AMV of the Day: Toradora! Rough Love (Grow A Pear)


So, finally back from a near week of anime and manga festivities at this year’s Anime Boston. One of the things I’ve enjoyed while attending these anime conventions have been the creative AMV’s which come out during the the event’s AMV contests. This year the crop of AMVs which won the different categories were very unique and inventive. One such AMV which seem to think outside the box was in the Best Romance category. This AMV combined the Ke$ha song, “Grow A Pear”, with the romantic comedy anime series Toradora! with an end result that was quite funny and charming.

The video took the give-and-take and very hostile early relationship between the two main characters in the series, Taiga and Ryuji. The song matches up pretty well with these early scenes of tsudere hostility from Taiga towards Ryuji but it does finally build-up towards the inevitable admittance from both characters of their true feelings for each other. This video had won the Best Romance category and could easily have won the Best Comedy category as well, but with the quality of romance AMVs being quite lacking during this year’s Anime Boston it wasn’t a surprise that this particular AMV won.

Song: Grow A Pear – Ke$ha

Anime: Toradora!

Creator: l33tmeatwad

Supernatural: The Anime Series to be Released on DVD/Blu-Ray


Ever since it was announced in around Fall of 2010 that an anime series was going to be made based on the first two seasons of the popular CW drama series, Supernatural, I knew I had to get the DVD and/or Blu-Ray release of this series.

Like most Japanese anime series they rarely got shown in the US unless it was part of a video set. It’s rare to find newly shown episodes in Japan shown in the US at the same time. Lately, a new practice of streaming new episodes on-line through official anime streaming sites has given American anime fans the same access to new episodes as their Japanese counterparts. A fine example of this recent practice was the simultaneous airing of each new episode for the horror-ecchi series, Highschool of the Dead. Unfortunately, this wasn’t the case for the Supernatural anime series.

So, it was a relief to read the news release earlier this week about the anime series being released in the US through DVD and Blu-Ray sets of Supernatural the Animation season 1.

The DVD and Blu-Ray Season 1 sets will be released by Warner Home Video on July 26, 2011.

If there was ever a series that belongs to be redone in anime fashion it was, and is, Eric Kripke’s Supernatural. As I joked with people about this news once it was confirmed, the Supernatural slashfic community will now have to deal with an equally rabid yaoi community which has already sprouted since Supernatural the Animation premiered on Japanese TV earlier this year.

One thing that should please both subbed and dubbed warring camps is that the DVD and Blu-Ray release should have both original Japanese voice cast (which includes the very Japanese voice actors who dub the Dean and Sam Winchester characters in the live-action showing of the series in Japan) and the stars of the series itself, Jensen Ackles and Jared Padelecki dubbing the anime series in English (though it would seem Padelecki will be voicing all 22-episodes while Ackles only select episodes).

People I know who have seen the series while it aired in Japan have spoken nothing but positive things about the first season. So, far the announcement hasn’t been followed up with the items being put up for pre-orders on Amazon.com or any of the online video retailers. I’m sure that will change once more details about the DVD and Blu-Ray release come down in the coming weeks.

Source: Anime News Network

AMV of the Day: Black Lagoon…To Be Loved


I was going through my notes of my Saturday over at this year’s WonderCon when I got a tad bored and began to look at some AMV’s on YouTube. I realized as I was watching these AMVs that I hadn’t seen using Black Lagoon as the foundation. Well, I sure solved that. The latest AMV of the Day is “…To Be Loved” and it’s definitely Black Lagoon-centric.

I’ll start off by saying that Papa Roach is not a bad I particularly enjoy listening to. Well, I really don’t like most of the bands which came up during the so-called nu-metal craze of the late 90’s and early 2000’s. I will admit that the song “To Be Loved” by Papa Roach was a good pick to highlight just how action-packed the anime series Black Lagoon truly is. This series has one of the most kickass female characters in anime/manga with Revy.

Revy is the hard-drinking, chain-smoking and all-around badass fighter and gunslinger for the mercenary group she belongs to. There’s a reason why a majority of the scenes in the AMV has her pretty much eother punching, kicking or shooting someone or someones. She’s always getting her and her team in trouble with her attitude but she’ll always be the first to solve said problem. Usually through the use of an inordinate amount of violence. There’s a reason why so many anime/manga fans love her and it’s not just because her usual attire is a very short tanktop and very short cutoff jean shorts.

So, while I don’t like the band used for the video I do at least like the choice of song. Long live Revy!

Creator: Fleon

Song: “To Be Loved” by Papa Roach

Anime: Black Lagoon

 

AMV of the Day: This Is War (Fullmetal Alchemist)


As a continue to write my Sucker Punch review I decided to take a break from it and watch some AMV’s on YouTube. I finally found one that I thought was worthy of becoming the latest “AMV of the Day”. This one combines one of the most popular action anime series of the last few years with a song from the American hard rock band 30 Seconds To Mars.

“This Is War” forms the basis for this AMv which takes that song and combines it with scenes from the anime series, Fullmetal Alchemist: Brotherhood. One thing which I always look at when choosing which AMV makes the grade is whether the creator has a fine grasp on the song and its lyrics. It’s simple enough to cut-edit anime scenes together and slap on a song to it, but matching the song to those very scenes takes skill and the creator of this amv definitely has that.

Creator: klepohi

Anime: Fullmetal Alchemist: Brotherhood

Song: “This Is War” by 30 Seconds To Mars

AMV of the Day: Danse De Raven


It’s been awhile since I’ve put a new AMV and this time I thought this latest entry is quite appropriate and one which fellow writer Lisa Marie would really enjoy.

Last week Natalie Portman won the Academy Award for Best Actress for her powerful performance in Black Swan. This latest AMV is one which combines two things that Lisa Marie will appreciate most: ballet and French music. The video takes scenes from the magical girl anime series, Princess Tutu, which eerily looks like certain scenes from Aronofsky’s film. The music the creator, Chiikaboom, used is “Le Bien Qui Fait Mal” from the rock musical Mozart L’Opera Rock.

I haven’t really seen much of Princess Tutu and I definitely haven’t listened to much French music outside of classical. I will admit that this AMV has a certain dark appeal to it and the combination of scenes lifted from the anime and the music used makes it quite badass.

Creator: Chiikaboom

Anime: Princess Tutu

Music: “Le Bien Qui Fait Mal” from Mozart L’Opera Rock

Anime You Should Be Watching: Bible Black (Baiburu Burakku)


eroge: is a portmanteau of erotic game. It is a Japanese video or computer game that featured erotic content (usually pornographic in nature) and used anime-style artwork in a visual novel format.

Hentai as a genre first reached wide recognition through the notorious Chōjin Densetsu Urotsukidōji, a 1980s OVA that fused graphic sexual imagery with apocalyptic horror and violent fantasy. That work established many of the conventions that would define adult anime for decades—its blend of mythology, grotesque excess, and surreal eroticism pushing the boundaries of animation’s narrative potential. Bible Black represents a later evolution of that tradition, taking the transgressive energy of Urotsukidōji and refining it through a more contained setting, structured storytelling, and psychological tension. Where its predecessor reveled in grandiose chaos, Bible Black turned inward, exploring horror through ritual, secrecy, and moral decay within familiar, everyday environments.

Originally developed as an eroge visual novel, Bible Black featured the artwork of its creator, Shoujo Sei. The game’s popularity within Japan’s adult gaming market grew rapidly, fueled by its striking blend of erotic storytelling, occult imagery, and a sinister undercurrent that set it apart from typical romantic visual novels of its time. Its success inevitably drew the attention of Milky Studio, an animation company already known for adapting adult-oriented games into OVAs. Within a few years, Milky Studio produced the first Bible Black anime series—a six-episode OVA that closely followed the storylines and choices from the original game.

The anime adaptation centers on a high school caught in a web of witchcraft and forbidden rituals. While the premise may sound familiar to fans of the supernatural or occult genres, Bible Black distinguished itself by merging sexual and mystical elements in a way that felt both deliberate and unsettling. The first OVA mirrors the game’s basic storyline, introducing viewers to a world where innocent facades collapse under the weight of temptation and corruption. Later sequels and prequels expanded on this mythology, delving into the origins of the dark book that drives the narrative and introducing new characters entangled in its influence. In doing so, the series built a continuity resembling a twisted mythos—an interconnected body of stories that deepened its immoral mystique.

To describe Bible Black merely as “popular” within its niche would be an understatement. Its reputation extends far beyond its target audience, circulated through anime forums, recommendation threads, and cultural commentary as a kind of benchmark for erotic horror. It is the title almost universally cited when discussing adult-oriented anime, whether out of reverence for its artistic boldness or infamy for its transgressive imagery. For many viewers—particularly Western audiences in the early 2000s—it represented their first exposure to Japanese erotic animation beyond parody or rumor, granting it a strange, almost legendary status within the genre’s history.

What separates Bible Black from lesser works is the precision with which it fuses its erotic and occult motifs. The narrative’s backbone—the pursuit and misuse of a magical grimoire—offers an allegory for unchecked desire and the cost of power. Rituals blend seamlessly with acts of seduction, and the visual motifs of pentagrams, candles, and bloodstained rites serve as metaphors for obsession and spiritual decay. This combination gives the anime an intensity uncharacteristic of typical adult fare, as every encounter is charged not only with physical desire but also with moral and supernatural consequence. Rather than treat sexuality as isolated spectacle, the series enfolds it within its darkly coherent world, ensuring that sin and pleasure remain inseparable.

The “harem” narrative structure, common to many eroge and visual novels, is used here with a more perverse edge. The typical male protagonist surrounded by female admirers becomes a focal point not of romantic fulfillment, but of temptation and corruption. In Bible Black, that dynamic is steeped in manipulation and control—sex as both a weapon and a spiritual act. This inversion of a familiar trope contributes to the series’ enduring fascination, as it refuses to comfort the viewer with the conventions of fantasy romance. Instead, it constructs an atmosphere of moral ambiguity and psychological pressure, leaving few characters untainted.

The setting amplifies the discomfort. By situating its story within the environment of a high school—a space symbolically associated with innocence and growth—Bible Black subverts expectations. The classrooms and corridors that should represent order and safety become arenas for forbidden rites and hidden depravity. This juxtaposition between the mundane and the macabre intensifies the sense of violation that defines the series. It’s not only a story of erotic ambition but of how institutional and moral structures collapse when confronted by unchecked desire and occult power.

Visually, the anime reflects its early-2000s production values with surprising sophistication. Milky Studio preserved the visual style of Shoujo Sei’s original artwork—marked by angular features, bold contrasts, and expressive eyes—while enriching the material with atmospheric lighting and strong sense of color. The palette alternates between the sterile brightness of school life and the dim, saturated tones of ritualistic scenes, crafting a visual rhythm that heightens tension between two worlds. Despite the limited resources typical of an OVA, the series achieved a memorable aesthetic identity, merging the glossy surfaces of contemporary anime with the raw suggestiveness of eroge art.

As Bible Black expanded into sequels like Bible Black: New Testament and various side stories, its universe deepened both narratively and tonally. The newer installments explored different perspectives and timeframes, revealing the long shadow of the original events. This serial approach—rare for hentai productions—allowed the franchise to form a loose continuity, almost like a dark fantasy saga built around erotic and esoteric principles. The cumulative effect was that Bible Black ceased to be a one-off novelty and became a defining thread in the history of animated erotic horror.

Its cultural impact extends further still. Bible Black served as one of the first major adult anime titles to gain substantial attention outside Japan during the rise of online fan communities. Through fan distribution and unofficial translations, it became many Western viewers’ first encounter with themes such as futanari—depictions involving gender transformation or dual sexual anatomy—which had previously remained obscure outside Japan. The OVA thus became not only a product of its domestic industry but also a cultural export that introduced global audiences to the specialized lexicon and aesthetics of Japanese hentai.

Critically, Bible Black remains an object of contention. Its explicitness renders it indefensible to some, yet others recognize within it a degree of thematic intent that surpasses mere sexual provocation. It approaches the occult not with romantic mysticism, but as an allegory for moral erosion and human vulnerability. Erotic acts in the series often parallel spiritual corruption, suggesting that the boundary between pleasure and damnation is perilously thin. The result is an anime that provokes both physical and intellectual reactions—equally discomforting in its carnality and symbolism.

Even after more than two decades, Bible Black maintains relevance and recognition. Later works have tried to replicate its formula—mixing fetishes with supernatural dread—but few possess its coherence or audacity. Its imagery, tone, and structure continue to influence adult creators seeking to merge explicit content with narrative ambition. Moreover, the series exemplifies a moment in anime history when the medium’s adult side dared to pursue storytelling complexity rather than rely solely on erotic novelty.

Viewed today, Bible Black endures as both time capsule and touchstone. It captures an era when the boundaries between mainstream anime and adult experimentation briefly blurred, and when eroge culture translated successfully to animation with both narrative depth and artistic conviction. Whether judged as an expression of taboo horror, a stylistic artifact of its generation, or a benchmark for the fusion of sex and the supernatural, Bible Black stands as one of the most distinctive and controversial works in anime’s underground lineage. Its lasting infamy, like its allure, lies in its refusal to separate desire from darkness—a union as seductive as it is terrifying.

AMV of the Day: Azumanga Daioh – Little Girls


With the most recent anime of the day choice being the series Azumanga Daioh I thought it would be appropriate that the latest “AMV of the Day” come from the series as well.

This particular AMV won the Best Comedy category in Nekocon X (2007). The AMV is called Azumanga Daioh – Little Girls and it combines scenes from the series with the Oingo Boingo song, “Little Girls”. Starring prominently in this video is the aforementioned creepy male teacher Kimura-sensei. In fact, this video pretty much highlights just how creepy and how much a dirty old man Kimura-sensei really is and the lyrics of the song doesn’t help him much.

For those in the know they’ll see a certain bear pop up in the video several times and those appearances add to the comedy of the video. There’s really not much else to say about this video. It has to be seen to truly experience.

Anime: Azumanga Daioh

Song: “Little Girls” – Oingo Boingo

Anime You Should Be Watching: Azumanga Daioh


The latest choice for “anime of the day” is the one and only Azumanga Daioh.

Azumanga Daioh is the extremely popular and critically-acclaimed series that was adapted from the manga of the same by. The manga ran for over three years and has been collected into three massive volume called tankobon. It’s creator is mangaka Azuma Kiyohiko and just looking at the name one sees the etymology of the series’ name.

The anime adaptation was done by anime studio J.C. Staff and shown by the Japanese tv network TV Tokyo over 26 episodes. The North American license used to be under ADV Films before it’s inevitable collapse wherein the North American licensing rights was bought by a Houston-based company called Aesir Holdings. One could still find the anime series on DVD which is great news since Azumanga Daioh is one of the best slice-of-life genre series with characters fully realized and storylines which range from comedic to drama with the two overlapping at times.

The series is about the lives of six Japanese high school girls and how their friendships evolve through their times together at school and out of it. There’s fan favorite Chiyo Mihama, the child prodigy, who struggles to fit in with her classmates who happen to be five years older. Then there’s the athletic Kagura whose friendly rivalry with the reserved Sakaki forms one subplot in the series. There’s Osaka the transfer student who fills in the role of the spacey and eccentric character in the series with Yomi and Tomo rounding out the cast of friends.

While most of the series focuses on the six friends other characters come in and out of their lives such as their homeroom teacher Yukari Tanizaki and their phys.ed instructor, Minamo Kurosawa. Then there’s Kimura-sensei. It’s this character that may have some viewers watching the series with a bit of discomfort as this character becomes a borderline obsessive with the teenage high school girls he teaches, especially the six girls who the series focuses on. While the series never goes over the line with Kimura-sensei’s behavior some people may still get turned off by it and dismiss the series. Here’s to hoping that doesn’t happen because Azumanga Daioh does a great job of exploring the lives of these six high school girls as their friendships with each other grows.

The anime doesn’t go overboard with surreal and way-out-there scenes. Most of the series really just shows routine, day-to-day activities that the girls go through in high school, but the writing is so spot-on that watching the series will definitely bring back fond, nostalgic memories of one’s own time in high school. There are some surreal moments, but they’re usually reserved for times when Osaka’s spaciness gets the better of her. This usually involves her imagining weird things about Chiyo-chan’s pigtails.

Azumanga Daioh does fall under the moe label due to the cuteness of the animations with special regard to the youngest in the group, Chiyo-chan. This moe aspect plus the fun and heartwarming stories involving the girls make this anime a fine choice to be the latest “anime of the day”.

AMV of the Day: Something Fishy (Bumblebee Tuna AMV)


I’ll readily admit, I’m not a huge fan of AMVs.  Don’t get me wrong, when they’re good, they’re really fun and entertaining to watch.  The thing is, 99% of AMVs suck.  Seriously, most of them are just a mashup of some fan’s favorite scenes from an anime put to a song they like that really don’t fit together.  But, the ones that are good, tend to be really good.  You can tell when someone takes the time and the effort to put together something that they can be proud of.

This AMV is one of those good ones.  There hasn’t been anyone yet that I’ve shown this to that hasn’t gotten hopelessly hooked on it.  It’s the perfect blend of a high energy song, clips that make sense with the words of the song, and really good editing.  It was made by JaddziaDax, but I’m not certain where it premiered at.  All I do know is that it is impossible to watch this and not wind up singing along on the subsequent playthroughs.  And there will be subsequent playthroughs.  The first time I watched it, I immediately had to play it again, and again, and before I knew it I was on my fifth consecutive viewing.  Now that’s a sign of a good AMV!  So, feel free to watch this, but just be forewarned, you might not be able to look at a can of Bumblebee Tuna without thinking of this AMV again.

Anime You Should Be Watching: Aria


I realize that entertainment is very subjective.  One person’s masterpiece is another person’s trash.  Still, there are some anime that are just so good that no matter who you are, no matter what your interests, as long as you’re a fan of anime, you should be watching it.  The first example that comes to mind for me is a well received, yet fairly unknown title called Aria.

Now, I know what some people are thinking.  “Is there a lot of action?  Explosions?  Naked girls?  Blood and guts?  It’s at least fast paced, right?”  There is none of those, but you know what?  You’re still going to enjoy it anyways.  Thus is the power of slice-of-life shows.  There is no action at all, yet you’re left with a big smile on your face after each episode.

The story of Aria revolves around a young girl named Akari who leaves Manhome (Earth) and comes to the Martian city of Neo Venetia to become an Undine, or gondola pilot.  This is obviously modeled after the Italian city Venice, and in fact it is stated that in the realm of this anime, Venice has already sunk, which was the main motivation for the Martian terraformers in creating the town of Neo Venetia.  Much like the real life city of Venice, Neo Venetia’s streets are all waterways.  Of course they have normal walkways, but if you don’t feel like walking, or if you need to move goods around the town, traveling by gondola is the way to go.  When the anime starts, it begins with Akari already being a Single, but they later on show flashbacks to when she first arrived and started out as a Pair.

The terms Pair and Single refer to the gloves they wear.  The gloves are both practical and aesthetic.  When an Undine is wearing two gloves, it both signifies that she is an apprentice, and it’s also because when they’re just starting out, their hands require more protection from constantly rowing.  As a Pair, they are not allowed to carry passengers at all.  As they gain more experience, and as their hands get more used to the abuse that the oar gives, they can go down to one glove, hence the term Single.  Also, as a Single, they are allowed to carry passengers as long as a fully licensed Undine, or Prima, is in the gondola with them.  And obviously, once they reach the rank of Prima, they are fully qualified Undines and can carry passengers on their own.

Life on Mars is a little bit different than life on Earth.  The main difference is that cats are sentient beings on Mars.  They can’t speak English, but they appear to understand it.  Plus, all gondola companies on Mars must be owned by a blue eyed cat.  Akari’s company is owned by one President Aria, who fits in perfectly with Aria Company’s easy going attitude.

And that is a typical scene from the anime.  I know that shouldn’t be entertaining, but it just plain is.  Episodes revolve around such action packed events like delivering the mail, or going to a festival.  In other words, there’s no action at all.  It’s an incredibly serene show and is the perfect complement to watching other anime that ARE action packed.  It’s like a palate cleanser.  As such, I also don’t recommend marathoning the show, or else some of the luster and wonderment of it is lost.

The strong points of the anime are the high production values, which can be seen when viewing some of the lush backgrounds of the places that Akari visits.  It’s obvious that the show was given the proper budget, and that’s probably in no small part to the fact that it was helmed by director Junichi Sato who directed such popular and respected anime as Sailor Moon, Princess Tutu, Kaleido Star, and Sgt. Frog, among others.  Plus, unlike with a lot of anime these days, the decision to animate it didn’t come until after the manga had been running for awhile and thus had already gotten a good following.  Another factor in its high budget could possible come from just good timing.  The first Aria season came out when companies were still willing to take a chance on a show that’s a little different from the usual otaku bait.  Luckily it proved to be successful and it was allowed to tell its full story.

And that’s another strength, is the finely told story that Kozue Amano came up with.  When you don’t have flashy explosions and super powers and naked breasts bouncing around to keep people interested, you had better be able to tell a good story, and Kozue Amano did not disappoint.  When watching the anime or reading the manga, you get the feeling that you’re right there with Akari, and that you’re both exploring and experiencing things together.  It’s that kind of emotional attachment that’s crafted that makes for a good story.

Ultimately, I can’t promise that you’re going to be blown away by this.  Slice-of-life isn’t for everyone, but you certainly would be making a mistake if you didn’t at least give Aria a chance to wow you.  And who knows?  If you go into this with an open mind, you might just find, that for some inexplicable reason, that you have a huge smile on your face at the end and can’t wait for your next adventure in Neo Venetia.

Junichi Sato