Streets of Ghost Town (1950, directed by Ray Nazarro)


Years ago, Bill Donner (George Cheseboro) double-crossed the other members of the Selby Gang and ran off with all of their stolen gold.  Now, Donner is blind and half-crazy.  When he says that he hid the gold in the ghost town of Shadeville, the Durango Kid (Charles Starrett), Smiley Burnette, and Sheriff Dodge (Stanley Andrews) ride off to find it.

Shadeville is long abandoned and, as the three men spend the night in a deserted saloon, Smiley is worried about ghosts.  The Durango Kid tells the story of the first time he met the Selby Gang.  The next morning, they discover that they are not the only ones who have come to Shadeville to look for the gold.

Like many of the later Durango Kid movies, Streets of Ghost Town is mostly made up of stock footage to Starrett’s earlier films.  This was a cost-cutting technique on the part of Columbia Pictures but it actually works because the flashbacks were always to the horse chases and the gunfights that the audience came to see in the first place.  In the days before home video and cable, those scenes were probably still new to many of the people sitting in the theater.

Starrett always made for a good hero and Smiley Burnett’s comic relief never took away from the films’s storylines.  This outing features a great scene where Durango shoots a skull in the dark just to let anyone watching him know that he’s a good shot.  I also enjoyed George Cheseboro’s manic performance as a man who really loves his gold.  Despite all of the stock footage, Streets of Ghost Town is still an above average Durango Kid film, predictable but entertaining if you’re a fan of the genre.

Bonanza Town (1951, directed by Fred F. Sears)


The frontier community of Bonanza Town has been taken over by the corrupt businessman, Krag Boseman (Myron Healey).  No one can stand up to Krag because the local judge (Luther Crockett) is under Boseman’s control.  The judge’s son (Ted Jordan) writes to the Durango Kid and asks him to come to Bonanza Town and lead a group of vigilantes to overthrow Boseman.

The Durango Kid, whose real name is Steve Ramsay (Charles Starrett) somehow receives the letter and heads into town.  As Steve, he gets a job working for Boseman and looks for evidence that Boseman is actually being bankrolled by a notorious outlaw named Henry Hardison (played by the film’s director, Fred Sears).  As the masked Durango Kid, he defuses the vigilante’s violent plan and, with the help of Smiley Burnette, he investigates what Boseman has on the judge.

Charles Starrett played the Durango Kid in 131 films.  In fact, he appeared in so many movies that the majority of Bonanza Town is made up of flashbacks from 1947’s West of Dodge City.  Despite all of the flashbacks, Bonanza Town is one of Starrett’s better films, featuring an interesting story and good performances from both Fred Sears and Luther Crockett.  Sears shows some imagination with his staging of the many gunfights and, as always, Starrett is convincing riding a horse and carrying a gun.

Bonanza Town is a fairly serious film and Smiley Burnette’s trademark comedic relief feels out of place but the kids in 1951 probably enjoyed it.  While everyone else is shooting guns and committing murder, Smiley is running his barber shop and turning a potato into a musical instrument.  While the Durango Kid dispenses frontier justice, Smiley sings a song and leaves his customers bald.  They were a good team.

Pre Code Confidential #4: Boris Karloff in THE MASK OF FU MANCHU (MGM 1932)


gary loggins's avatarcracked rear viewer

“Rooted in medieval fears of Genghis Khan and the Mongolian invasions of Europe, the Yellow Peril combines racist terror of alien cultures, sexual anxieties, and the belief that the West will be overpowered and enveloped by the irresistible, dark, occult forces of the East”- Gina Marchetti, Romance and the Yellow Peril: Race, Sex, and Discursive Strategies in Hollywood Fiction (University of California Press, 1994)

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First, a brief history lesson: The Yellow Peril was a particular brand of xenophobia that spread in the late 19th/early 20th century. Named by (of all people) Kaiser Wilhelm II of  Germany, and given credibility during the Boxer Rebellion of 1900, this “fear of the unknown” basically said those “inscrutable” Chinese were going to come over and slaughter all the good white Christians and rape their women. Popular culture of the times played on these fears by depicting villainous Oriental characters as barbaric, opium-smoking deviants who…

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