Lisa’s Week In Television: 6/12/22 — 6/18/22

Posted on June 18, 2022 by Lisa Marie Bowman

As opposed to last week, where I didn’t watch anything except for old episodes of King of the Hill, I ended up watching a lot this week. That’s because the official Emmy ballots have dropped and I now know everything that was officially submitted this year. That ballots have given me a roadmap of what I need to check out over the next week and a half, before I announce what I would nominate for the Emmys, if I was an Emmy voter and had all the power.

So, without any further ado, here are some thoughts on what I watched this week:

The 2022 Fangoria Chainsaw Awards (Shudder)

Now, really this is what all award shows should be like! The show honored “the best in horror,” and while I didn’t necessarily agree with all of the winners, I did appreciate that it only took them 90 minutes to hand out all the awards and that the show didn’t take itself too seriously. Maybe the Oscars should move to Shudder.

Allo Allo (Sunday Night, PBS)

Rene tried to flee to Spain while Michelle decided to smuggle the British airmen out of France in wine barrels. Needless to say, nothing worked out.

Archer (FX)

While searching for the mysterious assassin known as the Dingo, Sterling Archer confronted painful memories of his past. For whatever reason, I never seem to get a chance to watch Archer as much as I probably should. Whenever I do catch an episode (and I watched this one on Hulu on Thursday), I always enjoy the show’s Bond-parody humor.

Barry (Sunday Night, HBO)

Barry’s third season came to an end on Sunday night and oh my God! What an amazing episode! From Gene betraying Barry to Barry breaking down in the desert to NoHo Hank somehow managing to escape in Colombia to Sarah Goldberg’s amazing performance as Sally, this was an incredible episode. That said, it played like a series finale. I have no idea where the show can go from here but I’m looking forward to finding out.

Bob’s Burgers (Fox, Sunday Night)

I’ve lost track of how long Bob’s Burgers has been on. I don’t watch it regularly but, whenever I do, I usually laugh a few times. The episode that I watched this week was also the show’s Emmy submission. After being made fun of yet again at school, Tina escaped into a Blade Runner-inspired fantasy world. Bob and Teddy, meanwhile, dealt with their insecurities about running a crappy restaurant by obsessing over some derogatory graffiti. I laughed enough to enjoy the show.

Brooklyn Nine-Nine (Hulu)

I finally watched the final season of Brooklyn Nine-Nine on Friday afternoon. (It was only nine episodes long.) I know that a lot of people complained that the final season of Brooklyn Nine-Nine was too political and anti-cop and, if I had seen the show when it originally aired, I probably would have agreed. But, seeing it in 2022 and with the failures of the Ulvade cops still on my mind, I didn’t mind that the main villain was the head of the policeman’s union and that a major theme of the season was that police reform is going to have to start with the culture of policing itself. Fortunately, the Andy Samberg-led ensemble was as strong as ever and helped make the more heavy-handed moments palpable. The highlight, for me, was the episode where Peralta’s previously unmentioned nemesis, Johnny Franzia, returned. It worked as both a domestic comedy and a parody of shows like Law and Order: Criminal Intent and the CSIs.

Cheer (Netflix)

I watched the second season of Cheer early on Saturday morning. The Navarro cheerleaders are still obsessive perfectionists who seem to take cheerleading maybe a little too seriously. This season deserved some credit for being honest about how disruptive their sudden fame was. (That’s one of those things that many reality shows chose to avoid.) The first episode featured an unforgettable montage of smarm as we saw everyone from Ellen to Colbert to a dazed-looking Biden talking to the cheerleaders. The show also acknowledged both the legal troubles of one of the first season’s breakout stars and the outsized influence that Varsity Brands has on the cheerleading industry. All in all, it was a good show even if you kind of wanted to tell the cheerleaders to take it down a notch and maybe enjoy their time in college.

Community (Netflix)

“We had name for people like you in prison. We called you …. the mean clique!” Still a classic.

Dr. Death (Peacock)

I watched this Peacock miniseries on Tuesday and Wednesday. Joshua Jackson played an incompetent and possibly sociopathic surgeon while Alec Baldwin and Christian Slater played the two doctors trying to, at the very least, get Jackson’s license suspended. It was a good and disturbing miniseries, though I imagine that some of my reaction was due to the fact that my Dad is currently having issues with back pain and is exactly the type of patient who was victimized by Jackson’s coke-snorting surgeon. This show is based on a true story. It was also set in Texas but, for the most part, it avoided all of the stereotypes that usually make me cringe. When Slater dismissed Jackson as being an arrogant yankee, a part of me cheered. Of course, the show had to feature a character blaming everything on Rick Perry, which was dumb and felt out-of-character, but that’s the entertainment industry for you.

On a final note, the show was very well-acted and, yes, that includes Alec Baldwin. When Baldwin wants to be, he can still be a very good and, dare I say, subtle actor.

Full House (MeTV, Sunday Evening)

I watched two episodes of this stupid show on Sunday. First, Jesse went to his high school reunion, performed with his old band (how many bands did this dude have?) and was tempted to leave Aunt Becky for his high school girlfriend. Why was Jesse always tempted to abandon Aunt Becky? Jesse was supposedly only 28 so he was still a little bit young for a midlife crisis. (In other words, STOP CRYING, JESSE!) This was followed by an episode where Danny suddenly had a girlfriend and he had to look after her obnoxious son. It was pretty dumb.

Hart to Heart (Peacock)

Kevin Hart interviews his celebrity friends. I watched two episodes on Thursday, mostly because the show was submitted to the Emmys. Kevin Hart is not a bad interviewer, though none of the conversations were really that in-depth. This is a good example of the “Famous Person Knows Other Famous People” talk show genre.

I Think You Should Leave With Tim Robinson (Netflix)

This short comedy sketch show is best-known for being the source of the “We’re all trying to figure out who did this” meme. I watched the show’s second season on Thursday night. (Each episode is less than 20 minutes long so the season went by quickly.) While the 2nd season never quite reached the heights of the “We’re all trying to figure out who did this” skit, it was still amusing. A bit about an “aggressive store” that sold “busy” shirts to men was a highlight.

Inspector Lewis (YouTube)

I watched this British detective show from the aughts with my friend Shirley on Tuesday. Inspector Lewis and Inspector Hathaway investigated a series of murders surrounding a quiz competition. The episode took place at Oxford and the scenery was lovely.

Making the Cut (Amazon Prime)

After Heidi Klum and Tim Gunn left Project Runway, they began to appear in Prime’s Making the Cut. Making the Cut is basically the same show as Project Runway, just without Nina Garcia or the lingering stench of the Weinstein Company. I binged the second season on Tuesday and I loved it. Tim and Heidi really were Project Runway‘s main selling points and watching them on Making the Cut filled me with nostalgia for a time of fun reality shows, as opposed to what’s going on now.

Married at First Sight (Lifetime, Wednesday Nights)

It has been forever since I watched an episode of Lifetime’s apparently immortal Married at First Sight franchise so, on Saturday morning, I watched two recent episodes on Hulu. It was pretty much as I remembered. Five couples, who had just met and married, took part in a group honeymoon in Florida and tried to get to know each other. One couple split up. Another couple debated whether to get undressed in front of each other. Even though the episode were from the most recent season, they left like they could have been from any season of the show. Don’t mess with success, I guess. It’s a silly show but undeniably addictive, as silly shows often are.

Rick and Morty (Adult Swim)

On Thursday, I watched the episode of Rick and Morty that was submitted to the Emmys. Morty made the mistake of landing a spaceship in the ocean, which led to Rick having a summit with his arch nemesis, a flamboyant sea king of some sort. Morty tried to keep his date with Jessica while all this went on. An attempt to get wine for the summit led to a centuries-old civilization being developed around the idea of Morty being a demon who had to be destroyed. It was chaotic and it made me laugh.

Robot Chicken (Adult Swim)

Oh wow, those toys are cursing and telling dirty jokes! Stoner humor at its best. It made me laugh.

The Rockford Files (Tubi)

This is a 70s detective show, starring James Garner as a detective who lives in a trailer on the beach. On Sunday, I watched an episode in which a vacationing family from Indiana accidentally stole Garner’s grill and the diamonds that were hidden inside of it. Apparently, this sort of thing happened quite frequently.

Selling Sunset (Netflix)

This totally spontaneous and not at all scripted “reality” series is all about real estate. A group of beautiful women work at a real estate company owned by a guy who we are told is handsome and sexy but who actually looks like a gnome and has all the charisma of a brick wall. When they’re not selling amazing houses, the real estate agents re gossiping about each other and talk about how much they dislike anyone new who their boss hires. Again, totally spontaneous and not at all staged, right?

Anyway, I watched a few episodes of the latest season on Netflix. There’s literally no one likable on the show but the houses make up for it.

Step Into The Movies With Derek and Julianne Hough (Hulu)

This special originally aired on ABC but I watched it on Hulu. Derek and Julianne Hough recreated classic move dance scenes. I loved it. The scenes were recreated with love and respect and Derek and Julianne were as adorable as ever.

Taylor Tomlinson: Look At You (Netflix)

I watched this Netflix stand-up special on Friday morning. Taylor told jokes about her meds and discovering that she was bipolar by doing a google search on what they were all supposed to do. That was humor to which I could relate.

The True Story with Ed and Randall (Peacock)

Everyday Americans sit down with Hollywood celebrities, Ed Helms and Randall Park, and tell the story of something interesting that happened in their life. While they tell the story, their actions are recreated by a group of comedians. I watched a few episodes on Monday afternoon. The show was a bit uneven, as one might expect when everything’s pretty much dependent on the story being told. That said, the show’s heart is in the right place and Ed and Randall seem to be genuinely interested in the stories being told. That’s a big plus.

Undone (Amazon Prime)

This is a rather bizarre animated series, one that features time travel and alternate realities. I watched the episode that was submitted for the Best Animated Episode Emmy. Even though I didn’t fully understand the story, the animation was so hauntingly beautiful that I couldn’t take my eyes away from the screen.

Voir (Netflix)

This Netflix show features various film critics talking about the movies that caused them to fall in love with cinema. I watched a bit on Wednesday. The first episode featured Sasha Stone talking about Jaws. This episode has been criticized, by many on Film Twitter, for focusing more on Sasha than on the film being reviewed. Of course, some people have said the same thing about my own reviews and I actually appreciated that Sasha acknowledged that falling in love with a film has lot to do with what’s going on in your own life at the time. The personal is important when discussing how we react to great art. (It should also be acknowledged that 95% of Film Twitter is never going to forgive Sasha Stone for not being a Bernie Sanders-loving socialist and that undoubtedly has something to do with the out-of-proportion criticism directed at her episode.) All in all, this is a good series and not worthy of the disdain that some have treated it with. I get the feeling that a lot of that disdain is fueled by critics who were not invited to participate.

We Need To Talk About Cosby (Showtime)

Indeed, we do. From W. Kamau Bell, We Need To Talk About Cosby is a four-part series about how Bill Cosby became a beloved media figure despite not really making any sort of an effort to hide his crimes. It looks at why Cosby was so important to so many people while also taking a harsh and honest look at the reality of who Bill Cosby actually is. Myself, I was lucky enough to grow up in a post-Cosby world but, after watching this show, I understand why so many people continue to struggle with the way they used to feel about Cosby.

What If….? (Disney Plus)

This is the MCU’s animated series, in which we visit alternate timelines and see what would happen if the heroes made different choices. The episode I watched featured Dr. Strange turning evil and basically destroying the universe. Yikes! It was effective, though. It helped that Benedict Cumberbatch, Rachel McAdams, and Tilda Swinton all lent their actual voices to the show, as opposed to Marvel trying to bring in sound-alikes.

Whose Line Is It Anyway? (The CW, Saturday Nights)

Hey, it’s improv! Improv is always uneven but it’s usually funny on Whose Line Is It Anyway. This show would probably be more acclaimed (or, at least, more prominent as an Emmy contender) if it wasn’t a CW show. Someday, though, the CW will break through! I have faith in you, CW!

Lisa Marie’s Week in Television: 6/5/22 — 6/11/22

Posted on June 11, 2022 by Lisa Marie Bowman

Yes, you are seeing this correctly. I watched next to zero television last week and the only new show that I watched was the latest episode of Barry. I’ve been busy cleaning around the house, listening to music, and writing this week. Usually, I use the television for background noise but this week, I listened to music. It was the right decision, I think.

Here’s a few thoughts on what little I watched this week:

Allo Allo (Sunday Night, PBS)

With the French Resistance broke and in desperate need of money, Michelle demanded that Rene hand over the painting of the Fallen Madonna With Big Boobies so that the Resistance could sell it. Unfortunately, Rene had already given the painting to Herr Flick so Michelle suggested that Rene break into Herr Flick’s dungeon and steal it back. Rene agreed, though his plan was to steal it and then sell it for himself as opposed to the Resistance. Meanwhile, Herr Flick deal with an official order to stop having sex while on duty and, as newspaper editor, Rene was tasked with helping to select the perfect model for The Spirit of Nouvion.

The important thing, of course, is that nothing worked out and, at the end of the show, the British airmen were still trapped in France,

Barry (Sunday Night, HBO)

This week’s episode of Barry was …. disquieting. While Gene filmed his hilariously over-the-top online acting class, Barry struggled to recover from being poisoned and Sally was fired from writing for the sitcom about the Medusas after she was filmed screaming the C-word at her former assistant. While Barry struggles with his own mortality, Sally seems to be heading for a very, very dark place.

That said, the episode was dominated by Stephen Root and his performance as Fuchces. Fuches has finally been arrested but, even while sitting in an interrogation room, he still managed to expertly manipulate everyone around him. He’s like a Southern-version of Hannibal Lecter. This episode made as a strong a case as any in the show’s history that Stephen Root deserves all the Emmys.

Full House (Sunday Evening, MeTV)

Starting as of late week, MeTV now only shows two episodes of Full House on Sundays and I do have to say that the show is more bearable when you only watch two at a time instead of four. Last Sunday, Joey took his crappy comedy act to Vegas and he reconciled with his father, who apparently was some sort of general or admiral. (Shades of Jim Morrison, I suppose.) In the second episode, DJ developed an eating disorder but, fortunately, all it took was for Danny to say a few understanding words and DJ snapped out of it. The episode had a good message but it would have been more effective if Aunt Becky had been the one to have the eating disorder talk with DJ.

King of the Hill (Hulu)

I watched three episodes, two on Tuesday and one on Friday. The two episodes on Tuesday both featured Bobby taking on eccentric hobbies that were nearly ruined by Hank, rose growing and dog dancing. Friday’s episode was one of my favorites: Minh, Nancy, and Peggy all run for school board and end up losing to the local kooky fundamentalist.

Seinfeld (Netflix)

On Friday, I rather randomly watched an episode where Kramer and George went to the airport to pick up Jerry and Elaine. Kramer saw his former roommate. George ended up trapped on a plane with a serial killer. Jerry got upgraded to first class while Elaine suffered the indignities of flying in coach. The episode made me laugh but it also made me want to fly somewhere. But only in first class!

Great Moments In Television History #19: CHiPs Skates With The Stars

Posted on May 31, 2022 by Jedadiah Leland

On September 22nd, 1979, NBC aired the premiere of the third season CHiPs. The show, which revolved around the hijinks of the members of the California Highway Patrol, was never a favorite of the critics but it was a hit with young audiences who didn’t know any better. For the start of the third season, the show paid those fans back with Roller Disco.

On this special, two-hour episode, Ponch (Erik Estrada) and Jon (Larry Wilcox) pursued thieves on roller skates while setting up the patrol’s annual charity benefit, which also involved roller skates. The plot was not as important as the epic finale, in which Baker and Captain Getear (Andrew Pine) greeted all of the local celebrities who showed up for the the charity roller disco. The scene is remembered for both the quality of the stars (Melissa Sue Anderson and Nancy Kulp!) and the excited announcer who spent the entire benefit shouting out names.

Behold, the 70s:

Previous Moments In Television History:

Lisa Marie’s Week In Television: 5/15/22 — 5/21/22

Posted on May 21, 2022 by Lisa Marie Bowman

We’ve been up at Lake Texoma for most of this week and, because I’m supposed to be relaxing, I didn’t take my usual detailed notes about what I watched this week so I apologize if this latest recap seems a bit …. well, skimpy. Trust me, though, I needed the break and the chance to recharge.

Anyway, here’s what I remember about what I watched this week:

A Very British Scandal (Prime)

This three-episode miniseries told the true story of the scandalous divorce of two aristocrats, who were played by Paul Bettany and Claire Foy. It was all enjoyably sordid and neither one of the two characters were likable enough for you to feel bad about their lives getting turned upside down. If you’re into melodrama with a British accent, you should enjoy A Very British Scandal. If nothing else, the clothes and the furniture were to die for and the miniseries served as a nice reminded that having a title didn’t necessarily mean someone was rich. Paul Bettany’s character may been a Duke but he still had to marry for money. In fact, he had to do it three times.

Allo Allo (PBS, Sunday Night)

I watched four episodes of Allo Allo on Sunday so I am happy to say that I am now caught up with the show. Despite Michelle’s efforts, the plan to send the British airmen out of France in a hot air balloon fizzled. A few episodes later, she decided to disguise the airmen as monks so that they could sneak past the Germans and board a secret flight to Germany. However, Rene decided to hop on the plane himself. He was hoping to escape with Yvette, just to find that Edith had misinterpreted his plans and …. well, look, I can’t really explain it all. What’s important is that Rene and Edith are now flying to the UK.

Atlanta (Thursday Night, FX)

The finale of this odd but intriguing season finally allowed Zazie Beetz a chance to shine as we discovered what Val has been doing in Europe while everything else has been going on. Come for the biting social commentary and surreal satire, stay for the Alexander Skarsgard cameo!

Barry (Sunday Night, HBO)

Barry blew up a house! And then Sally dumped Barry, which she probably should have done a lot earlier. At least Gene’s career is looking up.

Better Call Saul (Monday Night, AMC)

Jimmy and Kim continued to plot against Howard. The show is moving at its own deliberate pace but when you’ve got a cast this good, you can take all the time that you want. That said, I love Patrick Fabian’s performance as Howard so I hope he’ll be around just a little bit longer.

Beyond the Edge (Wednesday Night, CBS)

This vaguely silly but entertaining show came to an end this week. Colton Underwood won this season! Yay! I’m just happy all the celebrities survived.

The Brady Bunch (Sunday Morning, MeTV)

The theme of last Sunday’s Brady Bunch bloc was that Jan sucks. First, Jan thought she won an essay contest, just to discover that a mistake has been made while tabulating the scores. Then, Jan ended up stealing a bicycle because she needed glasses. That’s the same way I got my new car, by the way. Poor Jan! I hear it’s not easy being the middle sister. Fortunately, I’m the youngest Bowman sister so I’ve never had to worry about it.

Court Cam (Monday Night, A&E)

I watched one or two episodes. If I sound unsure, it’s because all of the episodes of Court Cam tend to blend together. Once you’ve seen one judge yelling at an incompetent lawyer, you’ve seen them all. Still, I do have to admit that I kind of enjoy this show. It’s always fun to watch people in authority make stupid mistakes.

Creepshow (Shudder)

On Thursday, I finally watched the first two episodes of the third season of Shudder’s horror anthology and I enjoyed both of them. Creepshow is the show that American Horror Story pretends to be.

The Curse of Degrassi (YouTube)

I watched this old favorite on Saturday night. Read my review here!

Full House (Sunday Afternoon, MeTV)

DJ went to the school dance but, when her date got caught drinking, Uncle Jesse blamed her! Not surprising, DJ was pissed off. And she should have been! Seriously, DJ never gets to have any fun. MeTV showed three other episodes, none of which I really remember.

The Last Drive-In (Friday Night, Shudder)

What better way to watch Nosferatu than with Joe Bob Briggs? Technically, I do think that Joe Bob goes on for a bit too long during his host segments but I really don’t mind. Joe Bob may pretend to be a redneck who tells dad jokes but, as he showed while discussing the career of Werner Herzog, he truly loves cinema and, even more importantly, he knows his stuff.

Law & Order (Thursday Night, NBC)

When an off-duty cop is killed, Nolan Price has to deal with pressure from both the NYPD and community as he prosecutes the defendant. This episode was typical of the Law & Order revival — compelling but heavy-handed. Is Sam ever going to get to do anything other than gaze adoringly at Nolan? The fact that, after several episodes, we still know nothing about her character, her background, or her opinions is a bit annoying. The episode ended with the defendant acquitted on one count and convicted on another and the entire city still angry. It was all appropriately bleak. Also, Mariska Hargitay made a cameo appearance and basically came across like she couldn’t wait to get back to SVU.

The Love Boat (Sunday Evening, MeTV)

Gopher taught everyone on the boat how to perform CPR. Good going, Gopher!

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

We Own This City (Monday Night, HBO)

This week’s episode of We Own This City dealt with the Freddie Gray uprising. It made for compelling viewing and Jon Bernthal and Josh Charles continued to give good performances as two men who epitomized everything that people dislike about cops. Still, I wish the timeline was a bit less jumbled and the scenes with the Justice Department investigators continue to be a bit of a slog. Overall, though, this is a worthwhile show. Just don’t watch it with the expectation that it’s going to be the second coming of The Wire.

Scenes I Love: Berkman Goes Boom from Barry

Posted on May 16, 2022 by Lisa Marie Bowman

Today’s scene that I love is a fairly recent one.

On Sunday’s episode of HBO’s Barry, hitman-turned-actor Barry Berkman (played by Bill Hader) accepted a contract to blow up a house and the Bolivian gangsters within. He was given a bomb which had been purchased on the Dark Web and which, unfortunately, had been programmed to continually repeat a phrase in Japanese. He was also given the Detonator App (developed by KABOOM), which would allow him to remotely detonate the bomb.

The only problem is that the app didn’t seem to be working and as Barry tried to figure out why, some of the gangsters heard the bomb “speaking” underneath the house. Meanwhile, Fernando — who was not supposed to be in the house when the bomb went off — showed up to talk to his father-in-law. While Fernando discovered that his own secrets were no longer secret, Barry wondered if he would even be able to get the bomb to go off.

Customer service to the rescue!

As I said, I saw this scene on Sunday and, as Monday comes to a close, I’m still laughing about it. It almost makes me want to get a job at Kaboom. This is a wonderfully executed and detailed scene and one of the best that I’ve seen so far this year.

“Alright, sounds like we were successful….”

Lisa Marie’s Week In Television — 5/8/22 — 5/14/22

Posted on May 14, 2022 by Lisa Marie Bowman

Let’s get to it.

Atlanta (Thursday Night, FX)

Atlanta has been pretty evenly split, this season, between “anthology” episodes and the episodes that follow Earn and Al in Europe. It’s an interesting format but, as I watched this week’s anthology episode, I really found myself thinking about much more interested I am in what’s going on in Europe. This week’s episode was filmed in gorgeous black-and-white but the story of a biracial teen passing as white was nowhere near as interesting as what happened to Al in Amsterdam last week.

Barry (Sunday Night, HBO)

This week, Barry attempted to make things up to Gene by getting him a role on a plausibly terrible television show. Unfortunately, for Barry, it turned out that Gene isn’t just going to forget about Barry murdering his girlfriend in return for a role. Meanwhile, Sally was forced to take part in a series of vacuous interviews in order to promote her new television series. Everyone wants to know: “Who should be the next Spider-Man?”

Better Call Saul (Monday Night, AMC)

This week, we got to see what Saul’s office was like before he redecorated it. It was kind of a slow episode. Better Call Saul is always watchable because of the performers but its status as a prequel also means that there’s a certain lack of suspense as to what’s going to happen to everyone. Still, this week’s episode was worth it for the boxing scene.

Beyond the Edge (Wednesday Night, CBS)

The remaining celebrities continued to try to survive living in the jungle. Jodie Sweetin finally ran the bell and removed herself from the show, just leaving a bunch of former pro athletes to continue the competition. I don’t blame her. Jodie lasted longer than I would have.

The Brady Bunch (Sunday Morning, MeTV)

I don’t remember anything that happened during last Sunday’s Brady Bunch episodes so I guess I should count myself lucky.

Candy (Hulu)

I reviewed Hulu’s latest true crime miniseries here!

Dynasty (Friday Night, The CW)

Having missed most of the latest season, I finally got caught up on Dynasty this week and I was reminded of why I enjoy this wonderfully over-the-top and self-aware show. Unfortunately, no sooner was I caught up than the CW announced that they were canceling the show. Booooo!

Fantasy Island (Hulu)

Several months after watching the pilot, I finally watched the rest of Fantasy Island’s 1st season this week. It’s an extremely silly but fun show. Roselyn Sanchez plays her role with just the right mix of gravitas and mockery. The show’s a bit heavy-handed at times but I think that’s to be expected. The island looks lovely and the fantasies themselves are ultimately harmless and good-natured and that’s all the really matters.

Full House (Sunday Afternoon, MeTV)

If I remember correctly, Jesse was worried that he was losing his cool and Joey said, “Cut it out.”

Ghosts (Paramount Plus)

I finished binging the first season of Ghosts on Monday and Tuesday. What a sweet show! I’m kind of amazed that it took me so long to give this show a chance. I’ll be curious to see what happens with the second season. Hopefully, the show can keep up its momentum.

Law & Order (Thursday Night, NBC)

“This story is fictional….”

Yeah, whatever. This week’s episode started out as an homage to Inventing Anna and then it ended as an homage to Dopesick. Price decided to make a deal with a murderer so that he could then prosecute the owner of a pharmaceutical company. It was all because Price’s brother died of a drug overdose. To be honest, Price didn’t really make his case and he should have been fired for wasting tax payer money on a personal crusade. But the jury disagreed. It may sound like I’m trashing this episode but it was actually pretty well-acted and I actually appreciated that it totally turned into a different story during the second half. That said, I don’t think the Law & Order revival will ever be known for having a particularly nuanced political outlook.

The Love Boat (Sunday Evening, MeTV)

Vicki discovered that one of the passengers was hooked on speed. Luckily, everything worked out in the end.

Survivor (Wednesday Night, CBS)

I reviewed the latest twist-filled episode of Survivor here!

We Own This City (Monday Night, HBO)

It was a pretty boring episode this week. The cast is convincing and Baltimore continues to be a fascinating portrait of the American Dream gone bad but David Simon doesn’t really seem to have much to say, beyond pointing out that cops are bad and federal investigators are underfunded.

Miniseries Review: Candy

Posted on May 14, 2022 by Lisa Marie Bowman

It’s strange how things work out.

In 1980, something terrible occurred in the town of Wylie, Texas. Candy Montgomery, who was a Sunday School teacher and who had what seemed like the ideal life, killed Betty Gore. Betty was reportedly one of Candy’s closest friends but Candy still ended up striking her 41 times with an axe. After Candy was arrested, she revealed that she had cheated with Betty’s husband. She also said that she attacked Betty in self-defense. At her trial, she was ultimately found not guilty.

It was one of those small town scandals that the media tends to love and, 42 years after it all happened, it’s still spoken of down here in Texas. Every five years or so, there’s a big “where are they now?” article in the Dallas Morning News. Betty’s widowed husband married a woman that he started dating a few weeks after Betty’s death. Candy’s lawyer, Don Crowder, tried to launch a political career and, when that failed, got addicted to cocaine and ended up committing suicide. As for Candy, she divorced the husband who stood with her through the trial and apparently now lives, under a new name, in another town.

Still, despite the case’s continuing notoriety in Texas, I was recently a bit surprised to learn that there was not one but two Candy Montgomery miniseries in development. HBO has Love and Death, which stars Elizabeth Olsen as Candy. Love and Death is scheduled to come out later this year and it’ll probably suck because it’s written by David E. Kelley and this is exactly the type of story that’s going to bring out all of his worst instincts. Meanwhile, Hulu produced Candy, starring Jessica Biel as Candy and Melanie Lynesky as Betty Gore.

Candy aired, over five nights, last week and I have to say that Hulu did a good job of presenting the story. I’m usually a bit cynical about true crime miniseries (especially ones that are set in small town Texas in the late 70s) but Candy was actually really good. The first episode featured a somewhat frazzled but always smiling Candy as she tried to balance a day that included swim lessons, bible school, taking the kids to see The Empire Strikes Back, and, of course, killing her best friend. The final episode featured the courtroom drama, in which the ghost of Betty Gore could only watch as Candy Montgomery made herself the center of the tragedy. In between, Candy provided a portrait of small-town life, church gossip, a mid-life crisis, and a lot of shag carpeting and wood paneling. The miniseries balanced melodrama with satire but it also worked as a portrait of a group of people who all realized that their lives hadn’t turned out the way that they wanted them too. Both Candy and Betty are portrayed as being frustrated and dissatisfied with what the world has to offer them. The difference is that, while Betty wears her pain for all to see, Candy hides everything behind a quick smile and a superficially friendly manner. In the end, one gets the feeling that Candy was acquitted because no one wanted to believe that someone who seemed so perfect could do something so horrific.

Candy is also well-served by its cast. Melanie Lynesky is often heart-breaking as Betty Gore, while also still playing her with just enough anger that Candy’s story of being attacked is not easy to dismiss. Jessica Biel keeps you guessing as Candy, playing her as someone who you would probably want to be friends with, even though you can’t help but suspect that she would also probably gossip about you behind your back. Timothy Simons and Pablo Schrieber are well-cast as Candy and Betty’s clueless husbands. Simons especially deserves some credit for generating sympathy for a character who, as written, could have been portrayed as just being a caricature. And yes, Justin Timberlake does show up as the deputy who investigated the crime. While it does feel a bit like stunt casting, Timberlake is convincing once you get used to the 70s porn mustache.

Though it aired without the fanfare that greeted other Hulu miniseries like Dopesick, Pam & Tommy, and The Girl From Plainville, Candy is a compulsively watchable and, at times, even thought-provoking work of true crime. Without any of the slow spots that marred The Girl From Plainville or Dopesick‘s preachiness, Candy is definitely one that will benefit from being binged. Check it out the next time you have five hours to kill.

Lisa Marie’s Week In Television: 5/1/22 — 5/7/22

Posted on May 7, 2022 by Lisa Marie Bowman

Why didn’t anyone tell me that Ghosts was so good!? Over the past few days, I’ve been watching it and loving it.

Anyway, here’s some more thoughts on my week in television!

Atlanta (Thursday Night, FX)

During this week’s funny but unsettling episode, Al got stoned in Amsterdam. It’s possible that he met a mysterious women named Lorraine who warned him about the people around him and who took him to a club where he met Liam Neeson. It’s also possible that Al hallucinated the whole thing while passed out in a doorway.

Barry (Sunday Night, HBO)

The latest episode of Barry really, really freaked me out. Basically, Barry found himself with two options. He could either get Gene a role on a TV show in order to make up for killing Gene’s girlfriend or he could just kill Gene. Barry was determined to give Gene a second chance and, by extension, himself a second chance. Barry was trying to do the right thing. The problem is that Barry is a sociopath who is trying to be the good person that he is incapable of being.

This episode was all about abusive relationships. Sally is trying to produce her dramedy about her own abusive relationship but she doesn’t seem to understand that her current relationship with Barry is just as abusive as the one she escaped. (The scene where Barry yelled at her for not casting Gene was legitimately scary.) Barry is trying to recover from his abusive relationship with Fuches, little realizing that he’s repeating Fuches’s behavior with the way that he’s manipulating Gene. Is Gene going to end up becoming a hit man by the end of this season? It could happen. Meanwhile, the only vaguely healthy relationship on the show, between Noho Hank and Cristobal, came to an end due to them being members of rival criminal gangs.

Bill Hader continues to astound as Barry. He’s both sincere and terrifying. Barry truly believes that he’s capable of doing the right thing even though we know he isn’t. This week’s episode reminded us that Barry can be a scary guy. When he indicated that he would kill Gene’s grandson if Gene didn’t accept the role that Barry had gotten for him, it was a chilling moment. I’ll never look at Barry the same way again.

Better Call Saul (Monday Night, AMC)

Rhea Seehorn directed this week’s episode of Better Call Saul, which featured both Jimmy’s continuing efforts to destroy Howard’s career and also his move into his new office. Meanwhile, Gus and Mike continued to search for evidence of Lalo still being alive. This was a well-done episode, one that did a good job of showing how Jimmy McGill transformed into the Saul Goodman who would later be hired by Walter White.

The Brady Bunch (Sunday Morning, MeTV)

Oh no! Marcia lost her diary! However, this somehow led to her meeting Davy Jones so I guess everything worked out. This was followed by an episode in which the kids were worried that Mike and Carol were going to sell the house so they pretended to be ghosts. Then, Carol and Mike had tickets to a show and Alice had a date so Greg and Marcia were left in charge of the house. Disaster followed. Then, during Sunday’s fourth episode, Marcia was accused of pulling a prank by her school’s principal. The principal was played by the distinguished character actor, E.G. Marshall. One can only guess how Marshall felt about going from Broadway and Oscar-nominated films like 12 Angry Men to appearing on The Brady Bunch. Actually, he was probably happy for the money. I hope Marshall was paid well because he definitely classed up the joint.

Full House (Sunday Afternoon, MeTV)

MeTV aired 4 episodes of Full House on Sunday and I’m struggling to remember much about any of them. In the first episode, Jesse was worried that he wasn’t smart enough for Rebecca and he proved that he wasn’t by acting stupid. Rebecca, however, forgave him. Then, Michelle and Kimmy ended up babysitting some bratty kid who got his head stuck in a bannister. This was followed by an episode in which Danny started dating again and managed to forgive his date for having a messy apartment. And then, in our final episode, Michelle started preschool and accidentally set the class’s pet bird free. So, Danny bought a new bird and demanded that everyone be nice to his daughter, despite the fact that she was kind of a self-centered brat.

Ghosts (Thursday Night, CBS)

What a charming show! For some reason, I was under the impression that Ghosts was just another gimmicky show but I finally sat down and binged the first eleven episodes on Paramount Plus and I discovered that I was totally wrong. This is really a sweet, witty, intelligent, and well-acted show and one of my favorites of the season. I loved the episode where Sam went to see her mom. That made me tear up. As for my favorite ghost …. Trevor. Yep, it has to be Trevor.

The Girl From Plainville (Hulu)

This frustratingly uneven miniseries came to a close this week. The final episode dealt with the day that Conrad committed suicide and also Michelle’s final days before heading to prison. Considering just how inconsistent this show has been, the finale was actually pretty effective. The lengthy fantasy sequence, in which Michelle imagined running into Conrad at a bar while home from the college that, in reality, she’ll never get to attend, worked far better than it had any right to. In the end, this miniseries didn’t have much to tell us about the suicide of Conrad Roy that we didn’t already know but it did work as a showcase for the talents of Elle Fanning and Colton Ryan.

Law & Order (Thursday Night, NBC)

I have to admit that, when this week’s episode of Law & Order started, I rolled my eyes when it appeared that the main villain was going to be a barely disguised version of Elon Musk. But then it turned out that guy was just a red herring and the accused instead turned out to be a former State Department employee who claimed that he couldn’t control his actions because of Havana Syndrome. To my great surprise, this turned out to be the the best episode of the season so far, largely because the prosecution finally lost a case and Price was left to wonder if it was largely due to his own self-righteous approach to the law. Sam Waterston finally got a few good scenes too. The Law & Order revival has, for the most part, been uneven but I do think that it’s been getting better.

The Love Boat (Sunday Afternoon, MeTV)

A famous actress took a cruise and fell for Captain Stubing. Unfortunately, not even the promise of being wealthy and secure could convince the captain to give up the sea.

M*A*S*H* (Weekday Evenings, MeTV)

On Sunday, I watched two episodes of this old sitcom. The first one featured an obnoxious surgeon from Arkansas, who got in trouble for trying to steal Col. Potter’s horse. The second was a bit more dramatic, as a friend of Hawkeye’s died on the operating table and a teenage Ron Howard appeared as a soldier who lied about his age in order to enlist. In the past, I’ve found M*A*S*H to be a bit too preachy for my tastes but this was actually a pretty effective and well-acted episode.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

We Own The City (Monday Night, HBO)

The second episode of David Simon’s latest miniseries about Baltimore was as compelling and as packed with detail as the first. While setting in his jail cell, Jon Bernthal’s Wayne Jenkins remembered the process by which he went from being a relatively honest cop to being the poster child for police corruption. Nicole Steele continued her investigation of Daniel Hersl. In the role of Hersl, Josh Charles only appeared during the final few minutes of the episode but he still made a huge impression as the epitome of everything that people tend to dislike about the cops. I look forward to seeing where this series is heading.

Here’s The Trailer for House of The Dragon

Posted on May 5, 2022 by Lisa Marie Bowman

HBOMax’s House of the Dragon is scheduled to premiere on August 21st. I’ll be curious to see what kind of reception is given to this Game of Thrones prequel. The finale of GoT left a sour taste in the mouths of many fans and it’s still one of those topics that you don’t dare mention on twitter unless you want to risk finding yourself in the middle of a very passionate debate. Nearly everyone seems to agree that, after all the build-up, ending with Bram the Broken ruling the kingdom was a bit of a letdown. I’ll be curious to see if those disappointed by how GoT wrapped up will still be willing to give House of the Dragon a chance. Or have we all moved on?

Personally, I think the trailer looks intriguing. And speaking of trailers, here it is:

Lisa Marie’s Week In Television: 4/24/22 — 4/30/22

Posted on April 30, 2022 by Lisa Marie Bowman

I saw some pretty good things this week. Barry is back. We Own This City looks like it’s going to be a worthy follow-up to The Wire. I finally binged the first season of Abbott Elementary. Here’s some thoughts on what I watched:

61st Street (Sunday Night, AMC)

As of this point, I really don’t see 61st Street becoming anything more than a second-rate version of The Wire so I think I’m done with it. As I said last week, I think the show would be fine if it was just about Courtney B. Vance and his family but the show is trying to tackle too much in its first season. The best shows develop naturally whereas 61st Street has been overstuffed since the beginning.

Abbott Elementary (Hulu)

Throughout this week, I binged the first season of ABC’s Abbot Elementary on Hulu. A comedic mockumentary about the teachers at a Philadelphia public school, Abbott Elementary owes a bit of a debt to The Office but, at the same time, it also quickly established an identity of its own. It was a good, heartfelt comedy, one that made a point about the importance of supporting teachers without ever committing the Parks and Rec sin of getting preachy or self-satisfied. Of the ensemble cast, Sheryl Lee Ralph and Janelle James were the stand-outs but really, everyone did a good job of bringing their characters to wonderful life. I look forward to season 2!

Allo Allo (Sunday Night, PBS)

How to get the British airmen out of France? How about sending them up in a Helium balloon? But how to keep the Germans from noticing the balloon? How about moving up the wedding of Fanny and Ernest LeClerc? Sure, why not? It didn’t necessarily make any sense but I’m used to that by now. The episode ended with the wedding and the release of what Officer Crabtree called a “carrier podgeon.” I suppose that next Sunday, I’ll learn why this latest attempt to rescue the airmen failed.

Atlanta (Thursday, FX)

This week’s episode of Atlanta was another stand-alone episode dealing with white people struggling to understand black culture. This time, the story dealt with a wealthy New York couple who, while attending the funeral of their Trinidadian nanny, discover that not only was she more of a parental figure to their son than they were but that she was also so busy raising the children of wealthy white people that she missed out on raising her own children. Chet Hanks had an odd but somehow appropriate cameo as one of the people who the nanny had raised.

It was an okay episode and, unlike the other stand-alone episodes, it was clearly not a dream. (For the same of continuity, posters advertising Paper Boi’s tour are visible during one scene.) The humor and the satire was still sharp but also notably gentler this week than it’s been all season. That said, this episode felt like a clear follow-up to White Fashion, with its portrayal of neglectful white parents who use people of color to raise their children but who, at the same time, can’t even be bothered to learn anything about their nanny’s life or culture.

Barry (Sunday Night, HBO)

Barry’s back! After all the excitement of last season’s finale, the new season Barry opened with everyone stuck in the same rut. Barry is auditioning for roles and still killing people for money. Sally is working on her television series. NoHo Hank is struggling to be a gangster. Gene is in mourning and looking for revenge. (I loved the fact that his gun was a gift from Rip Torn.) Fuches is in Chechnya, eating cereal. The first episode served its purpose. It reintroduced us to the characters (due to the Pandemic, there was a long delay between the 2nd and 3rd seasons) and reminded us of why we watch them in the first place. Bill Hader both directed and starred and showed once again that he is a talent to be reckoned with.

Better Call Saul (Monday Night, AMC)

Better Call Saul is an enthralling show, even if I’m often left a little bit confused as to what exactly is going on. Bob Odenkirk is brilliant, though this week’s episode was dominated by Michael Mando in the role of the intimidating but ultimately tragic Nacho. Perhaps because we know what’s going to happen to the majority of the characters once Walter White shows up, the shadow of death hangs even heavier over Better Call Saul than it did over Breaking Bad.

The Brady Bunch (Sunday Morning, MeTV)

Upset that his children were tying up the phone, Mike Brady came up with the brilliant idea of installing a pay phone in the house. How did that even work? Who installed the phone? Who collected the money? Seriously, this was one of Mike’s worst ideas and he was never held responsible for it.

This was followed by an episode in which Bobby got it into his head that Carol was going to kill him so he tried to run away. Would anyone have missed Bobby in that crowded house? This was followed by an episode in which Marcia got braces and the world world stopped while everyone tried to make her feel better. (Good for them! I never needed braces, by the way.) The fourth episode of MeTV’s bloc of Brady programming featured Peter saving a little girl from being crushed by a collapsing wall. Peter was a hero but he let it go to his head. Mike had to remind Peter that he was still only the middle child and, as such, had no right to feel good about anything.

Full House (Sunday Afternoon, MeTV)

I missed last week’s bloc of Full House but I get the feeling that once you’ve seen one episode of this show, you’ve seen them all. The first episode of Sunday’s bloc was yet another one where Jesse was worried that he was no longer as cool as he had once been. After being ridiculed by his old friend Scott Baio, Jesse hopped on his motorcycle and drove up to the roof of a building. Apparently, he planned to jump from one roof to another. Rebecca, however, talked him down. The funniest thing about this episode was the discovery that Jesse’s nickname was once “Dr. Dare.” Like, seriously, I get the feeling that Jesse’s fiends were probably making fun of him when they gave him that nickname.

This was followed by an episode in which Michelle’s third birthday party was ruined by the combined stupidity of Jesse and Stephanie. Michelle may have said she was happy celebrating her birthday in that dirty gas station but she was lying big time. The next episode featured Stephanie panicking due to an earthquake and Danny eventually taking her to a therapist so that she could discuss her feelings. Luckily, it only took five minutes to cure Stephanie of her anxiety. The day’s final episode found Joey and Jesse once again struggling to write a jingle together. Meanwhile, the family’s new dog, destroyed Stephanie’s childhood toy but no one cared because Stephanie’s the middle child.

The Girl From Plainville (Hulu)

Much last week, this week’s episode of The Girl From Plainville got bogged down with a lot of boring courtroom dramatics. Still, the final scene, with Michelle Carter fantasizing about her sister singing Teenage Dirtbag, was nicely done. The Girl From Plainville seems like it would be a fine miniseries if it was only four episodes long but, at eight episodes, it just feels a bit too overextended.

Happy Days (Weekday Evening, MeTV)

I watched Happy Days on Monday, Tuesday, and Wednesday, despite the fact that the continuing popularity of this show has always escaped me. The reason I watched is because it was the three-part episode in which the Cunninghams and Fonzie went to California and Fonzie ended up proving his courage by putting on water skis and jumping over a shark. It was an important moment in pop cultural history so I felt it was important that I watch. Fortunately, Fonzie made it over the shark and Richie realized that he would rather be a journalist than an actor.

King of the Hill (Weekday Afternoons, FXX)

On Tuesday, I watched the episode where Jimmy Carter tried to heal Hank and Cotton’s relationship. It’s a classic episode, if just for Hank and Cotton’s disdainful comments as Jimmy and his secret service detail fled the scene. “Why, that’s was just a one-term peanut farmer.” “The man wore a sweater.” Take that, Carter!

On Wednesday, I watched four episodes. Hank carried the Olympic torch and learned that it was okay to be happy. Peggy overthrew the tyrannical king of a Renaissance Faire. (Alan Rickman voiced the king, which was pretty neat.) Connie and the Dale Gribble Bluegrass Experience went to Branson, where Bobby sold a joke to comedian Yakov Smirnoff. Peggy was conned out of her retirement savings but she got the money back. Yay!

Law & Order (Thursday Night, NBC)

The headmaster of an exclusive private school has been shot! Was it because he was too woke? Nope, it turns out that he was shot by a troubled student. The D.A.’s office decided to charge both the student and the student’s father. Personally, I found their actions to be legally dubious but the jury disagreed. D.A. Jack McCoy was okay with manipulating legal statutes but I don’t think Adam Schiff nor Arthur Branch would have been happy with what his office ended up doing.

Open All Hours (Sunday Night, PBS)

Granville’s broom fell apart and Nurse Gladys Emmanuel needed a new washing machine. In the end, no one got what they needed. That’s what happens when you’re open all hours.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

T.J. Hooker (Saturday, Decades TV)

William Shatner is a tough cop who speaks in a very dramatic fashion. I was doing some work in my office on Saturday so I had this old 80s cop show playing in the background. (Decades TV was apparently celebrating the 80s with a TJ Hooker marathon.) The episodes kind of blended together but watching Shatner back when he was still taking himself seriously is always fun.

We Own This City (Monday Night, HBO)

The latest Baltimore-set miniseries from David Simon and The Wire crew, We Own This City premiered this week and the first episode proved to be, in typical Simon fashion, both frustrating and fascinating. The show’s political asides were heavy-handed but it’s depiction of a troubled American city was heart-breaking. Simon has never flinched from showing how political corruption, racism, poverty, and crime all come together to create a destructive cycle that’s impossible to escape. Because happy endings are nearly nonexistent, Simon’s show can be difficult to watch but each one is something that should be watched. As for We Own The City, this miniseries deals with police corruption in the wake of the death of Freddie Gray and the subsequent uprising. Out of the large ensemble cast, Jon Bernthal and Josh Charles are early stand-outs.