Rain, The Teskey Brothers – Rev. Case Wright

Posted on October 3, 2023 by casewright

Happy Horrothon! “I know you’re gonna say, this isn’t horror! This is Thor singing the blues!” I hear your critique and I reject it! The greatest horror stories especially in science fiction have trauma, fear, and hope. Alien, for example, terrible things happen to this crew of…. I guess…. miners, but at the end – there’s hope because Ripley overcomes. I always have a bit of anxiety at the end of the New “Outer Limits” or films like “Life” because it’s a good twist, but everyone is now dead and the heroes failed- that’s too much like life!

In “Rain”, a woman is alone and there appears to be a guy in the friendzone who REALLY wants to be with her and can sing and looks like Thor. For the interest of Horrorthon, we’re going to presume that- I don’t know this lady’s name but I’ll call her Susan- that Susan’s previous guy was eaten by a …got it…. a werewolf! Take that doubters told you I could contrive this into a horror review- BWAHAHAHA!

Side note: Susan, you’re being too picky. I’m sure that you had a rough time, but this guy even wrote a song for you, looks like Thor, and sounds like Otis Redding reincarnated. Maybe your standards are just WAY too high?

Susan’s boyfriend was werewolf puppy chow and Thor is trying to tell her that it will be okay. He has felt her pain because there is probably at least another werewolf in town that probably ate his girlfriend too. Can you imagine that support group? They must hate Iams and Doggy costumes! The line “Is that rain or are you crying again?” gets to me because when you’re broken-hearted – it’s like the tears can’t stop. “A soul with no face is a lonely embrace” this line is all about not seeing your soulmate again- Fucking Werewolves, we gotta do something about them, but then this song wouldn’t exist; so, I’m torn!

As they try console each other, “now’s there clouds between us all”; so, they likely hooked up, but they also have to worry about the full moon coming- probably. I like that at the end of the song – he says – “You ain’t gonna be ain’t gonna be alone” and notice, he doesn’t say- With me – Wonderful me. He’s left her better off and maybe he will be alone and live out his days as a werewolf hunter?

Song of the Day: The Thrill Is Gone (by B.B. King)

Posted on May 14, 2015 by Arleigh

“When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.” — B.B. King

The blues is a music style that has always pulled me in from the very moment I first heard it. I probably didn’t even realize it was the blues, but as I got older it became the one type of music that would always spoke to me.

So, it’s one of profound sadness when I read that B.B. King, one of the giants of the blues, has passed away at the age of 89.

B.B. King stands tall and his influence on electric blues and blues rock musicians over several generations looms large. He now joins the other two Kings, Albert King and Freddie King, who with B.B. King were called the Three Kings of the Blues Guitar.

The thrill is gone. The thrill will live on forever.

The Thrill Is Gone

The thrill is gone
The thrill is gone away
The thrill is gone baby
The thrill is gone away
You know you done me wrong baby
And you’ll be sorry someday

The thrill is gone
It’s gone away from me
The thrill is gone baby
The thrill is gone away from me
Although, I’ll still live on
But so lonely I’ll be

The thrill is gone
It’s gone away for good
The thrill is gone baby
It’s gone away for good
Someday I know I’ll be open armed baby
Just like I know a good man should

You know I’m free, free now baby
I’m free from your spell
Oh I’m free, free, free now
I’m free from your spell
And now that it’s all over
All I can do is wish you well

Song of the Day: Whipping Post (The Allman Brothers Band)

Posted on March 23, 2015 by Arleigh

If there was ever song which perfectly fused the two into the music genre commonly as blues rock it would The Allman Brothers Band’s iconic song from their 1969 self-titled album, “Whipping Post”.

I consider “Whipping Post” one of the greatest rock songs ever created. It’s blues origins could be heard throughout the song from the near-perfect slide-guitar playing by one of rock’s greatest guitarists in Duane Allman. The lyrics to the song is classic existential blues of an evil woman the cause of one’s ruination and of the metaphorical whipping post the song’s subject is put through.

While brother Greg’s vocalizing has been a highlight for some the true highlight of the song comes from the band’s two lead guitarists. The song manages to showcase both player’s skills in two separate guitar solos that come after the songs two verses and choruses. We get Duane Allman performing magic with the first guitar solo in slide-guitar fashion with Dickey Betts joining in on the tail end on rhythm guitar. The second guitar solo has the two performers switching roles with Duane augmenting Bett’s electric guitar work with some slide work on acoustic guitar.

The song’s lyrics were written by Duane’s brother Greg who is also the band’s lead singer. His vocals in this song comes out as if coming from the very depths of perdition. There’s genuine, fierce emotion in the singing by Greg Allman and everyone else who has covered the song never seem to replicate the very same emotion which made “Whipping Post” so great the moment it was first heard in 1969 and continues to be great as a new generation in the 21st century gets introduced to the band.

The studio version of the song is powerful in it’s own right…

…but it’s the 22-minute long live recording At Fillmore East that the song has attained mythical status.

Whipping Post

I’ve been run down
I’ve been lied to
I don’t know why,
I let that mean woman make me a fool
She took all my money
Wrecks my new car
Now she’s with one of my good time buddies
They’re drinkin’ in some cross town bar

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

(guitar solo)

My friends tell me
That I’ve been such a fool
And I have to stand down and take it babe,
All for lovin’ you
I drown myself in sorrow
As I look at what you’ve done
Nothin’ seems to change
Bad times stay the same
And I can’t run

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

(guitar solo)

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

Great Guitar Solos Series

Song of the Day: Texas Flood (by Stevie Ray Vaughan)

Posted on March 9, 2015 by Arleigh

It’s difficult to do any sort of greatest ever guitar solo list and not include this latest entry for our “Song of the Day” series.

Stevie Ray Vaughan was a musical talent who was taken too soon. Stardom was finally his after years and years of toiling as a sessions guitarist for other bands and singers. His guitar playing brought back memories of other greats of the past like Jimi Hendrix, Albert King and Muddy Waters. He was both a god in the two worlds of rock and blues.

“Texas Flood” will be SRV at his best and no matter how much others try to cover and replicate what he did with a Fender Stratocaster he will always and forever be king.

Texas Flood

Well theres floodin down in texas….all of the telephone lines are down
Well theres floodin down in texas….all of the telephone lines are down
And Ive been tryin to call my baby….lord and I cant get a single sound

Well dark clouds are rollin in….man Im standin out in the rain
Well dark clouds are rollin in….man Im standin out in the rain
Yeah flood water keep a rollin….man its about to drive poor me insane

Well Im leavin you baby….lord and Im goin back home to stay
Well Im leavin you baby….lord and Im goin back home to stay
Well back home I know floods and tornados….baby the sun shines every day

Great Guitar Solos Series

Song of the Day: Make It Rain from Sons of Anarchy (by Ed Sheeran)

Posted on December 2, 2014 by Arleigh

Tonight was the penultimate episode of Kurt Sutter’s Sons of Anarchy on FX. It was an episode that truly earned it’s label of being a modern Shakespearean tragedy (a label many shows have been given but rarely live up to). It also unfolded like some of the best Coppola and Scorsese gangland epics with accounts being settled in disturbing, bloody fashion.

SAMCRO was a group that for some reason legion of fans have taken a ride with and despite the man downs the show took with it’s many highs people didn’t get off the ride (or couldn’t). They wanted to see how this outlaw band of brothers and their loved ones will survive (or who will survive) to the end.

We now know that three more names have been struck off the show’s ledger. With one more episode left in the series it’s either going to go out in a blaze of glory or end in a whimper.

To make tonight’s episode even more memorable we got to listen to Ed Sheeran drop his latest song that perfectly encapsulates the events of Sons of Anarchy tonight and all the way back to the beginning.

Make It Rain

When the sins of my father
Weigh down in my soul
And the pain of my mother
Will not let me go

Well I know there can come fire from the sky
To purify pure as the canes
Even though
I know this fire brings me pain
Even so
And just the same

Make it rain
Make it rain down low
Just make it rain
Make it rain

And the seed needs the water
Before it grows out of the ground
But it just keeps on getting hotter
And the hunger more profound

Well I know there can come tears from their eyes
But they may as well be in vain
Even though
I know these tears bring me pain
Even so
And just the same

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain x8

And the seas are full of water
That stop by the shore
Just like the riches of grandeur
That never reach the port

So let the claps fill with thunderous applause
And let thy death be the veins
And fill the sky
With all that they can drop
When it’s time
To make a change

Make it rain
Make it rain down low
Just make it rain
Make it rain

Make it rain x4

Make it rain
Make it rain down low
Just make it rain
Make it rain

27 Days of Old School: #25 “Voodoo Child” (by Stevie Ray Vaughan)

Posted on November 25, 2014 by Arleigh

“Well, I’m standing next to a mountain, chop it down with the edge of my hand”

To close out the night we have Stevie Ray Vaughan at #25 with his excellent cover of the classic Hendrix track, “Voodoo Chile (Slight Return)”.

The blues wasn’t a genre of music that I had much experience growing up during the 80’s. It was during a senior retreat that I was introduced to one of the blues rising stars during that era of my life. He was Stevie Ray Vaughan and I only got to know him after he had already passed into legend after he died in a helicopter crash.

Since then I’ve become not just a major listener of blues and blues rock music, but I would say I’ve become a connoisseur.

While I’ve since listened to Jimi Hendrix’s original of the song and consider it the best version, I will always have a special place in my musical library for the one and only SRV.

Song of the Day: Trouble Man (by Marvin Gaye)

Posted on April 3, 2014 by Arleigh

I just got back from watching an early screening of Captain America: The Winter Soldier.

Now, what does this have to do with the latest “Song of the Day” featuring musical legend Marvin Gaye. Well, I’m glad you asked. The song gets mentioned by a major character in the film and gets some airplay towards the end. The lyrics of the song itself could almost be synonymous with the storyline for this follow-up to Captain America: The First Avenger.

The song is also the theme song to the 1972 Soul Cinema Classic film production Trouble Man.

While the song remains a classic R&B song that does consistent radioplay I’m sure it won;’t hurt for new listeners coming to listen to it even more after experiencing it for the very first time watching Captain America: The Winter Soldier.

Trouble Man

I come up hard, baby, and that ain’t cool!
I didn’t make it sugah, playin’ by the rules!
I come up hard, babe, but now I’m fine.
I’m shakin’ trouble sugah, & movin’ down the line.
I come up hard, but that’s OK.
‘Cause

Trouble Man don’t get in my way!!

I come up hard, baby!

I mean fo’ real, baby, cuz I’m a Troubled Man!
Gonna keep movin’, gonna go to town.
I come up hard, and now I’m gettin’ down!
There’s only 3 things that’s fa sho*:
Taxes, death and trouble

This I know, baby. this I know.
Yeah, you never let it sweat you baby,

Whooooo

Got me singin’, yeah, yeah, hooo

I come up hard, baby, I had to fight!
To keep my dignity with all my might!
I come up hard, I had to win!
Then start all over. And WIN AGAIN!!
I come up hard, but that’s OK!
‘Cause Trouble Man don’t get in my way

Hey,Hey!

Now I been some places and I seen some faces
I got my connections they take my directions
Don’t care what they say. that’s OK, they don’t bother me
I’m ready to make it, don’t care ’bout the weather
Don’t care ’bout no trouble, got myself together
No laughin’, no cryin’, my protection’s all around me

I come up hard, baby
I mean for real, baby
With the Trouble Man
Movin’, goin’ tight
I come up hard, come on, get down
There’s only 3 things for sure:
Taxes, death and trouble

This I know, baby, baby
This I know, baby, baby
Hey now, let it sweat, baby

I’ve come up hard, but now I’m cool
I didn’t make it, baby, playin’ by the rules
I’ve come up hard, baby, but now I’m fine
I’m shakin’ trouble, sure movin’ down the line

Song of the Day: Who Is He (And What Is He to You) (by Bill Withers)

Posted on February 26, 2014 by Arleigh

February is almost over and I’m sure those who celebrated Valentines Day a couple weeks back are either flying high on love or becoming bitter by the day at things not turning out the way either party have imagined.

The latest “Song of the Day” puts into words such a a scenario that those in the latter might be going through right about now. It’s a song by soul and blues singer Bill Withers. He’s better known for classic soul hits such as “Lean On Me”, “Just the Two of Us” and “Ain’t No Sunshine”.

“Who Is He (And What Is He To You)” is a song of infidelity and betrayal. I just love the bass line that goes throughout the song. The song’s lyrics also hints at a sense of malice and and built-up rage at the betrayal. One could almost imagine how things will erupt after the final note and lyric has faded in the background.

Who Is He (And What Is He to You)

A man we passed just tried to stare me down
And when I looked at you, you looked at the ground
I don’t know who he is but I think that you do

Dag gummit
Who is he and what is he to you

I have something in my heart and in your eyes
Tell me he’s not someone just passin’ by
And when you cleared your throat was that your cue

Dag gummit dag
Who is he and what is he to you

Now when I add the sum of you and me
I get confused and I keep coming up with three
You’re too much for one man but not enough for two

Dag gummit
Who is he and what is he to you

Hey you tell me man don’t have not much for intuition
That what you really think or are you wishin’
Before you wreck your old home be certain of the new

Dag gummit
Who is he and what is he to you

Ten Years #25: Cracker

Posted on September 17, 2013 by necromoonyeti

Decade of last.fm scrobbling countdown:
25. Cracker (1,162 plays)
Top track (52 plays): Big Dipper, from The Golden Age (1996)
Featured track: One Fine Day live, originally from Forever (2002)

Most people my age have heard Cracker, but they might not remember the name. You know, Cracker, that two-hit wonder from the early 90s that wrote “Low” and “Teen Angst (What the World Needs Now)”. Like most of you, I never bothered actually picking up a Cracker album while they were popular. They only stumbled into my discography through an impulse buy when I saw their first Best Of compilation, Garage D’Or (2000), near a checkout register in Best Buy. I thought, “Oh, greatest hits? I thought they only had two,” and I picked it up to see what I was missing. For a while afterwards I was convinced that they must have had a dozen radio singles that I was just a little too young to remember, but the truth of it sank in over time: One of the greatest rock bands of my generation had slipped through the cracks.

Well, my obsession with Cracker ran for a year or two before I eventually forgot about them, and they might have been lost to me forever if I hadn’t happened to find myself in San Antonio, Texas, with a car for the first time in two years and nothing better to do with it. I did a last.fm search on upcoming gigs in Austin, saw Cracker were playing that evening, and took off. Any band would have sufficed, but these guys blew me away. Their performance defied anything you might expect out of aging rock stars. With an intimate connection to the music and the audience, it was as if they had just recorded the material yesterday; They were overlooked American legends in their prime playing in a venue small enough to make eye contact. To top it off, they even offered a tip of the hat to a semi-local country legend. (They covered Ray Wylie Hubbard’s “Up Against the Wall, Redneck Mother”.) I’ve gone out of my way to catch Cracker live every time they’ve played near me since, and I’m never disappointed.

I will never know why Cracker were not as successful as Pearl Jam or Tom Petty or any of the other rock legends I grew up with, because I honestly think they’re on par. David Lowery’s lyrical whit and sardonic vocals pair up perfectly with Johnny Hickman’s tasteful blues rock guitar to create one of the most readily identifiable and creative duos in the business.

Song of the Day: Lead Me Home (by Jamie N. Commons)

Posted on March 10, 2013 by Arleigh

Whoever has been in charge of choosing the songs that make up the soundtrack for AMC’s The Walking Dead I must salute you. With Bear McCreary’s Southern gothic-influenced score this show has been flush with some excellent songs to end particularly strong episodes. Last week’s strong episode of The Walking Dead saw a favorite character from season 1 make an emotional and heartbreaking return. It also helped refocus the show’s main lead to forging past his own psychological and emotional problems to take on the looming war about to begin.

The song which ended this episode is my choice for “Song of the Day” and it’s from British songwriter-musician Jamie N. Commons.

“Lead Me Home” doesn’t just end the episode but also helps put a spotlight on this show’s third season and it’s many themes concerning not just the zombie apocalypse the survivors must exist and survive in, but how they go about this task. The song’s lyrics takes on the show’s very Southern gothic roots as Rick, Michonne and Carl drive away from Rick’s hometown passing by wrecked vehicles, bodies both freshly killed and decaying.

The song really hit home when they pass by the mauled remains of the backpacker they ignored and passed by earlier in the episode whow as begging to be picked up and saved. It’s this scene which brings to light how much cynicism and distrust as entered these survivors. Faith in the goodness of people has been abandoned for the sake of survival and the roadside remains of their inaction to save this backpacker when he most needed it was shown in gory detail. It’s not the Lord that’s inside them now, but darkness and it will be a long way back before Rick and his people can lead themselves back “home”.