October True Crime: Sins of the Mother (dir by John Patterson)


In the city of Spokane, Washington, Kevin Coe (Dale Midkiff) is a real estate agent who always tries to come across as being the slickest guy in the room.  With his quick smile and his moderately expensive suits, Kevin certainly seems to fit the stereotype.  It’s only when you start to look a little closer that the surface starts to crack.

For someone who goes out of his way to come across as being confident, Kevin is actually very immature and more than a little whiny.  He’s living with a perfectly nice young woman named Ginny (Heather Fairfield) but it’s obvious that he’s keeping secrets from her.  He comes home one morning with scratches on his face and, when she asks about them, he claims that 1) he got mauled by a dog and 2) he doesn’t need any sort of medical attention.  Kevin is someone who frequently loses his job because he’s just not that good at it.  When one boss fires him, Kevin replies that he’s going to start his own business and someday, maybe he’ll be the one doing the hiring and firing.  It’s classic empty cope.

And then there’s Kevin’s mother.  Ruth Coe (Elizabeth Montgomery) is someone who likes to present herself as being a grand diva, in the manner of a Golden Screen star.  She’s extremely close to her son, at times overprotective and at times overly critical.  Kevin often goes from yelling at his mom to dancing with her within minutes.  Ruth makes it clear that she doesn’t like Ginny and Ginny eventually grows to dread seeing Ruth wandering around their house, uninvited.  And yet, despite all of the time that Kevin spends talking about how wants to get away from his mother and to live his own life, Kevin doesn’t really make much of an effort to do that.

Meanwhile, Detective Liz Trent (Talia Balsam) is investigating a series of rapes that have been committed in Spokane.  When she comes to suspect that Kevin is the rapist, Kevin claims that it’s not true and it’s just another case of the world treating him unfairly.  Ruth stands by her son and eventually shocks everyone with just how far she’s willing to go to try to keep him out of prison.

Sins of the Mother is based on a true story.  Kevin Coe may have only been convicted of four rapes but he is suspected of having committed at least 41.  In prison, he insisted he was innocent and refused to attend any counseling programs.  He also refused to apply for parole, even after he became eligible.  After his criminal sentence was completed in 2008, he was sent to the Special Commitment Center on Washington’s McNeil Island, which is a institution that houses sexual predators who are likely to reoffend.  I’m writing this review on September 15th.  Coe, as of this writing, is scheduled to be released from McNeil on October 3rd so, by the time you’re reading this, he could already be out.  Coe is 78 and is reported to be in fragile health.

As for the movie, it’s mostly memorable for Elizabeth Montgomery’s over the top performance as Ruth Coe.  Sweeping into every scene and delivering her lines in what appears to be a deliberately fake-sounding Southern accent, Montgomery chews the scenery with gusto.  While the rest of the cast often seems to be going through the motions, Montgomery grabs hold of this movie and refuses to surrender it.

Horror Song of the Day: Main Theme From Cannibal Holocaust by Riz Ortolani


One of the great oddities of the horror genre and the world of grindhouse films is that 1980’s Cannibal Holocaust has got one of the most beautiful soundtracks ever recorded.  Composed by Riz Ortolani, here is the amazing Main Theme From Cannibal Holocaust.

Grim Reaper, Scary Ad Review By Case Wright


Case’s Confessions: I am not scared of werewolves, vampires, or climate change. I am scared real things: serial killers, disease, and big government.

This ad for Australian AIDS prevention was before my time, but I saw it in the 90s when it was shown as a compilation of the scariest ads ever. The ad featured a grim reaper knocking people over like pins. The randomness and the victim’s helplessness gave me nightmares for weeks.

The ad’s message was terrifyingly clear: do NOT have sex with Australian women because they will give you AIDS. The ad worked because, TO THIS DAY, I have never slept with an Australian girl. When I went to Australia, I never had even a slight temptation to have any congress with any Australian lady or as they are also called there- Sheila, which I suppose is a common name there like Jenny is in a normal country like America that is not ravaged with disease.

I knew that as long as I avoided those women, I could engage in all kinds of debauchery. Whether I did or not I think I will save for my exclusive patreon blog (if I make one).
You can see the ad and an interview of the creators of the ad below.

Horror On The Lens: Summer of Fear (dir by Wes Craven)


Today’s horror on the lens is a 1978 made-for-TV movie that was directed by Wes Craven.  Originally entitled Stranger In Our House, it was retitled Summer of Fear when it was released into theaters in Europe.  Personally, I think Summer of Fear is a better title.  It has a fun R.L. Stine feel to it.

As for the film itself, it tells the story of what happens when the recently orphaned Julia (Lee Purcell) moves in with her distant relations in California.  At first, Julia fits right in with her new family but, slowly and surely, her cousin Rachel (Linda Blair) comes to suspect that Julia might be a witch.  And hey, who can’t relate to that?  Seriously, everyone has that one cousin…

 

Music Video of the Day: Lonely In Your Nightmare by Duran Duran (1982, directed by Russell Mulcahy)


This is one of two videos for Duran Duran’s Lonely In Your Nightmare.  In this one, Simon Le Bon finds old photographs and remembers a past relationship that might have just been someone’s dream.  Lonely In Your Nightmare appeared on Rio, one of the defining albums of the early 80s.

Before he made a little film called Highlander, director Russell Mulcahy was Duran Duran’s video director of choice in the early 80s and, of course, he worked with many other bands as well.  His stylish music videos dominated MTV and set the template for which most subsequent videos would come.

Enjoy!

Horror On TV: The Dead Don’t Die (dir by Curtis Harrington)


For today’s horror on television, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Stitches (2001, directed by Neal Marshall Stevens)


An old lady (Elizabeth Ince) stays at a boarding house at the turn of the 20th Century.  At least, I think it was supposed to be the turn of the 20th Century.  There weren’t any cars or telephones but, at the same time, everyone had contemporary hair styles and they wore clothes that looked like they were supposed to be vintage but actually weren’t.  The movie could have just as easily been taking place in a hipster coffeehouse in 1997.

The old lady likes to walk up to people ask them if they want to see proof that demons are real and it never occurs to anyone to just say no.  The woman’s back is stitched together and when those stitches are untied, she drops her skinsuit and reveals herself to be the Devil.  At least, I think that’s what happened because this was one of those movies where they didn’t have the money to actually show you what happened.  You just have to guess by the shadows on the wall.  The film’s poster makes it look like a horrifying transformation but sometimes, posters lie.

When the old devil woman steals your soul, she turns you into a paper doll.  The boarding house made decides to serve the old woman.  That’s pretty much the entire story.  Stretching all that out to 81 minutes took some effort and determination so I’ll give the movie credit for that.

I appreciated the movie’s ambition.  It’s too bad the wooden acting and the slow pace kept this movie from being as interesting as it should have been.  Today’s lesson is don’t hang out with old women who offer to show you a demon.  No good will come from it.

Horror Scenes That I Love: The Man Behind The Dumpster From Mulholland Drive


It’s not usually described as being a horror film but this scene from David Lynch’s 2001 Mulholland Drive literally made me jump the first time I saw it.

Personally, I think this is the scariest moment that David Lynch ever directed.