The next time some music snob tries to complain that dance music doesn’t have anything to contribute, show them this video.
Dancing saves lives.
Enjoy!
The next time some music snob tries to complain that dance music doesn’t have anything to contribute, show them this video.
Dancing saves lives.
Enjoy!
Scottish singer/songwriter Gerry Rafferty passed away seven years ago on this date. With that in mind, it seems only right that today’s music video of the day is the video for his 1978 song, Baker Street.
Baker Street, of course, is widely known as “the song with the sax solo.” That’s actually what I always used to call it until I learned the name a few years ago. Playing that saxophone was a session musician named Raphael Ravenscroft. There’s an urban legend, which I’ve seen stated as fact on several web sites, that Ravenscroft was either never paid for his work or the check he received from Rafferty bounced. However, Ravenscroft himself stated several times that this was not the case and he was paid for his work. Ravenscroft also once said that he found it difficult to listen to sax solo because the saxophone was out of tune.
As for Baker Street itself, it was reportedly written at a time that Rafferty was involved in a lawsuit involving his former band, Stealers Wheel. (Stealers Wheel performed Stuck In The Middle With You, a song that will be forever associated with lost ears.) Apparently, whenever Rafferty had to go to London to meet with his lawyers, he would stay with a friend who lived on Baker Street.
Enjoy!
Today is the 43rd birthday of Thomas Bangalter, who is rumored to be one of the robots better known as Daft Punk. For that reason, I selected Daft Punk’s Lose Yourself To Dance as today’s music video of the day!
One of my fondest memories of 2014 was watching the Grammy Awards that year. The only reason that I watched was so I could see Daft Punk win every award they were nominated for. Every time they were mentioned, the camers would cut to the robots sitting in the audience. Every time they won, Pharrell Williams would end up on stage, saying, “The Robots would like to thank…”
I hope you enjoy this video as much as I enjoyed that awards ceremony!
I was going to start this post by saying that my resolution for 2018 was to start every day by saying, “Work, bitch,” as I continued to make my dreams a reality.
Every day, when I looked in the mirror, I would say, “Work, bitch.”
Every day, when it was time to find a new adventure, I would say, “Work, bitch.”
Every day, when it was time to sit down and write, I would say, “Work, bitch.”
Every day, when I thought about how to make this site even better than it already is, I would say, “Work, bitch.”
No complacency for me! No surrender! No taking anything for granted!
Instead, every day, “Work, bitch.”
That really was going to be my resolution but then I realized that I already do that every day. I’ve been saying, “Work, bitch,” every since this song first came out. I don’t need a resolution to make myself work. I already do that.
So, I guess my new resolution is to look in the mirror and say, “Relax, bitch.”
(For the record, bitch is a term of endearment and empowerment when I use it.)
Anyway, I like this video. Britney whips her dancers into shape. I may do the same thing with some of the people I work with this year. Maybe that’s my 2018 resolution…
Enjoy!
(And Free Britney!)
Happy New Year’s Eve, everyone!
There will be much work to do tomorrow but for now let’s just scream and shout and let it all out…
(This song, by the way, is the unofficial anthem of the SBS, the best group of friends that anyone could hope to have. LOVE YOU!)
Enjoy!
Today’s music video of the day comes from Sweden’s Rebecca & Fiona!
To be honest, I nearly picked a different Rebecca & Fiona video for today. I nearly picked Dance, just because the title went well with how I’m planning on spending tomorrow night but, to be honest, Dance is a seriously dark video and I didn’t want to begin the last Saturday of 2017 on a down note.
So, I picked Luminary Ones, which I actually like a bit better than Dance. If you know me or if you love French cinema, you will not be surprised to learn that one reason why I like this video is because it reminds me of a Jean Rollin film.
This video was directed by Tim Erem, who has directed videos for Tove Lo, Nick Jonas, and Rihanna. The haunting cinematography is credited to Staffan Övgård.
Enjoy!
Actually, we haven’t quite made it to the end. There’s still another weekend to go before 2017 turns into 2018. However, considering that it’s going to be New Year’s weekend, I’m sure that many people will just remember it as being a blur.
(See what I did there?)
(Anyway….)
This video was shot in Prague in 1994 and, if it looks familiar, that’s probably because the video is an homage to the 1961 French New Wave film, Last Year at Marienbad. (That said, while many of the visuals are taken straight from Marienbad, the subtitles are not.) The voice that is heard signing in French belongs to Lætitia Sadier. (Blur later recorded another version of this song with Françoise Hardy.)
The song itself deals with the end of a relationship but I find that it works well for the end of just about anything.
Enjoy!
The song is by The Smiths but the cover version is by t.A.T.u., the Russian duo who became famous by allowing people to (falsely) assume that they were a couple. When I first met my BFF Evelyn one of the things that we immediately bonded over was our shared appreciation for the absurdity of t.A.T.u.
(Men, we realized, will listen, watch, or pay for anything if there’s a chance they’ll get to see two hot girls kiss at some point during it. That’s good information to have, by the way.)
As far as the cover goes, it’s not that bad. t.A.T.u. has frequently been criticized for lacking vocal range but, here, that doesn’t really become an issue until the end of the song, when Julia struggles to make it through the part about waiting too long. That said, I like this version. It’s all about that guitar chord at the beginning.
As far as the video goes, it’s made up of a mix of footage of Julia and Lena performing on stage and some “candid” backstage stuff. By “candid,” I mean obviously staged. “Wow,” the viewer is supposed to say, “there’s Julia and … OH MY GOD, IT’S LENA! THEY’RE IN THE SAME ROOM TOGETHER! And now they’re in a hallway together! And now they’re in the same bedroom! Are they about to kiss … oh wait, we’ve cut to a different scene now…”
Here’s what Morrissey had to say when he was asked about t.A.T.u.’s cover:
Interviewer: Did you hear t.A.T.u’s version of ‘How Soon Is Now’?
Morrissey: Yes, it was magnificent. Absolutely. Again, I don’t know much about them.
Interviewer: They’re the teenage Russian lesbians.
Morrissey: Well, aren’t we all?
Enjoy!
Hi, everyone!
Today’s music video of the day comes from the Russian group, D-Pulse. It’s called Anna and I like it because it’s atmospheric and it features a lot of snow. Every December, I find myself drawn to any movie and music video that I can find that features snow, largely because it seems like every place in the world always gets a snow-filled Christmas except for Texas.
(It usually doesn’t snow here until January.)
Anyway, I like this song. I like this video. Maybe you will too.
Enjoy!
I don’t have a lot to say about this music video. I just like the fact that the direction is credited to “that one guy.”
This video dropped on January 1st of this year. Interestingly enough, both the song’s title and the video seem to reflect the way that many people have felt over the past twelve months. Personally, I would hate to be lost at sea, just because I get motion sickness and I’m not much of a swimmer.
Remember that movie, All Is Lost? That movie really freaked me out when I saw it. Did Robert Redford survive at the end of that film or did he drown? Did we ever figure that out?
On the other hand, Life of Pi is one of my favorite movies. I loved that tiger. GO RICHARD PARKER!
Anyway, enjoy!