Brad reviews RETURN TO ME (2000), starring David Duchovny and Minnie Driver!


I’m a sucker for a good romance. Every year during tax season, I like to stream romantic films while I prepare my clients’ tax returns late into the evening. They make me feel good and help my mood as I work the necessary 80 to 90 hours every week leading up to April 15th. My list of favorites includes movies like HITCH (2005) with Will Smith, NOTTING HILL (1999) with Julia Roberts and Hugh Grant, and YOU’VE GOT MAIL (1998) with Tom Hanks and Meg Ryan. I also really enjoy the period romance movies based on the novels of Jane Austen, films like Ang Lee’s SENSE AND SENSIBILITY (1995) and the five-hour mini-series version of PRIDE AND PREJUDICE (1995) starring Colin Firth and Jennifer Ehle. There’s a decent chance that if you walk into my office at the end of one of these films you might even catch me wiping a tear from my eye as the obstacles finally clear, and we’re left with two people in love embarking on their specific “happily-ever-after” together. One such movie, that I don’t hear mentioned very often, but that I personally love, is the 2000 romantic film RETURN TO ME.

RETURN TO ME opens by introducing us to two families. First, we meet Bob Rueland (David Duchovny), a successful architect, and his wife Elizabeth (Joely Richardson), a kind-hearted zoologist, who are clearly very much in love. We follow the couple as they attend a fund-raising dinner that’s been organized to help expand the zoo’s gorilla habitat, a cause that’s very dear to Elizabeth’s heart, with Bob volunteering his own time and talents to design the new facility. The evening includes many sweet words and some quality slow dancing. Next, we meet Grace Briggs (Minnie Driver), who is very sick and in need of a heart transplant in the worst possible way. Her Catholic family and her friends, which includes her loving grandpa Marty O’Reilly (Carroll O’Connor) and her best friend Megan Dayton (Bonnie Hunt), are a wonderful support system, but without the new heart, she won’t be able to live much longer. On the same night that unspeakable tragedy strikes the Rueland’s on their way home from the fundraiser, Grace and her Grandpa’s prayers are answered when they get the call that a healthy heart is now available. A year later, Bob and Grace meet by chance at Marty’s business, O’Reilly’s Italian Restaurant. Bob has been a shell of the man he once was as he’s been unable to deal with his wife’s passing, while Grace has attempted to figure out life with her new heart. There’s just something about Grace though, so Bob asks her out and, after a series of sweet dates, it seems the two may be falling in love. But when Grace accidentally discovers that the heart that Bob is falling in love with was once beating inside the chest of his deceased wife Elizabeth, Grace doesn’t know how to tell him. Feeling guilty, as well as fearful of how Bob may respond to the shocking information, Grace decides she has no choice but to tell him. Will their blossoming love survive this unexpected and tragic revelation?

I love RETURN TO ME, and the main reason is that I love the characters, and especially the world that director Bonnie Hunt creates inside the film. The love story at the center is played well by Duchovny and Driver, but the greater love of family and friends is what sets this movie apart for me. In a way, Hunt creates a world that contains the kind of friends and family that we’d all love to have in real life. She does this by spending a lot of time with the entertaining supporting characters, showing them to be kind and decent people, the kind who make our lives valuable. As an example, O’Connor’s performance as the doting grandpa to Grace is wonderful, but we also get to see the interplay between Grace, Marty and their “family” at the restaurant, played by such great character actors as Robert Loggia, Eddie Jones, William Bronder and Marianne Muellerleile. Hunt herself is excellent in the role as Grace’s best friend Megan, but the time we spend with her blue-collar husband, played perfectly by James Belushi, and their kids are some of the best and funniest of the film. Based on the time and attention to these characters, as well as the time spent at “O’Reilly’s Italian Restaurant,” Hunt has created a scenario that feels like we’re watching real family and friends, in the best possible way. I never watch this film that I don’t want to go eat a big plate of spaghetti afterwards. The relationship between Bob and his best friend Charlie (David Alan Grier) isn’t quite as successful, but it has its moments as well.

RETURN TO ME is the kind of romantic film that we don’t get to see very often these days. A snarky, cynic would probably have a field day with this film, with its outrageous set-up, its old-fashioned values, and even older-fashioned characters. But that’s what I love about this film. As an example, this is the kind of movie where characters ask each other to pray, they do it, and the only purpose of it being shown is so we know how much these people care about each other. That feels very old-fashioned for 2025, but based on my own experiences in life, it’s something I can completely identify with.

Ultimately, RETURN TO ME is not a perfect film. Clocking in at almost 2 hours, there are definitely some scenes that could have been shortened or eliminated all-together. And it may seem like a criticism that I find the central love story of the film less appealing than the love shown by the main characters’ family and friends, but it’s really not. RETURN TO ME is a movie I return to every year because, at the end of the day, it’s an entertaining film that helps me appreciate the love of a family and the possibility that sometimes love is just meant to be.

Playing Catch-Up: Zootopia (dir by Byron Howard and Rich Moore)


zootopia

Speaking of animated films

I finally got a chance to watch Zootopia last night and oh my God, what a sweet and wonderful little film it turned out to be!

Zootopia is an animated film from Disney and it started out with a premise that sounds very Disney-like.  Zootopia takes place in a world where there are no humans.  Instead, animals walk and talk and scheme and plan and joke and dance and … well, basically, do everything that humans do.  Except they’re a lot cuter when they do it because they’re talking animals.

Judy Hopps (voiced by Gennifer Goodwin) is a rabbit who happens to be an incurable optimist.  (We should all try to be more like Judy.)  Even when she was growing up on the farm, Judy knew that she would someday move to the sprawling metropolis of Zootopia and become the first rabbit on the city’s police force.  When she finally does graduate from the police academy, Judy gets a lot of attention as a trailblazer.  But she quickly discovers that she’s only been hired to be a token, a political tool to help the city’s mayor, a blowhard of a lion named Lionheart (J.K. Simmons, voice the role that he was born to voice), win reelection.

See, Zootopia may look like a wonderful place to live but, as quickly becomes apparent, it’s a city in which the peace is very tenous.  Animals that are traditionally prey — like Judy and her fellow rabbits — may live with the predators but they certainly don’t trust them.  And the predators may not eat the prey but they certainly don’t respect them.  Underneath the cute face of every talking animal, there lies prejudice and resentment.  Lionheart is a predator who needs the votes of prey to remain in office.  What better way to win their trust then to make Judy Hopps a police officer?

Judy may be a member of the police force but that doesn’t mean that she’s going to be allowed to actually do anything.  While every other member of the force gets an exciting assignment, Judy is assigned to traffic duty.

However, an otter has recently vanished.  He’s just the latest of 14 predators to vanish in the city.  With the help of seemingly sympathetic deputy mayor, Judy gets herself assigned to the case.  But there’s a catch.  She has 48 hours to find the otter.  If she doesn’t find that otter, she’ll resign from the force and go back to the farm.

Luckily, Judy is not working alone.  She knows that the last animal known to have seen the otter is a fox named Nick Wilde (Jason Bateman).  Nick’s a bit of a con artist and, as a predator, he wants nothing to do with Judy and she doesn’t quite trust him.  But, events — which I’m not going to spoil here — force them to work together and uncover the darkest secrets of life in Zootopia…

If Zootopia sounds cute, that’s because it is.  It’s perhaps one of the most adorable films that I’ve ever seen, full of wonderful animation and memorable characters.  But, at the same time, there’s a very serious theme running through Zootopia.  Zootopia is about more than just talking animals.  It’s a film about prejudice, racism, sexism, and intolerance.  It’s a film that invites us to not only laugh but also to reconsider the world around us.

Zootopia is currently on Netflix and, if you haven’t seen it yet, I highly recommend it.  It’s great for children and adults.

Cars 3 Extended Sneak Peek


It’s been 11 years since Disney/Pixar released Cars. The audience has grown up, and from the looks of it, the story tied to Cars 3 is trying to grow with them. Another trailer was recently released, this time featuring Lightning McQueen’s (Owen Wilson) new nemesis, the ultra modern rookie sensation Jackson Storm (Armie Hammer). It also introduces Cruz Ramirez, another character that appears to be a new trainer for McQueen. Most of the favorites will also be returning for this installment. Lightning is now standing in the same spot as the legendary Doc Hudson when he first met him. Is Lightning finally at the twilight of his career, or does have one more good race left in him?

Brian Fee, who’s worked on the other Cars films as well as a number of other Pixar projects , gets to sit in the Director’s chair this time around. I just hope it’s as dark as Toy Story 3.

Disney/Pixar also released a profile trailer, showing off some of the new characters.

Lightning McQueen:

Jackson Storm:

Cruz Ramirez (voiced by Cristela Alonzo):

Shattered Politics #54: Dave (dir by Ivan Reitman)


Dave Poster

Way back in 1919, the terrible U.S. President and tyrannical dictator Woodrow Wilson* suffered a stroke that left him semi-paralyzed and unable to perform his duties.  By all standards, Wilson should have been removed from office, if just temporarily.  However, in those pre-Internet days, it was a lot easier to hide the truth about Wilson’s physical and mental condition.  While Wilson spent his days locked away in his bedroom, his wife Edith would forge his signature on bills.  Whenever anyone asked for the President’s opinion, Edith would give her opinion and then assure everyone that it was actually the President’s.

(And really, as long as you were promoting eugenics and white supremacy, it probably was not difficult to imitate Wilson’s opinions.)

Of course, back then, people were used to the idea of never seeing their President in public.  Hence, it was very easy for Wilson to remain sequestered in the White House.  If a similar situation happened today, it’s doubtful that anyone could successfully keep the public from finding out.  When we don’t see the President every day, we wonder why.  How, in this day and age, could a Presidential incapacitation be covered up?

The 1993 film Dave offers up one possible solution.

Dave is the story of two men who happen to look exactly like Kevin Kline.  One of them is named Bill Mitchell and he’s the arrogant and corrupt President of the United States.  The other is named Dave Kovic.  He’s a nice guy who runs a temp agency and who has a nice side job going as a professional Bill Mitchell imitator.

So, when Bill has a stroke while having sex with a white house staffer (Laura Linney), it only makes sense to recruit Dave Kovic to pretend to the President.  White House Chief of Staff Bob Alexander (played by Frank Langella, so you know he’s evil) tells Dave that Vice President Nance (Ben Kingsley) is insane and corrupt.  Dave agrees to imitate the President.  Of course, Alexander’s main plan is to convince Nance to resign and then get Dave to appoint him as Vice President.  Once Alexander is Vice President, it will be announced that Mitchell has had another stroke and then Alexander will move into the Oval Office.

However, what Alexander did not take into account was just how much Dave would enjoy being President.  From the moment that he joyfully shouts, “God Bless, America!,” Dave’s enthusiasm starts to win the public over.  Suddenly, people are realizing that President Mitchell isn’t such a bad President after all.  Even more importantly, Dave wins over the first lady (Sigourney Weaver) who, previously, had little use for her philandering husband.  When Alexander claims that there’s no money in the budget to continue funding a program for the homeless, Dave calls in his best friend, an accountant named Murray (Charles Grodin), and has him rewrite the budget…

And you know what?

Dave is one of those films that tempts me to be all cynical and snarky but, ultimately, the film itself is so likable and earnest that I can even accept the idea that one accountant could balance the budget through common sense alone.  I’ll even accept the idea that Dave could come up with a program that would guarantee everyone employment without, at the same time, bankrupting the country.  Kevin Kline is so enthusiastic in the lead role and the film itself is so good-natured that it almost feels wrong to criticize it for being totally implausible.

Sometimes, you just have to appreciate a film for being likable.

Dave—–

* For those of you keeping count, that’s the third time in two weeks that I’ve referred to Woodrow Wilson as being  a dictator.  Before anyone points out that some historians rank Wilson as being in the top ten of President, allow me to say that I don’t care.  I DO WHAT I WANT!