Streets of Ghost Town (1950, directed by Ray Nazarro)


Years ago, Bill Donner (George Cheseboro) double-crossed the other members of the Selby Gang and ran off with all of their stolen gold.  Now, Donner is blind and half-crazy.  When he says that he hid the gold in the ghost town of Shadeville, the Durango Kid (Charles Starrett), Smiley Burnette, and Sheriff Dodge (Stanley Andrews) ride off to find it.

Shadeville is long abandoned and, as the three men spend the night in a deserted saloon, Smiley is worried about ghosts.  The Durango Kid tells the story of the first time he met the Selby Gang.  The next morning, they discover that they are not the only ones who have come to Shadeville to look for the gold.

Like many of the later Durango Kid movies, Streets of Ghost Town is mostly made up of stock footage to Starrett’s earlier films.  This was a cost-cutting technique on the part of Columbia Pictures but it actually works because the flashbacks were always to the horse chases and the gunfights that the audience came to see in the first place.  In the days before home video and cable, those scenes were probably still new to many of the people sitting in the theater.

Starrett always made for a good hero and Smiley Burnett’s comic relief never took away from the films’s storylines.  This outing features a great scene where Durango shoots a skull in the dark just to let anyone watching him know that he’s a good shot.  I also enjoyed George Cheseboro’s manic performance as a man who really loves his gold.  Despite all of the stock footage, Streets of Ghost Town is still an above average Durango Kid film, predictable but entertaining if you’re a fan of the genre.

Marshal of Heldorado (1950, directed by Thomas Carr)


Heldorado, Arizona is a frontier town with a problem.  The Tullivers, led by Mike (Tom Tyler), keep robbing the bank and running off anyone who agrees to be the town’s marshal.

The Colonel (Raymond Hatton) and the Mayor (Fuzzy Knight) are at their wits end until a bison hunter named Lucky (Russell Hayden) comes riding into town in search of work.  They hire Lucky to be their new marshal, paying him $200 a week and allowing him three free drinks a day.

They also give Lucky a cabin to stay in but when Shamrock Ellison (James Ellison), a dandy from up north, rides into town on a donkey, Lucky decides to rent him the cabin.  When Ellison arrives at the cabin, he finds two Tulliver brothers looking for the stolen money that they hid in the fireplace.  The brothers try to shoot Ellison but accidentally end up shooting themselves instead.

When Ellison says that he wants to keep a low profile, Lucky takes credit for killing the two Tullivers.  When Mike shows up looking for revenge, Lucky has a change of heart and gives all the credit for Ellison.  Lucky makes Ellison his deputy but what he doesn’t know is that Ellison is actually a government agent who has been sent to Heldorado to clean the town up.

This B-western does a good job of mixing comedy with action.  It was one of many films that Ellison and Hayden made together and Hayden’s bluster plays off well against Ellison’s more serious performance.  Much of the humor comes from Ellison having to keep the other townspeople from realizing that he’s a crack shot who knows how ride a horse as well as anyone in town.  As well, Fuzzy Knight has his moments as the always drinking mayor.  The action scenes are well-choreographed and there’s even a suspenseful scene where Ellison gets a shave from a barber who is actually a relative of the Tullivers.  As always, the beautiful Julia Adams is a welcome addition to the cast as the Colonel’s daughter, who falls for Ellison.  For fans of the genre, there’s plenty of entertainment to be found in this brisk, 50-minute western.

Music Video of the Day: Slip of the Lip by Ratt (1987, directed by ????)


With this music video of the day, you can follow the adventures of Kitty Galore as she tries to get pictures of Ratt.  Not even a professional journalist doing her job can resist the sound of Ratt’s music.  If this video had come out earlier, Tawny Kitaen would have played Kitty Galore but, by the time this song was recorded, Tawny had moved onto David Coverdale and Whitesnake.

The scenes at the hotel were filmed in Shreveport, Louisiana.  The concert scenes were filmed at a show in Nashville.  For the video, the band performed the song twice during the concert.

Enjoy!

Diner (1982, directed by Barry Levinson)


Which member of the Diner gang would you be?

I think that is the question that everyone, or at least every guy, asks themselves after watching Barry Levinson’s debut film.  Most would probably want to say that they’re Boogie (Mickey Rourke), because he’s cool, all the ladies love him, and he makes creative use of a popcorn box at the movies.  Some would probably say that they want to be Fenwick (Kevin Bacon) because he’s smart and sarcastic.  No one wants to be Billy (Tim Daly) or Eddie (Steve Guttenberg), even though we would all want to be their friend.

The truth is that most of us would probably be Shrevie (Daniel Stern), the just-married one who is discovering that being an adult means working an unglamorous job and discovering the rest of the world doesn’t care about your taste in music.  The luckiest of us might be Modell (Paul Reiser), the funny one who doesn’t get a story but who makes a lot of jokes.

Diner was one of the first great hang-out movies.  There is no plot, at least not in the traditional sense.  Instead, it’s about a group of long-time friends who live in Baltimore in 1959.  They grew up together.  They went to high school together.  They’ve been hanging out at the same diner for as long as they can all remember.  And now, they’re at the point in their lives where the world expects them to act like adults and accept all the responsibility that goes along with that.  It’s a film that celebrates their friendship while also acknowledging that some of them are using that friendship as an excuse to not grow up.  They escape into trivia and movies, with one minor character reciting Sweet Smell of Success by memory.  Fenwick drinks.  Boogie gambles.  Even Billy, who doesn’t even live in Baltimore anymore, reverts to his old ways as soon as he returns for Eddie’s wedding and ends up sucker punching someone because of an old high school incident.

The preparations for Eddie’s wedding gives the film what structure it has.  Eddie is marrying the unseen Elyse, assuming she can pass his demanding quiz about the Baltimore Colts.  (That may sound unfair but if you’re from Baltimore, you’ll understand.)  While Eddie gets ready for his wedding, Shrevie’s marriage to Beth (Ellen Barkin) seems to be falling apart and she finds herself tempted to cheat with Boogie, who has his own problems with a local bookie.  Meanwhile, Billy learns that his girlfriend (Kathryn Dowling) is pregnant.

The film is about friendship and the friendships between the men feel real.  Levinson held off on shooting the largely improvised diner scenes until the end of the film, by which time all of the actors had developed their own idiosyncratic relationships with each other.  The heart of Diner is to be found in scenes like the one where Modell tries to ask for someone else’s sandwich without actually coming out and asking for it.  The dialogue in that scene and so many others has the ring of age-old friendship.  Though the film makes it easy to see why Mickey Rourke and Kevin Bacon become movie stars while Tim Daly has spent most of his career on television, the entire cast is still perfect in their roles.  It’s about as strong as an ensemble as you could ever hope to see.  They become the characters and watching the movie, it’s impossible not to see yourself and your friends in their performances.

Barry Levinson has gone on to direct many more films but for me, Diner will always be the best.

 

4 Shots From 4 Films: Special Barry Levinson Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Happy birthday to Baltimore’s own Barry Levinson!

4 Shots From 4 Barry Levison Films

Diner (1982, directed by Barry Levison, DP: Peter Sova)

The Natural (1984, directed by Barry Levinson, DP: Caleb Deschanel)

Tin Men (1987, directed by Barry Levinson, DP: Peter Sova)

Avalon (1990, directed by Barry Levinson, DP: Allen Daviau)

 

 

Music Video of the Day: I Am The Walrus by Styx (2005, directed by ????)


This is one of the better Beatles covers that I’ve heard.  Styx does the song justice by not trying to add any greater meaning to John Lennon’s lyrics.  Many people have claimed that this song was actually about the death of Paul McCartney in an auto accident and how the Beatles replaced him with a look-alike but Lennon always said that most of the lyrics were just meant to be nonsense.  Lennon went as far as to cite Lewis Carroll as being the main inspiration for the song.

The trippy music video is fun and cheesy at the same time.  Unfortunately, I have not been able to find the name of the video’s director.

Enjoy!

Four Fast Guns (1960, directed by William J. Hole, Jr.)


Outlaw Tom Sabin (James Craig) rides into Purgatory, a frontier town that is so dangerous that even the welcome sign warns that those entering should say goodbye to God.

The townspeople take one look Tom and hire him to clean up the town.  The town is controlled by a ruthless saloon owner named Hoag (Paul Richards).  Hoag is a self-styled intellectual and a dangerous man but he is considered to be untouchable because he is crippled and no one wants to be known as the person who shot a man in a wheelchair.  Instead, they would rather hire a stranger to do it for them but Tom has more honor than they originally realized.

Hoag summons three gunmen to kill Tom.  Two of the gunmen prove to be no match for Tom but then he meets the third and is shocked to discover that it’s his own brother, Johnny Naco (Brett Halsey).

Four Fast Guns is a better-than-average B-western.  What sets it apart from other films about strangers being hired to clean up a town is that the characters are portrayed with more depth than usual.  The towns people are not innocent victims but instead want to pay Tom to take the risks and do the dirty work that they’re not willing to do.  Tom is not a cut-and-dried hero and the gunmen who are hired to kill him are not portrayed as being one-dimensional villains.  Johnny Naco may be a killer but he also has a code of honor.  He may be willing to kill his own brother but he’s not willing to see him humiliated.  The wheelchair-bound Hoag is himself a more interesting bad guy than usually shows up in movies like this.  He’s the type of bad guy who quotes Dickens and Whitman while waiting for his hired guns to do their job.  Hoag feels that his cultured background sets him above the rest of the town’s rabble but he ultimately proves himself to be just as petty as those that he looks down on.

Four Fast Guns feels like a forerunner to the morally ambiguous Spaghetti westerns and films like Clint Eastwood’s Unforgiven.  It is essential viewing for fans of the genre.

Idaho Kid (1936, directed by Robert F. Hill)


When the wife of rancher Clint Hollister (Earl Dwire) died in childbirth, Clint was so distraught that he rejected his son, Todd.  Todd was raised by a rival rancher, John Endicott (Lafe McKee).  Hollister resented Endicott for taking his son and a feud developed between the two families.  Hoping the end the feud, 15 year-old Todd ran away from home and made a new life for himself as a frontier scout named Idaho.

15 years later, Idaho (Rex Bell) returns home with his sidekick, a reformed outlaw known as The Kid (David Sharpe).  Neither Hollister nor Endicott recognize Idaho and, without revealing his identity, Idaho tries to stop their feud.  Hollister’s men want to keep the feud going and they manipulate Hollister into challenging his own son to a duel.

Idaho Kid is one of the better B-westerns that Rex Bell made between 1928 and 1936.  Though the film has its share of action scenes, Idaho Kid‘s intelligent script puts more emphasis on character development than most B-westerns, with Hollister especially being portrayed as a complex character as opposed to just a stock western villain.  Rex Bell always seemed authentic whenever he was riding a horse or shooting a gun.  Idaho Kid shows that he could also play more than just a standard western hero.

Though he was being pushed for stardom by Fox Film, Rex Bell voluntarily retired from the film industry in 1936 and instead pursued a career in politics.  He was the Lieutenant Governor of Nevada when he died of a heart attack in 1962.

 

Music Video of the Day: Inside Out by Anthrax (1998, directed by Marcos Siega)


Today’s music video of the day is a take on the classic episode of The Twilight Zone where William Shatner spots something on the wing of an airplane.  This time, it’s not a goblin.  Instead, it’s John Bush-era Anthrax!

Director Marcos Siega is one of those directors who did music videos for just about everyone who was anyone.  Eventually, he moved on to directing episodic television, along with the occasional movie.  Among the shows that he’s directed for: Dexter, True Blood, The Flight Attendant, and Batwoman.

Enjoy!

Top Gun (1955, directed by Ray Nazarro)


Rick Martin (Sterling Hayden) rides his horse into his hometown of Casper, Wyoming.  He has an important message to deliver to the town marshal but first, he visits his mother’s grave and discovers that there is a maker with his name on it and an open grave waiting for him.  Many of the other makers are for people who are specifically identified as have been “Murdered by Rick Martin.”

Rick is notorious for being a gunslinger and most of the town considers him to be nothing but a murderer, despite Rick’s claim that he’s never shot anyone who didn’t try to shoot him first.  Despite the town’s feelings towards him, Rick warns his old friend, Marshal Bat Davis (James Millican), that the notorious outlaw Tom Quentin (John Dehner) is coming to Casper and is planning on tearing the place up.  Rick offers to stick around and help fight Quentin and his men but the city council orders him to leave.

City councilman Canby Judd (William Bishop) especially wants to get rid of Rick.  Judd murdered Rick’s mother for her land and he is also engaged to Rick’s former girlfriend, Laura (Karin Booth).  When Rick asks Laura to come to California with him, Judd and his gunslinger (played by Rod Taylor, in one of his first film roles) conspire to put Rick in jail.  At first, the town is happy to have Rick behind bars but then Tom Quentin and his gang show up.

Though it will never be the most popular film to use the title, 1955’s Top Gun is an intelligent B-western that puts as much emphasis on the hypocrisy of the town as it does on gunfights and duels.  The population sign specifically says that Casper is home to “1,002 law-abiding citizens” and it is obvious that Rick is not considered to be good enough to be one of those citizens.  Rick may have a violent past but he’s honest about who he is, unlike the holier-than-thou townspeople who put Rick in jail and then expect him to help them out when the real outlaws arrive.  Though the townspeople pretend that there’s no place for someone like Rick Martin in their society, Rick understands the harsh reality of life in the old west.  Director Ray Nazarro does a good job choreographing the fight scenes and Sterling Hayden give a tough and angry performance as Rick Martin and he’s supported by an able cast of western regulars.  Western fans will find much to enjoy while watching Top Gun.