Celebrate Victoria Smurfit’s birthday with a catfight!


If a person has co-starred in a movie with Charles Bronson or Chow Yun-fat, I’m a fan of theirs for life. Back in 2003, the lovely Victoria Smurfit played a villain in Chow’s BULLETPROOF MONK. To celebrate her birthday, I’m sharing this fight scene from the film, also featuring Jaime King. Enjoy!

Lisa Marie’s Week In Review: 3/24/25 — 3/30/25


I’m just going to share the movies that I watched and then get some rest.  It’s been a long week and the start of spring has also been the start of my allergy season.

Films I Watched:

  1. Bad Substitute (2024)
  2. Contract For Life (1984)
  3. Don’t Call Me Mama Anymore (1973)
  4. Evasive Action (1998)
  5. The God Committee (2021)
  6. The Gymnast (1980)
  7. Have You Ever Been Ashamed Of Your Parents (1983)
  8. I Think I’m Having A Baby (1981)
  9. Institute For Revenge (1979)
  10. Lakeview Terrace (2008)
  11. The Mama Cass Television Program (1969)
  12. My Best Friend’s Birthday (1987)
  13. Reach Me (2014)
  14. Return to Waterloo (1984)
  15. Rock: It’s Your Decision (1982)
  16. Strange Invaders (1983)
  17. Touch of Evil (1958)

Links From Last Week:

  1. Case reviewed Pulp Fiction!
  2. Arleigh shared a song of the day and scene from The Newsroom!
  3. Brad reviewed Shane and wrote about Richard Camberlain, Terence Hill, Strother Martin, and Charles Bronson: The Musical!
  4. Erin kept us updated on the Rangers!
  5. Jeff reviewed Destiny Turns On The Radio!
  6. From House M: A profile of Belle Starr!
  7. From John Reiber: The Iconic Lights Of New York’s Grand Central Station! Here’s A Video Tour!
  8. Actor Richard Chamberlain Dies At 90
  9. Actor and Stuntman Richard Norton Dies At 75

Want to check out last week?  Click here!

Pulp Fiction, (Written & Dir. Quentin Tarantino) Review by Case Wright


“Pulp Fiction” was as peak 1990s as much as these two:

Or this Archie’s Comic live action show

While “X-Files” attracted big audiences 60-40% male and the reverse for “90210”, “Pulp Fiction” captured 1994: Jocks, Nerds, Guys, Women, Girls, Boys, Boomers, X-ers, Older Millennials, you name it – Everyone was into Pulp Fiction. Tarantino described this art as a number of cliches: the mobster attracted to the mob wife, the boxer who tricks the mobsters into giving him money and NOT throwing the fight, and the killer who finds God. The cliches dig into DNA. WHY? Because they have the same motivations as our caveman ancestors: the unobtainable mate, a sense of honor, and redemption. These themes are the basic building blocks of what make us human beings and why these stories echo through the millennia – our ancestors fears are the same as ours today. Some might claim that “Reservoir Dogs’ was better- they are incorrect– Pulp Fiction was WAY more entertaining.

Even though this was released and written in the 1990s, it had an older feel to it. First, everyone smoked indoors. I remember the 1990s, smoking was on the OUTS big time! Second, man did he like to use a certain racial slur. OOF. But then again, I’m not from Los Angeles. Maybe, it’s like Alabama there? I have no idea! I can say that the film did hold up as re-watched it today. It was still relevant and maybe that’s because it was difficult to pin down the time period; in fact, the music was mostly from the 1970s and the story time jumped- A LOT! The Miramax producer who worked on the show also jumps a lot, but mostly in the shower.

The story begins with two mobsters Vincent Vega and Jules Winnfield murdering two guys to get a magical briefcase back to their boss Marsellus Wallace, which feeds into the next storyline of Butch an aging fighter who’s about to rip off the mob, which feeds into Mia Wallace – Marsellus Wallace’s wife overdosing on heroin, which feeds into Butch on a quest to retrieve his great-grandfather’s watch, which feeds into a pretty graphic man on man scene of sexual violence and revenge, which feeds into Jules finding God, which feeds into cleaning brains out of a car, and finally ending in a diner being robbed by Tim Roth. Yes, the film requires attention. It’s not “Dazed and Confused”. You gotta pay attention.

I recently watched a show with Lisa Marie that time jumped – oh no, were their Germans around who got too close at a family reunion off camera?!

I still believe this is Quentin’s Opus and you cannot convince me otherwise because it connected to everyone and launched and re-launched A LOT of careers. Pulp Fiction’s legacy was that it empowered a 1990s writers to work in humor with their grittiness like in Halloween H20, which I reviewed here

https://unobtainium13.com/2016/10/29/halloween-h20-alt-title-they-stab-baby-boomers-dont-they/
: Pulp Fiction, (Written & Dir. Quentin Tarantino) Review by Case Wright

I recommend to going on Hulu and checking Pulp Fiction out again.

I Watched Now You See Him, Now You Don’t (1972, Dir. by Robert Butler)


Dexter Riley (Kurt Russell) is back and just in time because Medfield College is on the verge of getting closed down again.

In The Computer Wore Tennis Shoes, buying a computer was supposed to be the solution to all of Medfield’s financial problems.  I guess it didn’t work because Medfield is broke again and corrupt businessman A.J. Arnoe (Cesar Romero) is planning on canceling the school’s mortgage so that he can turn it into a casino.

There is some hope.  Dexter has accidentally created an invisibility spray.  Not only does it tun anything that it touches invisible but it also washes away with water so there’s no risk of disappearing forever.  Dexter and his friend Schuyler (Michael McGreevey) know that they can win the science fair with their invention but the science fair doesn’t want to allow small schools like Medfield to compete unless they really have something big to offer.  Dexter tells the Dean (Joe Flynn) that he has a sure winner but Dexter also refuses to reveal what it is because he doesn’t want word to leak before for the science fair.  The Dean decides to raise the money to pay off the mortgage by becoming a golfer, as one does.  Schulyer works as the Dean’s caddy while Dexter uses the invisibility spray to help the Dean cheat.  That’s a good message for a young audience, Disney!  But when Arno finds out about the spray, he wants to steal it so he can rob a bank.

This was even dumber than The Computer Wore Tennis Shoes but it was also hard to dislike it.  The comedy was too gentle, Kurt Russell and the rest of the cast were too likable, and the special effects were too amusingly cheap in that retro Disney way for it to matter that the movie didn’t make any sense.  When a bunch of college kids learn the secret of invisibility and use it to cheat at golf, you know you’re watching a Disney film.

Music Video of the Day: Leave by Jessica Simpson (2025, dir by ????)


Today’s music video of the day is the latest from Jessica Simpson.  Jessica Simpson actually went to my high school, though she was a student long before I got there.  She was often held up as an example of what we, as students, could achieve even though she dropped out without graduating.

In other words, don’t worry too much about that diploma.

Enjoy!

4 Shots From 4 Films: Special James Wan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to one of the directors who brought the horror genre back to box office life in the aughts and 2010s, James Wan!  It’s time for….

4 Shots From 4 James Wan Films

Insidious (2011, dir by James Wan, DP: John Leonetti))

The Conjuring (2013, dir by James Wan, DP: John Leonetti)

Aquaman (2018, dir by James Wan, DP: Don Burgess)

Malignant (2021, dir by James Wan, DP: Michael Burgess)

4 Shots From 4 Films: Special Alan Parker Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

81 years ago, on this date, the late director Alan Parker was born in London.  One of the many British directors, like the Scott brothers and Adrian Lyne, who began by directing advertisements, Parker went on to become a director known for both his intense visual style and his revolutionary use of music as a storytelling device.  It’s time for….

4 Shots From 4 Alan Parker Films

Midnight Express (1978, dir by Alan Parker, DP: Michael Seresin)

Fame (1980, dir by Alan Parker, DP: Michael Seresin)

Pink Floyd — The Wall (1982, dir by Alan Parker, DP: Peter Bizou)

Angel Heart (1987, dir by Alan Parker, DP: Michael Seresin)