Horror Film Review: Alligator (dir by Lewis Teague)


1980’s Alligator begins in 1968.  While on vacation in Florida, a teenage girl named Marisa Kendall purchases a baby alligator named Ramon.  When she returns home to Chicago, her jerk of a father flushes Ramon down the toilet.

12 years pass.  Marisa (Robin Riker) becomes a herpetologist.  As for Ramon, he actually survives being flushed down the toilet and thrives in the sewer.  He eats the carcasses of animals that had been a part of an experiment involving a growth serum.  The serum had the desired effect of making the animals bigger but it also increased their metabolism to the extent that they became aggressive and had to eat constantly.  Evil industrialist Slade (Dean Jagger) is convinced that, by tossing the carcasses in the sewer, he’s ensured that no one will ever find out about the experiments.  Instead, he’s turned Ramon into a giant alligator who is always hungry.  Soon, the super-intelligent alligator is ambushing and eating sewer workers.

Burned-out Detective Dave Madison (Robert Forster) teams up with Marisa to solve the mystery of why so many body parts are turning up in the sewers.  It’s not easy.  No one wants to admit that there might be a giant alligator living under the city.  Everyone wants to believe that’s just an urban legend.  But, after a tabloid reporter (Bart Braverman) manages to snap a few photographs of Ramon before being devoured, the police are forced to deal with the fact that they’ve got an alligator on their hands.  As Slade continues to try to cover up his involvement, big game hunter Colonel Brock (Henry Silva) comes to town and announces that he will be capturing the alligator.

Directed by Lewis Teague and written by John Sayles, Alligator is a dark comedy disguised as a horror film.  While numerous people get eaten and the film ends on a properly ominous note, Alligator is obviously not meant to be taken seriously.  The cast is full of good actors who send up their own images.  That’s especially true in the case of Henry Silva, who appears to be having a blast as the hyper macho Colonel Brock.  Robert Forster, meanwhile, delivers his lines with a self-aware weariness that seems a bit more appropriate for a noir hero than a film about a detective investigating a giant alligator.  One reason why the film works is because Forster, Silva, and the rest of the cast understood exactly what type of film they were appearing in and they delivered their overheated lines with just enough wit to let the viewer know that the film was in on the joke.  The big and somewhat stiff-looking alligator may not look entirely real and it may move somewhat awkwardly but ultimately, it’s the most likable character in the movie.  It just wants to relax in the sewers but, every few minutes, someone else is bugging him.

When first released, Alligator struggled at the box office but it has since gone on to become a cult favorite.  Quentin Tarantino is a self-described fan and he had said he was inspired to cast Robert Forster as Max Cherry in Jackie Brown after seeing him as Dave Madison in this film.  That’s not bad for a movie about a giant alligator!

Live Tweet Alert: Join #ScarySocial for Alligator!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1980‘s Alligator!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Alligator is available on Prime!

See you there!

6 Trailers for the Labour Party


Well, I guess I should start this off with an apology to all the British leftists out there who might have wandered over here after accidentally misinterpreting the title of this post.  This post does not feature anyone named Paddy, Tony, or Gordon.  (Actually, Paddy Ashdown is apparently not a member of the Labour Party but I just happen to like his name.)  Instead, it’s just the latest entry in a series I like to call Lisa’s Marie’s Favorite Grindhouse and Exploitation Trailers. 

1) High Ballin’ (1978)

For some reason, this trailer just screams Labor Day to me.  I have to be honest though, I think there’s a double meaning to the title.

2) Moonrunners (1974)

I get the feeling this movie was the Winter’s Bone of its day. 

3) Gator Bait (1973)

This is one of my favorite trailers if just because I imagine I’m probably kin to half the people in this film (and in Moonrunners, for that matter.)

4) Alligator (1980)

However, you don’t have to go to Louisiana to be gator bait…

5) C.H.U.D. (1984)

Speaking of things living underground, C.H.U.D. apparently stands for Cannibalstic Humanoid Underground Dwellers.  I’ve got this one on DVD and, to be honest, I’ve never been able to stay awake through the whole thing.  But the trailer is effective and you can tell it’s from the 80s because there’s no attempt to show that the little doggie escaped.

6) Night of the Demons (1988)

Okay, so this trailer is kinda boring (though I imagine all you boys will enjoy all the boobies) up until that final image which just totally freaks me out for some reason.  “Where are you going?  The party’s just begun…”  Agck!

And now, I’m off to find myself a Labour Party — a Labor Day party, that is.