

6. The Goon by Eric Powell (Dark Horse Comics)

5. Fables by Bill Willingham (Vertigo)

4. The League of Extraordinary Gentlemen by Alan Moore (America’s Best Comics)

3. Transmetropolitan by Warren Ellis (Vertigo)

2. The Walking Dead by Robert Kirkman (Image Comics)

1. 100 Bullets by Brian Azzarello (Vertigo)