Tag Archives: Bradley Crain

Brad’s TOP 5 favorite Charles Bronson Films – Happy Birthday, Charlie!! 🎉🎂

Posted on by Bradley Crain

As possibly the biggest fan in the world of the legendary tough guy actor Charles Bronson, I’m often asked to name my favorite films that he has starred in. This is almost an impossible task, because I love his movies for many different reasons and oftentimes it doesn’t have a thing to do with what film critics think. Well, a few years ago, I decided I would try to rank all of the films where he has the lead role from my favorite to least favorite films. I threw out his supporting roles, which eliminates great films like THE GREAT ESCAPE and THE MAGNIFICENT SEVEN, and focused on films where he plays the main character. I also tried to choose the films I just enjoy watching the most. Since this is supposed to just be fun, and it’s also 100% subjective, I reserve the right to change the rules or my rankings at any time! In honor of Charles Bronson’s 104th birthday, here we go:

#5: ONCE UPON A TIME IN THE WEST (1968) – I’ve heard many people throw this classic spaghetti western into the “large ensemble cast” grouping of Charles Bronson films such as THE DIRTY DOZEN and THE GREAT ESCAPE. While I won’t argue that the cast is extremely impressive since it also stars Henry Fonda, Jason Robards and Claudia Cardinale, I don’t consider Bronson’s role in this film to be the same as those others. Here, the main storyline in the film concerns his character Harmonica’s quest to meet with the black-hatted Frank (Henry Fonda) to settle their business from the past, both beginning and ending with Harmonica in two of the most impressive scenes in movie history. I love this movie more than anything for the way Sergio Leone turns Bronson into an impossibly awesome instrument of justice. Every shot with Bronson makes him look like a badass, and every line that comes out of his mouth sounds incredibly cool. Leone had wanted Bronson for all three of the “Dollars trilogy” films, and once he finally got him, we can see why. His camera lingers on his face and eyes for a length of time that I guess was never done before or after. Henry Fonda is one of the all-time great Hollywood stars, Jason Robards is an acting legend, and Claudia Cardinale just may be the most beautiful woman who’s ever graced the face of Earth, but Charles Bronson is the star and centerpiece of ONCE UPON A TIME IN THE WEST. After this incredible performance Bronson would soon become the most popular star in the world, winning the Golden Globe award as “World Film Favorite” in 1972. 

#4: DEATH WISH 3 (1985) – You are reading this right, in my list of my favorite Charles Bronson films, I rank DEATH WISH 3 above ONCE UPON A TIME IN THE WEST, and I’m not ashamed. My interest with Charles Bronson started with a late-night viewing with my dad of the original DEATH WISH, and it began to grow with some rentals of films like VIOLENT CITY and THE MECHANIC, but it reached its bloom as a full-blown obsession when I received DEATH WISH 3 as a Christmas present in 1986. It was the only Bronson film I owned on VHS (not counting a nearly unwatchable former rental tape of THE MECHANIC) and I watched it almost daily over the next sixth months or so. I still know every line of dialogue spoken in the film by heart. Granted, I recognize that new viewers may watch the film and wonder what the hell is wrong with me. To understand why I love DEATH WISH 3 so much, you have to be able to put yourself in the mind of a 13-year-old boy from Toad Suck, Arkansas, who is still new in discovering the world of R Rated cinema. This film had cussing, nudity and comic book level characters and kills from the opening scene to the last. And it had Bronson, the first tough guy actor I had ever really noticed. It would probably take an expert therapist to explain why I love Bronson and this film so much, but the fact is that it kicked off a lifelong interest that still continues almost 40 years later. If I can’t sleep at night, I just start streaming DEATH WISH 3 and lay my head down on my pillow and go to sleep to a nostalgic lifetime lullaby. 

#3: RED SUN (1971) – While it does have its share of high-profile supporters, most famously Quentin Tarantino, RED SUN is another film that I hold in higher esteem than most. I remember seeing the huge VHS box at the local mom and pop movie rental store in Conway, Arkansas when I was a kid. I thought Bronson looked pretty darn cool with his cowboy hat, long hair and pointed gun. I rented the movie and liked it, but the quality of the VHS tape was horrendous, and I discovered in the years since that that particular version of the film was severely edited for content as well. The proud owner of a region-free DVD player, a couple of decades ago I bought a region 2 DVD of the film from Studio Canal. For the first time I was able to see the film, including Ursula Andress’ uninhibited performance, in its full glory. One of the things I love the most about RED SUN is Bronson’s engaging performance in the central role. He’s very much a rascal, he’s funny, he’s tough when he needs to be, and he even has a big heart, even if it takes a while to find it. The next thing I love about the film is the fact that he teams up with the incredible Japanese actor Toshiro Mifune. As Mifune himself is in my top 5 favorite actors of all time, the fact that he teamed up with Bronson in this fun western gives major bonus points to the entire production. They make an appealing pair as they head off after the evil Gauche, played by Alain Delon, another international favorite, whose LE SAMOURAI is an all-time classic in my book. With RED SUN, director Terence Young, who helmed the earliest James Bond films, took one of the great international casts ever assembled and delivered a fun and entertaining film that I revisit often!

#2: MR. MAJESTYK (1974) – A simple story about a man in rural Colorado who just wants to be left alone so he can pick his melons, MR. MAJESTYK has been one of my favorite Charles Bronson films since the beginning. I remember Dad renting this one when I was a kid in my early Bronson discovery period, prior to the life-changing DEATH WISH 3 purchase. I loved the movie, but dad had to take it back to the video store after a couple of days, and I wouldn’t see it again for quite a while. Flash forward about 37 years and one of the great days of my life was spent in those same rural Colorado locations (Canon City, Manzanola, La Junta) where Vince Majestyk had righted wrongs a half a century before. My wife and I toured the various locations, and I felt like I was walking in the footsteps of the great Charles Bronson. It was an almost mystical experience, which I documented through tons of pictures and self-made videos. A few months later, as part of the THIS WEEK IN CHARLES BRONSON podcast, I was even blessed with the opportunity to co-host an interview with Jordan Rhodes, one of the two stars of the 1974 production that is still alive, the other being the beautiful Lee Purcell. It was the type of experience you assume you’ll never get in life, and then it happens! There are now so many personal reasons for MR. MAJESTYK to be special to me, but it’s also just a great 70’s action film with an interesting story, a badass hero, and a uniquely awesome set of villains. Elmore Leonard’s screenplay rocks and makes Bronson a working-class hero in a role that fits him like a glove. Throw in Al Lettieri as the biggest bully in the Bronson canon, and Paul Koslo as a creepy, local, wannabe ass-kicker, and the stage is set for action and audience satisfaction. My only warning is to stay away if the mutilation of fruit offends you. This movie contains the most horrid melon massacre in film history!

#1: HARD TIMES (1975) – The directorial debut of Walter Hill, HARD TIMES is the undisputed and still reigning number 1 champion of my favorite Charles Bronson films. When I published my first review in November of 2024 for The Shattered Lens, it was for HARD TIMES, where I declared that the movie is my personal favorite film. My thought was just to go ahead and truly introduce myself to the readers of the site, so they’ll know where I’m coming from as a cinema lover. I have a long history with this film that includes my own personal and working relationship with my dad. Dad was the kind of guy who worked all the time, and even harder on the weekends when he wasn’t doing his paid job as a high school basketball coach and teacher. Being his son, I was always right there with him, helping as we mowed our neighbors’ yards, hauled wood, built sheds… you name it, we did it. One day in appreciation for my help over the summer, dad took me to Wal-Mart and told me I could pick out a movie, and he would buy it for me. They had a nice, fresh stack of HARD TIMES VHS copies on their shelves and that’s what I selected. I had not seen the film before so when we got home, I wanted to watch it. What really surprised me is that Dad sat and watched the whole movie with me. What you have to understand is that my dad never sits still, and if he does, he usually falls asleep. That day he watched the movie, laughed at the right places, commented on the film at times, and seemed to really enjoy himself. I think all of us appreciate it when the special people in our lives will watch and enjoy a movie with us. That was one of those best movie moments ever when you consider it was with my dad. Not only do I have a fond memory of my first viewing, but HARD TIMES has also proven itself over the years to be one of Bronson’s best films and, in my opinion, an underrated 70’s classic. The polar opposite performances of Bronson as the quiet, powerful Chaney, and James Coburn as the fast-talking, hustler Speed, set the stage for high stakes drama in depression-era New Orleans. Somewhat like Harmonica from ONCE UPON A TIME IN THE WEST, Chaney is almost a mythic superhero as he rides into town on the train, impacts a lot of lives, and then gets back on the train and rides away. The audience satisfaction is off the charts as the mysterious drifter Chaney punches out smirking, younger opponents, hulking bald-headed opponents, shady managers who refuse to hand over the cash after a loss, and even a ringer who’s brought in all the way from Chicago. It’s a great film that was bought for me by a great dad, that’s filled with great actors who give great performances, all put together by a great director who would continue to make some of the greatest action movies of all time. How could this NOT be my favorite Charles Bronson film?!! 

Brad’s Song of the Day – “Look at Me” from 10 TO MIDNIGHT (1983)! Happy Birthday, Charlie!!

Posted on by Bradley Crain

10 TO MIDNIGHT is probably Charles Bronson’s best film from the infamous Cannon Films. It’s a solid police procedural with a slasher twist. It also has a good soundtrack from Robert O. Ragland. When we meet the creepy killer Warren Stacy (Gene Davis) at the beginning of the film, “Look at Me” plays on the soundtrack as he checks himself out in the mirror and goes through the crime in his mind. On Charles Bronson’s 104th birthday, I’ve chosen this as my song of the day!

Brad’s 2nd “Scene of the Day” – Harmonica arrives in ONCE UPON A TIME IN THE WEST (1968)! Happy Birthday, Charlie!!

Posted on by Bradley Crain

On the precipice of becoming an international superstar, director Sergio Leone gave Charles Bronson one of the coolest introduction scenes in film history in ONCE UPON A TIME IN THE WEST. Enjoy my friends!

Brad’s “Scene of the Day” – Charles Bronson & Alan Ladd in DRUM BEAT (1954)! Happy Birthday, Charlie!!

Posted on by Bradley Crain

Until 1954’s DRUM BEAT, Charles Bronson had been billed on screen as Charles Buchinsky. He then proceeded to steal the film right out from under star Alan Ladd. Bronson’s powerful performance as renegade Modoc indian Captain Jack is an early sign of Bronson’s immense talent and charisma.

Enjoy this action-packed clip from Delmer Davis’ excellent western, and happy 104th birthday, Charles Bronson!

Happy Birthday to Katharine Isabelle who starred with Charles Bronson on YES VIRGINIA, THERE IS A SANTA CLAUS!

Posted on by Bradley Crain

Charles Bronson came back to the world of movies after his wife Jill Ireland passed away with the sweet 1991 TV movie YES VIRGINIA, THERE IS A SANTA CLAUS. I’m wishing a happy birthday to Kartharine Isabelle who was so good as Virginia!

Brad reviews DEAD TONE (2007), starring Rutger Hauer!

Posted on by Bradley Crain

DEAD TONE (2007), also known as 7EVENTY 5IVE, opens with a group of kids entertaining themselves while their parents are drinking and partying downstairs. The kids are playing a prank-calling game called “Seventy-Five,” where the goal is to place a random phone call and tell such a believable story that the person who answers will stay on the line at least 75 seconds. One guy seems particularly upset with the kids when they call him. Later that night, while everyone is sleeping, a psycho with an axe comes in the house and brutally murders all the parents while the kids hide and watch in terror. Jump forward ten years and most of the kids who survived the night of terror are now college students. Invited to a weekend party at a wealthy classmate’s mansion, the group resumes their prank-calling game. Needless to say, when the maniac from ten years earlier answers the phone, the members of the group find themselves being stalked and murdered again. Hopefully Detective John Criton (Rutger Hauer), who worked the original murders 10 years earlier, and his partner Anne Hastings (Gwendoline Yeo), will figure out who killer is and stop him before everyone dies! 

DEAD TONE is directed by Brian Hooks and Deon Taylor, who also star in the film. They’ve created a gory, low-budget slasher that blends elements of ‘80s and ‘90s horror films with an urban twist. For a guy who did his share of prank calls as a kid, I think the “psycho on the receiving end of a prank call” storyline is pretty cool. And the opening scene where the kids watch as their parents are killed because of their phone calls is horrific and pulls you right into the story. Unfortunately, once we get past the interesting open, there’s nothing that special about the rest of the movie. The characters aren’t particularly memorable or likable, and they sure as hell aren’t very smart. Call me crazy, but I’m thinking that I would never make another prank call again if I survived a mass murder event that was brought on by prank phone calls. These folks have no such qualms, which may not make any sense in the real world, but I guess is necessary if you need more axe murders for your plot. I will admit that there are a few awesome kills in the film, especially if you enjoy a good beheading. I won’t spoil the scenes, but the ones I’m specifically thinking of are both surprising and jarring at the same time. I’m also the kind of guy who will watch anything featuring the legendary Dutch actor Rutger Hauer. DEAD TONE’s Detective John Criton isn’t a character highlight of his career, but I still enjoy watching him go through the motions of investigating the crimes both in the present and in the past. It’s a part that he could have completed in his sleep, but this movie would have benefited from more “Hauer time.”

Overall, DEAD TONE is the kind of movie to watch with little to no expectations. My wife and I enjoyed the film as we cuddled up on the couch and watched it a couple of nights before Halloween. It’s not great, but if you’re in the mood for a slasher movie with jump scares, silly characters, some decent gore, and even an acting legend thrown in for good measure, you could do a lot worse than DEAD TONE!

Brad reviews BONE DADDY (1998), starring Rutger Hauer!

Posted on by Bradley Crain

I became obsessed with the actor Rutger Hauer in the summer of 1990. I was about to go into my senior year of high school, and I was attending the Arkansas Governor’s School. I had seen Hauer before in films like THE HITCHER and WANTED: DEAD OR ALIVE, but as part of our curriculum, we all watched BLADE RUNNER and then broke up into smaller groups to analyze the film. Blown away by the film, Hauer’s powerful performance, and the opportunity to engage in a serious conversation about a movie with my peers, it was a rewarding experience, and I soon found myself seeking out every Hauer film I could find. I followed the charismatic Dutch actor’s career closely from that point forward, all the way up to his death in July of 2019. I was actually sitting on a beach in Florida when I read that he had passed away. Based on my extreme interest in every project that Hauer was associated with, I specifically remember when BONE DADDY premiered on HBO in 1998. I didn’t have HBO so I had to wait for a few months to catch it when it arrived on home video.

In BONE DADDY (1998), Rutger Hauer stars as Dr. Bill Palmer, a retired Chicago medical examiner turned bestselling author. Years earlier, Palmer investigated a series of brutal unsolved murders committed by a serial killer known as “Bone Daddy.” Retiring in frustration from not being able to solve the murders, Palmer pens the novel, “Bone Daddy,” a fictionalized account of the crimes where, unlike real life, the killer is caught and brought to justice. The book’s runaway success catapults Palmer to fame, but it also seems to pull the notorious Bone Daddy out of retirement. When his literary agent, the cocky, Rocky Carlson, is kidnapped and subjected to the killer’s signature torture, the surgical removal of bones from a living body, Palmer finds himself back on the case and teamed up with the no-nonsense police detective Sharon Wells (Barbara Williams). As the bones and the suspects pile up, Palmer is determined to make sure the killer is found and brought to justice this time around!

BONE DADDY is a pretty darn good entertainment option if you’re in the mood for an undemanding serial killer flick that’s in and out of your life in 90 minutes. It’s certainly not in the same league as SE7EN, but that doesn’t mean it can’t be enjoyed for what it is. The premise is pretty twisted, and the scenes where the killer is preparing to remove the bones of fully coherent victims is horrifying to say the least! There isn’t a lot of gore, but what’s there is pretty gross. This is B-movie territory and the lack of Hollywood gloss works in its favor. The film’s plot also has quite a bit of family drama between Dr. Palmer and his adult son Peter (Joseph Kell), who’s following in his dad’s professional footsteps in the medical field. It seems Dr. Palmer wasn’t the greatest dad and the current state of their relationship figures strongly throughout various portions of the film. This element of the story is actually handled quite well and adds some interesting tension as we move towards the end.

At the end of the day, the best thing about BONE DADDY is the presence of Rutger Hauer in the lead. He brings gravitas to the role of Dr. Palmer, a man who has had his share of successes and failures in the world. It’s his failures that continue to haunt him throughout this story and seems to put everyone around him in danger. Hauer, known for his ability to go over the top at times, plays the role completely straight with the quiet intensity and determination of a man trying to make up for past wrongs. It’s another solid performance in the career of the then-53 year old actor. I also want to give a special shout out to his nice, bushy mustache. I enjoyed it very much! The other primary performance of the film comes from Canadian actress Barbara Williams as the lead cop. In contrast to how much I enjoy Hauer, I’m just not much of a fan of Williams. She seems to be in a perpetual state of being offended in every role I’ve seen her in. She played Charles Bronson’s daughter in the FAMILY OF COPS series and her character was always on the ready to jump down someone’s throat for just about anything they said. It’s kind of the same here. I should probably try to look for some more of her work just to see if she ever smiles. 

Overall, I think BONE DADDY is worth a watch, especially for fans of Rutger Hauer or movies about serial killers. The plot is predictable, and so is the identity of the killer if you’re paying attention, but you could definitely do a lot worse! 

The Hong Kong Film Corner – THE BRIDE WITH WHITE HAIR (1993), starring Brigitte Lin and Leslie Cheung!

Posted on by Bradley Crain

THE BRIDE WITH WHITE HAIR (1993), a Hong Kong fantasy film directed by Ronny Yu (THE BRIDE OF CHUCKY, Jet Li’s FEARLESS), follows Zhuo Yihang (Leslie Cheung), a master swordsman and reluctant young leader of the Wudang Sect, who is tasked with protecting his clan’s interests during a time of political turmoil and clan rivalries. The Ming Dynasty is weakening, and various factions vie for power, including an evil cult led by sinister conjoined twins, Gei Mou-Seung (Francis Ng and Elaine Lui). During a mission, Zhuo encounters Ni-Chang (Brigitte Lin), a fierce female warrior raised by the cult but disillusioned with their cruelty. Despite their opposing allegiances, Zhuo and Ni-Chang fall in love, drawn together by their unique senses of honor and a shared desire for freedom. Their romance faces intense opposition from both the Wudang Sect and the cult. A series of misunderstandings, betrayals, and tragic events, culminating in Zhuo’s hesitation to fully trust Ni-Chang, leads to her heart breaking. Will she be able to forgive Zhuo for breaking his promise to “always trust her” or will the pain of a broken heart transform her into the “Bride with White Hair,” where everyone else on Earth needs to watch TF out?!!

With its blend of fantasy action, romance and tragedy, THE BRIDE WITH WHITE HAIR is a visually spectacular and emotionally powerful masterpiece of Hong Kong cinema. In collaboration with cinematographer Peter Pau (Oscar winner for CROUCHING TIGER, HIDDEN DRAGON), director Ronny Yu creates a dreamlike atmosphere with surreal imagery that helps elevate the film into the unique awesomeness of early 90’s Hong Kong. The inventive choreography of the somewhat gory fight scenes, combined with flowing costumes and foggy landscapes, creates an exciting world for this film. This is bold visual and emotional storytelling, and I loved it. Brigitte Lin is amazing as Ni-Chang, balancing powerful strength with a surprising amount of vulnerability, which makes her ultimate transformation into the white-haired Bride both devastating and badass, cementing her as one of Hong Kong cinema’s most memorable heroines. Leslie Cheung is good as Zhuo Yihang, portraying a man who longs to be free, especially after he falls in love with Ni-Chang, but circumstances have a way of keeping him bound to his clan. The chemistry between Lin and Cheung drives this film, which makes the ultimate outcome of their romance very moving. Francis Ng and Elaine Lui are appropriately insane as the deadly and dangerous conjoined twins and cult leaders. The fact that Francis’ character is evil and in love with Ni-Chang himself ensures that our lovers are not going to get an easy path for flying off into the sunset together.

Ultimately, I consider THE BRIDE WITH WHITE HAIR to be a must-watch for fans of action-based fantasy films, or anyone drawn to stories of forbidden love and personal sacrifice. It’s one of the first “non-Chow Yun-Fat” Hong Kong movies I ever watched. The moving romance at the film’s center and the excellent performances from Lin and Cheung make it a standout of Hong Kong cinema. 

The Hong Kong Film Corner – A CHINESE GHOST STORY (1987), starring Leslie Cheung and Joey Wong!

Posted on by Bradley Crain

A CHINESE GHOST STORY (1987) is a landmark film in the golden age of 1980’s Hong Kong cinema. While my primary interest in the cinema of Hong Kong centers around directors like John Woo, Ringo Lam and Johnnie To, as well as the actors Chow Yun-Fat, Lau Ching-Wan and Andy Lau, I’ve been aware of this film from the very beginning. It’s been a couple of decades since I watched it, so I felt I was well past due for a revisit.

Directed by Ching Siu-tung and produced by the legendary Tsui Hark, A CHINESE GHOST STORY follows Ling Choi San (Leslie Cheung), a naive young scholar who finds himself working as a tax collector. Overly timid and a complete failure at his job, Ling is completely broke, so he seeks shelter in the only place he can afford, a haunted temple on the outskirts of a remote village. That night he encounters Lip Siu Sin (Joey Wong), a ghostly maiden who is being forced to use her feminine wiles to lure unfortunate men to their doom at the hands, or shall I say tongue, of the millennium-old, shape-shifting Tree Demoness Lao Lao (Lau Siu-Ming), who devours the life essence of its victims. Ling’s unusual and genuine kindness towards Siu Sin causes her to have pity on the young man so she decides to protect him from Lao Lao. The two soon share a night of tender romance, where Siu Sin reveals her tragic past and Ling immediately pledges to do anything he can to protect her. As part of this protection, Ling seeks the assistance of the Taoist swordsman Yin Chek Ha (Wu Ma), who initially rejects his request but eventually becomes an unlikely and powerful ally in the young scholar’s quest to keep Siu Sin safe. Ling and Master Yin soon find themselves in the underworld, battling armies of the undead and writhing tongue-tentacles, in an attempt to save Siu Sin from the evil Tree Demoness. Will they free her, or will she spend eternity setting up horny guys to have their essences sucked away and turned into zombies? It’s the age old question that will be answered by the end of the film’s 96 minute runtime. 

Blending elements of horror, romance, comedy, and swordplay, while incorporating innovative special effects, A CHINESE GHOST STORY revitalized the Hong Kong fantasy film and kicked off a trend for folklore ghost films, including its own two sequels. At its core, the film is a timeless, love story, and even with all of the crazy stuff going on, that central theme kept me engaged to the very end. Director Ching Siu-tung is at the top of his game as his film contains a poetic energy that’s extremely rare in any nation’s cinema these days, including Hong Kong. Leslie Cheung, who plays the scholar Ling, had a tendency to overplay the annoying aspects of his characters at this point in his career in the 80’s (I’m looking at you A BETTER TOMORROW). Here, while I don’t love his character for the early sections of the film, I do enjoy it when he decides he’s going to do anything possible to save Siu Sin’s eternal soul and give her a chance to reincarnate. What he lacks in bravery, he makes up in sheer will and his character grows on me by the end. And then there’s Joey Wong as the ghostly seductress Siu Sin. What can I say about her other than this… if you don’t fall in love with Joey Wong in A CHINESE GHOST STORY, there’s probably something wrong with you. It’s a performance that helped propel Wong into her stardom across Asia. Her strong chemistry with Cheung elevates the film’s central love story and gives his character some much needed credibility. Wu Ma plays the cynical and brave Taoist swordsman, Yin, who gives Ling a fighting chance against the tree demoness. It’s a fun character and his mid-film, sword-training “rap” is one of my favorite scenes in the movie. Lau Siu-Ming, a man, plays the tree demoness Lao Lao. It’s an interesting character. Siu Sin continually refers to the tree demon as an “old woman,” but the demon is actually gender fluid and when we see it, it looks more like a man, which seems to enhance its power. We also see the tree demon in its monster form, which is the biggest, longest and slimiest tongue you will ever see. It’s unique and gross at the same time!

I will admit that watching any film starring  Leslie Cheung, at this point in my life, is bittersweet. The man was a Canto-Pop superstar and over time, grew to become one of the best and most interesting actors from Hong Kong. That’s Cheung singing the theme song that plays over the opening credits of A CHINESE GHOST STORY. His work with John Woo and Chow Yun-Fat in the A BETTER TOMORROW film series and ONCE A THIEF are some of the first films I watched when I began my obsession with Hong Kong Cinema in the 90’s. In some ways, my love of Hong Kong movies is inseparable from Leslie Cheung. Suffering from depression, Cheung tragically took his own life on April 1st, 2003 by jumping from the 24th floor of the Mandarin Oriental Hotel, which is located in the central district on Hong Kong Island. It was a horrifically sad end for an extremely talented man. 

Ultimately, in the world of Hong Kong Cinema, A CHINESE GHOST STORY is an easy recommendation in much the same way that movies like JAWS or STAR WARS are here in America. Its legacy of influence over the Hong Kong film industry has stood the test of time, making it a true classic!

Brad’s Scene of the Day – Dwight Yoakam being a world class jerk in SLING BLADE (1996)!

Posted on by Bradley Crain

I’ll sing the praises of the movie SLING BLADE to any person who will listen. I love the movie, mainly because of Billy Bob Thornton’s outstanding performance as Karl Childers, a character that he created from scratch. I also love the movie because it was filmed in Saline County, Arkansas, the county I live in. I love to eat at Garry’s Diner, if nothing else because Billy Bob and John Ritter did in the movie. They make great burgers and shakes!

One of the best things about SLING BLADE is Dwight Yoakam’s performance as Doyle Hargraves, one of the most disgusting characters you’ll ever see on screen. Dwight Yoakam slays the role, and you can’t help but hate him. On a side note, I have been told that Dwight’s not one of the nicest guys around, but that’s neither here nor there. A lot of people have said they didn’t like Charles Bronson, but I don’t care because I love him and that’s all that matters. I love Dwight Yoakam too. I love his song “Fast as you,” and I love his performance in SLING BLADE!

In celebration of Dwight’s 69th birthday, I present a scene from SLING BLADE where Dwight plays the epitome of domestic, blue collar evil! (I would say enjoy, but if you’re not somewhat repulsed, you may need help! 😉)