Ten Years #48: Opeth

Posted on May 20, 2013 by necromoonyeti

Decade of last.fm scrobbling countdown:
48. Opeth (640 plays)
Top track (26 plays): The Devil’s Orchard, from Heritage (2011)

When I saw Opeth was coming up next, I got pretty excited about what the top track would be. Would my really oldschool Opeth credentials shine with a song like The Twilight is My Robe or Advent topping the charts, or could nothing hope to match Demon of the Fall? A Heritage track was the last thing I ever expected. It’s easy to forget, in the onslaught of relatively poor reviews, how much I actually enjoyed that album when it came out. Oh, it wasn’t love at first listen, but for me it was a breath of fresh air after years of diminishing faith in Akerfeldt’s song-writing ability. Opeth was one of the first metal bands I ever listened to, and, nostalgia aside, I really do think their first three albums were by far their best. A void, beginning subtly with Still Life and expanding more drastically after Blackwater Park, had grown between my personal tastes and the direction Akerfeldt was steering the band. This coupled with what I perceived as an overinflated ego to completely erode my interest in the band for a long time. Ghost Reveries and Watershed only managed four and three listens respectively before I yawned and moved on.

I am not much of a progressive rock fan, but with Heritage I did start to feel like Akerfeldt was coming back to earth and keeping it real again. I don’t know about his whole “I’m done with metal” mentality; it seems to me like he’s exactly where he needs to be to start composing the sort of metal I can enjoy again. But even if prog rock is all that’s going to appear under the Opeth moniker for a long time to come, his decision to tone things down has successfully resurrected my interest. The Devil’s Orchard is my most played Opeth song because these charts do not begin until 2003; a few years earlier and the statistics would reflect something quite different. But suffice to say I do think this is the best Opeth album since Blackwater Park.

I’ll leave you with a classic Opeth track of the sort that made these guys, for a pre-last.fm period of four years or so, my favorite band in the world:

Ten Years #49: Matt Uelmen

Posted on May 18, 2013 by necromoonyeti

Decade of last.fm scrobbling countdown:
49. Matt Uelmen (623 plays)
Top track (597 plays): Tristram, from Diablo (1996)
(This sample is the extended–and improved–version appearing in Diablo II.)

The Diablo series managed to evade me in its first two installments, and not for lack of effort on my part. A combination of a panophobic mother in the first instance and an outdated PC in the second restrained my computer gaming experience to Starcraft and Age of Empires. But that didn’t stop me from acquiring the soundtrack. I might have downloaded Tristram in mp3 format as early as 1997, when MIDI replicas were still a viable alternative. (The first mp3 I ever downloaded was Harvey Danger’s Flagpole Sitta. I actually remember this!) At any rate, it is my indisputable favorite song ever. Sorry …And Then There Was Silence. You’ll have to settle for indisputable second. I probably listened to Tristram thousands of times as a teenager before last.fm existed, and even in the past ten years it has drastically exceeded all other songs on my charts. (Compared to 597, my third most listened song is at a measly 255.)

I am not a huge Matt Uelmen fan overall. The numbers attest to that. But this song reaches a level of ambient perfection that has never been achieved before or since. I don’t have much to say about it, save that if you don’t like it I question your humanity. This is the only artist that has climbed his way into my top 50 based on a small selection of songs, let alone based on one single track.

Ten Years #50: Orchid

Posted on May 17, 2013 by necromoonyeti

Decade of last.fm scrobbling countdown:
50. Orchid (601 plays)
Top track (91 plays): Le Desordre C’est Moi, from Chaos Is Me (1999)

I always thought the first two tracks to Orchid’s debut album would make amazing final boss battle music for a video game. Maybe that’s a bit of a stretch, but I did first take an interest in screamo and related genres on a defunct video game forum that had awkwardly evolved into an informal music-sharing site. (The same one I met Arleigh and and pantsukudasai56 on.) A friend of mine there who would go on to become the vocalist for Mesa Verde was really getting into the genre around the same time that I was first exploring black metal, and we traded a lot of recommendations. It’s made the recent surge of screamo-black metal cross-over bands like Liturgy and Deafheaven peculiarly nostalgic for me.

Orchid was a short-lived but especially influential band in the scene, lasting from 1998 until 2002. Most of its members went on to form the really solid and entirely out of character rock band Panthers afterwards. I will be eternally amused that Jayson Green noticed my Orchid shirt at one of their gigs.

Ten Years of Music: Introduction

Posted on May 16, 2013 by necromoonyeti

On May 16th, 2003, I entered an email address and password into a little known site called Audioscrobbler and clicked join. Having always derived an enormous kick from statistics, the novelty of being able to track everything I listen to seemed like the best idea on the entire internet. Ten years and approximately 180,000 songs later, that opinion hasn’t much changed. Most of you are probably familiar with what is now Last.fm, but I doubt as many have diligently kept up with it over the years. From my car cd player to everything I listen to at home, I’m willing to wager that a good 90% of the music I’ve enjoyed over the past decade has been accurately logged. This creates some pretty interesting possibilities. I’ll never know what I listened to most as a kid. Wishful thinking tells me Pearl Jam, Tool, Nirvana, and the Smashing Pumpkins would have topped that list. (Honesty admits with some embarrassment that Korn ranked just as high.) But I do know what I have listened to the most as an adult. It’s not biased speculation; it’s a fact.

Most of my entries here on Shattered Lens have dealt with either reviews of new albums or ramblings and investigations isolated to the fairly particular subgenres of folk, metal, and video game music that excite me most. While my last.fm charts reflect this, they are substantially more diverse. What I would like to do over the following two months is introduce some of you to a range of stellar bands and songs by allowing the numbers to speak for themselves. I intend to count down the top 50 bands I have listened to in the past decade and feature my most played track from each. I’ll start with the highest five bands that didn’t quite make the cut:

55. The Microphones (551 plays)
Top track (60 plays): The Moon, from The Glow, Pt. 2 (2001)

54. Amorphis (561 plays)
Top track (45 plays): Divinity, from Tuonela (1999)

53. In Flames (562 plays)
Top track (39 plays): Embody the Invisible, from Colony (1999)

52. Converge (585 plays)
Top track (87 plays): Concubine, from Jane Doe (2001)

51. Iron Maiden (600 plays)
Top track (52 plays): The Trooper, from Piece of Mind (1983)

AMV of the Day: Nothing to Lose (One Piece)

Posted on May 12, 2013 by Arleigh

Awhile back site editor pantsukudasai56 wrote that the term “epic” has been overused and lost all its meaning. Everything and everyone has been called epic when most do not truly deserved the label. He did say that if there was anything which truly deserved the label of being “epic” then it would be one of the longest running manga and anime series: Oda Eiichiro’s One Piece.

It’s from One Piece that the latest “AMV of the Day” comes from. To be even more specific it’s from one of the most epic story arcs in the series that the latest chosen AMV originates from: the Marineford Arc (aka Paramount War Arc). It’s a story arc that lasts as long as most anime series (30+ episodes) yet is just a fraction of the current total number of episodes already shown. No other piece of entertainment has had such a long-running success which it continues to this day.

Not much else to say other than watch why this series deserve the title of “epic”.

Anime: One Piece

Song: “Diamond Eyes (Boom-Lay Boom-Lay Boom)” by Shinedown

Creator: freakinerd

Past AMVs of the Day

Song of the Day: Seasons In The Abyss (by Slayer – R.I.P. Jeff Hanneman)

Posted on May 2, 2013 by Arleigh

Today marks a sad day for the metal world as Jeff Hanneman, guitarist and founding member of the metal band Slayer, passed away at the age of 49.

He now joins other metal gods (Burton, Dimebag, Bonham and Dio just to name a few) who were taken too soon up in Valhalla where, I sincerely hope, they’re starting up a jam session to create the metal supergroup of supergroups.

To commemorate and memorialize Hanneman’s impact on the metal scene these past 30 or so years I’d like to share my favorite Slayer song: “Seasons In The Abyss”.

R.I.P. Jeff Hanneman…

“Lo there do I see my father, Lo there do I see my mother, my Sisters and my brothers , Lo there do I see the line of my people, back to the beginning. Lo, they do call me, they bid me take my place among them, in the halls of Valhalla, where the brave may live forever.”

Seasons In The Abyss

Razors edge
Outlines the dead
Incisions in my head
Anticipation the stimulation
To kill the exhilaration

(chorus:)
[part 1]
Close your eyes
Look deep in your soul
Step outside yourself
And let your mind go
Frozen eyes stare deep in your mind as you die

[part 2]
Close your eyes
And forget your name
Step outside yourself
And let your thoughts drain
As you go insane… [go] insane

Innate seed
To watch you bleed
A demanding physical need
Desecrated, eviscerated
Time perpetuated

Close your eyes
Look deep in your soul
Step outside yourself
And let your mind go
Frozen eyes stare deep in your mind as you die

Close your eyes… and forget your name
Step outside yourself… and let your thoughts drain
As you go insane… [go] insane

Inert flesh
A bloody tomb
A decorative splatter brightens the room
An execution a sadist ritual
Mad intervals of mind residuals

Close your eyes
Look deep in your soul
Step outside yourself
And let your mind go
Frozen eyes stare deep in your mind as you die

Close your eyes… and forget your name
Step outside yourself… and let your thoughts drain
As you go insane… [go] insane

Song of the Day: Midnight Rider (by The Allman Brothers Band)

Posted on May 1, 2013 by Arleigh

What else to follow up a guilty pleasure than with a classic southern rock song that I still consider one of the best examples of what made 70’s American Rock an equal of the huge British invasion that was currently happening in the US with mega bands like Black Sabbath, Led Zeppelin and The Who. It’s this song from one of the preeminent Southern Rock groups of the 70’s, The Allman Brothers Band, that arrives as the latest “Song of the Day”.

“Midnight Rider” is a great Southern rock tune which successful melds not just blues guitar playing but country and gospel songwriting and vocalizing. It’s well-known for Greg Allman’s powerful vocals and Dicket Betts lead guitar work. Yet, I consider this song as reaching “one of the greatest” status because of the rhythm guitar (with an acoustic guitar no less) work by one of the greatest (call it hyperbole but I truly believe him to be one of the best ever) guitarists who ever picked up the instrument whether one’s genre of music was jazz, flamenco, rock, blues, metal, rock and everything in-between. Duane Allman’s acoustic guitar work makes this song what it is. It’s a rhythm that he sets which everyone else in the band orbits around with their own talent rising to meet it on equal footing.

For some people this song was first experienced as the opening track to Rob Zombie’s underappreciated “grindhouse road flick” The Devil’s Rejects. Others of more recent time probably heard it as part of the GEICO insurance company’s 2013 ad-campaign. It doesn’t matter where one has heard it. The more people who hears it and experiences just why this song continues to be a staple of what made 70’s American rock scene such a great one the better people will be for having heard it.

Long live, Duane Allman.

Midnight Rider

Well, I’ve got to run to keep from hidin’,
And I’m bound to keep on ridin’.
And I’ve got one more silver dollar,
But I’m not gonna let ’em catch me, no,
Not gonna let ’em catch the Midnight Rider.

And I don’t own the clothes I’m wearing,
And the road goes on forever,
And I’ve got one more silver dollar,
But I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

And I’ve gone by the point of caring,
Some old bed I’ll soon be sharing,
And I’ve got one more silver dollar,

But I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

No, I’m not gonna let ’em catch me, no
Not gonna let ’em catch the Midnight Rider.

Song of the Day: Mirror, Mirror (by Blind Guardian)

Posted on April 18, 2013 by Arleigh

The latest “Song of the Day” comes courtesy of one of my favorite bands. Anyone who has been following this site and this recurring feature pretty much knows I speak of the awesome epicness of the German power metal band Blind Guardian. The song from their expansive discography I’ve chosen this time around is the song “Mirror, Mirror”.

This song combines two every epic things together: Power Metal + J.R.R. Tolkien’s Silmarillion = epic awesomeness.

The song itself and it’s lyrics tell of Turgon, King of the Noldor and second son of Fingolfin, brother to Fingon, Aredhel and Argon who builds the famed city of Gondolin during the First Age of Middle-Earth. The city was to be a safe haven for Turgon’s people who were in the midst of an age long war against the fallen Valar, Morgoth. It’s a song that tells of Turgon’s decision to build the city with assistance from the Valar and Lord of Water, Ulmo.

It speaks of the long road and desperation of Turgon to try and save the Noldor from the armies of Morgoth. It’s a tragic tale that hints at the ultimate fate of Turgon and Gondolin. A dream that ultimately will end in the ultimate betrayal from within.

I know that there are people who still thinks that metal is all about fast, loud, discordant guitar playing backed up by screaming and guttural sounds that pass off as singing, but Blind Guardian should dismiss such notion. There’s definitely nothing guttural about this song.

Mirror, Mirror

Far, far beyond the island
We dwelt in shades of twilight
Through dread and weary days
Through grief and endless pain

It lies unknown
The land of mine
A hidden gate
To save us from the shadow fall
The lord of water spoke
In the silence
Words of wisdom
I’ve seen the end of all
Be aware the storm gets closer

Mirror Mirror on the wall
True hope lies beyond the coast
You’re a damned kind can’t you see
That the winds will change
Mirror Mirror on the wall
True hope lies beyond the coast
You’re a damned kind can’t you see
That tomorrows bears insanity

Gone’s the wisdom
Of a thousand years
A world in fire and chains and fear
Leads me to a place so far
Deep down it lies my secret vision
I better keep it safe

Shall I leave my friends alone
Hidden in my twilight hall
(I) know the world is lost in fire
Sure there is no way to turn it
Back to the old days
Of bliss and cheerful laughter
We’re lost in barren lands
Caught in the running flames
Alone
How shall we leave the lost road
Time’s getting short so follow me
A leader’s task so clearly
To find a path out of the dark

Even though
The storm calmed down
The bitter end
Is just a matter of time

Shall we dare the dragon
Merciless he’s poisoning our hearts
Our hearts

How shall we leave the lost road
Time’s getting short so follow me
A leader’s task so clearly
To find a path out of the dark

AMV of the Day: Affective Schoolgirls (Nichijou)

Posted on April 13, 2013 by Arleigh

Latest “AMV of the Day” is one that dodges any way to describe it.

“Affective Schoolgirls” is an amalgam of two very different styles of entertainment. Two styles that I’ve learned to enjoy and appreciate through the years. What this video has done is combine something akin to peanut butter and jelly. The slapstick comedy and slice of life anime series Nichijou provides the peanut butter while the song “Snüffel” by Equilibrium provides the jelly.

If one who watches this video thinks they have no idea what’s going on then they’ve come to an understanding of what Nichijou as an anime is all about. It is an anime series about chaos distilled. What better way to point this out than to pair it up with some German symphonic black metal.

Anime: Nichijou

Song: “Snüffel” by Equilibrium

Creator: seriy

Past AMVs of the Day

AMV of the Day: RadioAkshun (Neon Genesis Evangelion)

Posted on April 9, 2013 by Arleigh

The latest “AMV of the Day” pretty much was the hit of Sakura-Con 2013 a couple weeks back.

“RadioAkshun” by AMV creator IleaiAMVs won not just Best Technical, but won both Judges’ Best in Show and Audience Best in Show. It’s a rarity that an AMV in competition wins both Best in Show. AMV judges tend to vote on whats best in competition a little differently than the general public who watches the videos more as fans and not judging them on technical, artistic and creative merit. IleaiAMVs definitely earned her wins by creating one of the best AMVs I’ve seen.

Her work on this video uses scenes and sequences from the Rebuild of Evangelion anime films (three out with a fourth still forthcoming) and edits it around the Imagine Dragons song “Radioactive” and she does an excellent job. She doesn’t rely on flashy effects to make her video interesting and unique. She just does an impeccable job in timing the beats and tempo of the song with the appropriate scenes from the anime films. She also makes sure that she doesn’t just slapdash together the best scenes from the films. IleaiAMVs makes sure that each sequence fits not just the beats and tempo of the song but the lyrics as well. Best example of all three is early in the video when the character of Shinji takes a deep breath and then his Evangelion Unit exhales just as the singer in the song does the very same thing.

Enough talk…just go watch and enjoy.