Ghosts of Christmas Past #13: Dragnet 2.7 “The Big .22 Rifle For Christmas”


Today’s Ghost of Christmas Past was originally broadcast in 1952 and it’s certainly a lot more serious than anything that The Brady Bunch ever had to deal with.

In this episode of the early police procedural Dragnet, two cops search for two young boys who have disappeared on Christmas.  Ominously, one of the boys has received a present — a .22 caliber rifle.

The Big .22 Rifle For Christmas was originally broadcast on December 18th, 1952 and it remains effective even 60 years later.

TV Recap: Marvel’s Agents of S.H.I.E.L.D. Episode #10, “The Bridge”


AgentsofSHIELDSoon, Agents of S.H.I.E.L.D. takes a short break, gone for the holiday season, and into January. Will we miss it? Perhaps this week’s “mid-season cliffhanger” will determine that answer! Now, without further preamble, let’s discuss it.

But what’s this? We are greeted by a hitherto unused pre-episode “Previously on…” segment! Ah, I see what they did there, they’re reminding us that there are some ongoing plots in this show! I remember some of them! Something tells me that this episode could be connected to such disparate elements as “Project Centipede” and its beautiful evil lady doctors, Coulson’s fate during “The Avengers”, and also Skye is a character we see occasionally!

Cold open? Yes, please!

A middle aged man (Cullen Douglas) is eating a meal in the corner of the prison cafeteria. It is peaceful. But not for long! Danger men explode through the roof, dropping on lines! Also they have super powers, and easily overcome the guards! During the action, we note that one of them has the characteristic implant that both grants super powers and has traditionally turned people into living explosives. Also, it is vaguely reminiscent of a centipede! Our middle aged man continues to eat his meal during the action sequence, then is approached by one of these dangermen! “Time to go, sir,” is quipped. Ruh-roh. Soon, the whole party evacuates via helicopter, and our episode can truly begin.

Act One!

Aboard the S.H.I.E.L.D. plane, Skye is trying to research the identities of her parents. It seems like she has a lot of data to sift through. She asks Coulson to remove her tracking bracelet and give her access to some more restricted files, but he refuses. Instead, he has asked Agent May to look into some top secret stuff on Skye’s behalf. Meanwhile, May and Ward are brawling. May wins, then Ward awkwardly references their sexual escapades, which annoys May. I can tell because she looked slightly more disapproving than usual, and said something abrupt. Okay, so it’s not that compelling. Still, I think she was annoyed!

In the mission briefing, the team is super unexcited to learn that Project Centipede’s guys now number at least three super soldiers, and that no matter how many Centipede labs they blow up, the group keeps re-emerging. The middle aged man they broke out of prison is named Poe. He’s ex-military, a total psychopath, but also an expert on strategy and tactics. This is also a problem, in S.H.I.E.L.D.’s estimation. Luckily, Coulson says, they have backup! It is not a team, it is one guy! It is someone we’ve met before! …. It is Mike Peterson (J. August Richards)! Some will remember him from the pilot episode of the series, when he gained super powers and went amok with them. He’s reformed, since then, and has been training with S.H.I.E.L.D. to become an agent. Does everyone want to join these days? Skye had kind of a moment where she realized that working for S.H.I.E.L.D. was exactly what she had wanted to do with her life somehow (of course, because her characterization is so inconsistent, we have no idea if this was ever true, or just a heat of the moment thing) and Mike Peterson really sees the light now! He wants to do better things and be a better man and… Agent May is not thrilled to see him when he boards the plane. Coulson explains that it’s probably because Peterson threw her into a wall during their last meeting. Peterson seems bummed by that recollection, but also seems open to confronting what happened. So that’s good, I guess. Well-adjusted people are always welcome. Coulson says that everyone deserves a second chance, but that Peterson will not get a third!

Upstairs, Ward, Fitz-Simmons, and Skye are discussing the Mike Peterson situation. Ward is elucidating his concerns about Mike Peterson when Peterson and Coulson arrive. Remember how Mike tried to kill the whole team off in the pilot? If you didn’t know before, you know now! It’s nice that all of the story you need is rehashed here in this episode, so even if you didn’t see the pilot, you won’t be confused! Hooray television! Skye liked Mike all along. She thinks he’s a good guy, and asks about his son. Mike admits that he has left his son in the care of his sister while he does his thing. I’m sure we’ll hear more about this later. No luck locating Poe yet, but Simmons has a possible lead on one of the Centipede soldiers, who has a living relative, a sister at the University of Ohio. Coulson and Ward decide to go talk to her.

In the lab, Simmons is taking Peterson’s measurements, and openly admiring his lean physique. Fitz is jealous, and acting like a weirdo. Peterson explains that it was the weapon developed by Fitz-Simmons which pacified the Extremis virus (I do not remember what this is! It feels like an important plot point!) in his Centipede implant and prevented him from literally becoming a human bomb. So I guess he’s not going to explode on the plane. This is also probably good news for everyone involved.

Coulson and Ward are driving to the University of Ohio in… a red convertible! Good job on avoiding the “inconspicuous” black Actionmobile, guys! Coulson tells the story of his lady friend, the cellist (who he referenced in, at least, The Avengers, if not other films) from the Portland symphony. It’s yet another thing that Coulson lost when he died, and was forced to maintain the charade of his death for months afterwards. It’s kind of a downer moment.

Aboard the plane, May and Skye meet. Skye thanks May for helping with the whole “identity of her parents” thing. May is impatient, they’re on a mission, blah blah. Skye has something related to that, too. She went through Poe’s prison record and found that he only had one visitor, a pretty girl. The girl never looks at the camera, but using S.H.I.E.L.D.’s handy-dandy lip reading program, Skye was able to reconstruct one sentence from Poe: “The clairvoyant does not like to be touched”. Whatever that means. Anyway, Skye doesn’t know who the girl is, but the timely arrival of Mike Peterson soon straightens that out: The girl’s name is Raina. She was the eponymous Girl in the Flower Dress from episode 5, and she came to Mike too, offering to change his life. That’s how he got involved in Project Centipede to begin with! Ah-hah! The game’s afoot! The pieces are falling into place!

Meanwhile, at the abandoned warehouse headquarters of Project Centipede, our man Poe is enjoying a meal. Raina shows up, they walk, they talk. The Clairvoyant cannot help them find the man Raina needs, a man who ostensibly has the key to ‘stage 3’. You know, whatever that is. She does imply that they’ve managed to stabilize the Centipede serum on their own, which is good I guess. You know, for everyone involved. Using the serum has unbelievably draining effects on their super soldiers, though, who are drinking “Gatorade” and looking completely miserable in what amounts to a full hospital setup. Raina says that they require regular injections of the serum, and that everything is made more difficult when they have to constantly run from S.H.I.E.L.D.. Poe’s solution? Let’s stop running. Also, apparently their new super soldiers have a bunch of Centipede devices, unlike the single one on Mike’s arm. This revelation is accompanied by ominous music! Let us not underestimate its meaning!

At OU, Ward approaches the sister claiming to be from the Ohio State Gaming commission, and pitches a ridiculous lottery story. Coulson explains that this is because they don’t care about the sister per se, they just want her to call her brother. She obligingly does, and gives them a location in Oakland, California. Back to the plane!

On the plane, Skye checks in on Mike, to talk about his son. They’re really playing up this ‘son’ thing. I wonder if that means it’s going to come up later in the episode? Hmm… Coulson arrives, says the time for Mike to get his second shot has now arrived! Mike suits up, in the supersuit that Fitz-Simmons sized him out for. Coulson has a plan. It involves going in quietly, two agents from either side of the facility. This time, they don’t want to just roll in and blow the place up…this time, Coulson wants answers. Of course, when the team arrives, the place is deserted. Or is it? No, it’s an ambush of course, of course! Three super soldiers against Mike Peterson, and agents Coulson, May, and Ward. Coulson manages to pop one of them with the weapon they used to take Peterson down in the pilot, but it has a minimal effect. Ward and May are outmatched by their opponent’s physical strength, though not necessarily his technique. Peterson gets a side full of metal rod, but manages to rally and downs one of the three enemy combatants, the famous (infamous? no-no-no-notorious?) Brian Hayward. With Ward and May still in fighting shape and Mike still on his feet, the other two super soldiers flee. The famous (and now, also, luckless) Hayward is executed by his masters at Project Centipede.

Speaking of Centipede, they’re looking out what was apparently a camera in Hayward’s eye. They get a blurry image of Coulson and Peterson. Poe says that the man they’re looking at is the key to the mysterious ‘stage 3’.

Aboard the plane, the gang is talking things over. Peterson is intrigued, but horrified, at the idea that the super soldiers are being controlled by Project Centipede through their ocular implants. Coulson clarifies that they were getting orders, which is why they fell back when they did. They’ve seen this eye technology before, in a former Agent named Akela Amadour (the subject of Episode 4). So the eye implant isn’t mind control, per se, just a remote execution device. Great. Coulson wants to track the eyeball tech, but Skye says that it has been refined, and the signal is now untraceable. Of course it is!

Poe and Raina are in the car. Raina wants to know more about the Clairvoyant, and Poe makes a bunch of generic threats. It adds to the running time.

Aboard the plane, Ward and May argue. She’s mad because she thinks Ward deliberately took a punch for her. He admits that while that’s true, he did it because she is faster than him, and given the physical strength of the enemy combatants, that means she needs to be up and on her feet more than he does. She reluctantly accedes to this explanation. Ward is flippant, then bounces! Skye arrives. May doesn’t feel like talking about her parents, and feels like Skye shouldn’t waste time thinking about them either. Also, she admits that Coulson doesn’t want Skye to learn ‘the truth’. Don’t worry, there’s no chance that plot is getting resolved in this episode! Skye is still upset after the encounter. Probably because May was a total bitch to her. Coulson was going to drop by for a chat, but thinks better of it when he hears sobs.

Instead, Coulson is talking to Mike Peterson, who is wounded, and says he’s going to be out of the action for a while. Coulson is concerned that Mike won’t take time out of his training even to see his son. Mike obviously is still working through some stuff from the whole ‘homicidal rampage’ incident. He wants to be able to look his son in the eye and not feel ashamed, etc. Wow, we sure are talking a lot about Mike’s son, aren’t we? Mike suggests his boy might be better off without him. Coulson disagrees. He explains that he, and others, have made the hard choice, to be part of S.H.I.E.L.D. and never have a normal life… but for Mike, it’s different. He already has a son. Man, still about the son! That’s weird.

Mike calls home to talk to his son. Raina is there!? Ominous music! How unexpected! I didn’t see this coming at all!

The bad guys have set up a meet. The trade is for Mike, in exchange for his son. They’re going to murder the boy if the team makes even one misstep, which includes armed backup, hostage rescue teams, or electronic surveillance. Fitz has a non-electronic pheromone thing or something that will let them track Mike without giving themselves away. They’re going to make the exchange as planned, and hope Mike can hang on until they come to save him.

At the meet, May wants to escort Peterson to the rendezvous. Coulson says that Mike asked him to do it, and he’s agreed. May doesn’t like it. Coulson and his desire to be on the front lines of things! Ward’s on overwatch with a high powered sniper rifle. Everyone else is in kind of a holding pattern.

At the meet, Raina tries to make small talk. For some reason, nobody likes her. Also, it turns out the arrangement was actually to trade Mike’s son Ace for Coulson. Mike decides to make a new deal. He’s got Raina by the throat, but she explains that her employer doesn’t care about her any more than about Ace. If she dies, the son dies, and they’ll have gained nothing. Coulson advises Mike not to kill her, and that he’ll go along with the trade. Mike is raw with emotions. He doesn’t know how he can look his son in the eye, etc. etc. He apologies to Coulson. The baddies stun Coulson and begin dragging him off. It’s about this time that the rest of the team starts to think something weird might be going on. May orders Ward not to take the shot, in case they simply execute Coulson in retaliation. Once Ace is safely back with the team, Mike decides to go back for Coulson. Unfortunately, as soon as he starts running back, the bridge explodes, apparently killing Mike. Well, that’s… that’s not good.

The bad guys make an exit by helicopter, firing a few shots at Agent Ward just for good measure. It’s pretty much like The Empire Strikes Back, guys.

Coda: Raina and her masters want to talk to Coulson about the day after he died. Whoa, crazy, crazy! I promise, show writers, you don’t need to be so obvious with all of your foreshadowing! Members of the audience can put things together sometimes! Many of us would not be offended!

Anyway, that’s a wrap for the first ever half-season of Marvel’s Agents of S.H.I.E.L.D.! It has been finger-breaking work to constantly type out that acronym. I tried using some copy/paste shenanigans, but it proved to be less of a time-saver than I hoped. However, I have truly enjoyed recapping this season for you, esteemed reader. Obviously, this series is on hiatus until the show returns. Hopefully you will consent to join me on an odyssey of discovery, as we gobble up tiny bits of information about what really happened to Agent Coulson after Loki stabbed him, about the parentage of our beloved Agent Skye, and about the lifeless but technically precise sex being enjoyed by Agents May and Ward! Also Fitz-Simmons will probably be involved! Til then, Happy Holidays, esteemed readers.

Ghosts of Christmas Past #12: A Very Brady Christmas


Earlier this month, we shared with you the very first Brady Bunch Christmas episode.

For today’s Ghost of Christmas Past, we find out what happened to all the Brady kids after they finally left home.  It turns out that they all basically grew up to be losers but, as we learn in 1988’s A Very Brady Christmas, they still have a home for the holidays.

I first saw A Very Brady Christmas last year when it showed up on ABC Family during their 25 Days of Christmas programming.  At the time, I thought it was so saccharine that I was worried that I might get a cavity as a result of watching.  A year later, my opinion hasn’t  changed much but A Very Brady Christmas still has an oddly dream-like feel to it.

Seriously, the Bradys are just so weird.

Ghosts of Christmas Past #10: Alfred Hitchcock Presents 1.12 — Santa Claus And The Tenth Avenue Kid


Today’s ghost of Christmas past comes to use from the year 1955.

Alfred Hitchcock Presents was an anthology show, in which director Alfred Hitchcock would sardonically present a weekly tale of suspense and surprise.  The series’ 12th episode was a Christmas-themed episode in which character actor Barry Fitzgerald played a recently paroled convict who gets a job as a department store Santa Claus.  Though Fitzgerald starts out as a rather grumpy and cynical St. Nick, he starts to get into the holiday spirit after he meets an equally cynical young shoplifter.  It’s a surprisingly sweet little story that’s well-worth watching for Fitzgerald’s excellent lead performance.

Ghosts of Christmas Past #9: The Brady Bunch 1.12 “The Voice of Christmas”


I haven’t seen that many episodes of The Brady Bunch but the few I have seen lead me to suspect that The Brady Bunch may be the most creepy show ever made.  With their eternally optimistic attitudes and their total and complete faith in authority figure Mike Brady, you have to wonder if The Brady Bunch is a family or if they’re a cult.  Plus, what was the deal with Alice?  Was she an indentured servant?  Did Mike Brady win her in a poker game?  I mean, seriously, I’ve never seen anyone so happy and willing to devote her life to picking up after a bunch of entitled little brats.

However, I also know that some people love this show and see it as a perfect example of bizarre Americana.  And I have to admit that I’ve often said, “Oh!  My nose!” just to get a cheap laugh on twitter.

So, with that in mind, tonight’s Ghost of Christmas Past is the very first Brady Bunch Christmas episode.  First aired in 1969, The Voice of Christmas tells what happens when Carol loses her voice.  Does Mike use Carol’s lack of verbal ability to confess that he’s been cheating on her with his secretary?  Do Marcia and Greg finally act on their secret feelings together while sharing a cup of coffee?*  You’ll have to watch to find out!

——

* That’s a reference to what those of us who watch too much TV call the “Folgers Too Close Siblings commercial.”  It used to air every Christmas but I haven’t seen it yet this year.  Here it is, in case you’re curious:

Ghosts of Christmas Past #5: The Spirit of Christmas: Jesus Vs. Santa


Today’s ghost of Christmas Past is the 1995 short film, The Spirit of Christmas: Jesus Vs. Santa.  This is the short film that led to Comedy Central hiring Trey Parker and Matt Stone to develop the television series South Park.  Needless to say, The Spirit of Christmas is not safe for work.  It’s also not safe for the easily offended.

Ghosts of Christmas Past #4: Twilgiht Zone Ep. 47 “Night of The Meek” (dir by Jack Smight)


A Christmas episode of the Twilight Zone?  Yes, such a thing does exist.  In Night of the Meek, an unemployed man (Art Carney) is given a chance to be Santa Claus.  This is a wonderful episode that truly captures the spirit of the season.

Night of the Meek was written by Rod Serling and directed by Jack Smight.  It was originally broadcast on December 23rd, 1960.

Ghosts of Christmas Past #3: The Star Wars Holiday Special Retrospective


I am not a huge Star Wars fan.

Don’t get me wrong.  I respect the fact that the movies are important to a lot of my close friends and fellow movie bloggers.  My boyfriend loves the first three Star Wars films and I’ve told him that if he ever wants me to wear a gold bikini and a chain around my neck, I’ll do it.  It’s just that, on a personal level, the Star Wars films don’t do much for me.  When people mention Star Wars, I usually think about how I fell asleep 10 minutes into Attack of the Clones and then when my date woke me up at the end of the movie, my bra had mysteriously been undone.

That said, I still knew that when I started my series of Christmas Past posts, I would have to post something about The Star Wars Holiday Special.  The Holiday Special aired way back in 1978 and it was apparently such a disaster that George Lucas has spent the past 3 and a half decades trying to convince people that it doesn’t exist.

Perhaps that’s why, when I did a search for the Holiday Special on YouTube, I came across a lot of videos that had been either taken down or had their audio tracks removed.

However, I was able to find a 15 minutes video from a YouTube user who goes by the name of StarWarsFan1975.  The Star Wars Holiday Special Retrospective features some background material on the Holiday Special and some of the special’s more bizarre moments.

Enjoy!

Review: The Walking Dead S4E08 “Too Far Gone”


TheWalkingDeadS4

“We’re not too far gone. We get to come back.” — Rick Grimes

[some spoilers]

The Walking Dead had it’s mid-season finale over this past Sunday and like previous mid-season and season-ending finales of the past three season this one went for the gut-punch. Season 4 of the show has seen a major improvement in how the writers were finally treating some of the major characters on the show.

The first five episodes were pretty much using a plague situation within the prison community to explore the growth of some of the lead roles in the show. We saw how Rick tried to escape the burdens of leadership by attempting to just be a farmer and a good role-model for his son Carl. It didn’t necessarily work out the way he wanted it to. In the end, Rick finally realized that leadership was what the group needed from him and what he was really best suited for.

We saw a major character shift in one of the show’s less realized characters in the past meek Carol Pelletier. This season we see how she has grown into becoming just as much a cold, calculating survivor as The Governor, but still retaining some of the humanity the latter seems to have lost when the zombie apocalypse happened to the world. It was a surprise to see Carol in such a new light. A person who would do anything to protect the group with special attention to the young children — especially two young girls — who have survived this far into the zombie apocalypse.

Then we had Hershel finally get to have his time in the limelight. Episode 5 has been a near-unanimous choice as the strongest episode of the first half of the season and nothing about the mid-season finale changes that. That’s how good “Interment” really was in the overall scheme of this new season’s first half. We saw Hershel finally become the show’s moral center but one that didn’t have the rigidity of ideals that Dale had. Hershel kept his humanity but also knew that this new world meant having to put one’s life on the line and not just pay lip-service to one’s ideals. I know that Dale would’ve done the same, but we never truly saw him put it all out there. He was great with the speeches, but the writers could never have him act on them. With Hershel they were able to reset the show’s moral compass and write the role properly.

The last two episode saw the return of The Governor. It was a peculiar two-parter which focused only on the return of Season 3’s main villain. Scott M. Gimple and his crew of writers tried to dial back the cartoonish way the character had become a villain by the end of Season 3. They tried to put the character back on the road to redemption. They even gave him a new surrogate family with a young girl who looked eerily like his previous daughter pre-zombie. Yet, while the attempt was an interesting one the character arrived full-circle to the very Governor we first met in the early episodes of Season 3. He wasn’t as mustache-twirling evil that he had become by the end of last season, but that redemption road that episode 6 and 7 was all about ended up being a red herring.

Now, we come to the mid-season finally which literally reset’s the finale of season 3. It was a finale that was underwhelming at best. The war between Rick and the Governor never truly materialized. This was finally rectified with the arrival of the Governor and his new band of camp followers but this time he has a tank. It’s a scene straight out of the comics and it was one that readers and fans of the books have been waiting for years to happen.

“Too Far Gone” marks a turning point for the series in that we finally leave another fixed location but do so with some major characters never to return. It was an episode that started off like a sizzle reel of every complaint detractors have about the show. Dialogue that went nowhere and just seemed to spin the episode’s wheels to fill time. Yet, as the episode progressed the entirety of the first half’s story-arcs began to take shape.

Rick was willing to share the prison with his worst enemy. He wasn’t too far gone that he would put himself as innocent of doing some heinous things to survive. He might not like the Governor, but for the sake of both groups not killing each other he would swallow his pride and accept everyone. The prison has room for everyone and the didn’t need to interact. It’s a major character growth for Rick who always saw his group as the good guys in any conflict. But like any leader he was getting tired of the battles that hurt only the survivors. The real threat were still the zombies who were slowly gathering outside. Hershel’s reaction to finally seeing Rick realize that one didn’t have to sacrifice their humanity to survive in this new world was one of the most poignant scenes in the series to date.

What followed it moment’s later would become one of the most heart-wrenching scenes of the series and one fans of the books were dreading to see.

Hershel was the MVP of this season’s first half and it was only appropriate that he went out in such a memorable, albeit very gruesome manner. It’s not often we see someone decapitated on any tv show. What had been an episode that threatened to meander just the way the finale of season 3 ended up doing instead became a final 20-minutes of intense action that saw both groups fail to hold onto the prison and the survivors scattered to all points of the compass. In the comics, this particular story-arc saw Lori and Judith die just when readers thought they were about to be safe from the battle. With Lori already dead a full season ago the only question which remained during this mid-season finale was whether the writers would actually pull off the unthinkable and do the same to tv version of Judith.

Children have never been seen a sacred cows on this show, yet infants seemed to remain safe. The episode ends with the question of whether Judith is dead or alive hanging in the air. It’s to the visceral power that this show brings to the table that peope will wait the near to three months of hiatus before the show returns of the second half of season 4. The show will remain one that’s obsessed over by the general population while derided by a minority who have valid complaints about it.

“Too Far Gone” could almost be the motto of this show. Any sort of major change on how the show’s stories has been told might be too late to implement. The fans like the show for it’s violence, gore and the soap opera stories. It’s not perfect television, but it is television which seems to have grabbed, caught and held the attention of not just the American tv viewing public but the global tv viewing public. Maybe, it’s just time to just make the that decision each viewer has to make. Either stay on the ride and hold on until the rollercoaster ends or jump off now and forever hold their peace.

Season 4

Ghosts of Christmas Past #2: The Jack Benny Program S8E7 “Christmas Shopping”


For the past few months, I’ve been exploring what I used to dismissively call “the old people stations.”  These are television stations like MeTV, Antenna TV, Cozi TV, and TVLand which specialize in showing episodes of old television shows.  Of the old shows that I’ve recently discovered, The Jack Benny Program is one of my favorites.

Each episode featured comedian Jack Benny playing himself and being cheap, egocentric, and annoying.  In many ways, the show feels like a forerunner for shows like Curb Your Enthusiasm.

With this being the holiday season, what better time than to feature a Christmas episode of the Jack Benny Show.  In this episode, Jack attempts to buy a Christmas present.

This episode originally aired on December 15th, 1957.

Enjoy!