One of the great oddities of the horror genre and the world of grindhouse films is that 1980’s Cannibal Holocaust has got one of the most beautiful soundtracks ever recorded. Composed by Riz Ortolani, here is the amazing Main Theme From Cannibal Holocaust.
Case’s Confessions: I am not scared of werewolves, vampires, or climate change. I am scared real things: serial killers, disease, and big government.
This ad for Australian AIDS prevention was before my time, but I saw it in the 90s when it was shown as a compilation of the scariest ads ever. The ad featured a grim reaper knocking people over like pins. The randomness and the victim’s helplessness gave me nightmares for weeks.
The ad’s message was terrifyingly clear: do NOT have sex with Australian women because they will give you AIDS. The ad worked because, TO THIS DAY, I have never slept with an Australian girl. When I went to Australia, I never had even a slight temptation to have any congress with any Australian lady or as they are also called there- Sheila, which I suppose is a common name there like Jenny is in a normal country like America that is not ravaged with disease.
I knew that as long as I avoided those women, I could engage in all kinds of debauchery. Whether I did or not I think I will save for my exclusive patreon blog (if I make one).
You can see the ad and an interview of the creators of the ad below.
Today’s horror on the lens is a 1978 made-for-TV movie that was directed by Wes Craven. Originally entitled Stranger In Our House, it was retitled Summer of Fear when it was released into theaters in Europe. Personally, I think Summer of Fear is a better title. It has a fun R.L. Stine feel to it.
As for the film itself, it tells the story of what happens when the recently orphaned Julia (Lee Purcell) moves in with her distant relations in California. At first, Julia fits right in with her new family but, slowly and surely, her cousin Rachel (Linda Blair) comes to suspect that Julia might be a witch. And hey, who can’t relate to that? Seriously, everyone has that one cousin…
(Trees by Erin Nicole)
“I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded,
Without knowledge, or lustre, or name.”
― H.P. Lovecraft, Nemesis
by Rudolph Zirn
Someone’s got the world in the palm of their hands.
This is one of two videos for Duran Duran’s Lonely In Your Nightmare. In this one, Simon Le Bon finds old photographs and remembers a past relationship that might have just been someone’s dream. Lonely In Your Nightmare appeared on Rio, one of the defining albums of the early 80s.
Before he made a little film called Highlander, director Russell Mulcahy was Duran Duran’s video director of choice in the early 80s and, of course, he worked with many other bands as well. His stylish music videos dominated MTV and set the template for which most subsequent videos would come.
Enjoy!
For today’s horror on television, we have a 1975 made-for-television movie called The Dead Don’t Die!
The Dead Don’t Die takes place in Chicago during the 1930s. George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit. Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own. This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!
Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery. Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell. (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)
And you can watch it below!
Enjoy!
An old lady (Elizabeth Ince) stays at a boarding house at the turn of the 20th Century. At least, I think it was supposed to be the turn of the 20th Century. There weren’t any cars or telephones but, at the same time, everyone had contemporary hair styles and they wore clothes that looked like they were supposed to be vintage but actually weren’t. The movie could have just as easily been taking place in a hipster coffeehouse in 1997.
The old lady likes to walk up to people ask them if they want to see proof that demons are real and it never occurs to anyone to just say no. The woman’s back is stitched together and when those stitches are untied, she drops her skinsuit and reveals herself to be the Devil. At least, I think that’s what happened because this was one of those movies where they didn’t have the money to actually show you what happened. You just have to guess by the shadows on the wall. The film’s poster makes it look like a horrifying transformation but sometimes, posters lie.
When the old devil woman steals your soul, she turns you into a paper doll. The boarding house made decides to serve the old woman. That’s pretty much the entire story. Stretching all that out to 81 minutes took some effort and determination so I’ll give the movie credit for that.
I appreciated the movie’s ambition. It’s too bad the wooden acting and the slow pace kept this movie from being as interesting as it should have been. Today’s lesson is don’t hang out with old women who offer to show you a demon. No good will come from it.
It’s not usually described as being a horror film but this scene from David Lynch’s 2001 Mulholland Drive literally made me jump the first time I saw it.
Personally, I think this is the scariest moment that David Lynch ever directed.
The 1997 film Too Close To Comfort tells the disturbing story of the Donahues.
Nick Donahue (Rick Schroder) is a young attorney, a law school grad who has just joined the bar and who is still making a name for himself as a defense attorney. He’s good at his job and if you have any doubts, his mother Diane (Judith Light) will be there to tell you why you’re incorrect. Diane and Nick still live together. They have the type of relationship where Diane casually walks into the bathroom to talk to Nick while he’s in the shower.
In short, they have a very creepy relationship.
Nick talks about needing to get a place of his own but his mother says that it’s too soon for him to spend all that money. Nick wants to fall in love and marry a nice girl and start a family. Diane doesn’t want Nick to have a life separate from her. When Nick does end up marrying the sweet-natured Abby (Sarah Trigger), Diane snaps. One night, Abby is abducted and is later found murdered. Nick sobs and Diane holds her son and she doesn’t mention the fact that she’s the one who arranged for Abby to be killed.
The police figure it out, of course. Diane wasn’t that clever. When Diane is arrested and put on trial for murder, Nick is shocked. With his mother facing the death penalty for murdering his wife, Nick steps forward to defend his mother in court.
Agck! This movie! Admittedly, this is a made-for-TV movie but it’s still creepy as Hell. If anything, the fact that it was made for television make it even creepier than if it was a uncensored feature film. Held back by the rule of television, the film has to hint at what would probably otherwise be portrayed as explicit. That makes all of the little moments that indicate Diane’s madness all the more disturbing and frightening because they could be read several different ways. This is a film where every line is full of a very icky subtext. Diane is more than just an overprotective mother. Her feelings for Nick are on a whole other level.
Fortunately, Judith Light is one of those actresses who excels at communicating subtext. She delivers every line with just enough of an inflection that we know what she’s saying even if she doesn’t actually say it. From rolling her eyes when Nick asks her to turn around when he gets out of the shower to the scene where she flirts with Nick’s new landlord, Light leaves little doubt as to what really going through Diane’s mind. Rick Schroder has a far more simpler role as Nick but he still does a good job with the role. He’s sympathetic, even when he’s refusing to accept the truth about his mother.
This film is all the more disturbing due to being loosely based on a true story. The real Diana Donahue was named Elizabeth Ann Duncan and she was convicted of killing her son’s wife in the 1950s. (Too Close To Home is set in the 90s.) Her son really did defend her, all the way until her execution. In real life, her son continued to practice law until 2023, when he was disbarred by the state of California.
As for the film, it’s a classic true crime made-for-TV movie that features Judith Light at her disturbing best.
Through the Shattered Lens 