Today, the Shattered Lens wishes a happy birthday to Johnny Depp!
Today’s scene that I love comes from 1994’s Ed Wood. In this scene, Depp plays the infamous director as he first meets his future collaborator, Vampira (played by Lisa Marie).
(What a great name!)
In the 1980’s I was a huge fan of Michael J. Fox. Alex P. Keaton was my hero, and BACK TO THE FUTURE and TEEN WOLF are two of my favorite 80’s movies. In the early 2000’s I became a huge fan of Director Peter Jackson due to his LORD OF THE RINGS trilogy. Made in 1996, THE FRIGHTENERS is the only Peter Jackson film I had seen prior to the LORD OF THE RINGS trilogy. I saw THE FRIGHTENERS at the movie theater in 1996, and I loved it. It was different than I was expecting going in, but it has one hell of cast. I had not seen any of Jeffrey Combs’ work prior to this movie, and he totally cracked me up. Throw in a ghostly Chi McBride whose character even references Charles Bronson* at one point, and I’m hooked. Peter Jackson directing Michael J. Fox. Now that’s a match made in heaven!
*BONUS – Chi McBride as Cyrus :
“All right, man, this is it. We gotta be hard. No mercy. We’re going in like professionals, like Charles Bronson. We don’t stop till the screaming starts, you dig?”
The telegraph company has come to the frontier town of Hangtown Mesa and soon, the citizens will be connected to the rest of the world. The wealthy men who run the town don’t want that to happen because then people might discover how corrupt they are. They hire a gunman known as the Utah Kid (Hugh Prosser, not looking much like a kid) to come to town and kill the owner of the telegraph line, John Wilkins (Henry Hall). The Utah Kid steals the clothes of engineer Steve Collins (Johnny Mack Brown) and frames him for Wilkins’s murder. With the help Betty Wilkins (Helen Deverell) and traveling medicine man Dr. J. Willington Dingle (Fuzzy Knight), Steve sets out to clear his name.
This is a pretty good Johnny Mack Brown western. The plot isn’t half-bad as far as Poverty Row westerns are concerned and director Joseph H. Lewis keeps things lively. Lewis not only gets good performances from his cast but he also makes Hangtown Mesa seem like an actual, growing frontier town. Lewis even manages to create some suspense as The Utah Kid and Steve Collins switch identities. Comparing Lewis’s westerns to the ones directed by Sam Newfield shows how much difference a good director can make, even within the confines of a poverty row production. Even Fuzzy Knight is used well!
Boss of Hangtown Mesa is one of the better Johnny Mack Brown westerns, featuring a good story and an interesting idea behind it as it shows how far the bad guys will go to keep their own private fiefdom from connecting with the rest of the world. Brown is convincing, whether he’s riding a horse or holding a gun. He’s playing an educated man here, an engineer, but Brown is still a cowboy through-and-through.
Today’s scene that I love is from the 1981 German film, Christiane F. Directed by Uli Edel and based on a true story, Christiane F. is the story of a 13 year-old drug addict. It’s a powerful film, though perhaps not one to watch if you’re dealing with any sort of severe depression. David Bowie both composed the film’s soundtrack and appeared in the film himself.
Here, he performs Station to Station while Christiane F. watches. The scene perfectly captures not only Christiane F.’s fascination with Bowie but also Bowie’s charisma as a performer. The scene was shot an actual concert that David Bowie performed in Berlin, though the shots of Christiane F. and her friends watching were filmed separately.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we pay tribute to the year 1981 with….
4 Shots From 4 1981 Films
Christiane F. (1981, dir b Uli Edel, DP: Justus Pankau and Jürgen Jürges)
The Beyond (1981, dir by Lucio Fulci, DP; Sergio Salvati)
Escape From New York (1981, dir by John Carpenter, DP: Dean Cundey)
Evil Dead (1981, dir by Sam Raimi, DP: Tim Philo)
Today is actor William Forsythe’s 70th birthday. Forsythe is a good character actor, and I’ve always had a fondness for a movie he appeared in called STONE COLD, because it was partially filmed in the town of Conway, Arkansas, which is about seven miles from the house I grew up in. I even remember when they had the downtown blocked off so they could film their scenes. STONE COLD starred All-American football player Brian Bosworth, who was making his film debut. As was the norm back in those days, Forsythe played a really bad guy. So happy birthday, Mr. Forsythe! Enjoy!
Liam Neeson is John Ottway, a sharpshooter who works for an oil company in Alaska. His job is to protect the company’s employees from dangerous wildlife in the area. He’s flying with a group of his co-workers from a remote drilling site when the plane crashes out in the middle of nowhere. There’s a small group of survivors who must now face harsh weather conditions with very little supplies. If that isn’t bad enough, a pack of hungry wolves are after them. Ottway takes charge of the group and tries to lead them out of the remote, frozen wilderness to safety. As impossible as it all seems, it turns out to be even worse, and all of those lucky enough to survive the plane crash must try to come to terms with the difficult moments that lie ahead.
I’ll go ahead and say that THE GREY is my favorite film starring Liam Neeson. When I first saw the movie in the theater back in 2012, I was expecting more of a typical “man versus nature” survival thriller. I wasn’t expecting director Joe Carnahan to deliver a powerful story that would transcend its basic premise and force me to assess the meaning of my life! When I watch THE GREY, I think about the things that make my life meaningful, and if I truly appreciate those things. I think about my own mortality, and if I am living a life that makes a real difference to anyone. I think about the need to take advantage of every moment in my life, and I’m doing this while I’m watching a movie where men are desperately trying not to be eaten by big wolves. Carnahan pulls off this feat brilliantly! With that said, if you’re looking for mindless wall-to-wall action, THE GREY is probably not the movie for you. This is a thinking person’s film, and even though I wasn’t expecting that element when I first watched it, I love it!
Liam Neeson gives an incredible performance as a man who goes from being so emotionally damaged at the beginning of the film that he considers killing himself, to a man who’s willing to go one on one with a giant black alpha male wolf for one more chance at life! For a man who played Oskar Schindler, I don’t think Neeson has ever been better than he is in THE GREY. If you don’t get misty-eyed in the scene where he holds a man’s hand as he’s dying and talks him through his fear, then you must have a heart of stone. It’s a beautifully acted scene by Neeson and actor James Badge Dale. There are other good performances in the film, mainly from Frank Grillo, Dermot Mulroney, and Dallas Roberts as the plane crash survivors that make it deep into the story with Neeson. Each of these actors have strong moments at different times. But make no mistake, Neeson’s performance is the backbone of the story and elevates THE GREY to something special.
Throughout the story, Neeson’s character recites a poem that was written by his father:
Once more into the fray, into the last good fight I’ll ever know. Live and die on this day, live and die on this day.
In THE GREY, we see various characters live their lives and face their deaths in different ways. While none of them wants to die, some fight harder for life than others. At the end of the day, we have to honestly ask ourselves… are our own lives really worth fighting for?
Welcome to the year 2293. Savages known as the Brutals live in a wasteland and worship a giant stone head named Zardoz, who comes out of the sky, tells them to shoot guns and not have sex, and then dumps hundreds of firearms on them. One Brutal, Zed (Sean Connery, wearing what appears to be a big red diaper) jumps into Zardoz’s mouth and discovers that Zardoz is actually a spaceship that is piloted by Arthur Frayn (Niall Buggy). Zed shoots Arthur and then flies with Zardoz to the Vortex, where a bunch of overdressed and overaffected Immortals are having a perpetual garden party.
The Immortals, who can live forever because they’ve mentally learned how to slow the aging process, take an immediate interest in Zed. They want to know where Arthur is. Zed wants to explore the Vortex and learn what’s going on. The Immortals assign Zed to do menial tasks. Consuela (Charlotte Rampling) falls in love with Zed but keeps trying to kill him. If you could live forever, the film asks, wouldn’t you eventually want to die? I would not.
John Boorman, you nut! Boorman is one of the greatest directors ever, responsible for Point Blank, Deliverance, and Excalibur. Zardoz shows what happens when a great filmmaker falls so in love with his vision that no one can tell him that it’s not working. Zardoz is pure Boorman, obsessed with nature, curious about paganism, and cynical about religion. Boorman had something that he wanted to say about nature and humanity and he deserves a lot of credit for that. He had just directed Deliverance and could have had his pick of projects in 1974. He could have directed an action spectacular or he could have just gone home to Europe and counted his money. Instead, Boorman decided to go with a dream project that he had been trying to put together for years.
Did it work? No, it did not. A few stunning images (that stone head!) aside, the movie itself is slow and talky and Sean Connery, with his deep brogue, is miscast as Zed. (As Lisa said last night, “I’m glad to see Scotland survived the apocalypse.”) With his pony tail and his handle-bar mustache, Connery seemed like he was doing a dry run for his Highlander character. Charlotte Rampling is beautiful as Consuela and some viewers — mostly men — will appreciate her costumes, but the society of the Immortals is never as interesting as Boorman seems to think it is.
Zardoz is bad but still compelling because Boorman was so dedicated to whatever it was he thought the message of the movie was. Watch it with a bud and try to figure it out,
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today’s “4 Shots From 4 Films” celebrate the 73rd birthday of Liam Neeson!! Enjoy!
NEXT OF KIN (1989)
SCHINDLER’S LIST (1993)
TAKEN (2008)
THE GREY (2011)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting Horror of Party Beach!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
Through the Shattered Lens 