4 Shots From 4 Films: Special Wes Craven Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

86 years ago today, Wes Craven was born in Cleveland, Ohio.  Craven started his career as an academic, teaching high school English.  However, realizing that there was more money to be made in the film industry, Craven changed careers.  By his own admission, he started his career directing “hardcore, X-rated films” under a pseudonym and it has been rumored that he was a member of the crew of the first “porno chic” film, Deep Throat.  Eventually, Craven broke into the mainstream with some of the most influential and often controversial horror films ever made.  From being denounced for the original Last House On The Left to changing the face of horror with A Nightmare on Elm Street to becoming something of a revered statesman and a beloved pop cultural institution with the Scream franchise, Wes Craven had a truly fascinating career.

In honor his films and legacy, it’s time for….

4 Shots from 4 Wes Craven Films

Last House on the Left (1972, dir by Wes Craven, DP: Victor Hurwitz)

A Nightmare on Elm Street (1984, dir. by Wes Craven, DP: Jacques Hatikin)

New Nightmare (1994, dir by Wes Craven, DP: Mark Irwin)

Scream (1996, dir by Wes Craven, DP: Mark Irwin)

Brad’s Scene of the Day – Paul Kersey meets Machete!


In honor of the 111th birthday in cinema heaven of director J. Lee Thompson, I’ve chosen to share a scene from one of his last few movies, the action packed sequel, DEATH WISH 4: THE CRACKDOWN (1987). Actors Charles Bronson and Danny Trejo crossed paths a couple of times in the late 80’s when Bronson was near the end of his legendary career and Trejo was at the very beginning of his. This scene is interesting as it presents Bronson using a wine bottle as a weapon instead of an huge gun! Enjoy my friends!

Broken Path (2008, directed by Koichi Sakamoto)


Jack Ellis (Johnny Yong Bosch) spends all of his time moving from town to town, never staying long enough to make lay down permanent roots.  His wife, Lisa (Pamela Walworth), finally convinces him to stop running and to move into a ranch house with her.  That turns out to be a mistake because the ranch house is soon overrun by ninjas who have some sort of grudge against Jack and who appear to have lascivious intentions towards his wife.

Once the movie deals with a few talky sequences at the beginning, Broken Path becomes one long fight sequences with Jack taking on the home invaders one-by-one.  The fight scenes are all exciting choreographed and appropriately brutal, with a lot of blood being spilled by both Jack and his enemies.  This is not one of those martial arts film where people somehow manage to survive the most brutal of beatings without having a scratch on them.  The entire home invasion plays out, more or less, in real time.  This is a movie with a 70-minute fight scene.  If that’s the sort of thing that you’re into, Broken Path is extremely exciting.  If you want more nuance than just people fighting, this might not be the film for you.

From what I understand, Broken Path never got a proper theatrical or video release in the United States but it can be found on YouTube.

 

Live Tweet Alert: Join #FridayNightFlix for Wild Thing!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1987’s Wild Thing!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Wild Thing is available on Prime and Tubi!

See you there!

Scenes That I Love: The Underground Chaos From Skyfall


Today, the Shattered Lens wishes a happy birthday to director Sam Mendes!

Now, it’s true that Sam Mendes won an Oscar for directing American Beauty and he probably came close to winning a second one for his work on 1917.  However, my favorite Mendes film remains Skyfall.  Skyfall is one of the best of the Bond films and I say this as someone who was never really a fan of Daniel Craig’s mopey interpretation of the character.  Based on his previous films, Sam Mendes may not have been the first name that come to mind when people talked about someone who could make a great Bond film but, with Skyfall, he did just that.

Here, in a scene that I love, James Bond pursues Silva (Javier Bardem) through the London Underground.  It’s very suspenseful, very droll, and, most importantly, very British.

4 Shots From 4 Films: Special J. Lee Thompson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

111 years ago today, the director J. Lee Thompson was born in Bristol, England.  Though he never quite got the respect that he deserved while he was alive (though he did receive an Oscar nomination for The Guns of Navarone and later won fame as one of the few directors that Charles Bronson actually liked), J. Lee Thompson has since been recognized as a master of genre filmmaking and as someone who was not afraid to add a little subversive subtext to his films.  From The Guns of Navarone to the later sequels of Planet of the Apes to working with Charles Bronson and Robert Mitchum, Thompson was one of the best.

In honor of the man and his legacy, here are….

4 Shots From 4 J. Lee Thompson Films

Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)

Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)

Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

Lisa Marie’s Way Too Early Oscar Predictions For July


As July comes to a close, the Oscar picture is still pretty fuzzy.  To be honest, it’s hard to get that excited about any of the contenders that have been mentioned.  It all pretty much sounds like more of the same, with the exception of Sinners.

Anyway, with that inspiring introduction out of the way, here are my predictions for July.

Click here for my April and May and June predictions!

Best Picture

F1

It Was Just An Accident

Jay Kelly

Nouvelle Vague

Nuremberg

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Richard Linklater for Nouvelle Vague

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

George Clooney in Jay Kelly

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Russell Crowe in Nuremberg

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Emily Blunt in The Smashing Machine

Ayo Edebiri in After The Hunt

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Jennifer Lopez in Kiss of the Spider Woman

Brad’s Scene of the Day – THE NAKED GUN 2 1/2 (1991) – Richard Griffiths goes airborne!!


In honor of actor Richard Griffiths, on what would have been his 78th birthday, and the impending release of the new NAKED GUN film starring Liam Neeson, I present this fun scene from THE NAKED GUN 2 1/2: THE SMELL OF FEAR. Enjoy my friends!

Red Heat (1988, directed by Walter Hill)


Ivan Danko (Arnold Schwarzenegger) is a Russian who lives in Moscow.  Art Ridzik (James Belushi) is an American who lives in Chicago.  They have two things in common.  They’re both cops and they both recently lost their partners while pursuing Russian drug lord Viktor Rostavali (Ed O’Ross).  When Danko comes to Chicago to bring the recently arrested Rostavali back to Moscow, Ridzik is assigned to be his handler.  When Rostavali escapes from custody, Ridzik and Danko team up to take him down.

Directed by Walter Hill, Red Heat may not be as well-remembered as some of Arnold Schwarzenegger’s other action films from the 80s but it’s still a good example of Schwarzenegger doing what Schwarzenegger did best.  Danko may not have been the quip machine that Schwarzenegger usually played but the movie gets a lot of comedic mileage out of his straight-to-the-point dialogue and the culture clash that Danko, a proud Soviet, experiences in Chicago.  It’s also an exciting action film, featuring a classic bus chase that perfectly complements Schwarzenegger’s bigger-than-life persona.

It gets a lot of mileage from the comedic chemistry of Arnold Schwarzenegger and James Belushi.  The always-talking Belushi provides a good comic foil to the steely Schwarzenegger.  Made in the waning years of the Cold War, Red Heat featured Belushi learning that the Russian cops didn’t worry about Miranda warnings and Schwarzenegger learning about “decadent” capitalism.  Belushi does a good job defending the honor of America.  Schwarzenegger, an anti-communist in real life, does an equally good job defending the Soviet Union.  Ultimately, they put aside their differences and show that even people on opposite sides can work together.

(We all know who won ultimately won the Cold War, though.)

Walter Hill specialized in buddy action movies.  Red Heat isn’t up to the level of 48 Hrs but it’s still an entertaining East-meets-West action film that packs a punch.