4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!
4 Shots From 4 Biblical Epics
David and Bathsheba (1951, dir by Henry King. DP: Leon Shamroy)
The Ten Commandments (1956, dir by Cecil B. DeMille, DP: Lloyd Griggs)
Ben-Hur (1959, dir by William Wyler, DP: Robert Surtees)
The Bible (1966, dir by John Huston, DP: Giuseppe Rotunno)
Yesterday’s song of the day came from Ben-Hur so it only seems appropriate that today’s song of the day should come from Elmer Bernstein’s classic score of 1956’s The Ten Commandments.
“No!” James Earl Jones says towards the end of 1989’s The Best of the Best, his already deep voice made even more imposing by the use of slow motion.
“No, Tommy, no!” Eric Roberts joins in as he watches martial artist Tommy Lee (Phillip Rhee) internally struggle with whether or not to strike a blow that will definitely kill his opponent and, if James Earl Jones is all gravitas and stern wisdom, Eric Roberts is all emotion and desperation.
The Best of the Best is a bit of an oddity, in that the script features just about every martial arts tournament cliche imaginable (right down to the other “bad” team having a history of killing people in the ring) but those cliches are all acted out by a surprisingly distinguished cast. I counted four Oscar nominees (and one winner) in the cast. James Earl Jones (nominated for The Great White Hope) plays Coach Couzo, who gets a team of Americans prepared to fight in an international tournament. Sally Kirkland (nominated for Anna) plays their trainer, who worries not just about the team’s physical health but also their mental burdens. Eric Roberts (nominated for Runaway Train) is Alex Grady, the former martial arts champion-turned-auto worker who makes the team despite having a bad shoulder. Louise Fletcher (who won for One Flew Over The Cuckoo’s Nest) plays Alex’s mother, who looks after his son while Alex is off getting ready to face the Korean team. And then there’s Chris Penn (who seems like, if not for his early death, he would have eventually been nominated for something) as the arrogant Travis, a cowboy who can throw a punch.
(The American team is filled out by John Dye as Virgil, an intellectual Buddhist, David Agresta as Sonny “I’m Italian” Grasso, and Phillip Rhee, who not only plays Tommy but also wrote the film’s script.)
Roberts gets top-billing in this and he does get a lot of important moments, including a scene where he breaks the Coach’s rules so that he can visit his son in the hospital. That said, the story centers around Phillip Rhee’s Tommy. Tommy’s older brother was killed in the ring by the one-eyed Dae Han Park (Simon Rhee) and — wow, what a coincidence! — that just happens to be who Tommy needs to beat for the Americans to win the big tournament. Both of the Rhee brothers actually are martial artists and they are very convincing in the fight scenes, which is good because neither Phillip nor Simon Rhee were particularly strong actors. Eric Roberts is not a particularly convincing martial artist but it doesn’t matter because he acts the Heck out of every scene in which he appears. What happens when you bring method intensity to the type of martial arts film that Jean-Claude Van Damme would later make his specialty? You get scenes of a heavily-bruised Eric Roberts crying but, because Roberts is a good actor, the tears feel earned. Still, whenever I saw Alex’s eyes starting to glisten, I imagined James Earl Jones saying, “Noooooooo!” How can you win the world’s greatest tournament when you’re constantly on the verge of tears? Well, maybe you don’t need to win. Maybe you just need to show that you have more honor than anyone else there.
Best of the Best is a classic of its kind. There’s nothing surprising about it but it’s entertaining in its own dumb way and, in the end, it reminds us that America doesn’t need medals to be the best. It just needs Eric Roberts.
Previous Eric Roberts Films That We Have Reviewed:
Whenever I watch any Haim video, I find myself wishing me and my sisters had more musical talent.
Enjoy!
Today’s song of the day comes to use from 1959’s Ben-Hur. Here is the Overture, composed by the great Miklós Rózsa.
Since both Eric Roberts and James Woods are celebrating a birthday today, it seems only appropriate that today’s scene of the day should feature both of them. In this scene from 1994’s The Specialist, Woods, Roberts, and Rod Steiger all compete to see who can steal a relatively simple conversational scene.
It’s Die Hard On A Submarine in 2008’s Depth Charge!
Dying of a brain tumor and passed over for a promotion (and wow, you thought your week sucked), Commander Krieg (Eric Roberts) and a band of mercenaries take over a nuclear submarine. They force off all of the actual crew of the sub but they somehow miss the doctor (Jason Gedrick) and an electrician (Chris Warren). The mad commander announces that unless he is sent a certain amount of money, he will launch the nuclear missiles. While the President (Barry Bostwick) dithers and an admiral (Corbin Bernsen) searches for the sub, the doctor and the electrician beat up mercenaries and work their way to the bridge.
“Get off my boat!” Gedrick growls several times.
Yeah, dude, we get it. Air Force One. Good movie.
This on the other hand …. well, let’s be positive here. This movie provides Eric Roberts with a substantial role and he does a good job as the villain, even if his motives never quite make sense. (He’s got a year to live so what exactly would he have done with a promotion or any of that money that he’s demanding?) But this movie asks us to believe that a bunch of mercenaries could not only sneak onto a submarine but also defeat almost the entire crew without a single bit of trouble. And then for submarine’s doctor to just happen to turn out to be a former boxer or UFC fighter or whatever he’s supposed to be (“He was a fighter,” a presidential aide explains) is just a bit too much of a coincidence.
That said, you get Eric Roberts, Corbin Bernsen, and Barry Bostwick, all in the same movie. All three of them deserve better but at least they all gave it their best here!
Previous Eric Roberts Films That We Have Reviewed:
4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!
Happy birthday, Eric Roberts!
4 Shots From 4 Eric Roberts Films
Star 80 (1983, dir by Bob Fosse, DP: Sven Nyvkist)
The Pope of Greenwich Village (1984, dir by Stuart Rosenberg, DP: John Bailey)
Runaway Train (1985, dir by Andrei Konchalovsky, DP: Alan Hume)
The Dark Knight (2008, dir by Christopher Nolan, DP: Wally Pfister)
2004’s Border Blues features Gary Busey as a wild-haired LAPD police chief who has psychic visions that enable him to track down a mad bomber.
Wow, that sounds great!
Well, believe it or not, that’s really only a minor subplot in this film. The majority of the film is about Andrei Samurov (Rodion Nahapetov), who was the greatest detective in Moscow before he immigrated to the United States. Now, he works in a restaurant and dreams of being the greatest detective in the LAPD. During a trip to Mexico, Andrei meets Larry (Eric Roberts), an American who now helps people sneak across the border. Larry is helping a Russian woman (Anna Nakhapetova) and her daughter make their way across the desert. Larry seems to take a special interest in the woman’s daughter. Perhaps it has something to do with the fact that Larry’s own daughter died under tragic circumstances.
Oh, and Erik Estrada’s in this too! He plays a Mexican cop named Morales and he yells a lot.
Gary Busey, Erik Estrada, and Eric Roberts!? How could this go wrong? Well, you could stick them all in a film that doesn’t make much sense and which has a plot that is next to impossible to follow. This is one of those movies where you get the feeling that the names were cast first and then a story was built around them. On the plus side, Eric Roberts actually gets a good deal of screentime and turns Larry into a rather interesting character. Larry is menacing but, there are times when he’s almost sympathetic. Roberts gives a good performance but, unfortunately, the majority of the film is focused on Rodion Nahapetov’s unconvincing turn as the greatest detective in the world. Nahapetov both directed and starred in this film and the end result is a vanity project that doesn’t seem to lead to anywhere in particular.
Previous Eric Roberts Films That We Have Reviewed:
I’m going to guess that there’s quite a backstory to the production of the film …. well, I’m really not even sure what to call the film.
The version that I just watched on Tubi was called 69 parts and it clocked in at a little over 90 minutes. It’s the story of gangsters, cops, and one hapless law student in 1979 New York. Jack (Ryan O’Callaghan) needs money to go to law school. His best friend, gambling addict Gino (Johnny Solo), arranges for Jack to get a loan from his uncle, Dennis (Aidan Redmond). However, Gino swears that he can double the loan if Jack goes with him to the tracks. Unfortunately, Gino’s hot tip turns out to be a bust so now Jack is broke and can’t pay back the money. So, Dennis forced Jack to marry Dennis’s mistress so that she can get her green card but then Dennis gets jealous and decides to kill Jack but then he discovers that Jack is the son of an imprisoned criminal associate (Eric Roberts). It’s all a bit too complicated for its own good and the use of multiple narrators, many of whom sound exactly alike, doesn’t make the film any easier to follow.
Tubi claims that 69 Parts was released in 2022. However, on the IMDb, there’s a film called 79 Parts, which is listed as being a few minutes shorter than 69 Parts but it has the exact same cast and the exact same plot. This version was released in 2016, six years before 69 Parts. And then there’s 79 Parts: The Directors Cut, which clocks in at over two hours and which was released in 2019. In short, there appears to be multiple versions of this film and really, I have to be a little bit impressed by the determination necessary to keep re-editing, re-titling, and re-releasing the film.
As for the film itself, the version I saw was a bit too busy and difficult to follow but I appreciated the work that went into recreating the 70s. That obviously take some effort. Aidan Redmond was properly avuncular and menacing as Dennis but Jack was such a wimpy character that it was difficult to really care about him. As for Eric Roberts, he appears for about five minutes and is even less impressed with Jack than I was. Maybe Eric gets to do more in the director’s cut.
Previous Eric Roberts Films That We Have Reviewed:
Through the Shattered Lens 