Norman Mailer was better-known as a writer than a filmmaker but, over the course of his limited directorial career, he did come up with one scene that will never be forgotten. That scene is a scene that I love from 1987’s Tough Guys Don’t Dance.
Today, we wish a happy 95th birthday to the great actor-turned-writer Gene Hackman!
Today’s scene that I love comes from one of Hackman’s best films, 1974’s The Conversation. In this scene, Hackman’s surveillance expert has a nightmare inspired by his fear that his latest job may cause two people to be murdered. Hackman won two Oscars over the course of his career and was nominated several times. The fact that he was not nominated for The Conversation was a huge oversight on the part of the Academy.
Tom Selleck has been a part of my life almost as far back as I can remember. I was seven years old when MAGNUM P.I. premiered on T.V., so I literally grew up on the adventures of Hawaii’s best private eye! Selleck is such a likable and charismatic screen presence.
My wife and I are celebrating his birthday by watching my very favorite Tom Selleck movie, QUIGLEY DOWN UNDER (1990). I love this scene where Wyoming cowboy Matthew Quigley first arrives at the Australian ranch of Elliott Marston (Alan Rickman), and then proceeds to prove his prowess with a long distance rifle to a bunch of smirkers.
Enjoy, my friends, and Happy Birthday, Mr. Selleck!
Continuing our theme of dystopian noir, today’s scene of the day comes from 1982’s Blade Runner. In this scene, we not only meet Rick Deckard (Harrison Ford) but we also get a look at the future of Los Angeles, from both the sky and the ground.
(Of course, the film takes place in 2019 so its future is our past!)
This is one of the best world-building scenes that I’ve ever seen, one that works because it takes place in a world we can recognize but which has obviously developed and changed over the years. Plus, I just like Harrison Ford wearing a trench coat and looking grumpy. He should have done more noirs.
In honor of Director Frank Darabont’s 66th birthday, I’m sharing a scene from his masterpiece, THE SHAWSHANK REDEMPTION. One of the best things about this movie is how much humor is found behind those prison walls, often coming from seemingly unexpected places. In this scene, the humor is found when the characters take on the mundane task of cataloging the prison library. Enjoy!
I recently reviewed THE SHAWSHANK REDEMPTION on my son’s birthday.
Today is Mozart’s birthday so, of course, today’s scene from the day comes from 1984’s Amadeus. In this scene, the Emperor (Jeffrey Jones) delivers his critique to Mozart (Tom Hulce) and anyone who has ever had to deal with an idiotic critic will be able to relate.
“There’s too many notes!”
What really makes this scene work, along with Hulce’s reaction, is Jones’s blandly cheerful manner. The Emperor really thinks he’s being helpful!
Well before THE NAKED GUN was triggering Reggie Jackson, director Don Siegel and Charles Bronson were triggering human time bombs in TELEFON (1977). Quentin Tarantino even borrowed from this film when he chose the Robert Frost poem for Stuntman Mike’s (Kurt Russell) lap dance from Arlene (Vanessa Furlito). It’s not as sexy, but it’s still a good time as Bronson tries to prevent World War III. Enjoy!
Since today is Tobe Hooper’s birthday, it seems fitting that today’s scene of the day should come from his best-known film. The opening of 1974’s The Texas Chainsaw Massacre is genuinely unsettling, from the opening narration to the scene of the body being dug up to the news reports of grave robbery. Even the opening credits feel ominous!
The narration was, of course, provided by a young John Larroquette, who has since said that he was “paid in marijuana” for what would become his first feature film credit.
Today would have been the 76th birthday of actor John Belushi.
Today’s scene that I love comes from Belushi’s first film, 1978’s Animal House. In the scene, Belushi (playing Bluto) gives the greatest motivational speech of all time. My father was quite a fan of Mr. Belushi’s. I’d like to think that this speech was the reason why.