Author Archives: Jedadiah Leland

Sudden Death (1977, directed by Eddie Romero)

Posted on by Jedadiah Leland

Ed Neilson (Ken Metcalf) is a business executive who just wants to spend the weekend grilling with his family but then a bunch of gunmen show up and, in a surprisingly violent sequence that even shows children being shot in slow motion, massacre his entire family.

Ed barely survives and begs his old friend, a former CIA agent named Duke Smith (Robert Conrad), to find out who murdered his family.  Duke would rather hang out on the beach with his wife (Aline Samson) and daughter (Nancy Conrad) and he refuses to help Ed.  But then Ed gets blown up in his car and Duke and his former partner (Felton Perry) come out of retirement to get justice.  Duke’s investigation leads to a corrupt businessman (Thayer David), a murderous government official (John Ashley, who also produced), and a ruthless hitman (Don Stroud).

Filmed in The Philippines and directed by Eddie Romero, Sudden Death is a violent and brutal thriller with a twisty the plot that is nearly impossible to follow.  It seems like a lot of killing for no particular reason.  The thing that sets Sudden Death apart from other action films is its willingness to violently kill off anyone, regardless of age, gender, or relative innocence.  The 70s was a decade known for downbeat endings but, even by the standards of that decade, Sudden Death‘s ending is shockingly abrupt and bleak.  In the lead role, Robert Conrad shows off the ruthless intensity that made him the most feared of all of the coaches on Battle of the Network Stars.

Originally, the sidekick role was offered to Jim Kelly.  When Kelly dropped out, the role was given to the far more laid back Felton Perry.  I think if Kelly had stayed with the film, it would probably be a cult classic today.  Instead, it’s an obscurity that reminds us of how bleak even exploitation films were in the 70s.

Music Video of the Day: Iron Man by Black Sabbath (2000, directed by ????)

Posted on by Jedadiah Leland

30 years after the song was first released and helped to define heavy metal for a generation, a live version of Iron Man was released, as a single, in 2000 and it brought Black Sabbath its first Grammy nomination.  Appropriately, this video was made during the period of Osbourne’s first reunion with Black Sabbath.  It was filmed over the course of two performances at the Birmingham NEC.

Two years after this video and the band’s first Grammy nomination, The Osbournes would premiere on MTV and, unfortunately in my opinion, Ozzy would become better known as a reality television participant than as a singer.

Enjoy!

Paper Lion (1968, directed by Alex March)

Posted on by Jedadiah Leland

Writer George Plimpton (Alan Alda) is a Park Avenue sophisticate who practices “participatory” journalism.  He has already written about pitching in an exhibition all-star game and getting knocked out by Sugar Ray Robinson.  He is having trouble coming up with his next stunt until he goes to Central Park and plays a touch football game with his girlfriend Kate (Lauren Hutton) and his editor, Oscar (David Doyle).  Oscar sees George throwing the ball and decides that George should write about going to a professional football team’s training camp as a player.

George, who fantasizes about throwing the game-winning touchdown, is enthusiastic.  Most of the teams that George approaches are less enthusiastic but finally, the Detroit Lions agree to sign him as a quarterback.  Once the other players realize that George is a writer and not a professional athlete, there’s a lot of resentment.  As Guard John Gordy (playing himself) puts it, he could easily get injured while protecting an inexperienced quarterback like George.  George can always go back to Park Avenue but, for the rest of the players, the game is their life and they don’t like the idea of some outsider coming in and treating it all like a joke.  At first, only the fearsome defender Alex Karras (also playing himself) is willing to support George but eventually, George’s refusal to give up wins over the rest of the team.  They even let him score a touchdown during practice.

When the preseason begins, George waits for his opportunity to take the field.  How many yards can he lose in three plays?

Paper Lion is based on a true story.  In 1963, George Plimpton did attending training camp and play a scrimmage for the Lions and he later wrote a book about the experience.  The movie changes the time period from ’63 to ’67 so that all of the then-members of the Lions could play themselves.  (Though Karras was a friend of Plimpton’s, he was actually suspended during the 1963 season and, unlike in the movie, never joined Plimpton on the practice field.)  The film plays Plimpton’s football career largely for laughs, celebrating every guy’s fantasy of being a sports star while also showing why it’s probably best to leave the actual game to the professionals.  Alan Alda doesn’t imitate Plimpton’s famous Mid-Atlantic accent but he does capture the excitement of a man getting to live out his fantasy.

Paper Lion was made with the full cooperation of the NFL and a good deal of the film’s final third is made up footage that was shot for an actual game.  Seen today, it’s interesting to see how positively Paper Lion portrays both the game and its players and to contrast it with how the game is usually portrayed today.  There’s no talk of steroids or fears of multiple concussions.  All of the players are clean-cut, friendly, witty, and helpful.  Even the training camp hazing is all done is good fun.  Paper Lion introduces us to the nicest people in the world and they’re all football players!

Music Vide of the Day: Angry Again by Megadeth (1993, directed by Wayne Isham)

Posted on by Jedadiah Leland

Megadeth’s Angry Again was a part of The Last Action Hero soundtrack, which was as acclaimed as the film itself was criticized.  The song was a hit for Megadeth and the video, which featured scenes from the film mixed with the band performing, went into heavy rotation on MTV.

This video was directed by Wayne Isham, who directed several videos for Megadeth and just about every other band that was prominent during the 80s and the 90s.  If you were in a famous band, you probably worked with Wayne Isham at least once.

Enjoy!

Meet Wally Sparks (1997, directed by Peter Baldwin)

Posted on by Jedadiah Leland

Wally Sparks (Rodney Dangerfield) is a talk show host with a program that is so raunchy that even Jerry Springer says, “At least this isn’t The Wally Sparks Show!”

Despite being a huge hit amongst teens and college students, the show is on the verge of being canceled by the head of the network, Mr. Spencer (Burt Reynolds, wearing a fearsome toupee).  He is tired of Wally’s antics and he tells Wally and his producer, Sandy Gallo (Debi Mazar), that they have a week to make the show respectable.

Wally doesn’t know what to do.  Wally Sparks act respectable?  Wally’s a guy who don’t get no respect, no respect at all.  Then Sandy finds a letter inviting Wally to attend a party at the home of Georgia Governor Floyd Patterson (David Ogden Stiers), a noted critic of the show.  Hoping to get the interview that will save the show, Wally and Sandy head down south.

At the party, Wally acts like Wally and scandalizes all of the politicians and socialites.  He also shares a bottle of whiskey with a horse and then rides the horse through the mansion.  The party is a disaster but, after Wally claims that he can’t walk because of a spinal injury he suffered when he fell off the horse, the Governor allows him to recuperate in the mansion.  Wally causes more chaos while also teaching the Governor’s wife (Cindy Williams) how to play strip poker and eventually exposing a scheme to blackmail the Governor into building  a Confederate-themed amusement park.

Rodney Dangerfield playing a talk show host sounds like a great idea and there are a lot of talented people to be found in Meet Wally Sparks.  Debi Mazar is an actress who should have appeared in a lot more movies and she and Rodney Dangerfield make a good team.  The movie actually gets off to a funny start, with a montage of actual talk show hosts talking about how much they hate Wally Sparks and his show.  Gilbert Gottfried has a cameo as a manic guest and Wally repeats some of Rodney Dangerfield’s classic jokes.

Unfortunately, the movie starts to fall apart as soon as Burt Reynolds threatens to cancel the show for being too lowbrow.  No network executive has ever threatened to cancel a show that’s bringing in the ratings, regardless of how lowbrow it might be.  Things get even worse after Wally goes to Atlanta and ends up staying there.  The movie tries to recreate the Snobs vs. the Slobs dynamic of previous Dangerfield films but the Governor comes across as being such a decent man that there’s no joy to be found in watching his life get turned upside down.  The movie has a surprisingly large number of subplots, including one about Wally’s son (Michael Weatherly) falling for the Governor’s daughter (Lisa Thornhill), but most of them go nowhere and just distract from the man who should have been the film’s main attraction, Rodney Dangerfield.  By the end of the movie, even the usually irrepressible Dangerfield seems to have been neutered.

Rodney Dangerfield was a national treasure but Meet Wally Sparks was not the best showcase for his persona or his style of humor.  Fortunately, Caddyshack and Back To The School are available to watch anytime that we need a good laugh and we want to show Rodney Dangerfield a little respect.

Music Video of the Day: God Save The Queen, covered by Motorhead (2000, directed by Vanessa Warwick and Justin B. Murphy)

Posted on by Jedadiah Leland

In this video, Motörhead covers the classic Sex Pistols song while touring London with the Queen, herself!  Actually, it’s just a lookalike but it’s still interesting how, in just a few years, God Save The Queen went from being a scandalous and dangerous song to being an unofficial anthem of the UK.

For the record, John Lyndon and Glen Matlock have both said that the song was not meant to be an attack on Elizabeth as much as on the idea of spending tax money to support the monarchy.  Sex Pistols guitarist Steve Jones was quoted as saying that the song was not really political but that it was just “a giggle.”

Enjoy!

Belly 2: Millionaire Boyz Club (2008, directed by Ivan Frank)

Posted on by Jedadiah Leland

After being incarcerated for 8 years, G (The Game) is released from prison.  As a condition of his parole, he is told to get a job and not hang out with any of his old criminal associates.

G fails to get a job.

G decides to return to selling drugs with his old criminal associate, Tone (Michael K. Williams).

Soon, G is the third biggest drug dealer in the city.  Corrupt cop Coleman (Ed O’Ross) is working with the Mexican cartel and he wants to take G down.  DEA agent Alexis (Shari Headley) is sent undercover to get evidence on G.  After a montage of the two of them going on romantic walks, having sex, and playing dominoes, they fall in love for real.  Alexis has to decide if she is willing to betray G and G eventually has to decide if he can forgive her for being a cop.

The big problem with this entire scenario is that G is on probation so he could be arrested and sent back to jail at any time, either for not getting a job or for spending all of his time with Tone.  There’s no reason to go through all the trouble of sending in Alexis and having her risk her life to find proof of G’s wrongdoing.  G should have been busted and sent back to jail as soon as he said hello to Tone.  Even if there was some reason why the cops didn’t want to bust him for not getting a job, G is shooting people in the middle of the street.  G is not a master criminal.  He should not be that hard to bust.

The Game is a talented rapper and a terrible actor.  Whatever charisma he has on stage disappears as soon as he gets in front of a camera and tries to show emotion.  The late and much missed Michael K. Williams is better as Tone but he deserved better than supporting roles in straight-to-video shlock like this.  Williams’s Wire co-star, Felecia Pearson, has a pointless cameo.  Ed O’Ross bulges his eyes and gives the type of sweaty performance that feels more appropriate for a silent movie.

As you probably guessed, this film has nothing to do with the original Belly.  There’s a lot of slow motion gunfights and talk about respect and money.  It feels almost like a parody of a hood film, right down to the final act of violence.

Music Video of the Day: Alone Again by Dokken (1985, directed by Wayne Isham)

Posted on by Jedadiah Leland

Bringing to life one of the best metal power ballads of the 80s, Alone Again alternates between scenes of Don Dokken performing before a crowd and sitting alone in his hotel room.  Even though Dokken can control the stage and stand in front of thousands of fans, he still feels alone afterwards.

This video was directed by Wayne Isham, who was one of those directors who worked with everyone who was anyone.

Enjoy!

The Lone Hand Texan (1947, directed by Ray Nazarro)

Posted on by Jedadiah Leland

Oil’s been discovered on the Texas frontier and Sam Jason (Fred Sears) has got the rights to several wells.  Someone in town keeps sabotaging his operations and blowing up his oil wells.  Sam sends a telegram to his old friend, Steve Driscoll (Charles Starrett).  Steve shows up in town to help Sam set up his business.  Meanwhile, Steve’s alter ego, the masked Durango Kid, works to discover who has been targeting Sam.

This is actually more of a Smiley Burnette movie than a Durango Kid film.  As always, Smiley is the Kid’s sidekick in the movie.  Smiley owns a general store and he’s the towns postmaster.  Everywhere Smiley goes, he is followed by two musicians, Mustard and Gravy.  Smiley sings even more songs than usual in this movie and he even has a brief romance with the local widow (Mary Newton), who unfortunately is also behind the efforts to drive Sam out of business.  Smiley may be the sidekick but he gets more screentime than the Durango Kid in The Lone Hand Texan and he does a mighty fine job with it.

One of the curious things about The Lone Hand Texan is that one of the bad guys also decides to wear a mask and claim to be The Durango Kid.  I wish the movie has done more with that because I have never really understood why Steve feels like he has to pretend to be Durango in the first place.  It’s not as if it’s difficult to recognize Steve, even when he’s wearing a mask.  I have never understood why no one in his movies ever notices that you never see Steve and the Durango Kid in the same place at the same time.  Even Lois Lane should have been able to figure out Durango’s secret identity.

The Lone Hand Texas is a standard Durango Kid outing, albeit not as dependent on stock footage as some of Durango’s other films.  Smiley gets to do more than usual, which is the only thing that really sets it apart.  As with most of the Durango Kid films, it will be best appreciated by those who are already fans.

Music Video of the Day: Stranger In A Strange Land by Iron Maiden (1986, directed by Julian Caidan)

Posted on by Jedadiah Leland

You can count me amongst those who used to assume that this song was one of the many heavy metal songs to be inspired by a classic work of science fiction.  After all, the song shares its title with Robert A. Heinlein’s classic novel.

However, the song has nothing to do with Heinlein’s novel.  Instead, it is about an Arctic explorer who falls into the ice and whose frozen body is found 100 years later.  It was inspired by a conversation that Adrian Smith had with an actual explorer who once discovered a body preserved in the Arctic ice.

Julian Caidan also directed the video for Robert Palmer’s Early In The Morning.

Enjoy!