Moments #21: Exploring The Back Yard Of An Abandoned House


I simply can’t resist the opportunity to explore an abandoned house.  Check out this backyard!

A few weeks after I took these pictures, the city sent down a landscaping crew who mowed the grass and tossed out all of the tables and the chairs that had been left in the backyard.  It made me sad watching them do it.  I don’t know who once lived in that house or why they left their gate open but I’ve always wondered if they ever came back looking for their plastic chairs.  Watching it all get tossed in a dumpster felt like the end of an era.

Previous Moments:

  1. My Dolphin by Case Wright
  2. His Name Was Zac by Lisa Marie Bowman
  3. The Neighborhood, This Morning by Erin Nicole
  4. The Neighborhood, This Afternoon by Erin Nicole
  5. Walking In The Rain by Erin Nicole
  6. The Abandoned RV by Erin Nicole
  7. A Visit To The Cemetery by Erin Nicole
  8. The Woman In The Hallway by Lisa Marie Bowman
  9. Visiting Another Cemetery by Erin Nicole
  10. The Alley Series by Erin Nicole
  11. Exploring The Red House by Erin Nicole
  12. The Halloween That Nearly Wasn’t by Erin Nicole
  13. Watchers and Followers by Erin Nicole
  14. Visitors by Erin Nicole
  15. Fighting by Case Wright
  16. Walking In The Fog by Erin Nicole
  17. A Spider Does What It Can by Erin Nicole
  18. Downtown Richardson, In The Rain by Erin Nicole
  19. Me, our kids, and ONCE UPON A TIME IN HOLLYWOOD! by Bradley Crain
  20. The Statues of SMU by Erin Nicole

I Watched Trouble With The Curve (2012, Dir. by Robert Lorenz)


I love baseball  and all of its traditions.

I love the idea that a pitcher has a mental connection with his catcher.  I love the stories of the minor leaguers who get their chance in the majors and who stun the world by coming out of nowhere to hit a home run on their first at bat.  I love all the stories about which batters corked their bats and which pitchers could still manage to get away with throwing a spitball.  I love baseball because watching it is a relaxing way to spend an afternoon but at the same time, the game is unpredictable.  Just one hit can change the momentum of an entire game and, until that final out, the game could be won by anyone.  I especially have a place in my heart for the legendary baseball scouts, the grouchy old men who would drive out to the middle of nowhere to watch a game and search for the next great homerun hitter.

That’s one reason why I hated Moneyball.  I thought Brad Pitt, Philip Seymour Hoffman, Chris Pratt, and Jonah Hill all did a good job and I loved Brent Jennings’s performance as Ron Washington but I hated the idea that the scouts and their instincts weren’t necessary because everything could just be determined by sabermetrics.  The idea that an algorithm could tell you everything you needed to know about how to put a team together felt like a crime against everything that makes baseball special and it deeply offended me as a fan.  Moneyball may feature a baseball team but it’s a movie about business, not the game.

That’s why I’m thankful for Trouble With The Curve.

Clint Eastwood stars as Gus Lobel, one of those plain-spoken, no-BS scouts that I love so much.  All of the team owners might be into sabermetrics but Gus knows that the best way to scout a player is to actually hit the road and see him play.  For Gus, scouting is all about instincts and his own gut feeling.  Gus is everything that I love about baseball.  He’s knows the game, he knows the players, and he doesn’t need an algorithm to tell him whether or not someone should be on the field.

The movie is about Gus scouting a player who has trouble hitting the curve.  That’s something that Gus notices but the algorithm overlooks.  Accompanying Gus is his daughter, Mickey (Amy Adams), who is proud to have grown up surrounded by plain-spoken, unpretentious baseball scouts like her father and who doesn’t understand why Gus never took her on the road when she was younger.  Mickey falls for a younger scout named Johnny (Justin Timberlake), their love based on their shared knowledge of baseball.  I liked Mickey and Johnny as a couple and I appreciated the scenes where Mickey and Gus worked on their strained relationship but the best thing about this movie is that  Gus gets to prove that he knows more about baseball than all the young whipper-snappers who think they understand the game.

Trouble With The Curve is a tribute to everything that baseball is truly about.  It’s a movie that loves the game as much as I do.  Clint Eastwood and Amy Adams are a perfect father/daughter duo.  Who needs an algorithm when you’ve got Clint and Amy?

I Watched The Bridges of Madison County (1995, Dir. by Clint Eastwood)


The Bridges of Madison County starts with a mystery.  A sister and her brother try to find out why their mother requested that she be cremated and her ashes scattered from a bridge rather than be buried next to her late husband.  Going through their mother’s things, they learn about four-day affair that she had with a photographer who was just passing through town and taking pictures of covered bridges.

Meryl Streep plays their mother, an Italian war bride named Francesca.  Clint Eastwood plays the photographer, Robert Kincaid.  The movie shows how Francesca, trapped in a loveless marriage, rediscovered her passion for life and love during her four-day affair with Robert.  Robert rediscovered his love for photography.  (I like to take pictures so I was happy for him.)  With her family due home after a trip to the Iowa State Fair, Francesca had to decide whether to abandon them to pursue her affair with Robert.  Since this is the first that her children have ever heard about the affair, it’s easy to guess what she decided to do.

My aunt loved this film and I like it too.  It’s the most tasteful film about a woman being tempted to abandon her family that I’ve ever seen.  It’s a film about adultery that the entire family can enjoy!  The film looks beautiful and Meryl and Clint … wow!  Let’s just say that they seemed to be really into each other.  The two leads give such heartfelt performances that every moment felt authentic and by the end of the movie, I very much wanted to see Francesca’s ashes dumped over the side of that bridge.  Whenever anyone says that Clint Eastwood could only play cops and cowboys, tell them to watch Bridges of Madison County.

So, I Watched Paint Your Wagon (1969, Dir. by Joshua Logan)


Lisa Marie asked me to review Paint Your Wagon for Clint Eastwood’s birthday and, being a good sister, I agreed.  I have to learn to stop doing that.

Paint Your Wagon is a musical western starring a bunch of people who have done a lot of westerns but who still have no business singing, at least not in a movie.  If they want to sing in private, that’s fine.  Ben Rumson (Lee Marvin) and “Pardner” (Clint Eastwood) discover gold in a muddy creek and soon, the incredibly ugly town of No Name City springs up.  Because everyone in the town is a dude, everyone’s really lonely.  Then a Mormon shows up with two wives and the miners convince him to sell his youngest wife, Elizabeth (Jean Seberg) to the highest bidder.  Ben is always drunk but he still manages to buy Elizabeth.  Elizabeth says that she’s not going to marry Ben unless he builds her a cabin and also lets her marry Pardner as well.   Hello, polyamory. Eventually, a bull gets loose in the mines underneath No Name City and the entire town collapses but that’s okay because it was an ugly town and no one’s going to miss it.  Ben sings about how he was born under a wandering star so that means he can’t stay very long in once place, even if he does have a polyamorous marriage to look forward to.  Pardner sings that he likes to talk to the trees so he doesn’t need a town to live in.

My first thought on Paint Your Wagon is that it was really, really long.  It had a two and a half hour running time but it felt more like five or six.  My second thought is that movie looked really bad, like it was filmed through a mud filter.  It wasn’t just the buildings in the town that looked bad.  The entire movie looked dirty, oppressive, and depressing.  I like my musicals to have more color to them.  This movie looked like it needed an antibiotic.  My third thought was that, for a musical, none of the songs made much of an impression.  After the movie was over, I didn’t find myself humming any of them.  I can’t even remember what most of them were about.  Even if they had been better, Lee Marvin and Clint Eastwood shouldn’t have been singing them.  Lee Marvin’s singing voice sounded like whiskey being poured out over cement.  Clint Eastwood’s voice was thin and he got stuck with all the sappy songs.  I’ll take old and grumpy Clint Eastwood over singing and sappy Clint Eastwood any day.  This was like watching a community theater production where you’re not supposed to care about how bad the performance is because you know everyone in the cast.  Finally, I thought that there wasn’t enough wagon painting.  The entire town was unpainted.  It wasn’t just the wagon that was being neglected.

The funniest thing about this movie is that was advertised as being “the comedy goldmine of 69.”  Nice.

I didn’t like Paint Your Wagon but don’t worry.  I’ll be watching Trouble With The Curve later today.  Now that one, I do like!