Retro Television Review: St. Elsewhere 1.21 “Baron von Munchausen”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week’s episode is a much better Dr. Craig episode than last week’s.

Episode 1.21 “Baron von Munchausen”

(Dir by Victor Hsu, originally aired on April 19th, 1983)

Anthony Rizzo (Louis Giambalvo) seems like a nice guy.  He’s admitted to the hospital with complaints of stomach pain and a high fever.  Dr. Morrison can’t find anything wrong with him but he does notice that Rizzo has a lot of scars.  Rizzo explains that he’s had a lot of surgeries over the course of his life and he’s got a story to go with each one of them.  Morrison brings in Ehrlich for a consult.  Ehrlich, who loves to perform surgery, suggests opening Rizzo up and doing an exploratory.  Morrison thinks it’s too early for that,  Rizzo, however, loves the idea.  Rizzo then proceeds to die on the operating table.

Ehrlich is shaken.  Morrison is angry.  However, Westphall and Craig take one look at the case and deduce that Rizzo suffered from Munchausen’s Syndrome.  For whatever reason, he was addicted to going to the hospital and having surgery.  He knew all the tricks, from using a light blub to make it look like he had a fever to pricking his finger with a needle to convince the doctors that there was blood in his urine.  It turns out that he died because of the drugs that he had been taking to help him fake his symptoms.  Both Morrison and Ehrlich are relieved to learn that Rizzo’s death was not their fault.

“So, Ehrlich lost his first patient today,” Craig says to Westphall.  “It won’t be his last.”

This was a good episode for Dr. Craig, especially after all that nonsense last week.  When Westphall finds himself in need of a doctor to speak to a group of inner city medical students, he is horrified to discover that Mark Craig is the only one available.  Craig accepts, saying that Westphall should have asked him earlier.

Westphall’s concerns are justified.  Dr. Craig is opinionated, wealthy, and more than a little prejudiced against …. well, everyone.  “My ancestors came here on the Mayflower!” Craig is quick to say.  And yet, the students love him, specifically because he doesn’t pretend to be anything that he isn’t.  Unlike Westphall, who tries give an inspiring pep talk, Craig is open about the reality of practicing medicine in what this episode refers to as being “the ghetto.”  When asked if his medical student son will be working in a ghetto clinic, Craig replies, “Why would he?”  Craig gets a standing ovation from the students, which felt like a bit much but whatever.  It was nice, for once, to see the show admitting that Craig’s blunt honesty can sometimes be more effective than Westphall’s noncommittal style of encouragement.

Afterwards, in a wonderfully acted scene, Craig asked Westphall why people don’t seem to like him,  Westphall shrugs and then says that Craig can be arrogant, rude, prejudiced, intolerant of other worldviews …. “Thank you, Donald,” Craig cuts him off.

Meanwhile, back at the hospital, a crazy woman (Micole Mercurio) is sent to the psych ward after threatening to kill Nurse Daniels.  (No, leave Shirley alone!)  Dr. Wendy Armstrong, who is one of the worst characters on this show, promptly discharges the woman and lets her leave the hospital.  “She threatened to kill me!” Shirley says while Wendy shrugs, unconcerned.  Fiscus also proves to be of no help, as he is once again feeling attracted to Kathy Martin.

Finally, Dr. White goes to a drug addict support group and walks out when things get too emotional.  Booo!  Dr. White is even worse than Dr, Armstrong!

This was a good episode.  Next week, the season finale!

Live Tweet Alert: Join #FridayNightFlix for Street Fighter!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1995’s Street Fighter, with Jean-Claude Van Damme and friends!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Street Fighter is available on Prime!

See you there!

Scenes That I Love: Albert Finney Hates People In Scrooge


Today would have been the 89th birthday of the great British actor, Albert Finney!

And today’s scene that I love features Albert Finney in the role of history’s most famous miser.  In 1970’s Scrooge, Finney played the title role and, early on, his worldview was perfectly captured by a song called I Hate People.  Finny was only 34 when he played Ebenezer Scrooge but he does a wonderful job of bringing the character to life and he’s just as convincing when he’s being good as he is when he’s being bad.  Finney is the main reason why Scrooge is my personal favorite of all of the versions of A Christmas Carol.

4 Shots From 4 Films: Special J.A. Bayona Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to the great Spanish director, J.A. Bayona!  It’s time for….

4 Shots From 4 J.A. Bayona Films

The Orphanage (2007, dir by J.A. Bayona, DP: Oscar Faura)

The Impossible (2012, dir by J.A. Bayona, DP: Oscar Faura)

A Monster Calls (2016, dir by J.A. Bayona, DP: Oscar Faura)

Society of the Snow (2023, dir by J.A. Bayona, DP: Pedro Luque)

Late Night Retro Television Review: Highway to Heaven 3.22 “A Father’s Faith”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week brings us a touching episode.

Episode 3.22 “A Father’s Faith”

(Dir by Michael Landon, originally aired on March 4th, 1987)

Jonathan and Mark visit an old friend of Mark’s, a fisherman named Gene Malloy (Eli Wallach).  The Malloy family has been struggling ever since Gene’s son slipped into a coma after risking his life to save Gene’s daughter, Michele (Katherine Wallach), from drowning.  Gene neglects his business and his family to spend all of his time visiting his comatose son.  Gene’s wife (Anne Jackson) is feeling neglected and, because she blames herself for the accident, Michele has never visited her brother.  Everyone tells Gene that his son is never going to wake up but Gene has faith.

This was a simple but effective episode, one that worked largely because of the cast.  Eli Wallach and Anne Jackson were married in real life and Katherine Wallach was their daughter.  Watching this family drama being played out by a real family made it all the more touching.  In the end, Gene’s faith is rewarded.  It’s a little bit implausible but it doesn’t matter.  I still teared up a little.  For that matter, so did Michael Landon and Victor French and I’m pretty sure those tears were real.  Eli Wallach really poured his emotions into his performance as Gene.  This was a very heart-felt episode where the sincerity of the emotions carried the viewer over any rough spots in the narrative.

As I watched this episode, it occurred to me that, if it was made today, the story would probably be used to promote assisted suicide or euthanasia.  For whatever reason, there’s a lot of people who have really fallen in love with the idea of killing people who are sick or disabled.  Personally, I prefer this episode’s approach.  Sometimes, good things do happen.

 

Retro Television Review: Malibu, CA 2.11 “The Best Man”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

Where was I when the new Pope was revealed?  I was watching this stupid show.

Episode 2.11 “The Best Man”

(Dir by Gary Shimokawa, originally aired on January 15th, 2000)

Finally, after weeks of posting apologetic notes and an imdb summaries, I have reached a second season episode of Malibu, CA that has actually been uploaded to YouTube.  In fact, it appears that most of the rest of season 2 has been uploaded so I’ll be able to do real reviews now as opposed to just snarky speculation.

Normally, I’d celebrate but this is Malibu, CA.  It is, by far, the worst show that I’ve reviewed here at the Shattered Lens.  This week’s episode was especially stupid and the only thing that’s keeping me from really getting mad about having wasted 30 minutes of my life on it is the fact that we have a new Pope and he’s American!

The plot of this week’s episode is dumber than dumb.  Murray’s best friend is marrying Lisa’s friend.  How Lisa (the character, not me!) has any friends, I’m not really sure.  She just moved to California at the start of the season, she acts like a condescending bitch to just about everyone she meets, and she’s continually talking about how better she is then everyone.  Regardless, Scott has a crush on her …. then again, Scott also treats everyone he knows like crap so maybe that explains it.  Anyway, Murray is the best man and Lisa is the maid of honor and Traycee says that means they’re destined to fall in love.  Murray decides that Lisa is his girlfriend and, for some reason, neither Scott nor Lisa can find the courage to tell Murray the truth.

Meanwhile, Jason, his father, and new lifeguard Alex (Suzanne Davis) go into the piemaking business together.  They’re using Alex’s grandmother’s recipe and everyone loves the pie!  It’s so popular that they even set up a conveyer belt in the kitchen to make boxing the pies up go quicker.  But then Jason gets distracted, the conveyer starts moving too quickly, and — hey, there’s pie everywhere!

(Hmmm…. this seems familiar….)

Uh-oh!  There’s a lawyer in the restaurant and he’s threatening to sue.  It turns out that Alex’s grandmother got her recipe from the pies that were being made by a professional bakery.  And now, Jason and his Dad are getting sued, unless they stop making and selling the pies….

Wait a minute!  SCREECH’S SPAGHETTI SAUCE!  This whole thing is just a remake of an episode of Saved By The Bell!  They didn’t even bother to come up with new ending!

Seriously, screw these lazy writers!  I don’t ask for much, especially when the show is produced by Peter Engel.  I’m certainly not expecting or demanding a hard-hitting drama or a ground-breaking comedy.  But come on — DON’T JUST PLAGAIRZINE YOURSELF, YOU MORONS!  MAKE SOME SORT OF FREAKING EFFORT!

Ugh, this show!

I didn’t care much for this episode.

Song of the Day: Chicago by Frank Sinatra


We have a new pope and he’s from Chicago!  Which brings us to today’s song of the day….

Now, this could only happen to a guy like me
And only happen in a town like this
So may I say to each of you most gratefully
As I throw each one of you a kiss, this is

My kind of town, Chicago is
My kind of town, Chicago is
My kind of people, too
People who smile at you

And each time I roam, Chicago is
Calling me home, Chicago is
Why I just grin like a clown
It’s my kind of town

My kind of town, Chicago is
My kind of town, Chicago is
My kind of razzmatazz
And it has all that jazz

And each time I leave, Chicago is
Tuggin’ my sleeve, Chicago is
The Wrigley Building, Chicago is
The Union Stockyard, Chicago is
One town that won’t let you down
It’s my kind of town

Songwriters: Sammy Cahn / Jimmy Van Heusen

Scenes That I Love: A Conversation From Roberto Rossellini’s Rome, Open City


Today’s scene that I love comes from Rome, Open City:

Filmed in 1945, Roberto Rossellini’s Rome, Open City was one of the first films to be made about life under the Nazis.  What set this film apart from others is that the majority of the cast actually had lived under the occupation.  While there were a few professional amongst the cast, Rossellini also used many nonprofessional actors, who brought a weary authenticity to their roles and their portrayal of life in occupied Rome.

4 Shots From 4 Films: Special Roberto Rossellini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

119 years ago, on this date, the great Italian neorealist director (and husband of Ingrid Bergman and father of Isabella Rossellini), Roberto Rossellini was born in Rome.  It’s time for….

4 Shots From 4 Roberto Rossellini Films

Rome, Open City (1945, dir by Roberto Rossellini, DP: Ubaldo Arata)

Europe ’51 (1952, dir by Roberto Rossellini, DP: Aldo Tonti)

Fear (1954, dir by Roberto Rossellini, DP: Carlo Carlini, DP: Heinz Schnackertz)

Journey to Italy, (1954, dir by Roberto Rossellini, DP: Enzo Serafin)