Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)


Can you believe that Halloween and Horrorthon are both nearly over!?  I’ve got tears in my mismatched eyes.

Originally, I was planning on posting the final episode of Kolchak tonight but I miscounted and, to make a long story short, I ran out of episodes of Kolchak before I ran out of days in October!

So, for our final Horror on TV of the 2018 Horrorthon, I’m going to share an old favorite of mine, The Curse of Degrassi!

Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!  Fortunately, Spinner (Shane Kippel) is around to save the day.  As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.

Enjoy!

Chilling Adventures of Sabrina, S1 E10, The Witching Hour, (Dir. Rob Seidenglanz) Review


STAW

Happy Halloween!!! I want to take a moment to thank Lisa. She is a great editor and writer.  She has given me so much support. It was a creative bucket list item review a show with her.  Thank you.

This is the final episode of the season and has the tone and feel of the nadir.  This episode is extremely polished and feels a lot like a well-done network season finale.  The shots are well framed, there is good creepy vibe, and we develop a visceral sense of every character’s inner struggle with each shot.  This is the work of a deliberate pro: Rob Seidenglanz.  It’s actually difficult to see a brilliant show that he hasn’t worked on.  My favorite shot is where Sabrina’s friends finally ask her if she is a witch.  The camera work makes you feel for Sabrina as she is confronted with her true self and she feels unmoored.

Once she’s confronted, it brings us to the question: how free is our will?  I have talked about evil A LOT in my reviews.  I have met evil men who committed terrible acts who will NEVER see justice and I know why they did what they did (see previous reviews and retweet them).  Why is Sabrina so close to the edge?  The same reason the men I met did what they did: she thinks she knows better and because she can.  When I deal with sanctimonious people on social media, I get nervous because they have the arrogance, but I don’t know if they really have the means.  Luckily, most are just lonely and online.  The scary combination that should keep everyone up at night is what these totally self-certain people will do if they feel justified.  You can imagine them shrugging off the collateral damage that they cause in their decisions for expediency.

Back to the review, Sabrina is faced with the oncoming of the resurrected witches who will destroy the town with the help of a headless horseman or some such.  Who is summoning all these demons? Ms Wardwell!!! It all looks terrible for the town.  Sabrina and the fam decide to protect the town, but Ms Wardwell manages to isolate Sabrina.  Once she’s alone, Sabrina’s convinced without a lot of struggle that she alone can solve everything! This plays to Sabrina’s vanity so perfectly that she signs Satan’s book and kicks a lot of ass, but at the cost of her soul.  That is where the corruption concludes.  We see Sabrina walking with with the sisters and she gives a lusty wink to Nick.

Side note: Aunt Z steals a baby and Ms Wardwell is Adam’s first wife Lilith.

SIDE SIDE NOTE IN RE LILITH: If you’re going through a divorce or know someone who is take solace because even the original Adam got divorced. Eve was Adam’s second wife after Lilith refused to subordinate herself to him and split.  Therefore, we are ALL children of divorce.

This show had so many complex characters…and Harvey.  I guess not everyone is supposed to be interesting.  Shipka brought this character to life with so many flaws, but with so much courage.  I like that Sabrina was flawed and corruptible.  It made it a human story.  The show gave a lot of opportunities to some new director and that is great in and of itself.

Happy Halloween!

A Blast From The Past: Peter Cushing — A One Way Ticket To Hollywood


I’m not sure if you can be a true fan of horror (especially British horror) without loving Peter Cushing.

The actor played many roles over the course of his long career.  In fact, the first film in which he and Christopher Lee both appeared was not a horror film but instead Laurence Olivier’s 1948 production of Hamlet.  (They both also appeared in 1952’s Moulin Rouge.)  However, Cushing will probably always be best known for his Hammer roles and, of course, his villainous performance in Star Wars.  Peter Cushing was not only the virtuous Prof. Van Helsing but also the far less virtuous Baron Frankenstein.

According to almost every interview that I’ve read, Peter Cushing was a genuinely nice and professional person, one who didn’t personally care for horror films but who never took it personally when he was recognized for appearing in them.  Though they regularly played rivals on screen, he was close friends with Christopher Lee.  I once read an interview with Lee where he said that, decades later, he still hadn’t recovered from Cushing’s death in 1994.

Below, you’ll find a documentary from 1989.  It was called Peter Cushing — A One-Way Ticket To Hollywood.  It’s basically just Peter Cushing talking about his life and career for 49 minutes but it’s a charming little documentary.  Peter Cushing comes across as being very nice and very British.  He discusses not only his horror films but also his work in Star Wars and his performance as Winston Smith in a 1954 production of 1984.

It’s a nice documentary and I offer it up on Halloween as a tribute to one of horror’s gentlemen.

(Thank you to VintageTreats for uploading this!)

Happy Halloween From The Shattered Lens!


To all of our readers

To all of our friends

To every ghoul and fiend out there,

HAPPY HALLOWEEN FROM THE SHATTERED LENS!

May your Halloween bring you more candy than rocks and we hope you enjoy the last day of our annual horrorthon!  Be safe, be sincere, and don’t forget the true meaning on Halloween!

Chilling Adventures of Sabrina, S1 Ep 9: The Returned Man, Review (Dir Craig Macneill)


STAW

Happy Devil’s Eve.  I will be doing the last episode on Halloween- Bwahahaha!

The Returned Man – directed by Craig Macneill is all about the failure! Since both Episode 8 & 9 were directed well, I’d like to get into their differing styles just a bit. Maggie Kiley built suspense with camera moves and slowing ratcheting up tension like a Hitchcock thriller or The Shining. Craig Macneill’s work feels more like an Italian horror film that relies on music, gore, and lighting to convey confusion, horror, and fear.

This episode is the reckoning of Sabrina’s necromancy.  She did raise Tommy, but he came back….different.  Tommy doesn’t speak, eat, or catch footballs normally.  What he does do is be very still and yet menacing.  Also, Sabrina’s clever plot to cheat death and have the witch return from death after 10 minutes isn’t really working out.  The sister is coughing up gravel.  All and all everything is going horribly horribly wrong.  When Sabrina returns the necromancy book to Ms. Wardwell, she feigns surprise that Sabrina went on the necromancy path.  This cements the sole culpability for Sabrina.

Why isn’t Tommy eating?  When the dead miners are delivered to the Spellman house, we learn that there is a good reason Tommy isn’t hungry; he was chowing down on the corpses of the other miners.  Yes, Tommy is a ….. ZOMBIE!!!! This is cut really well with a scene with Tommy attacking their POS dad.

Sabrina realizes that Tommy came back without a soul and that his soul is in limbo.  She thinks she can just waltz into limbo and get it. No muss no fuss.  Well, nope.  The Spellmans are now all aware of Sabrina’s shenanigans and think she is beyond reckless because she is.  No one wants to help Sabrina go into limbo except…..Ms Wardwell.

The limbo scene is excellent.  It reminds me of Phantasm or The Beyond. We pierce the veil and it’s filled with confusion and a terror called a Soul Eater!!! Sabrina meets her mother in Limbo, but she can’t recognize Sabrina.  This reminded me of The Beyond because if you make it to Hell in that film, you go blind from the revelation. Then, she does find Tommy, but as she is about finish Tommy’s rescue, the soul eater devours him.

Ms. Wardwell is conveniently near Sabrina for this scene and all others that can compromise Sabrina.  Wardwell convinces Sabrina that Harvey must know the truth. Sabrina agrees and we see Harvey’s love for Sabrina shatter.  He doesn’t seem angry as much as he is disgusted by being completely overruled in any of the decisions that affected him directly.  This causes them to break up, which isolates Sabrina completely from the human world.

I enjoyed how the characters were allowed to be diminished.  Sabrina failed in every way possible and lost everything.  This allows her to be prepped for a full corruption.  See you on Halloween!!!

Horror On TV: Kolchak: The Night Stalker 1.20 “The Sentry” (dir by Seymour Robbie)


Tonight on Kolchak….

There’s something on the loose underneath Chicago!  Could it be a …. killer lizard!?  Kolchak’s on the story!

Sadly, all good things must come to an end and this was the final episode of Kolchak: The Night Stalker.  Darren McGavin, of course, would later go on to epitomize the ideal middle American father when he played The Old Man in A Christmas Story.

This finale originally aired on March 28th, 1975.

I hope you have enjoyed this October’s trip down Kolchak Lane!

*SPOILERS* Chilling Adventures of Sabrina, S1 E8: The Burial, Review (Dir Maggie Kiley)


STAW

Happy Devil’s Eve!!! I would like to take a moment to tell Jason Blum to hire this Director A LOT!!! From Jumpstreet, she throws us off and builds suspense with her camera angles and moves.  We’re right there with the characters in the thick of suspense in the first seconds!  It almost has a found footage feel to it.  THAT TAKES SKILL! JASON, HIRE HER! A LOT!!! SHE’LL DO A GREAT JOB AND MAKE YOU LOTS OF MONEY!

Back to the review!

Maggie Kiley understood the theme of the episode immediately: Corruption.  Mostly, she uses close-in one-shots and two-shots, drawing us into these conversations where all of our characters are being slowly cozened into full darkness.

We quickly learn that Harvey’s brother Tommy is trapped in the mine and presumed dead. The drunkard father moves ahead with funeral plans right away to get insurance money.  All of these characters are under stress, which is when the easy corrupt always seems to present itself.  We learn from Hilda that their ground brings people back from the dead and in no way should give Sabrina any ideas to commit necromancy.

Furthering the theme of corruption, as the funeral is held, Sabrina violates Harvey’s will for the third time in the season.  She has used her power to make him forget, make him safe, and make him strong.  As pressure mounts, she continues to become more and more comfortable in overriding Harvey’s will.  The series is amazingly complex in that none of the characters end the season with clean hands.  They all are slowly corrupted in some way.  It brings home the slow pernicious temptation that humankind always faces in times of a crisis: To do right thing or the easy thing.  In this show, everytime Sabrina overrides Harvey’s will, we bear witness to it sending her going further down the path of darkness, giving up more and more of her humanity and bringing her closer to Satan.

And who is there at every turn to nudge Sabrina down the easy path of darkness: Mary Wardwell.  She never tells Sabrina: Raise Tommy From the Dead!!!  No, that’s not how temptation works.  She presents the means and opportunity, allowing Sabrina see this viable opportunity to make things all better.  Mary does it over coffee.  It’s innocuous, but the option is presented.

Throughout the episode, it’s brought up that she never asked Harvey if bringing Tommy back from the dead is what he would want. Once again, she is being tempted to substitute her will for his.  In going down the path of resurrection, Sabrina is not only substituting her will in place of Harvey’s, she is substituting her will for the very will of God himself.

Why is this working on her? Evil is attractive.  I have met people that were actually evil.  They appeared normal, but they were not.  They committed terrible acts. Why? Each time I was confronted with these men, their actions were done out of arrogance and expedience.  They knew the act work and because they knew could do it.  That’s the heart of evil: convenience and arrogance.

Ambrose is given clemency from his house arrest by Father Blackwood. With it, comes fealty.  The shot is pulled closer and closer just more actively to bear.  Then, once proposed, the shot backs off.  As if to say, I’m just here to help.

Aunt Z is corrupted as well, but hers is a lot more direct and in keeping with the show’s raging hormone.  She has a torrid affair with Father Blackwood.  It is STEAMY! Honestly, this is the most relatable bad act on the show.

Sabrina learns that the sisters were responsible for Tommy’s death. She conflates vengeance with justice.  They caused harm, so I can use them and harm them in order to correct a greater harm.  In doing this, Sabrina convinces herself to commit murder.  You could argue that it was temporary, but it was pointed out that it was still murder in order to bring Tommy back.

When you hear presumably Tommy banging on the Harvey’s door; it’s straight up terrifying.  The last shot is the hand on the doorknob- Brilliant!

I’ve written about this before how you could have a great director who can’t direct horror.  Maggie Kiley knows what she’s doing. I was riveted.  I can’t wait to see more of her art!

 

Mary Whitehouse’s Worst Nightmare: 8 Frightening Serials From Doctor Who’s Classic Era


“Tea time brutality for tots.”

That was the term that a woman named Mary Whitehouse used to describe Doctor Who in 1975.  Mary was the founder of the National Viewers and Listeners Association and, in her crusade to return Britain to decency, she often leveled her harshest criticism at Doctor Who, a show that she regularly claimed was too scary for television.

Did she have a point?  Of course not.  Even children who were scared of the Daleks when they were nine or ten eventually grew up to realize that all you had to do to escape those mutant bastards was run up a staircase.  Still, Doctor Who did occasionally have its memorable horror moments.

Here are eight frightening episodes from Doctor Who‘s classic era:

  1. State of Decay (4 episodes, 1980)

Everyone remembers this classic from the Tom Baker years.  The TARDIS materializes on a planet where the villagers live under the shadow of a dark tower.  Ruled over by three cruel lords, Zargo, Camilla, and Aukon, the villagers are forced to regularly sacrifice their young to appease their rulers.  The Doctor, Romana, K-9, and Adric investigate and discover that Zargo, Camilla, and Aukon are vampires!  After being defeated by the Time Lords, the vampires retreated into E-Space, where they found a new planet to rule.  Of course, that little tosser Adric wants to become a vampire.  Why Romana and the Doctor didn’t leave Adric behind on the vampire planet, I’ll never understand.

2. Horror of Fang Rock (4 episodes, 1977)

This underrated serial is also from the Tom Baker era.  The Doctor and Leela land on the Island of Fang Rock, just off the coast of England, in the early 20th century.   The inhabitants of an isolated lighthouse are being killed, one-by-one, by an alien known as a Rutan.  This episode is full of gothic atmosphere and, despite the Doctor’s best efforts, almost everyone dies.

3. The Talons of Weng-Chiang (6 episodes, 1977)

Of all the Tom Baker episodes, this is my personal favorite.  The Doctor and Leela find themselves in Victorian-era London, where they investigate a murder and discover that they are not the only time traveler in London.  When most people talk about this serial, they focus on the terrible giant rat and the wonderful supporting characters of Jago and Lightfoot.  What I always remember is the Peking Homunuculus, a psycho killer who looks like a puppet and squeals like a pig!

4. The Deadly Assassin (4 episode, 1976)

One final Tom Baker episode.  The Deadly Assassin is unique in that it features the Doctor with no companions.  When the Doctor travels to Gallifrey, he discovers that The Master (played by Peter Pratt) is still alive and determined to destroy the Time Lords.  Having used all of his regenerations, The Master is now not only at his most evil but also horribly disfigured and decaying, a sight to give nightmares to any impressionable viewer!

5/6. Kinda (4 episodes, 1982) and Snakedance (4 episodes, 1983)

Peter Davison was an underrated Doctor and never was he better than in Kinda and its sequel, Snakedance.  In both of these episodes, The Doctor must deal with the efforts of the Mara to possess his companion, Tegan.  Both of these episodes were more creepy than scary but, thanks to the performances of Peter Davison and Janet Fielding, they were effective nonetheless.

7. Spearhead From Space (4 episodes, 1970)

Jon Pertwee made his debut as the Third Doctor in this serial.  The Doctor is exiled to Earth just in time to deal with an invasion by the Nestenes.  Serving as the Nestenes’s invasion force are the Autons, life-size plastic dummies that come to life at inopportune times.  With their stiff movements and expressionless faces, the Autons were regularly cited as one of the Doctor’s creepiest enemies.

8. The Daemons (5 episodes, 1971)

The Third Doctor vs. The Devil!  The Master as a vicar!  A killer statue!  Not even the Brigadier’s order of “Chap with wings!  Six round rapid!” could lighten up the atmosphere of this Jon Pertwee classic.

The Doctor and friends

*SPOILERS* Chilling Adventures of Sabrina, S1 Ep 7: Feast of Feasts, (Dir. Viet Nguyen) Review-


STAW

Happy Horrorthon Home Stretch!!! Devil’s Eve is today.  Devil’s Eve is the day before the Great Samhain rises from the ground and goes door to door selling auto insurance at competitive rates…as the Druids taught him.

Those last reviews by Lisa were awesome as usual- Check them out, like them, and get Mia Farrow to live tweet while reading them!

Episode 7, Directed by Viet Nguyen, focuses around jealousy, betrayal, and corruption. Viet Nguyen is typically a film editor who occasionally directs.  I’m not sure if horror is where he is best suited to direct.  He usually directs action iZombie/The Flash/Legends of Tomorrow, camera shots that zero in on main characters with long still shots from below to reflect their larger than life hero or villain status.  The problem is that these long shots tend to diffuse the suspense that horror needs.  Take a look at the horror directed by Guy Norman Bee or Josh Stolberg.  The shots are at eye level with a slow push-in.  These people at your level and can get YOU.  Viet has done great work, but as I have written in other reviews Horror directing is a specialized art form where building suspense is its beating heart.

The story focus was narrowed.  Instead of an overarching drama piece where Sabrina straddles two worlds like a witchy Gilmore Girls, it’s a personal story of a father betraying his daughter with courtly intrigue.  The Feast of Feasts commemorates the bodily sacrifice to her fellow starving witches to eat her.  This story gives another piece to the backstory of the town vs the witches and how the townsfolk massacred the witches years ago.  It’s like the Taylor V Sutton feud, but with more goth makeup.

Each witch family in the coven in Hunger Games style has to send in a tribute to be “Queen”.  The Queen embodies Freya by getting massacred and eaten by the coven to celebrate Freya’s sacrifice.  The main course is chosen by lots.  Sabrina’s annoyed that her Aunt Z participates in the drawing and insists on being part of the drawing to see if Aunt Z will speak out that the ritual is barbaric.  Does it work? Not so much.  Sabrina and Prudence go head to head and Sabrina is picked to be Prudence’s servant and Prudence draws the dinner card.

The storyline meanders a bit and it focuses around courtly intrigue and headmaster ascension… yawn.  Turns out the drawing was rigged by the Headmaster’s wife who knows that Prudence is the Headmaster’s illegitimate child and threat to her kid because of a possible inheritance dispute….boring.  When I reviewed Stranger Things, there was a mediocre episode too.  Overall, this episode is not perfect, but good enough. The episode ends with Prudence’s toadies causing a mine cave-in, which sets off a very cool story arc!!!!

Cheers!!!

Chilling Adventures of Sabrina 1.6 “Chapter Six: An Exorcism In Greendale” (dir by Rachel Talalay)


So, I’m just going to start this review out by honestly admitting that the sixth episode of Chilling Adventures of Sabrina didn’t do as much for me as the previous episodes.

A lot of that, though, is because any show would struggle to follow up an episode as brilliant as Dreams In A Witch House.  The show didn’t do itself any favors by following up that episode, where Sabrina had to battle and trap a viscous demon, with another episode in which Sabrina had to battle and trap a viscous demon.  That similarity alone makes it impossible not to compare the two episodes against each other and, unfortunately, there’s no way to really top what went on in Episode 5.

Episode 6 does start out with an interesting example of psychological manipulation on the part of Ms. Wardwell.  With Sabrina confronting her about both being a witch and spying on her, Wardwell is quick to claim that she once wanted to marry a mortal and that she was an acolyte of Sabrina’s father.  Wardwell claims that she’s only been spying on Sabrina because Edward Spellman requested it.  Since Sabrina is still struggling to work out her feelings towards her deceased parents and their legacy, Wardwell told exactly the right lie to keep Sabrina from completely dismissing her.  However, Wardwell then took it too far by claiming that she had been in love with Edward.  Sabrina tells Wardwell to stay away from her but, by the end of the episode, Wardwell has once again go Sabrina confiding in her.

How does Ms. Wardwell accomplish this?

The answer is right in this episode’s title.  Wardwell helps Sabrina to do something that no witch has ever done before.  Wardwell helps Sabrina to exorcise a demon.

It turns out that Susie’s Uncle Jesse has been possessed by a demon, one who claims to be named Maerceci.  (Write it down on a piece of paper and then stand in front of a mirror.  As Ambrose puts it, demons have got a terrible sense of humor.)  Not only are Roz, Susie, and Harvey being haunted by visions of Uncle Jesse but apparently, the demon is going to possess one of them as soon as it gets finished devouring Jesse.  Despite being told that witches are not allowed to perform exorcisms, Sabrina, Wardwell, Hilda, and eventually Zelda do just that.

(It turns out that, in another case of deus ex Edward, Sabrina’s father just happened to come up with a exorcism ritual for witches, which leads to the question of whether there’s anything that Edward didn’t do before he died.)

The exorcism is a success, though Sabrina soon learns that it takes more than just successfully casting a spell to make people happy.  Even after he’s freed from the demon, Uncle Jesse still dies.  (He’s killed by Wardwell, though Sabrina doesn’t know that.)  Thanks to the demon, Roz fears that she’s losing her eyesight because her faith isn’t strong enough.  Harvey is still scared to death of going into the mines and worries that Sabrina thinks that he’s less of a man as a result.  The demon may be gone but Susie remains traumatized by the demon’s taunts and, by the end of the episode, is declaring, “I won’t be an abomination!”  In the end, that’s the main lesson of an Exorcism in Greendale.  Just because a story ends in with special effects and a temporary victory, that doesn’t erase the pain that came before.

Anyway, this was an okay episode.  It moved forward Sabrina’s relationship with Wardwell so, if nothing else, it served its purpose.  I hate to say it but I probably would have had a better reaction to this episode if the demon had been taunting Hilda, Zelda, and Ambrose as opposed to Sabrina’s friends.  The witches are just more interesting than the mortals.

Case is going to be reviewing the rest of this season so I’m going to wrap up this review by sharing my thoughts on the show as a whole.  As the first season of any show will, Chilling Adventures of Sabrina has its flaws.  Overall, though, it’s a good show.  I go back and forth on whether I like Michelle Gomez’s stylized performance as Ms. Wardwell but Kiernan Shipka, Lucy Davis, Miranda Otto, and Chance Perdomo are all perfectly cast.  (Kiernan Shipka simply is Sabrina.)  Ross Lynch also deserves a lot of credit for making Harvey into a compelling character.  I’m looking forward to seeing where this show goes in the future.

Oh — and, of course, I absolutely adore Salem!

(photo credit: Stewart Cook/REX/Shutterstock)