Retro Television Review: Malibu, CA 1.1 “Welcome to Malibu”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

Imagine being Peter Engel in 1998.

Your most successful show, Saved By The Bell, ended its NBC run years ago, though it does live on in syndication.  Your second most successful show, California Dreams, ended two years ago.  Once you and your programs dominated NBC’s Sunday morning programming and the cultural landscape but now you’ve been reduced to City Guys, One World, Hang Time, and Saved By The Bell: The New Class.  Both American culture and NBC are moving away from your style of goofy, wholesome entertainment.

What do you do?

If you’re Peter Engel, you take what worked with Saved By The Bell and what worked with California Dreams and you try to create a new show called Malibu, CA.  And if NBC won’t return your calls, you just sell the show to syndication.  That’ll show them!

Malibu, CA ran for two seasons and, until I came across a reference to it online, it was the only Engelverse show that I had previously never seen or even heard about.  However, it turns out that Malibu, CA is available on YouTube.  Considering all of the effort that I previously put into reviewing every episode of California Dreams, City Guys, Hang Time, and even One World (GOD GOD, ONE WORLD), it only seems right to now review Malibu, CA.

Episode 1.1 “Welcome to Malibu”

(Dir by Gary Shimokawa, originally aired on October 11th, 1998)

After a montage of familiar Malibu images (Hey!  Did you know that people surf, bike, and wear bikinis in Malibu?), the show introduces us to Scott (Trevor Merszei) and Jason Collins (Jason Hayes), two twins brothers who don’t like alike.  (That’s good because I’m already having trouble remembering which is which.)  In typical Peter Engel style, they start the show in their bedroom and talking directly to the audience.

Scott explains that their mother has taken a job in Saudi Arabia so he and his brother have moved to Malibu to live with their Dad.  (Really?  Saudi Arabia?)  Jason says he’s excited because Malibu is “27 miles of babes.”  Scott says that Jason is “both halves of Dumb and Dumber.”  Jason says that Scott’s shirt makes him look like one of the “Spice Boys.”

Downstairs, their father Peter Collins  (Edward Blatchford, who previously played Mr. Belding’s laid back and irresponsible brother on a classic episode of Saved By The Bell), waits for them so that he can take them to their first day at a new school.  Scott asks if Malibu is always as perfect as it appears to be in the morning.  Peter says that it’s perfect except for the mudslides and the earthquakes.  Jason says that he can’t wait for his first earthquake because he wants to see “Heather Locklear run from her house in her underwear.”  (Okay, Jason, we get it.  You’re the type of guy who is destined to go broke due to an internet porn addiction.)  Peter mentions that he dated “the redhead from Melrose Place” three times.  He then tells the boys that he’s “not much on rules” and he suggests that Scott change his shirt because, “You look like Al Gore.”  (OUCH!)  Peter leaves for the restaurant that he apparently owns while Scott heads up stairs to look for a new shirt.

That leaves Jason alone to meet the next door neighbor, Samantha “Sam” Chapman (Gina Marley May), whose short red dress causes Jason to say, “Whoa!” and inspires someone in the studio audience to do a wolf whistle.  Sam wants Jason to sign a petition that will tell businessman Henry Updyke to not drill for oil on the beach.  (Didn’t the same thing happen on both Saved By The Bell and California Dreams?)  Jason signs and he also meets Sam’s friend, the spacey Murray Updyke (Brandon Brooks).  Murray is especially dedicated to taking down Henry’s business because Henry is his father.  So, basically, Murray’s a spoiled jerk, even if the show doesn’t realize it.

We then cut to high school, which appears to be the same high school set that was used in California Dreams.  We see Sam with her best friend, a lifeguard named Jennifer “Stads” Stadler (Wendi Kenya).  Stads (God, do I really have to call her that?) just broke up with her boyfriend because apparently, he was only taking her to Hooters so that he could hit on the waitresses.  (Was she dating Michael Scott?)

Now, the good news is that Stads hates being called Stads.  “Why does everyone think I’m one of the guys?” she says angrily.  “Well, you did join the boys hockey team,” Sam offers up.  Stads then notices Scott struggling with his locker combination.  She helps him out by punching the locker, which flies open and smacks Scott in the face.  As Scott struggles to regain his composure, he asks for help finding the Marine Biology class.  Sam is also into Marine Biology.  (SHOCKER!)  She and Scott go off together.

Meanwhile, Jason is approached by a woman (Susan Wood) in a red dress.  (Another red dress!)  She asks his name and, when he says that he’s Jason Collins, she asks if he’s Peter’s son.  Jason immediately assume that Peter must have dated her.  “My Dad always dates the hottest babes!”  “I’m not a babe, I’m Ms. Morrissey …. your principal.”  “Whoa!” the audience says.  Murray runs into the school and hugs Mrs. Morrisey.  After Morrisey politely tells them to get to class and then heads for her office, Murray suggests they should skip school instead.  Jason agrees.  Hey, why not?  It’s not like anything important happens on the first day of school.

Jason stops by the Lighthouse, which is Peter’s restaurant.  The Lighthouse is easily identifiable as Sharky’s from California Dreams, just with a new coat of paint.  Peter is not happy about Jason skipping but Jason gets distracted by Sam trying to pass out flyers for her anti-oil rally.  Jason offers to hand out the flyers for her.  Sam thanks him and says that she can’t wait to see him at the rally.  After Sam leaves, Jason gives the flyers to a waiter and tell him to put them into all the menus.  Scott then shows up and says that he met the perfect girl.  Jason says he did to.  “Wait until you meet Samantha!” they say in unison.

Cut to the beach, where Jason, Scott, Sam, Stads, and Murray are struggling to get anyone to take their flyers.  Jason suggests that they need a billboard.  “Are you talking about signs everywhere ragging on my dad’s company?” Murray says, “Alright!”

(I’m sorry but Murray’s kind of a dick.  I mean, are you campaigning for the environment or are you just mad at your dad?)

How to pay for a billboard?  Jason suggests having a fundraiser at the Lighthouse.

“Dad won’t go for that,” Scott says.

“Dad doesn’t need to know,” Jason says.

Okay, Jason’s a dick too.

How to get Peter out of the restaurant?  Jason approaches Ms. Morrissey at school and, surprisingly, is not given any sort of punishment for skipping the first day.  Jason gives Ms. Morrissey tickets to the Fleetwood Mac concert and says that Peter really wants to go with her but he feels awkward because Ms. Morrissey is their principal so Ms. Morrissey will have to ask him.  Ms. Morrissey agrees to this because, in the world of Peter Engel, all principals are idiots.

Somehow, the plan works.  Peter — oh my God!  IS HE NAMED AFTER PETER ENGEL!? — goes to the concert and the boys take over the restaurant.  Sam is really impressed, since the party will give her a chance to get more teenagers to sign her useless petition.  Jason and Scott get into an argument over who Sam likes and they decide to ask Stads.  They don’t even notice that Stads is trying to change her image by wearing a dress.

“Just imagine if the two of us liked you,” Scott says to her, apparently unaware that Stads has a crush on him, “who would you go for?”

Stads runs from the restaurant as the audience says, “Awwww!”  I actually said “awww” too.  Both Jason and Scott are dicks.  Poor Jennifer!

Because Jason lied and said the stars of Baywatch would be at the restaurant, way too many people show up for the party.  Jason and Scott get into an argument over who is to blame and they each accuse the other of only throwing the party to get a date with Sam.  Offended, Sam declares, “I wouldn’t date either of you!”  Good for you, Sam, they suck.

Guess who suddenly shows up?  It’s Peter and the cops!  The restaurant is closed for overcrowding and Peter, as owner, is fined $500.  Peter worries that maybe he’s not responsible enough to look after his sons.  Maybe they need to go back to New York and live with their grandma.

The next days, Jason and Scott tells Stads and Sam that they’re leaving.  “I’m never going to see you again!?” Stads says before kissing Scott.  “Hey, I’m leaving too!” Jason says.

Fear not.  Peter decides to give them another chance, with the understanding that there will be rules.  They’re both grounded and they’re both going to have to work as busboys in the restaurant.  But they can stay in Malibu and continue to compete for Sam.

“My brother doesn’t stand a chance!” Jason and Scott is unison.

Well, that happened.  The first episode of Malibu CA did what a first episode should do.  It introduced us to the characters and their situations and it set up future storylines.  Unfortunately, almost none of the characters are particularly likable.  Jason’s a jerk.  Scott’s a wimp.  Murray is a spoiled brat.  Sam is self-righteous.  Peter is a midlife crisis waiting to happen.  The closest thing this show has to a likable character is Jennifer and she’s stuck with a terrible nickname.  I’m an optimist and I’m fully aware that first episodes are rarely indicative of what a show is going to eventually become.  I hope Malibu CA will improve.  For now, though, I’m starting understand why I had never heard of it before.

Late Night Retro Television Review: Baywatch Nights 2.2 “The Creature”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

Mitch, Griff, and Ryan search for an amphibian hybrid.

Episode 2.2 “The Creature”

(Dir by David W. Hagar, originally aired on October 6th, 1996)

The Creature of the title is a young blonde woman (played by Shelli Lether) who has spent her entire life locked away in a secret lab.  One night, a security guard decides that he wants to get to know The Creature better.  The Creature responds by killing both him and his co-worker.  She escapes from the lab, running into the California night.

Mitch and Ryan are brought to the lab by the mysterious Diamont Teague, who explains that he’s not sure what was going on at the lab but whatever was housed in the building has escaped.  Mitch leaves to track down the Creature.  (He recruits Griff to help him out.)  Meanwhile, Ryan stays at the lab and looks through magnifying scopes and studies slides and computer read-outs and eventually, she figures out that the lab was the focus of a DNA experiment.  The creature is half-amphibian and half-human.

“Can we do that?” Mitch asks when Ryan calls him.

“Apparently so,” Ryan calmly replies.

(Seriously, Ryan’s so cool.)

It also turns out that Mitch and Griff are not the only people who are searching for the Creature.  There are also a group of soldiers that are determined to track down the Creature, destroy it, and cover up the fact that it was created in the first place.  Mitch, needless to say, is not happy about that.  Mitch is a lifeguard and, as a lifeguard, he believes in guarding every life, even the life of a humanoid amphibian who murders anyone who approaches her.

And, if this was Baywatch, Mitch probably would have saved the Creature.  But this is Baywatch Nights and the night is darker than the day.  The Creature gets blown up in a tunnel but it appears that all of the soldiers get blown up with her.  Take that, Feds!  As for Mitch, he gets out of the tunnel just in time and makes a slow motion jump as the explosion erupts behind him.  A chastened and mournful Mitch then announces that he’s going home as the sun rises over the horizon.  Hey, Mitch — don’t forget to call Ryan and let her know that she can leave the lab.

After last week’s disappointing second season premiere, The Creature is the first classic episode of Baywatch Nights‘s supernatural season.  The action moves quickly and through multiple locations.  (The Creature may not know much about the world but she’s still drawn to a club.)  The story is ludicrous enough to be entertaining.  Shelli Lether is surprisingly sympathetic as the murderous Creature.  Even Hasselhoff throws his heart into his attempts to convince the soldiers not to destroy the Creature.  This episode was fun and dumb in a very likable way.

Next week, Mitch battles another sea monster!

Late Night Retro Television Review: Baywatch Nights 1.16 “The Curator”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Youtube!

Yep, it’s another late review.  Sorry, I was exhausted last night.

Episode 1.16 “The Curator”

(Dir by Georg Fenady, originally aired on March 9th, 1996)

When Garth Youngblood (Steven Culp) threatens to shoot himself in her lifeguard tower, Caroline Holdren (Yasmine Bleeth) begs him not to and tells him that he not only has a lot to live but his name isn’t half as stupid as he thinks that it is.  Deciding that Caroline is in love with him, Garth turns into a full-on psycho, the type of guy who chases Caroline across the beach, puts Lifeguard Newman (Michael Newman) in the hospital, flirts with Donna, and ultimately ends up locking Caroline in a cage made to resemble an apartment, much as what happened to Billy Pilgrim in Slaughter-House Five.

Caroline turns to Mitch and his detective agency for protection. Of course, as head lifeguard, Mitch is already Caroline’s boss so he already should be looking out for her.  Unfortunately, even after Garth is arrested, he’s released after he explains that he forgot to take his Prozac.  (That’s the actual excuse that they give!  Never mind that everyone’s favorite lifeguard, Newmie!, is in the hospital because Garth smashed his head through a window.)  Garth is given a restraining but, because Caroline works on the beach, it’s easy for Garth to watch her while standing 100 feet away.

Now, on the plus side, Steven Culp was believably creepy as Garth and this episode had no fear of embracing the storyline for all of the macabre melodrama that it could.  Yasmine Bleeth also does a good job portraying Caroline’s growing fear as Garth grows more and more unstable.  As an actress on Baywatch, I’m sure she had to deal with a lot of real-life Garths and, speaking as someone who has been stalked, I appreciated that both Bleeth and the show itself took her fears seriously.  The scene in which Caroline runs across the beach with Garth in pursuit was far more effective and scary than you would ever expect to find on an episode of Baywatch Nights.

That said, this episode highlighted one of the big problems with the second half of Baywatch Night‘s debut season.  This was essentially just an episode of Baywatch, with the extra addition of Angie Harmon flirting with Mitch and Eddie Cibrian’s Griff standing the background.  (I guess Griff is a part of the detective agency now.)  Baywatch Nights originally started as a show about Mitch spending his nights as a private investigator but this episode took place largely during the day and featured Mitch as a lifeguard.  Baywatch Nights without the nights is just Baywatch.

Fear not, though!  We’re just a few episodes away from one of the most radical reboots in television history!