The Magic of Duels of the Planeswalkers


 

A couple of years back I was bored one afternoon and browsing the XBox Live Marketplace. I didn’t have any real expectation of finding a game that would get me through the afternoon, let alone something that would have real staying power for me, and I would revisit time and again. When I saw that there was a Magic the Gathering game, it was suspicions that became aroused, not interest. Out of a kind of morbid curiosity I selected the game and read a little more into it, saw that a couple of my friends had played it, and that it seemed to be a self-contained engine of a game, and not simply another attempt to sell me Magic the Gathering Online in a repackaged form (don’t get me wrong, I don’t have anything against MTG:O. In fact, it’s a clever idea to reach people who either don’t have an active local Magic scene, or hate their local Magic scene, but if I had money to waste on Magic, I personally would do it at my local comic store).

But, oddly, the complaint that I keep hearing from people about Duels of the Planeswalkers (aside from some more quantitative complaints, which I’ll get into) is that it’s a self-contained thing, not a beautifully rendered amalgamation of all Magic ever.

…Well, duh.

You may bring whatever expectations you wish into your gaming experiences, but I find it’s better to try and keep things a little bit in perspective. For a $10 XBox Live Arcade title – a game that by definition is not a full retail game – you are expecting a full pool of Type II cards, a fully operational deck builder, and carte blanche to build as many decks as you like and play them against other humans? How much money does that privilege cost in real life? If some quickly-researched netdecking can be believed, a couple hundred bucks will buy you a top end deck in the current meta (and someone bought those cards at $4 for each randomized pack or whatever at retail, let’s not forget). Let’s say each ranked DCI event costs another $7 as an entry fee. So for one singular deck, you must expend hundreds of dollars, and much of that income reaches Wizards of the Coast. Then, if you wish to change decks, you’re likely to need more cards. Wizards will release new expansions, and you will need still more cards. All of this generates revenue for the company that is printing the game (and all of the creative people behind its design, etc.) and you honestly approach Duels of the Planeswalkers with the expectation that it’s going to just replace the CCG model forever?

Come on.

So now that that soap box moment is out of the way, let’s talk about the game. 2013 is the latest upgrade to the now-yearly franchise. Much like regular Magic’s Type II environment, DotP can be seen as a sealed ‘block’ of decks of cards, and it evolves year by year. The game-play improvements in 2013, then, are very slight, since the game of Magic hasn’t changed much. The most meaningful one is the long-awaited ability to manually select your own lands to tap for Mana instead of letting the CPU select them for you (the CPU attempts to do this intelligently, but unfortunately, the CPU has no idea what it’s doing). The main difference is, therefore, the entirely new pool of decks that players can customize and compete with. The game launched with 10 available decks which come with a basic pool of 35 cards (plus the necessary land to make the deck function of course) and an additional 30 unlockable cards. The cards are unlocked – unfortunately – one by one, by winning duels, or if you’re lucky enough to be playing the console versions, by the purchase of Deck Keys (those cost about $1 of your real money each) which completely unlock the deck in question. This represents a large increase in possible customization over the selection offered by 2012.

The decks themselves are primarily monochrome, which is a shame. I understand that Wizards probably sees DotP as a tool to draw people into the world of Magic: The Gathering either on or off line, hoping to gain more lifetime players who are eager to experience the full game. However, many players do want to enjoy DotP as a game in its own right, and while monochrome decks are easier to play and make a decent introduction, the truth is that the Magic decks you’re going to see even at a local Friday Night Magic tournament are going to include a lot of paired colours for a simple reason – each colour is deliberately designed with shortcomings. Black has access to many easy fire-and-forget creature destruction spells and no enchantment removal at all. White has only a tiny splash of creature removal (and each of their ‘removal’ cards has a drawback printed on the card!) but many good cards for destroying enchantments or artifacts. If you combine the two, you can have both of those strengths, and cover for the weaknesses, at the expense of a deck that can be less reliable (since you must now possess two different colour resources) and harder to play. The trade-off is almost always worth it.

Hopefully DLC (it’s already in the works, of course!) will expand a little bit on this, and throw in some more two-colour decks (and a few fewer absolutely atrocious 3-colour decks. Please?).

As for the Planechase mode, I haven’t got much to say. I’ve never liked Planechase because it can really take a long time to play a single game of it, so I’ve avoided testing it extensively. I can say that it works just like I remember it working in real life, and it can definitely be fun if you have the patience to stick with it. The unpredictable and powerful effects of the different twisting Planes can really throw a traditional match-up on its head. Combined with the inevitable chaos of FFA multiplayer, and you definitely have a format with legs – no two games of Planechase will ever be exactly the same.

I suggest that you think of Duels as a Magic format much like Captains or, frankly, Type II… and enjoy it for what it is; a closed Magic experience that doesn’t cost you a lot of cash out of pocket to play. The added levels of customization (regrettably, still not the ability to pick how many lands your deck has in it. Grrr!) make the environment more varied than ever (mind you, I did not suggest the environment was balanced. It’s much too early to speak on that) so it’s definitely a game that’s got some depth if you’re willing to take the time to learn the format and delve into its own quirks and strategies.

The game reportedly suffers from numerous bugs. I have not encountered any that are more severe than the ‘mild annoyance’ variety, but I suspect there are uglier ones to be found in those innumerable lines of code somewhere. I wish I could say this was uncommon for releases in 2012, but I try to remain honest when I write these columns.

So there it is. I find Duels to be a fantastic addition to my summer, and I’m more excited than ever to waste countless hours trying to determine the best combination of 60 cards in the fixed pool that makes up my blue deck that will best let me control the decks I’ve seen people playing this week. Oh, and if you pick it up, do try it out with a friend in Two-Headed Giant at least once. It’s riotously fun.

E3 Trailer: The Last of Us (Gameplay Demo)


I’ll fully admit that the PS3 I bought hasn’t seen much action since I purchased it. I still use it to watch Blu-Ray films, but it’s gaming side I rarely touch. Most of the games that I would play on the console I already own and play on my Xbox 360. Once in awhile a game that’s exclusive for the PS3 comes out or gets announced that makes me rethink my non-gaming of the console. At Sony’s pre-E3 press conference on Monday I saw one game whose gameplay demo has convinced me that I need to get this game and dust off the Ps3 controllers.

The game is Naughty Dog’s latest title called The Last of Us and it’s a post-apocalyptic title that’s set in a world that has succumbed to some sort of viral infection which causes those infected to turn homicidal and searching out those still uninfected. Unlike other post-apocalyptic games this one sets the game in a world still reeling from the end of the world as we know it and with survivors doing just everything possible to survive the cities and infrastructures we take for granted has slowly been reclaimed by nature.

The game follows two characters in Joel (the one the player controls) and a 14-year old girl named Ellie (controlled by the game’s AI) who have a sort of father-daughter relationship despite not being related with they being survivors their only common link. The game touts a robust AI that allows the enemies in the game to adjust how they come at the player depending on the player’s mode of fighting. The game also does make use of the post-apocalyptic setting by making scavenging for supplies and ammo a high-priority.

The game is still in development, but if the gameplay demo shown at Sony’s presser is any indication then this game is a must-buy for me and probably for many others.

The Last of Us has a tentative release date of Late 2012/Early 2013.

E3 Trailer: Resident Evil 6 (Official)


Another game which seem to have gotten a huge positive reaction from the pre-E3 pressers on Monday was Capcom’s latest entry in its very popular and lucrative survival-horror series, Resident Evil (Biohazard in Japan). This is a series that goes back over a decade and through several console lifetimes and still remains as popular now as when it first began.

The game looks to bring back several well-known faces from the previous games in the series like Leon S. Kennedy, Chris Redfield, Ada Wong and Sherry Birkin. One thing the latest game brings back that’s been missing in the last two games was the main antagonist that started it all and that’s the Umbrella Corporation. The game also looks to expand the locales where the game takes place in. In previous titles in the series the location tend to be very localized with some international jet-setting here and there, but from the looks of the trailer it seems that Resident Evil 6 will be going global.

I haven’t played a Resident Evil game in years, but it looks like this cold streak may just end with Resident Evil 6.

Resident Evil 6 is set for an October 2, 2012 release date.

E3 Trailer: South Park: The Stick of Truth


Another title which caught my attention during Microsoft’s pre-E3 press conference is the latest game for South Park which also happens to have both Matt Stone and Trey Parker (creators of the show) working hand-in-hand with the developers of the game, Obsidian Entertainment, to get the look and feel of the show translated to the game.

The game is South Park: The Stick of Truth and it’s a role-playing game which makes use of the four boys dressed up as fantasy role-play characters from the episode “The Return of the Fellowship of the Ring to the Two Towers”. This time around instead of controlling one of the four boys the player will actually be the hero hat Cartman, Kyle, Stan and Kenny turn “to undo what has been did” as Cartman mentions in the trailer.

Just from the trailer alone it looks like Obsidian has been doing it’s best to replicate the look, feel and sound of the tv series. It helps that both Matt Stone and Trey Parker are doing the voices to the game’s characters and also writing the game’s story. From snippets heard in the trailer it looks like the game will have crab people, hippies, vampire kids and underpants gnomes as enemies just to name a few. We even get glimpses of gun-toting Jesus and Mr. Slave.

What I’ll be interested in finding out is whether the game will be rated T for teens or get rated M for Mature. I hope it’s the latter because if there’s anything about South Park it’s that it definitely pushes the boundaries of mature audience entertainment.

South Park: The Stick of Truth is set for a March 5, 2013 release date.

E3 Trailer: Halo 4 “The Commissioning” (Live-Action) & Gameplay “Light Gun and Scattershot”


It’s E3 week in Los Angeles (in a couple week it’ll be Anime Expo so as Lisa Marie would say, “Yay!”) and that means a load of announcements for new games and other gaming-related stuff. If there’s on game I’m really interested in checking out it’s the latest in the Halo series. Bungie has moved on but Master Chief and all remained with Microsoft Game Studios. Taking over Bungie’s development duties is an in-house studio created by Microsoft to continue the Halo franchise after Bungie Studios’ departure.

343 Studios has big developmental shoes to fill since many fans of the franchise equate the series with Bungie Studios and no one else. Microsoft and 343 have done a good job of preparing fans of the franchise for the change in studios which has been several years in the making. Their first title is suppose to add new life to the Halo series while making some necessary changes to keep up with the “Jonses” so to speak.

Halo 4 takes place four years since the end of Halo 3 and, from what the two trailers unleashed on the masses during Microsoft’s pre-E3 press conference, we see the familiar Covenant enemies but also a brand-new race that seem to have Forerunner technology. From the gameplay video shown below the first-person HUD series fans were so familar with has been tweaked to make it look like the player is actually looking out of the Spartan helm. I’d say this is 343 Studios trying to replicate the look and feel of Tony Stark looking through his helmet, but this time in a first-person point of view instead of the outside view we see in the films.

One thing that’s always a wonder to watch is what kind of live-action trailer Microsoft has come up with to help announce the game. Like their previous live-action trailers which behaved like short films, the one for Halo 4 just ups the epicness from the previous ones. Sci-fi fans may even recognize the actor playing the captain of the UNSC Infinity as Mark Rolston who played the doomed Pvt. Drake in James Cameron’s Aliens.

Halo 4 is set for a November 6, 2012 release date.

 

Trailer: Darksiders II – Death Strikes (Part Two)


Darksiders II: Death Strikes (Part One)

The second part of THQ and Vigil Games’ short-film trailer to introduce the character of Death for their sequel to 2010’s Darksiders has now come out and it shows the Pale Horseman of the Apocalypse taking on even more demons and an enormous angelic engine of destruction. We don’t hear Death speak (his voice will be veteran genre actor Michael Wincott), but we do see him in action taking on demons and then finally transforming into his more recognizable Grim Reaper aspect to take on the battle engine.

If there was a game I’m really waiting to get my hands on this summer it will be this game and hopefully the delay of releasing the game on June 26, 2012 to a later date of August 14, 2012 means more polishing and tweaking of the final product before it comes out to the public. Here’s to hoping that when it finally comes out it will not be buggy and be as good or better than the game that preceded it.

 

First Impression: Telltale Games’ The Walking Dead: Episode 1 “A New Day”


When I first heard that Robert Kirkman’s horror comic book series, The Walking Dead, was being turned into a video game I was a bit leery. I’m a huge fan of the comics and, despite some unevenness in it’s storytelling, also a fan of the tv adaptation on AMC. I’ve even bought and read the novel based on the comic book that details the early backstory of one of the series’ iconic characters. So, when it was announced that Telltale Games was going to make a game out of the series I was intrigued, but also worried.

Was the property being milked for everything it was worth to the point that it was reaching oversaturation?

As the months ticked by I read up on updates and news on Telltale Games and its plan for the series. It was going to be based on the comic book and not the tv show. While it won’t follow the characters from the comic book the game will still use some of those characters in cameos that the game’s new lead characters will intersect with. I was all for this but I was still hesitant to fully buy into the game until I actually played the first episode in what was going to be an episodic game totaling 5 distinct episodes.

Episode 1, titled “A New Day”, has been released and over the course of a couple hours in one night I’ve played through the episode and my first impression of Telltale Games’ The Walking Deadis a very positive one.

The game actually begins with the lead character of Lee Everett in the back of a police car being driven to a prison outside of Atlanta. We find out early on that Lee has been convicted of murder, but through conversations with the police officer in the car we get hints that he may not be the bad man his conviction labels him as. The game uses these early minutes of the game to give players a simple instructional on how the controls work and the manner in which players can choose how Lee should answer the person he’s speaking to.

Before one could get comfortable with the game’s control mechanics the story crashes headlong into the horror aspect of the game.

The game doesn’t skimp on the horror and tension the player will experience and this episode does a fine way of making the simplistic controls become part of making encounters with the living dead be very tense and terrifying. Most video games tend to make their controls very precise and accurate, but here the controls are just imprecise enough and timed to make zombie encounters not so simple. Even the action tend to serve the narrative instead of breaking away from it. This is not a game that caters to the action junkies, but more to those who value story, characters and emotion first and foremost.

“A New Day” also introduces the second lead that would become part of Lee’s main story: 8-year-old Clementine.

If there’s been a big criticism of the show based on the comic books it’s that the kids on the show have either been clueless, useless, or dangerous. Clementine from my first impressions based on this first episode seem to be the opposite of tv show Sophia and Carl. She’s resourceful, tougher than she looks but still retains enough of her innocence even after seeing the early days of the zombie apocalypse hit her close to home. The interactions between Lee and Clementine is turning out to be this game’s core and how players treat Clementine looks to affect how future episodes turn out.

That’s where the game truly stands out for me even with just this first episode being the only one released, so far. The story and how Lee interacts with his young charge and other survivors he meets up determines how the episode plays out. Play like a compassionate Lee and people will trust Lee and help him out. Play like a silent, enigmatic tough guy and some characters will accept him while others will be suspicious. A great aspect of this game’s narrative is that throughout this first episode (I’m guessing in the other future episodes as well) the player is put in a situation where he has to make Lee decide which two people he has to save from the zombies. The fact that every character doesn’t come off as one-dimensional that making these life or death decisions truly becomes tough.

Telltale Games has done a great job with this episode to lay down the oft-used theme of human drama and conflict in the face of the apocalypse. While it’s nothing new in zombie literature when it comes to the theme of human survivors being as much a dangers to other humans as the zombies with this episode we’re not hit over the head with it. We get some tense interactions between Lee and particular survivors, but nothing that boils over into outright violence. There’s enough distrust introduced with this first episode that we get a sense of danger from within not just from the outside.

I played the game on my Xbox 360 and the graphics is not super-high quality. What the developers do end up doing is giving the game a nice comic book art-like aesthetic which further puts it in line with the comic book series and not the tv show. For a price of $4.99 (400 MS Points) The Walking Dead: Episode 1is worth the price even if a player can easily breeze through it in just a couple hours. It’s how choices (both dialogue and action) made in the game changes the storyline that gives this first episode long-term re-playability. I’ve already done two playthroughs and with each one I’ve made different choices which clearly changed how certain characters acted towards me and how certain scenes unfolded.

So far, Telltale Games has done a great job with The Walking Deadand if this first episode was any indication then players will definitely be waiting for the future episodes with anticipation.

Trailer: Telltale Games’ The Walking Dead (Debut)


This week saw the release of a particular type of video game. The game is Telltale Games’ The Walking Dead. Yes, you heard correctly. It’s a video game based on the horror comic book series by Robert Kirkman that has become one of TV’s biggest sensation (despite some issues with characters and storytelling) with it’s own tv series.

Telltale Games’ adaptation brings a new angle to the story Kirkman has been writing for almost ten years now. It’s unfolds from the very first days of the zombie apocalypse but still set in the Atlanta-area. Themain characters in the game is one Lee Everett who comes across a young girl during his search for a safe spot. Together the two of them must survive the chaos of the zombie apocalypse’s early days and not just from the zombies, but other survivors they come across in their journey. While the game introduces new characters the people at Telltale Games will have the main characters come across some of the characters from the comic book/tv series.

As mentioned earlier the game will come out as five episodes that players buy the moment Telltale Games releases a new one. The game pretty much acts like an interactive episode with the player making difficult decisions both practical and moral that changes the tone of each player’s particular game. Unlike most zombie games which tend to focus more on action and shooting this title will focus heavily on story and characters.

Telltale Games’ The Walking Dead has now comes out with it’s first episode for the Xbox 360, PS3 and Windows PC with versions for Mac OS X and iOS coming sometime this summer.

Trailer: Darksiders II – Death Strikes (Part One)


One of my favorite video game titles from 2010 was also one of it’s earliest releases with THQ and Vigil Games’ post-apocalyptic action-adventure, hack and slash Darksiders. It was the game which allowed the player to play as War of the Four Horsemen of the Apocalypse. It was a game that was received positively by both critics and the general public though the title was not without it’s flaws.

Darksiders sold quite enough units for both the Xbox 360 and the PS3 that THQ was quick to greenlit a sequel to the title. This was good news since the first game ended in what one could only assume was a cliffhanger. I mean this was a game that was epic in its art design, epic in it’s story (it is set after the world ends in the game’s prologue) and finally it just sounded epic. The ending itself wasn’t just a cliffhanger but gave a clue as to how the game would continue on as a franchise. War a player was already able to play in the first game and the game end’s with three other flaming meteor’s streaking down to Earth. Hmmm, I wonder just who or what exactly are those three mysterious meteors.

[spoilers in video below for those who haven’t played the first game]

With the sequel only months away from release we get the first CG cinematic trailer for it released and show’s the Death as the newest Horseman of the Apocalypse the player gets to play this time around. Yes, you heard that correctly. You as a player gets to play as Death itself. From the look of how Death move and fights in the trailer he’s more lithe and agile than the more brutish and “crush rocks with each step” brother War.

With both Skyrim and Mass Effect 3 now out and played this title now goes up my list for 2012 as one of my most-anticipated titles to get a hold of a play. Also, one thing which should make playing Death epic: Michael Wincott will voice the character.

Darksiders is set for a June 26, 2012 release date for the Xbox 360, PS3, Wii U and Windows PC.

Mass Effect 3


I finished Mass Effect 3! The first video game I’ve ever finished! … Or, at least, for a long time.

Shall we talk about it?

Mass Effect 3 is (ostensibly, we know how sequels work these days) the conclusion to the story of one Commander Shepard, a human of exceptional skill, whose whole history is determined by the player. Shepard has journeyed long and hard to make people aware of the threat posed by the Reapers, synthetics bent on annihilating all organic life. From what I’ve seen, Mass Effect 3 is receiving decidedly mixed reviews. I think most of the negativity is oriented toward the ending, and we’ll talk about that later, but I’m going to start with a list of things that are ‘to like’ about this game. Even though if you have even the slightest interest in the franchise, you’ve already bought it.

Mass Effect 3 improves on the gameplay of Mass Effect 2.

Let that statement hang in the air for a moment. Why? Because I already thought Mass Effect 2’s gameplay was incredible; the game’s best feature, aside from its variety of characters and character interactions.

It still pads its play time by giving you lots of relatively minor quests, and forcing you to scan systems for ‘War Assets’ which involve running from Reaper forces and wasting a bunch of time. This is nothing new. After all, we drove the Mako around identically featureless planets in ME1, and we scanned for resources in ME2. The difference to me is that while we’re running around the Citadel recovering missions in ME3, we’re also subjected to background conversations between the inhabitants of that great space station. Their lives are affected by the war, and overhearing snippets of conversation lets us understand how so. It drew me into the setting of a (seemingly) hopeless war more than any activity aboard the Normandy. After all, Commander Shepard runs a stealth vessel with the most deadly folks around aboard. We don’t have any reason to fear the Reaper forces for the most part, because we’re better than they are. But on the Citadel, the Everyman is on the run. The Everyman fears that they will never see loved ones again.

In a holding area for Refugees, there’s a teenage girl waiting for her parents who has a variety of conversations with a C-Sec officer about her parents, and their transport, and when it’s going to arrive. It’s kind of heartwrenching. But also extremely appropriate.

In the field I suspect players will find much to like. The variety of enemy types is vastly improved over Mass Effect 2, as you combat the forces of the Reapers (now with more than just Husks and minibosses!), the forces of Cerberus (who are varied and deadly, very appropriate) and the traditional Geth opponents as well. I often felt that ME2’s opposition was pretty vanilla, but the unique properties of the enemies in ME3 make them feel much more varied even if (as I suspect) the actual number of “different” enemy types is not much different. The variety of powers IS improved, and now re-implements the use of grenades (an odd omission from ME2!) while keeping the basic gameplay mechanics of the second game intact. The most tangible difference is that you can now see Shepard’s hit points reflected in a bar with five segments. Once a segment is totally depleted, it only replenishes with the use of Medi-Gel. This is a significant feature of the game, especially on the harder difficulties.

Weapon upgrades are back with a vengeance. They operate like they did in the original Mass Effect, only +1. Now, you can acquire more advanced versions of weapons, and install increasingly powerful upgrades, to customize weapons to fit your playstyle. All classes now wield any weapon you like, with the newly devised penalty of heavier weapons slowing the recharge time of your special powers. So, a Biotic Adept is fully free to carry a sniper rifle and assault rifle, but it may mean that their Singularity cools down three times slower. Is that trade-off worth it? The answer is no, but it’s still definitively up to the player.

I was favourably impressed with the character moments and interactions in this game. Your own mileage will vary based on choices in previous games (and yes, while I have heard complaints that your choices don’t have a significant enough impact on the ending, they certainly have a significant impact on the game at large) but I was treated to a number of unexpectedly poignant and emotional character moments from both new and old faces. To me, this is the best work BioWare has done yet in terms of the characters involved… perhaps even exceeding Dragon Age II (although that entire game is so character-based, it’s a tough comparison). Some may be disappointed that many of the discussions no longer involve choosing options on the conversation wheel, but rather just talking it out after the fashion of conversations with companions Zaeed Massani and Kasumi Goto in Mass Effect 2.

I hesitate to say more, because it’s a story game, and I won’t be the one to spoil things for those who haven’t completed it.

Multiplayer!

Yes, there is now a multiplayer mode. It feeds the single player in that you can use any multiplayer character of level 20 as a War Asset, and in that it improves your Galactic Readiness score. For anyone who is wondering why your Galactic Readiness sits at a mediocre 50%, this is why! The multiplayer mode is a horde-styled mode where you fight against any of the three enemy forces (Geth, Cerberus, or Reaper) on one of several small maps, over the course of 10 waves, and then a “bonus” wave in which your squad waits for extraction. Three difficulty levels are available, which mirror normal, hardcore, and insanity level enemies, and thereby force different tactics to be used by the players.

I’d heard rumours that the single player was also supposed to support the multiplyer, but I’ve seen no evidence of that.

If you’re into Horde modes, you’ll almost certainly enjoy the multi-player here. Just be aware that you’ll have to work your way through a lot of matches to earn weapons and characters if you want the full experience, and getting a character to level 20, while not hard per se, can be time consuming. If you’re only looking to supplement your single player experience, your mileage will vary with the multiplayer mode.

And that’s where I’ll stop. I’d be happy to answer any specific questions, but I certainly don’t want to spoil the game for you. Just know that it’s a good game, and I hope you like it.